dick ayers – Coke ⊕ Comics

Ghost Rider #1

The Origin of the Ghost Rider

Featuring: Ghost Rider
Release: December 1, 1966
Cover: February 1967
12 cents
Edited by… Stan Lee
Written by… Gary Friedrich and Roy Thomas
Plotted and drawn by… Dick Ayers
Inked by… Vince Colletta
Lettered by… J. Verpooten
17 pages

Previous	#643	Next
Tim Holt #11, Story B	PRELUDE
Sgt. Fury #38	Reading order	Tales to Astonish #88
	Ghost Rider	Ghost Rider #2

It is sheer folly to do battle with a ghost!

Magazine Enterprises is long since defunct. So nobody owns the character of Ghost Rider we met in Tim Holt #11. The co-creator Dick Ayers is now a Marvel regular, so Marvel takes the character and has Ayers revive him.

Of course this means Marvel, now owned by Disney, owns the character of Ghost Rider and will for all time.

Ayers would attempt to return to his character in the ’90s, adding some new covers to the old stories, but they had to call him the “Haunted Horseman”, as they had no rights to the name. Because of the world we live in (or at least the country I live in) and laws built to serve corporations and not artists.

Gary Friedrich is a mostly new name to us. This is his first Marvel work. He’s in his early ’20s. He started at Charlton and we saw his work with Steve Ditko on Blue Beetle over there. He’ll become a prolific writer over the decades.

Gary has no relation to Mike Friedrich, who will be starting work at DC soon.

The letterer John Verpooten is also new to us. He’s just started as a regular at Marvel, working on staff. He’s here for behind-the-scenes stuff, and we’ll start seeing him occasionally as a letterer, and soon enough as an inker. He’ll spend a decade with Marvel until his untimely death in 1977 at the age of 37.

Giving Ayers a plotting credit is part of a general trend we are seeing of recognizing artists for their plotting contributions.

Though Thomas would much later claim that credit was false, and the plotting was entirely done by Friedrich and himself.

While the name and likeness are lifted directly from Ayers’ 40s hero, this is a different character with a different origin. The original Ghost Rider was Rex Fury. This issue introduces Carter Slade.

PRELUDE: Tim Holt #11, Story B

The Ghost Rider

Featuring: Ghost Rider
Release: October 14, 1949
10 cents
Dick Ayers
6 pages

Previous		Next
Sgt. Fury #38	Reading order	Ghost Rider #1

When the Calico Kid went to his doom in the swirling, surging waters of the Devil’s Sink, Badman Bart Lasher laughed an evil laugh… then out of the realm of death came– the Ghost Rider!

Last week I thought it would be a funny April Fool’s joke to read a Marvel comic from 1975 at random when we are still in 1967. Now I think we should read a non-Marvel comic from 1949 and call it part of our Marvel reading. But this time I’m serious.

Magazine Enterprises was a comic publisher from the 1940s and ’50s. This series features Tim Holt, “Cowboy star of the movies”. Tim Holt was a popular actor of the era, who starred in a number of cowboy films: Robbers of the Range, The Bandit Trail, Riding the Wind, etc. And had some roles in acclaimed films like Treasure of the Sierra Madre or My Darling Clementine.

Several movies costarred Richard Martin as Chito Rafferty, in the role of the sidekick to Holt’s character.

The comic features Tim Holt as himself, but not as himself the 1940s actor, but as Tim Holt the 19th century western hero. Chito is his sidekick.

As noted above, this comic was not published by Marvel and Tim Holt has nothing to do with Marvel. Yet here it is in our Marvel reading.

The second story in this particular issue will have some connection to Marvel. The artist is Dick Ayers, who has been drawing Sgt. Fury as well as several of Marvel’s western comics, so there’s already a connection.

And some readers may recognise the name Ghost Rider. We’ll talk more about the connections to Marvel soon. For the moment let’s read this story.

I don’t see a date on the cover. Dick Ayers has signed the issue. The GCD credits the script to Ray Krank based on an interview with Ayers from 2001.

INTERLUDE: Two-Gun Kid #60

The Beginning of the Two-Gun Kid

Featuring: Two-Gun Kid
Release: August 2, 1962
Cover: November 1962
12 cents
Stan Lee + J. Kirby
Ayers
13 pages

Previous		Next
Two-Gun Kid #1	PRELUDE
Fantastic Four #8	Reading order	Journey Into Mystery #86

Back East, I remember reading about a fictitious gun-fighter named the Two-Gun Kid! I don’t know whatever happened to him, but I think I’ll borrow the name!

We see the signatures for Lee, Kirby, and Ayers. The GCD credits the coloring to Stan Goldberg, and the letters to Artie Simek.

We just met Marvel’s original Two-Gun Kid, Clay Harder from 1948. In 1962, Marvel introduced the new Two-Gun Kid. Marvel had been reviving the idea of superheroes with the Fantastic Four and Hulk. And just two months earlier introduced Thor, Spider-Man, and Ant-Man.

