Fantastic Four #50

The Startling Saga of the Silver Surfer!

Featuring: Fantastic Four
Release: February 10, 1966
Cover: May 1966
12 cents
Script: Stan Lee
Art: Jack Kirby
Inks: Joe Sinnott
Lettering: S. Rosen
20 pages

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Master! For the first time I realize the dread enormity of what you plan to do! You must not tamper with other worlds! You cannot destroy the entire human race!

Would you hesitate to tread upon an ant hill? These creatures are of no consequence to Galactus!

These are not ants, Master! They think… they feel… they have even created the primitive civilization which we see all about us!

Master! Say we may leave this world! My heart grieves at battling one with whom I shared… a universe!

You speak of me as though I am a monster! Do not the humans themselves slay the lesser beasts for food… for sustenance? Galactus does no less!

Galactus is not evil! He is above good.. or evil! He does what he must… for he is Galactus!

Emulate the Watcher! Stand and observe! Try to fathom the cataclysmic forces which have been unleashed! For you shall never see their like again!

Long have I cherished the stumbling, bumbling, but always aspiring human race!

Consider the courage they display! Though they are still in their infancy, you must not disdain them! Did not your race… and mine… evolve from such humble beginnings? Do they not possess the seed of grandeur within their frail, human frames?

And at last I perceive the glint of glory within the race of man! Be ever worthy of that glory, humans… be ever mindful of your promise of greatness! …For it shall one day lift you beyond the stars.. or bury you within the ruins of war!! The choice is yours!!

Generally, my plan is to pick a single quote from each issue to open these posts. I cheated last issue and am doing so again this issue. Too many great quotes. Also too many great images.

This isn’t the worst cover we’ve seen, but it is the most disappointing. Compare it to the awesome first page.

That’s a cool image. But the cover? No Galactus? The FF just as floating heads? Just a shot of the Silver Surfer. With the corner of the cover devoted to Johnny at college? What?

Notice they seem to have gotten the coloring of Galactus basically right now. Purple over red, wearing pants. Still bare arms, but that’s fine. Third time’s the charm. Here’s how it looks in the digital version with modern coloring.

I think the conclusion of the Galactus saga is excellent, but the structuring of this issue is again weird. To appreciate that, I’d like to peek ahead a few pages.

Recall where we were. Galactus is about to destroy the entire world in order to convert its resources into energy to feed himself. His herald has been convinced by Alicia that human life matters, so Silver Surfer has decided for the first time in countless eons to defy his master. Meanwhile, the Human Torch has journeyed across the universe to the giant space station that is Galactus’ home, to find the one weapon that may yet save them.

With all that to wrap up ahead of us, this is page 15.

We meet Coach Thorpe, who is very concerned his college football team is performing poorly. And his star quarterback is giving him attitude.

I cannot even begin to explain the surreality of the contrast between the first and fifteenth page of this comic.

Maybe it will make sense as we go on.

It won’t.

Continue reading “Fantastic Four #50”

Fantastic Four #49

If This Be Doomsday!

Featuring: Fantastic Four
Release: January 1, 1966
Cover: April 1966
12 cents
Written in the masterful manner of Stan Lee
Illustrated in the magnificent mode of Jack Kirby
Inked in the majestic mood of Joe Sinnott
Lettered in the nick of time by S. Rosen
20 pages

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Of what import are brief, nameless lives… to Galactus??

It is not my intention to injure any living being! But… I must replenish my energy! If petty creatures are wiped out when I drain a planet, it is regrettable… but unavoidable!

I am supreme unto myself… I am Galactus!

This planet contains the energies to sustain me! I shall absorb it at will… as I have for ages in countless galaxies throughout the cosmos!

Destroy is merely a word! We simply change things! We change elements into energy… the energy which sustains Galactus! For it is only he that matters!

No! No! We all matter! Every living being… every bird and beast… this is our world! Ours!

