Featuring: Sgt. Fury and his Howling Commandoes Release: April 12, 1966 Cover: June 1966 12 cents Written by: Roy Thomas Illustrated by: Dick Ayers Inked by: J. Tartaglione Lettered by: Sam Rosen 20 pages
I guess these big bad nazis plain scared me so much I couldn’t remember a thing!
This is an above-average Sgt. Fury story. It’s got a more intricate plot than usual with some clear stakes. Captain Sawyer gets a larger role, allowing his character to be fleshed out some. And it’s notable for introducing us finally to General Eisenhower, the Supreme Allied Commander. I like that guy.
We saw in last issue’s text box that D-Day was approaching. We see the Howlers training underwater for that mission, dubbed Operation Overlord.
Featuring: Nick Fury, Agent of SHIELD Release: April 12, 1966 Cover: July 1966 12 cents Far-fetched script by Stan Lee Fantastic layouts by Jack Kirby Fabulous pencilling by Don Heck Fanciful inking by Mickey Demeo Freehand lettering by Sam Rosen 12 pages
We’re dealin’ with an outfit that can turn out artificial men to do any kinda job… just like Marvel can grind out comic books!
The word of late has been Them. Them financed the Fixer. Them sent a chemical android to attack Nick Fury and Captain America. Them consists of several brilliant scientists.
Spinning right out of the Captain America adventure, Nick Fury has traced that android to this swampland.
In a bit of bravado, and a wink at the other titles, Fury notes that SHIELD agents aren’t superheroes. They don’t always win.
Featuring: Captain America Release: March 10, 1966 Cover: June 1966 12 cents Wondrous words by: Stan Lee Awesome art by: Jack Kirby Incredible inking by: Frank Giacoia Lop-sided lettering by: Artie Simek 10 pages
…the world will soon tremble before the power of– Them!
In Captain America’s recent battle with Batroc, Batroc was working for some secret cabal. In the pages of Strange Tales, we learned the Fixer was working for some secret cabal called Them. They had some plot involving miniature brains. I don’t know if these two cabals are connected.
Nick Fury confronts Captain America at Avengers HQ. This is their first meeting in the present. Captain America refers to him as “Sarge”, but it’s Colonel Fury now. They reference fighting together, presumably referring to Sgt. Fury #13. That is the only prior meeting we know of.
When Fury notes Cap hasn’t aged much, Cap says Fury seems pretty well-preserved himself. Is this just a compliment? Or a first hint that Fury uses some form of special formula to keep himself young. They last met 20 years ago. Fury could have been in his ’20s then and ’40s now.
Featuring: Nick Fury, Agent of SHIELD Release: March 10, 1966 Cover: June 1966 12 cents Writer: Stan Lee Designer: Jack Kirby Penciller: Don Heck Inker: Mickey Demeo Letterer: Sam Rosen Badge polisher: Irving Forbush 12 pages
A simple smoke grenade should do the job nicely in this instance… and it won’t cost the taxpayers as much as a noisy, explosive grenade! For we guardians of the public trust must ever have the average citizen’s interests close to our hearts!
Quite the opening page. Somewhat disturbing.
Curious if it inspired images in the modern horror series, Locke & Key.
Where were we? The Druid wants to destroy SHIELD for some reason. He pretends to have mystical powers, but technology underpins everything he does. Oh, and we just met the eager new recruit, Jasper Sitwell.
Featuring: Nick Fury, Agent of SHIELD Release: February 10, 1966 Cover: May 1966 12 cents Writer: Stan Lee Designer: Jack Kirby Penciller: H. Purcell Inker: M. Demeo Letterer: Sam Rosen 12 pages
It is given to few men to serve the forces of SHIELD… and those of us who are chosen dare not take the challenge lightly!
We are back for the new year! And Howard Purcell is back on art. He was credited with an assist last issue, but now is credited as the penciller, with Kirby as the “designer”. Which presumably means layouts by Kirby, finished pencils by Purcell, followed by inks by Esposito. Or something like that.
Strange Tales has oddly shared its pages of late between the spy stories of Nick Fury and the mystical stories of Dr. Strange. It seems like the writer has finally mixed up the two and tossed a Dr. Strange villain into Nick Fury’s story.
Featuring: Nick Fury, Agent of SHIELD Release: January 11, 1966 Cover: April 1966 12 cents Story: Stan Lee Art: Jack Kirby with an assist by: Howard Purcell Inking: M. Demeo Lettering: A. Simek 12 pages
Howard Purcell is a new name to us, but he’s been in the business since 1940, mostly doing work for the companies that would become DC. He’s not going to be a regular Marvel artist. It’s not even clear what he did this issue. Some form of finishing Kirby’s pencil art before handing it off to Mike Esposito to finish in ink.
Here’s a sampling of his work for DC.
