Featuring: Spider-Man Release: December 8, 1966 Cover: March 1966 12 cents A Stan Lee John Romita Spideriffic spectacular! Lettered by: Sam Rosen 20 pages
I almost made a king-sized jackass out of myself! How could I have thought a teen-aged nobody like Parker could actually be Spider-Man!
Can Romita fill Ditko’s shoes on this title? Ditko created a number of iconic villains. Romita will have to do the same if he wants to compare. He’s already created the Rhino.
Now we meet the most shocking villain yet… the Shocker.
Featuring: Daredevil Release: December 8, 1966 Cover: February 1967 12 cents A Stan Lee * Gene Colan epic extravaganza! Inked by: Frank Giacoia Lettered by: Art Simek 20 pages
We’re both lawyers, Matt! You know how thin that story sounds!
Where were we? Matt had the weirdest plan yet to protect his secret for Karen. Strong, strong emphasis on the word “yet” there. He thought he would put on a Daredevil costume in front of her and pretend to be pretending to be Daredevil to diffuse a hostage situation. Over the course of events, “Matt in disguise as Daredevil” disappears and the “real Daredevil” appears. And then finds himself transported to Europe and trapped there for a bit.
Fortunately that whole act seemed to basically have Karen fooled. But now Matt has disappeared along with Daredevil. And she opened a letter written to Matt from Spider-Man which said that Spidey knew Matt was Daredevil but would keep his secret.
Not very well, apparently.
Now, Matt is back from Europe and will need to scramble to explain his disappearance and protect his secret. He’ll need a plan even crazier than the last one.
Meanwhile, Leap-Frog is a new menace on par with Dr. Doom.
Featuring: Hulk Release: December 8, 1966 Cover: March 1967 12 cents Handled with Hulktitude by Stan (The Man) Lee and Gil (Sugar) Kane Lettered by: Sam Rosen 10 pages
For, it is my intention to cleanse the Earth… to purify this tortured planet… in the only way possible… Civilization… as you know it… must be obliterated! The works of man… indeed, man himself, must be all but wiped out! Only then… with the planet scourged clean… scourged of the seeds of evil… can a new day dawn! Then, these humans who have survived the coming holocaust, shall build a better world… under my command! But I sense your thought! You are concerned about the fate of the millions who must perish! That can be of no concern to me! Human life means nothing to the Stranger! If all the solar system must be destroyed to bring peace to the universe, I would not shed a single tear at its passing! For I am the Stranger! I walk ever alone!
Boomerang is dead. Bruce Banner lies unconscious.
The Stranger had previously collected Magneto and Toad for his zoo. Has he come for the Hulk? Not for his zoo, apparently.
Featuring: Prince Namor, the Sub-Mariner Release: December 8, 1966 Cover: March 1967 12 cents Story by Smilin’ Stan Lee Art by Wild Bill Everett Lettering by Adorable Art Simek 12 pages
I? I am Prince of the Realm! I am Atlantis! Thus, here do I stand!
Recall that passing aliens accidentally dropped a robot on Earth, which landed in the ocean. Attuma has taken control and turned it into a weapon against the Sub-Mariner. I think that’s literally all that happened last issue.
This issue Namor actually fights the robot.
My life belongs to the people– to the Realm Eternal! I do what I must– I cannot do less!
Featuring: Prince Namor, the Sub-Mariner Release: November 3, 1966 Cover: February 1967 12 cents Written by: Stan the Man Lee Illustrated by: Wild Bill Everett Lettered by: Swingin’ Sammy Rosen 12 pages
There must be no new battle till our fighting strength has been restored! Else, the death knell of fair Atlantis may be at hand!
We read the second half of this issue some time ago. It’s a thing that happens. Namor and Hulk share a title. When there are ongoing stories, I try to group a few issues together, looking for decent pause points within the series. But what happens when a good pause point for Namor isn’t a good pause point for Hulk?
Well, I make the reluctant decision to read an issue ahead for one of the characters. Even though that means picking up this comic, flipping to the middle, putting it down, then later picking it up again and reading from the beginning. Almost certainly what nobody reading this comic in 1966 did.
Ah well. I try to balance a lot of things when choosing the reading order and some things have to give.
Back East, I remember reading about a fictitious gun-fighter named the Two-Gun Kid! I don’t know whatever happened to him, but I think I’ll borrow the name!
We see the signatures for Lee, Kirby, and Ayers. The GCD credits the coloring to Stan Goldberg, and the letters to Artie Simek.
We just met Marvel’s original Two-Gun Kid, Clay Harder from 1948. In 1962, Marvel introduced the new Two-Gun Kid. Marvel had been reviving the idea of superheroes with the Fantastic Four and Hulk. And just two months earlier introduced Thor, Spider-Man, and Ant-Man.
Stan and Jack bring the sensibility that had been working for them on the superhero titles to the western genre as they reimagne the Two-Gun Kid. For example, this new one will have a mask and secret identity.