Perhaps we are not as powerful as your Galactus… but we have hearts… we have souls… we live… breathe… feel! Can’t you see that?? Are you as blind as I?

Never have I heard such words… sensed such courage… or known this strange feeling… this new emotion…! There is a word some races use… a word I have never understood… until now! At last I know… beauty!

But look! Look at the city below you! Look at the people! Each of them is entitled to life… to happiness… each of them is… human!

All I need do is link these two igniters… and all the seas of Earth shall be transformed into purest energy… enough energy to sustain me until I find the next such planet somewhere in the endless cosmos!

Trust me! Banish fear from your heart! You shall travel by time space distortion! We must force open the very fabric of time itself! Let it be done… now! You are traveling back… far, far back… into the center of infinity!

There’s always a chance, darling… so long as we’re alive!

Perhaps for the first time within memory… I have found something worth protecting!

This is the middle chapter of the Galactus saga. In many cases, the middle chapter of a saga is the weakest. But the odd structuring of the story makes this the best issue. The first issue was beset by having to finish off the Inhuamns saga before getting started. The last issue will oddly finish halfway through and then become about college football.

Making this the only chapter that dedicates 20 pages to being about Galactus.

I have a book collecting some Jack Kirby Collector magazines, which includes some pencils for this issue. Comparing Kirby’s pencils with the finished artwork can help us understand what Joe Sinnott brings to the table with his finishes.

Let’s dive in and I’ll make some comments as we go.

That’s one hell of a first page.

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Fantastic Four #48

The Coming of Galactus!

Featuring: Fantastic Four
Release: December 12, 1965
Cover: March 1966
12 cents
Stan Lee, writer without peer!
Jack Kirby, penciller of the year!
Joe Sinnott, inker most sincere!
Artie Simek, how’d he get in here!
20 pages

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My journey is ended! This planet shall sustain me until it has been drained of all elemental life! So speaks Galactus!

There’s a lot going on in this issue, and a lot to say. So we’ll break it into sections.

The end of the Inhumans saga

We were reading the Inhumans saga in Fantastic Four #4447. And it wasn’t done. Maximus, the mad would-be king of the Inhumans, was just about to wipe out all humanity with his weapon.

Despite this cliffhanger, we left the saga behind to check in on the rest of the Marvel Universe. We’ve read 70 other stories over the 9 months since we left ourselves hanging. The story concludes this issue. Prior to issue 44, the longest FF saga was 3 parts in the previous 3 issues, #4143, clocking in at 60 pages. Before that, the longest FF saga was the 2-part #3940, clocking in at 40 pages.

We’ve already ready 4 issues and 80 pages of the Inhumans arc, and we’re not done! Here we are on the 5th issue. Since this issue is another 20 pages, does that mean it’s a 100-page long saga?

I would say no. I would put it at about 86.7 pages.

That’s right. There are less than 7 pages left.

The Fantastic Four have found the Great Refuge within the Andes. Black Bolt wants them to leave immediately. Reed wants Black Bolt to stop hiding from humanity. Crystal and Johnny want each other.

And Maximus… he fires his “atmo-gun”, which will send vibrations that only affect humans into the air, leaving the Inhumans the rulers of the world.

And the resolution of this apocalyptic moment?

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Tales to Astonish #75, Story B

Not All My Power Can Save Me!

Featuring: Hulk
Release: October 5, 1965
Cover: January 1966
12 cents
Story: Stan Lee
Layouts: Jack Kirby
Illustrations: M. Demeo
Lettering: S. Rosen
Enjoying: That’s your job, pussycat!
10 pages

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At last I got somethin’ to smash out against… somethin’ to fight… a chance to do the thing I can do better than anything that lives!

This picks up right where the last issue left off, though we paused for a bit since reading the last issue and since reading the earlier half of this comic.

Hulk had just acquired the Ultimate Machine for the Leader from the Watcher’s world. Leader’s attempt to use the machine resulted in his death.

