Featuring: Fantastic Four Release: March 14, 1967 Cover: June 1967 12 cents Stan (The Man) Lee and Jack (King) Kirby have done it again! And so have… Joe Sinnott, inker Sam Rosen, letterer 20 pages
I did not suspect that almost all Earth beings possessed super-powers of their own!
Where were we? Triton rescued Mr. Fantastic from Sub-Space, also called the Negative Zone. Or the “Negative Zone of Sub-space”. Not to be confused with the Negative Zone which surrounded the Inhumans’ Great Refuge.
But the criminal known as Blastaar followed them through and struck an uneasy alliance with Sandman. And now… they attack!
These Super-Villain team-ups date back to Doom and Namor.
Featuring: Fantastic Four Release: February 14, 1967 Cover: May 1967 12 cents Stan Lee and Jack Kirby Inking: Joe Sinnott Lettering: Sam Rosen 20 pages
There is so much yet to learn… so much to see, and marvel at…! What a pity it must all end so soon… before I have a chance to unravel the myriad mysteries of this strange, uncanny universe! But, there will be others… those who come after me… and they will unlock the secrets of the cosmos… one by one… For, the mind of man is the greatest key in the world… the key which may one day open the door to… immortality!! And each of us, in his own way, does what he can for those who will follow! That is the only true legacy we can leave to those we love… that we have made the world a little better than we found it!
Last issue saw Reed trapped in Sub-Space hurtling toward his imminent death. With none who could save him.
I guess we may as well start preparing ourselves emotionally.
Though the title is “And One Shall Save Him”… so maybe there is one who can save him. Can’t imagine who, though.
Tell her… how much… I loved her… tell her… I’ll.. always lover her…
Featuring: Fantastic Four Release: December 8, 1966 Cover: March 1967 12 cents Dazzlingly depicted by: Stan Lee and Jack Kirby Inking by: Joe Sinnott Lettering by: Sam Rosen 20 pages
I… never felt… pain.. like this… before..! ..Never knew anything… could hurt… so much… But… can’t let go… can’t knuckle down…! All I got is… my strength..! If I let that fail me… there’s nothin’ left…! Nothin’..! Fight it, Ben… fight it!! Fight… ya ugly , good-fer-nothin’ orange-skinned meathead… fight..! What’s a little bit… of pain… to a big beautiful slob… like you..!
Black Bolt has spoken, and his voice had the power to destroy the Negative Zone surrounding the Great Refuge. And now he along with the Royal Family and Court of the Inhumans venture forth into the wider world. Meanwhile, Dr. Doom continues to wield the cosmic power of the Silver Surfer.
As noted, I’m here for Doom on a surfboard. That’s what this story is about to me. And this is the best image of that yet.
The Human Torch tries to take on Dr. Doom by himself. It won’t go well.
Featuring: Fantastic Four Release: November 10, 1966 Cover: February 1967 12 cents A Stan Lee * Jack Kirby modern day masterwork! Delineation by: Joe Sinnott Lettering by: Artie Simek 20 pages
Featuring: Fantastic Four Release: October 11, 1966 Cover: January 1967 12 cents A Stan Lee * Jack Kirby powerhouse production Inked by: Joe Sinnott Lettered by: Artie Simek 20 pages
“Hah! The once-mighty Silver Surfer! Now, barely able to move a muscle since your new master has stripped you of your power!” “Master? Galactus had been– my master! You– are but– a flea!”
Dr. Doom’s head appears in the air. I appreciate that Reed just thinks it’s a random pattern from the electrical storm. Smartest man in the world.
But then the pattern randomly looks like Dr. Doom again, and Reed begins to do the math on the odds of that.
Featuring: Fantastic Four Release: September 8, 1966 Cover: December 1966 12 cents Panoramically produced by: Stan Lee, Jack Kirby Inking: Joe Sinnott Lettering: Artie Simek 20 pages
It is you I wish to learn about! For power has ever been my god– And, in all the universe, there can be no greater truth than– knowledge is power!
One thing we’ve seen going back to issue 36 is a tighter continuity amongst a larger cast. These aren’t isolated adventures anymore, but part of a larger whole. I mention issue 36 because it introduced the Frightful Four. The character of Medusa led us to the Inhumans, who have essentially become supporting characters on this title, as we check in with them often. The FF have had three battles against the Frightful Four, but now Sandman and Wizard are attempting a prison break.
After the Inhumans saga, we met the Silver Surfer, who has also become a supporting cast member in essence.
Sandman is an interesting character, as he was created to be a Spider-Man villain but at this point seems to have been adopted by the Fantastic Four. Which leads me to a question. Is Sandman a Jack Kirby creation?