Release: November 3, 1966 Cover: January 1967 12 cents A Stan Lee * Gene Colan contemporary classic! Inked by: Frank Giacoia Lettered by: S. Rosen 20 pages
Starting this issue, Colan gets a credit like Romita got last month, and like Kirby and Ditko had been getting. Rather than just crediting him with art, the entire story is credited to the combo of Stan and Gene. This implicitly acknowledges Colan’s contributions to the writing. While still putting Stan’s name first.
On continuity, we haven’t travelled far into the future. Daredevil escaped Owl’s island while the Rhino was first being tried, and got into his tiff with the Tri-Man very soon after. That ended with him trapped in Europe with no money. And he’s still stuck. So this isn’t long after Amazing Spider-Man #43, perhaps still before Amazing Spider-Man Annual 3.
Featuring: Spider-Man Release: November 10, 1966 Cover: February 1967 12 cents A Stan (The Man) Lee — John (Ring-a-ding) Romita adventure in agonizing action Lettering – Sam Rosen Web-untangling – Irv Forbush 20 pages
When your two arms were helpless against me before, what did you expect to accomplish now?
In this story, Spider-Man fights the Lizard again. With one arm tied in front of his back.
Romita gets the same credit Stan had been giving Ditko and Kirby. Rather then merely crediting him with illustration, Lee gives them each co-credit for creating the entire story, acknowledging that Romita is doing much of the writing.
Featuring: Spider-Man Release: October 11, 1966 Cover: January 1967 12 cents Story: Smilin’ Stan Lee Illustration: Jazzy John Romita Lettering: Swingin’ Sam Rosen Luggage: Honest Irving Forbush 20 pages
Ditko and Lee created a number of great villains for Spider-Man: Chameleon, Vulture, Tinkerer, Dr. Octopus, Sandman, Lizard, Living Brain, Electro, Big Man and the Enforcers, Mysterio, Green Goblin, Kraven the Hunter, Scorpion, the Spider Slayer, Molten Man, the Cat, Looter, Robot Master, a Guy Named Joe…
A temptation when writing a Spider-Man story is to have the premise: “Spider-Man fights _ again.”
Which is the worst idea for a Spider-Man story. In fact, two of Ditko’s weakest issues, written after he had basically given up on the series, involve Spider-Man fighting Kraven or Molten Man again.
That’s not to say these villains shouldn’t return. They should. But their return needs to tell a different story with them or move their own story forward.
That’s the big question. Is this story advancing the saga of this villain or bringing it in circles?
Dr. Octopus fought Spider-Man. When they fought again, it led to the death of Betty Brant’s brother and Spider-Man being unmasked. The villain returned but it was a new story. When they fought again, Dr. Octopus assembled six of Spider-Man’s most sinister foes to battle him. Again, a different story. Finally, they had their greatest battle with Dr. Octopus in the guise of the Master Planner. I heaped plenty of praise on that saga at the time. But suffice it to say, I think there was more of a premise to that story than “Spider-Man fights Dr. Octopus again.”
Spider-Man fought the Lizard, but then learned he was a good man Dr. Connors transformed by his own science experiments.
We saw that man again, cured of his Lizard ways, now acting as a scientific advisor to Spider-Man. We saw him again last issue in a similar capacity, advising against the Rhino. That time he idly wondered if the powers of the Lizard could be used against the Rhino. Spider-Man convinced him that thinking is dangerous.
So as we read stories where Spider-Man fights a classic villain again, I have a couple thought questions. Is the story moving the villain’s story forward? Is it telling a new story with the villain? Is there more to the premise than “Spider-Man fights _ again”?
I’m not objecting per se to Spider-Man fighting the Lizard again. Romita is an artist with a distinctive style from Ditko, so it’s fun to see his take on Ditko’s villains.
And the story will be good because Romita’s art is good and because he’ll do a good job with the side characters and soap opera. But will the story be good?
Featuring: Fantastic Four Release: December 8, 1966 Cover: March 1967 12 cents Dazzlingly depicted by: Stan Lee and Jack Kirby Inking by: Joe Sinnott Lettering by: Sam Rosen 20 pages
I… never felt… pain.. like this… before..! ..Never knew anything… could hurt… so much… But… can’t let go… can’t knuckle down…! All I got is… my strength..! If I let that fail me… there’s nothin’ left…! Nothin’..! Fight it, Ben… fight it!! Fight… ya ugly , good-fer-nothin’ orange-skinned meathead… fight..! What’s a little bit… of pain… to a big beautiful slob… like you..!
Black Bolt has spoken, and his voice had the power to destroy the Negative Zone surrounding the Great Refuge. And now he along with the Royal Family and Court of the Inhumans venture forth into the wider world. Meanwhile, Dr. Doom continues to wield the cosmic power of the Silver Surfer.
As noted, I’m here for Doom on a surfboard. That’s what this story is about to me. And this is the best image of that yet.
The Human Torch tries to take on Dr. Doom by himself. It won’t go well.