Continue reading “Tales to Astonish #75, Story B”

POSTLUDE: Marvel: Heroes & Legends #1

For Better and For Worse!

Featuring: Everybody
Release: August 21, 1996
Cover: October 1996
$2.95
Scintillating script by Stan Lee
Prurient plot by Fabian Nicieza
Pulse-pounding pencils by Sal Buscema, John Buscema, John Romita, Sr., Steve Ditko, Gene Colan, Marie Severin & Ron Frenz
Incredible inks by Tom Palmer, Joe Sinnott, Terry Austin, Bill Reinhold, Marie Severin & Al Milgrom
Kaleidoscopic colors by John Kalisz (with perfect page one and colossal cover coloring by Paul Becton)
Lascivious letters by Richard Starkings and Comicraft/ad
Effervescent edits by Matt Idelson
Aching assistant edits by Paul Tutrone
Evil editing-in-chiefing by Bob Harras
Very special thanks to: Mariano Nicieza, Darren Auck, Scott Koblish, Gil Kane, The Raiders, and the many terrific talents of the Mighty Marvel Bullpen
Based on Fantastic Four Annual #3 by Stan Lee and Jack Kirby
48 pages

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Just between us, Alicia– I’ve been ready ever since I met the man!

I’m not trying to include too many POSTLUDE entries, but don’t have a clear standard for when I do. Having a copy of the comic in my living room as opposed to in storage somewhere is a good motivator. Plus, I actively used this comic as a reference when making my Fantastic Four Annual post, in deciding who might have been present at the wedding but off-panel.

Heroes & Legends is a loving retelling of the wedding of Sue and Reed from 1996, by continuity nerd Fabian Nicieza with a rotating cast of classic artists and a script by Stan Lee.

We know Steve Ditko very well by this point. We’ve seen some early work of John Romita, but he’s just about to join our regular cast of artists. Gene Colan just started drawing Namor’s adventures. Marie Severin has been working behind the scenes, and we’ll see her artwork soon enough. We’ve already seen some artwork of her brother John. John and Sal Buscema will be shaking things up eventually, and Ron Frenz in the more distant future. We’ll see Tom Palmer soon enough. We’ve briefly met Joe Sinnott a couple times, but he’s just about to become a regular. I’d bemoaned he wasn’t the original inker on the annual. It came out just one month too early. The other inkers will be coming along later.

This tells the same story as the Fantastic Four Annual, but with over twice as many pages.

In a short while, we’ll also read Marvels #2, which includes yet another take on this wedding to contrast with these two takes.

We’ll compare the new comic to the original and note the artist on the new comic. The original art is all by Jack Kirby and Vince Colletta. As noted above, for everything but the first page, John Kalisz did the colors in the new one.

The opening page deliberately mirrors the original.

The big addition is a kid named Mark, a superhero fan who gets separated from his father in the commotion, and targeted by villains and saved by heroes. He serves as the centerpiece for this retelling.

Continue reading “POSTLUDE: Marvel: Heroes & Legends #1”

Fantastic Four Annual 3

Bedlam at the Baxter Building!

Featuring: Fantastic Four
Release: July 1, 1965
Cover: 1965
25 cents
Written by: Stan Lee
Drawn by: Jack Kirby
Inked by: Vince Colletta
Lettered by: Artie Simek
23 pages

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I now pronounce you man and wife! You may kiss your bride!

It’s the wedding of the century. Today’s the day. Half the Marvels have been invited! And the rest of them are turning up anyway!

This issue represents by far the largest gathering of heroes and villains yet, forever binding these disparate characters into a universe.

This issue represents the idea that there is no status quo, that these characters are at their best when they change and grow. Forward momentum is an essential ingredient to storytelling. Genuine, non-illusionary, change.

This is the most significant moment in the early Marvel Universe.

I think I’d have come up with a better title than “Bedlam at the Baxter Building”.

