Featuring: Prince Namor, the Sub-Mariner Release: December 8, 1966 Cover: March 1967 12 cents Story by Smilin’ Stan Lee Art by Wild Bill Everett Lettering by Adorable Art Simek 12 pages
I? I am Prince of the Realm! I am Atlantis! Thus, here do I stand!
Recall that passing aliens accidentally dropped a robot on Earth, which landed in the ocean. Attuma has taken control and turned it into a weapon against the Sub-Mariner. I think that’s literally all that happened last issue.
This issue Namor actually fights the robot.
My life belongs to the people– to the Realm Eternal! I do what I must– I cannot do less!
Featuring: Prince Namor, the Sub-Mariner Release: November 3, 1966 Cover: February 1967 12 cents Written by: Stan the Man Lee Illustrated by: Wild Bill Everett Lettered by: Swingin’ Sammy Rosen 12 pages
There must be no new battle till our fighting strength has been restored! Else, the death knell of fair Atlantis may be at hand!
We read the second half of this issue some time ago. It’s a thing that happens. Namor and Hulk share a title. When there are ongoing stories, I try to group a few issues together, looking for decent pause points within the series. But what happens when a good pause point for Namor isn’t a good pause point for Hulk?
Well, I make the reluctant decision to read an issue ahead for one of the characters. Even though that means picking up this comic, flipping to the middle, putting it down, then later picking it up again and reading from the beginning. Almost certainly what nobody reading this comic in 1966 did.
Ah well. I try to balance a lot of things when choosing the reading order and some things have to give.
Featuring: Hulk Release: April 1, 1975 Cover: July 1975 25 cents Len Wein writer/editor Herbe Trimpe & Joe Staton illustrators Glynis Oliver Wein colorist Arty Simek letterer 18 pages
Why? Why is there so much Hulk does not understand? All Hulk wants is a place where Hulk can find peace… a place Hulk can call… home! Why is Hulk forever lost? Where is Hulk? Where–? Nowhere! Hulk is always nowhere!
After a hiatus of a half-decade, the X-Men have returned, now with an all new team, including Wolverine, who we just met when he battled Hulk a few issues back. Of course, Len Wein was the writer on both titles, making for a smooth crossover.
We recall that in Hulk #187, Hulk tagged along on a SHIELD mission to Siberia to rescue Glenn Talbot, only to find him brain-swapped with a Soviet agent. The Gremlin erased the Soviet agent from his mind, so Ross and Quartermain only brought back a mindless husk. As they left, SHIELD destroyed the Gremlin’s Siberian base with Hulk still inside fighting the Droog monster. Presumably Hulk is now dead.
Except as we see on page 1, Hulk unexpectedly survived the destruction.
Featuring: Ghost Rider Release: December 1, 1966 Cover: February 1967 12 cents Edited by… Stan Lee Written by… Gary Friedrich and Roy Thomas Plotted and drawn by… Dick Ayers Inked by… Vince Colletta Lettered by… J. Verpooten 17 pages
Magazine Enterprises is long since defunct. So nobody owns the character of Ghost Rider we met in Tim Holt #11. The co-creator Dick Ayers is now a Marvel regular, so Marvel takes the character and has Ayers revive him.
Of course this means Marvel, now owned by Disney, owns the character of Ghost Rider and will for all time.
Ayers would attempt to return to his character in the ’90s, adding some new covers to the old stories, but they had to call him the “Haunted Horseman”, as they had no rights to the name. Because of the world we live in (or at least the country I live in) and laws built to serve corporations and not artists.
Gary Friedrich is a mostly new name to us. This is his first Marvel work. He’s in his early ’20s. He started at Charlton and we saw his work with Steve Ditko on Blue Beetle over there. He’ll become a prolific writer over the decades.
Gary has no relation to Mike Friedrich, who will be starting work at DC soon.
The letterer John Verpooten is also new to us. He’s just started as a regular at Marvel, working on staff. He’s here for behind-the-scenes stuff, and we’ll start seeing him occasionally as a letterer, and soon enough as an inker. He’ll spend a decade with Marvel until his untimely death in 1977 at the age of 37.
Giving Ayers a plotting credit is part of a general trend we are seeing of recognizing artists for their plotting contributions.
Though Thomas would much later claim that credit was false, and the plotting was entirely done by Friedrich and himself.
While the name and likeness are lifted directly from Ayers’ 40s hero, this is a different character with a different origin. The original Ghost Rider was Rex Fury. This issue introduces Carter Slade.
When the Calico Kid went to his doom in the swirling, surging waters of the Devil’s Sink, Badman Bart Lasher laughed an evil laugh… then out of the realm of death came– the Ghost Rider!
Last week I thought it would be a funny April Fool’s joke to read a Marvel comic from 1975 at random when we are still in 1967. Now I think we should read a non-Marvel comic from 1949 and call it part of our Marvel reading. But this time I’m serious.