Adventure Comics #53, featuring Mark Lansing of Mikishawm, 1940
World’s Finest Comics #2, feat. Lando Man of Magic, 1941
All American Comics #25, 1941
All American Comics #26, feat. Sargon the Sorcerer, 1941
Sensation Comics #1, feat. The Gay Ghost, 1942
Comic Cavalcade #15, feat. Johnny Peril’s Surprise Story, 1946
Featuring: Nick Fury, Agent of SHIELD Release: December 9, 1965 Cover: March 1966 12 cents Stan Lee, writer! (Our answer to Bond) Jack Kirby, penciller! (Our answer to UNCLE) Mike Demeo, inker! (Our answer to Brand echh) Artie Simek, letterer! (Our answer to Rosen) 12 pages
We’re a team, blast it! We trained month after month ta live like a team– fight like a team– die like a team!
I’d like to open this post with a happy birthday to the issue’s artist, Jack Kirby. He would be 106 years old today.
The story breaks have become increasingly unclear. Last issue seemed to both end the Hydra saga and begin this Mentallo/Fixer saga we find ourselves embroiled in. We took a pause at the end of the last issue, so let’s recall where we were.
Hydra was finally defeated, the Supreme Hydra murdered by his own agents; Nick allowed his daughter Agent H to escape because he had a soft spot for her. We were then introduced to the “Thinkers”, SHIELD’s ESP division. Mentallo had been a former agent of this division, who had gone rogue. Mentallo decides to form an alliance with a villainous inventor called the Fixer. And Nick Fury realizes Mentallo must be stopped at all costs.
This issue opens with a robot out of control. Lee, as the narrator, lets us know this robot has nothing to do with the main story. Sometimes it feels as though he is offering his commentary on Kirby’s storytelling as we go.
But whatever, Stan. Check out Jack’s awesome robot design!
Featuring: Sgt. Fury and his Howling Commandos Release: February 10, 1966 Cover: April 1966 12 cents Explosive editing by: Stan Lee Seething script by: Roy Thomas Pulsating pencils by: Dick Ayers Invigorating inking by: John Tartaglione Lacksadaisal lettering by Sam Rosen 20 pages
Armageddon… that the day when good and evil are supposed ta lock horns for the last time… with the good guys comin’ out on top! ‘Course, I know we went through that ‘war to end war’ jazz before! Still, a guy can’t help hopin’–! Yeah, every once in a while, I get ta thinkin’… mebbe this one will be the last war! Mebbe—
We met Roy Thomas in his first Marvel story featuring Millie the Model. He’s since done other work for Millie and for Kid Colt Outlaw. He has a couple other credits out there because he’d submitted some story ideas to other companies before landing the Marvel gig, and they’re now seeing print. We saw him a second time on a confusingly credited issue of Iron Man that seemed like they’d recruited everybody around.
This will be his first ongoing series. He’ll script the next 12 issues of Sgt. Fury. And the first time any of these Marvel titles have seen Stan Lee take a break of longer than a couple issues. Stan Lee has penned his last Sgt. Fury script. Without much fanfare.
Of course, Stan Lee still gets his name first in the credits. He is indeed the editor for this and all the titles.
It’s worth noting that right away Thomas will start referencing the continuity of earlier issues.
Thomas picks up where Lee left off with a tense face-off between Fury and his archnemesis, Baron Strucker. Strucker has a switch which will blow up the entire city; Fury a trigger to blow the building they are both in.
Except Fury is bluffing. His explosives aren’t wired yet.
Featuring: Sgt. Fury and his Howling Commandos Release: January 11, 1966 Cover: March 1966 12 cents Story by: Stan Lee Art by: Dick Ayers Inking by: John Tartaglione Lettering by: Sam Rosen 20 pages
Without weapons, without organization, even without hope, the spirit of free Frenchmen cannot be snuffed out!
We come to Stan Lee’s final issue as writer on this title. It ends with a cliffhanger, though a rather exciting one.
We see some conflict between Hitler and Strucker. Baron Strucker is an aristocrat who hates Hitler, who thinks him a madman. But Strucker follows orders to crush the resistance in Cherbeaux, even if he must kill the entire town to do so.
Featuring: Sgt. Fury and his Howling Commandos Release: November 11, 1965 Cover: January 1966 12 cents Written with block-buster force by Stan Lee! Drawn with machine-gun power by Dick Ayers! Inked with dive-bomber impact by Carl Hubbell! Lettered with bloodshot eyes by Artie Simek! 20 pages
We last saw Dum Dum two issues back. He was wounded in America and sent to the hospital. The Howlers couldn’t wait for him because they were urgently recalled to base to battle (maybe) the Red Skull. Dum Dum was in for a worse fate, because his wife and mother-in-law were going to visit him in the hospital.
This will be Dum Dum’s chance to shine in a largely solo feature.
We see the rest of the team in the beginning for a mission brief that fills us in on what Dum Dum has been up to since his recovery.