I wish Chic Stone or Joe Sinnott had been the inker. A few months too late to have Stone and one month too early to have Sinnott. Also, Colletta is uniquely suited to a long special issue with many characters because he’s famously expedient.

I appreciate that the headline takes for granted the public knows who Reed and Sue are without the need for surnames or superhero identities. The cover does the same for its audience.

Pretty cool this worked out to be the 400th story in our reading order. Currently on track to also have the 500th story be a particularly special issue of Fantastic Four as well. When we read Avengers #1, it was the 100th story, but then I went and retroactively mucked with the ordering.

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Tales to Astonish #74, Story B

The Wisdom of the Watcher!

Featuring: Hulk
Release: September 2, 1965
Cover: December 1965
12 cents
Dreamed up by: Stan Lee!
Designed by: Jack Kirby!
Drawn by: Bob Powell!
Delineated by: Mickey Demeo!
Doodled by: S. Rosen
10 pages

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Tales to Astonish #74Tales to AstonishTales to Astonish #75

I am the Watcher! That is enough! That answers all!

Tales of Suspense #60 was released in September 1964, a full year earlier. That began Marvel’s first extended saga. The threat of the Leader has united the disparate threads and arcs from that issue until this one. At the time, Marvel stories were self-contained things. Just a few years earlier, they tended to fit into under 10 pages. The full-issue 20-page long Fantastic Four epics stood out in their length. Since then we’ve had the occasional 2-part arc, often two standalone issues that tie together. Because Dr. Octopus or Dr. Doom hadn’t quite been defeated in the previous issue.

This month, Dr. Strange begins a proper 2-part arc against Dormammu. About 4 months after the debut of Tales of Suspense #60, Thor’s title followed suit. Journey Into Mystery #114 moved away from discrete stories to a series of interconnected threads, which we are still untangling 6 issues later and nowhere near done with. Three months later, Dr. Strange’s story (also by Ditko) would follow suit, beginning a 17-part saga we are almost ready to sit down to read.

Thor and Dr. Strange have the benefit of a consistent creative team. Stan Lee, Jack Kirby, and Vince Colletta have brought consistency to Thor, just as Lee and Ditko have with Dr. Strange.

This saga opened with a variety of artists attempting the impossible task of inking Ditko before Kirby took over again briefly, before moving to the current state where Kirby does the layouts for another artist to fill in with art. Too many artists across these 15 issues. No consistency of anything.

Let’s review the story so far. It began with an unnamed spy stealing a robotic suit of armor Banner had designed for the military. Hulk dealt with the robot, but found himself a prisoner of General Ross. Meanwhile, Major Talbot joined the base with the express intention of learning Banner’s secrets, and also possibly stealing Betty’s heart. Then Chameleon attacks the base, working for the mysterious Leader, whose face we don’t see. We learn the spy from the previous issues had also been an agent of the Leader. See how the loose connections work? We finally meet the Leader, and learn he is also a victim of a Gamma-based accident, which gave him green skin and a powerful mind. He has created something called the Humanoid, which he sends against the Hulk. Rick reveals Hulk’s secret to the President to clear Bruce’s name. When Banner is conducting his next military experiment, more Humanoids attack. In the wake of the battle, he finds himself a prisoner aboard a Soviet sub and taken behind the Red Curtain. His adventures there don’t have much to do with the Leader, but it spins directly out of and into confrontations with the Leader. There’s always a cliffhanger to tie the arcs together. Hulk breaks free of the Soviets and ends up in Mongolia. And soon becomes a prisoner of the Leader. The military raid the Leader’s complex and shoot and kill Banner. By transforming into Hulk and staying that way, Hulk is able to stay alive. But then the military raid Hulk’s lab and he has no choice but to turn to the Leader for help. This time, Hulk willingly joins the Leader. The Leader sends Hulk to the planet of the Watcher to steal the Ultimate Machine. But first he will have to battle the most powerful creature in the galaxy.