Magazine Enterprises was a comic publisher from the 1940s and ’50s. This series features Tim Holt, “Cowboy star of the movies”. Tim Holt was a popular actor of the era, who starred in a number of cowboy films: Robbers of the Range, The Bandit Trail, Riding the Wind, etc. And had some roles in acclaimed films like Treasure of the Sierra Madre or My Darling Clementine.
Several movies costarred Richard Martin as Chito Rafferty, in the role of the sidekick to Holt’s character.
The comic features Tim Holt as himself, but not as himself the 1940s actor, but as Tim Holt the 19th century western hero. Chito is his sidekick.
As noted above, this comic was not published by Marvel and Tim Holt has nothing to do with Marvel. Yet here it is in our Marvel reading.
The second story in this particular issue will have some connection to Marvel. The artist is Dick Ayers, who has been drawing Sgt. Fury as well as several of Marvel’s western comics, so there’s already a connection.
And some readers may recognise the name Ghost Rider. We’ll talk more about the connections to Marvel soon. For the moment let’s read this story.
I don’t see a date on the cover. Dick Ayers has signed the issue. The GCD credits the script to Ray Krank based on an interview with Ayers from 2001.
Back East, I remember reading about a fictitious gun-fighter named the Two-Gun Kid! I don’t know whatever happened to him, but I think I’ll borrow the name!
We see the signatures for Lee, Kirby, and Ayers. The GCD credits the coloring to Stan Goldberg, and the letters to Artie Simek.
We just met Marvel’s original Two-Gun Kid, Clay Harder from 1948. In 1962, Marvel introduced the new Two-Gun Kid. Marvel had been reviving the idea of superheroes with the Fantastic Four and Hulk. And just two months earlier introduced Thor, Spider-Man, and Ant-Man.
Stan and Jack bring the sensibility that had been working for them on the superhero titles to the western genre as they reimagne the Two-Gun Kid. For example, this new one will have a mask and secret identity.
Featuring: Sgt. Fury and his Howling Commandos Release: November 10, 1966 Cover: January 1867 12 cents Editing– Stan Lee Script– Roy Thomas Art– Dick Ayers Inking– John Tartaglione Lettering– Bob Agnew Technical advisor this ish– Morrie (Super-samurai) Kuramoto 20 pages
I think you fellas must have me confused with the rats that bombed Pearl Harbor! Personally, I’ve never been west of San Francisco!
Bob Agnew is a new name to us. 99% of the comics we’ve read have been lettered by Sam Rosen or Artie Simek. The lettering here is by Agnew, in what is as best as I can tell his only Marvel work. His stint in comics seems to have been brief.
Morrie Kuramoto is credited with technical advising, with no more clarity offered as to what that entails. Kuramoto is Japanese-American who served the US in WWII, and this comic will introduce a Japanese-American soldier. The credit calls him a super-samurai, so it’s also possible he advised on the martial arts on display in this issue.
We’ve seen Kuramoto’s work occasionally as a letterer, under the pen name Sherigail.
Morrie Kuramoto was associated with Marvel on and off going back to 1946. He just joined back as a regular member of the Bullpen, and would be with Marvel continually for the next two decades. Morrie passed away in 1985 at the age of 64.
Featuring: X-Men Release: November 3, 1966 Cover: January 1967 12 cents Stan Lee editor Roy Thomas writer Werner Roth artist J. Tartaglione inker Artie Simek letterer Irving Forbush noise-maker 20 pages
How could these puny humans– who dwell among the smoke and noise that they call civilization– hope to appreciate such matchless beauty?
So my normal standard for making posts is to prepare the post one day, but not publish it the same day. I sleep on it and give it a last lookover before publication.
I’m skipping my usual standards today. Because today is St. Patrick’s Day. So I’m posting this without my usual extra day to edit. And from a pub. While some number of drinks in.
As seems appropriate.
This issue feels appropriate for St. Patrick’s Day because it introduces the character of the Banshee.
Who I think is Irish. Though they don’t say so. At least, I associate banshees with being Irish. Of course, I also associate banshees with being women, so shows what I know.
Release: November 3, 1966 Cover: January 1967 12 cents A Stan Lee * Gene Colan contemporary classic! Inked by: Frank Giacoia Lettered by: S. Rosen 20 pages
Starting this issue, Colan gets a credit like Romita got last month, and like Kirby and Ditko had been getting. Rather than just crediting him with art, the entire story is credited to the combo of Stan and Gene. This implicitly acknowledges Colan’s contributions to the writing. While still putting Stan’s name first.
On continuity, we haven’t travelled far into the future. Daredevil escaped Owl’s island while the Rhino was first being tried, and got into his tiff with the Tri-Man very soon after. That ended with him trapped in Europe with no money. And he’s still stuck. So this isn’t long after Amazing Spider-Man #43, perhaps still before Amazing Spider-Man Annual 3.