Sandman was introduced in Amazing Spider-Man by Steve Ditko. But I believe Ditko has been quoted that he got occasional help on Spider-Man’s villains from Jack. And I wonder if that refers to the Sandman.
Ditko’s first Spider-Man super-villains were: Chameleon, Vulture, Dr. Octopus, Lizard… and Sandman. Who stands out in the group. Spider-Man has an excellent rogues gallery, and Stan and the other artists have brought many of them around to threaten other heroes… but Kirby has shown no interest in using any of them in his comics… except for Sandman, who is essentially a regular Fantastic Four character at this point.
I don’t know any of this. I’m just speculating out loud. But at this point, Sandman has been adopted by the FF as a villain… and I wonder if Jack Kirby created him?
Featuring: Fantastic Four Release: August 2, 1966 Cover: November, 1966 25 cents Conceived and created by: Stan Lee (scenarist) & Jack Kirby (illustrator) Inked and lettered by: Joe Sinnott (Delineator) & Sam Rosen (Calligrapher) Recited and ignited by: Irving Forbush (part-time non-entity) 19 pages
The Original Human Torch! Reborn– only to die again!
We began our Marvel reading with Fantastic Four #1, released in August 1961. But Marvel had 22 years of history predating that comic. What is the relationship between those older comics and the modern 1960s ones? We’ve seen some impacts.
What you need is confidence in yourself and your abilities, Captain! From now on, I’m going to be right behind you to help you thru the rough spots until you gain that confidence!
After his triumphant return in September 1953, we come to June 1954, when it was decided Human Torch stories still weren’t selling enough. We’d read his return in Young Men. About 6 months later, they tried bringing back Human Torch’s old series.
They started with Human Torch #36, as the last one from 1949 had been #35. Never mind that they had already given the numbering to Love Tales.
Human Torch #38 is the final issue again.
There are three Human Torch stories and a Namor story. In the first Torch story, a mad scientist is tricked by Reds into sucking all the air out of the world in order to make his crippled daughter queen of the new world. In the second, the Torch and Toro rescue a general and his daughter from Korea.
Let’s read the final story from the final Human Torch comic.
All the Human Torch stories in his self-titled comic’s return have been by Dick Ayers, who we know well from our Marvel Age reading, particularly for his work on Sgt. Fury.
Ayers’ signature appears. The GCD credits Hank Chapman with the script and Ernie Bache with inks.
All the stories in this issue are narrated by Toro, and presented as though he is telling us of a past Human Torch adventure.
The title of the story is “Flame On!”, which is plainly the Human Torch’s catchphrase now. Johnny Storm will steal that catchphrase, along with the name and visage of the Human Torch.
Carl Burgos is on hand for the cover and draws the figure of the Human Torch on the opening page, but Russ Heath does most of the art for the issue. Notice Heath gives the Torch eyes and a mouth. Roy Thomas speculates that Heath had drawn the Torch on the first page, but an editor, perhaps Stan Lee, wasn’t happy and covered it with a Burgos drawing.
You can definitely see the difference as Heath gives the Human Torch weird eyes and a creepy smile instead of the blank face.
Burgos will return for the next 3 appearances of Human Torch in the pages of Young Men.
The Academy then publicly reinstated Horton, and recognized his greatest achievement, the Human Torch!
The popularity of superheroes waned post World War II, and in 1949, Marvel was ready to give up on the genre completely. This final issue of Marvel Mystery Comics features the last Human Torch story, as well as a Captain America story.
The series will change its name to Marvel Tales and become a horror anthology.
Human Torch’s own series ended with Human Torch #35 two months earlier. In that story, Human Torch travels to Venus to deal with some interplanetary diplomacy. Given that we know his flame is powered by oxygen, it’s not clear how he made it all the way there.
In a few months, Sub-Mariner’s story will come to an end, and later that year Captain America would have his final adventure in Captain America’s Weird Tales before the book became a full horror anthology.
Human Torch was created by Professor Horton. He then turned on and killed his creator. Or did he? It was later revealed Horton was alive and working secretly for the US government. Any old conflict between Horton and the Torch seemed to be in the past. And the Torch later saved Horton’s niece Doris from foreign spies.
Now, we learn Professor Horton is dead. Again. We also learn I think for the first time his full name: Professor Albert Horton.
The Human Torch notes it’s been 10 years since he’s seen Horton. Either he’s rounding or something off. They were together in 1942, and certainly those stories take place after the US joined the war.
But this issue seems to not acknowledge those 1942 stories and wants to claim Human Torch hasn’t seen Horton since his first adventure in 1939.
We get a retelling of the Torch’s origin. Apparently thousand of readers have asked to hear the origin of the Human Torch. Why not just track down Marvel Comics #1?
And did these readers want to read the origin of the Human Torch only to then never read another Human Torch story again? Because that’s what they’re getting.