Whew. That’s almost a story. Let’s see how it all ends.

Hulk is famous for battling monsters. But he hasn’t had much of a chance to yet in his career, usually facing off against the US military. Here we go. Finally. A Hulk-sized foe for the Hulk.

The Watcher relocates their battle to a barren land. While this might seem like an act of interference from one forbidden to interfere, there’s an explanation…

Continue reading “Tales to Astonish #74, Story B”

Tales to Astonish #73, Story B

Another World, Another Foe!

Featuring: Hulk
Release: August 3, 1965
Cover: November 1965
12 cents
You’ll never forget Stan Lee’s script!
You’ll never forget Jack Kirby’s layouts!
You’ll never forget Bob Powell’s art!
You’ll never forget Artie Simek’s –eh– let’s see now, what did Artie do?
10 pages

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I’m no good to anyone– including myself! The world hates me– fears me–

Mike Esposito has drawn the last few issues over Kirby’s layouts. This time the art goes to Bob Powell, a semi-regular name by this point. Powell brings a distinctive level of details to Hulk’s facial expressions. The failure to find a consistent creative team over this extended story arc is one of the things keeping Hulk from greatness. It would have been better if Ditko could have stayed on, but he clearly never had his heart in this title. Still, the work Ditko phoned in was enough to lay a foundation for the character that writers have spent decades building on.

Notice these need longer and longer exposition boxes at the beginning to explain the plot so far. Hulk is about to turn back into Banner, at which point the bullet in his brain will kill him. But he is also helpless against the Leader’s Humanoids.

Continue reading “Tales to Astonish #73, Story B”

Strange Tales #134

The Challenge of… The Watcher!

Featuring: Human Torch and Thing
Release: April 8, 1965
Cover: July 1965
12 cents
Soul-stirring script by: Stan Lee
Breath-taking art by: Bob Powell
Eye-popping inking by: Wallace Wood
Heart-rending lettering by: Artie Simek
12 pages

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Strange Tales #133, Story BStrange TalesStrange Tales #134, Story B

All good things must come to an end. And so must this.

Hulk’s series only lasted 6 issues. But then he started showing up all over the place. Avengers, Fantastic Four, Amazing Spider-Man, and finally he got his own series back, this time to last for over 50 years and counting.

The Wasp had a back-up feature in Tales to Astonish behind the main feature she shared with Giant-Man. It started with her narrating science fiction tales, but then she started going on her own adventures. They were short-lived; she was the second character to lose a series.

The Watcher had a back-up feature behind the Iron Man stories in Tales of Suspense. It started with him narrating science fiction tales, but then he started going on his own adventures. They were short-lived; he was the third character to lose a series.

This month, two long-running features get cancelled. We’ll talk about the other in due course. (We’re reading this one a little early to get the Fantastic Four chronology in line.)

For the moment, let’s reflect on the history of Strange Tales

Continue reading “Strange Tales #134”

Avengers #14

Even Avengers Can Die!

Featuring: Avengers
Release: January 12, 1965
Cover: March 1965
12 cents
Plot and editing by: Stan Lee
Script by: Paul Laiken and Larry Lieber
Layouts by: Jack Kirby
Pencils by: Don Heck
Inking by: Chic Stone
Lettering by: S. Rosen
20 pages

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Avengers #13AvengersAvengers #15

That’s quite the credits listing. Sounds like they were running out of time to get this done and called in every hand they could to meet a deadline. That’s also how this story reads.

Larry Lieber had long since left superheroes behind to focus on comics like Rawhide Kid, but he pitches in.

Paul Laiken is a new name to us. This is the only superhero story he’ll ever be involved in writing. I literally think they recruited everybody in the building at the time to help get this one done. It seems like he’ll be best known for his work on the Marvel humor magazine which is totally not a Mad rip-off, Crazy.

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