Stan and Jack bring the sensibility that had been working for them on the superhero titles to the western genre as they reimagne the Two-Gun Kid. For example, this new one will have a mask and secret identity.

Sgt. Fury #38

This One’s For Dino!

Featuring: Sgt. Fury and his Howling Commandos
Release: November 10, 1966
Cover: January 1867
12 cents
Editing– Stan Lee
Script– Roy Thomas
Art– Dick Ayers
Inking– John Tartaglione
Lettering– Bob Agnew
Technical advisor this ish– Morrie (Super-samurai) Kuramoto
20 pages

Previous	#642	Next
	PRELUDE	Tim Holt #11, Story B
X-Men #28	Reading order	Ghost Rider #1
Sgt. Fury #37	Sgt. Fury	Sgt. Fury #39

I think you fellas must have me confused with the rats that bombed Pearl Harbor! Personally, I’ve never been west of San Francisco!

Bob Agnew is a new name to us. 99% of the comics we’ve read have been lettered by Sam Rosen or Artie Simek. The lettering here is by Agnew, in what is as best as I can tell his only Marvel work. His stint in comics seems to have been brief.

Morrie Kuramoto is credited with technical advising, with no more clarity offered as to what that entails. Kuramoto is Japanese-American who served the US in WWII, and this comic will introduce a Japanese-American soldier. The credit calls him a super-samurai, so it’s also possible he advised on the martial arts on display in this issue.

We’ve seen Kuramoto’s work occasionally as a letterer, under the pen name Sherigail.

Morrie Kuramoto was associated with Marvel on and off going back to 1946. He just joined back as a regular member of the Bullpen, and would be with Marvel continually for the next two decades. Morrie passed away in 1985 at the age of 64.

Sgt. Fury #37

In the Desert… To Die!

Featuring: Sgt. Fury and his Howling Commandos
Release: October 11, 1966
Cover: December 1966
12 cents
Editor: Smilin’ Stan Lee
Scripter: Rascally Roy Thomas
Artist: Darlin’ Dick Ayers
Inker: Jivey John Tartaglione
Letterer: Sandy Sammy Rosen
Technical advisor in charge of parachuting: Jovial Johnny Hayes, ex-para-trooper, Marvel’s swingin’ circulation manager.
20 pages

Previous	#637	Next
X-Men #27	Reading order	Amazing Spider-Man #44
Sgt. Fury #36	Sgt. Fury	Sgt. Fury #38

Now, like the blamed fly-boys always say… Geronimo!

A credit to Johnny Hayes, a name we don’t see often. We did recently see his name because a Bullpen Bulletin made it a point to name some of the behind the scenes staff. Here he gets credit for offering some consulting based on his days parachuting in the military.

I’m going to say that Thomas is really finding his footing on this title. Under Kirby this had been one of Marvel’s best comics, but it fell quickly to mediocrity when he left, with thin cookie cutter plots.

Stan Lee had remained the writer, but in practice as he was “writing” 20 titles every month, most of the storytelling was left to Ayers, who wasn’t up to it. We’re 9 issues into Thomas’ run, who likely is providing more plotting and scripting guidance to Ayers. Thomas had a slow start, but more and more, the comic feels like somebody is writing it.

X-Men #27

Re-enter: The Mimic!

Featuring: X-Men
Release: October 11, 1966
Cover: December 1966
12 cents
Edited by Stan Lee
Scripted by Roy Thomas
Drawn by Werner Roth
Inked by Dick Ayers
Lettered by Sam Rosen (Wouldja believe Artie Simek?)
20 pages

Previous	#636	Next
Fantastic Four #60	Reading order	Sgt. Fury #37
X-Men #26	X-Men	X-Men #28

…as long as there are evil mutants abroad in the world, the X-Men must remain vigilant!

Recall last issue ended with Cyclops accidentally (or so he claims) injuring Angel. Meanwhile, Jean Grey ran into Cal Rankin at Metro College. Cal Rankin had fought the X-Men as Mimic, but he doesn’t recall the encounter because Professor X futzed with his brain.

We pick up with the X-Men battling Mimic again, now seeming to recall their last encounter. After the in media res opening, we see how we got here.

Sgt. Fury #36

My Brother, My Enemy!

Featuring: Sgt. Fury and his Howling Commandos
Release: September 8, 1966
Cover: November 1966
12 cents
Block-buster editing by Stan Lee
Bullet-scarred script by Roy Thomas
Battle-ready art by Dick Ayers
Bomb-happy inking by John Tartaglione
Ballpoint-pen lettering by Sam Rosen
20 pages

Previous	#631	Next
Captain Atom #83, Story B	INTERLUDE
Daredevil #23	Reading order	Fantastic Four #57
Sgt. Fury #35	Sgt. Fury	Sgt. Fury #37

A traitor? Nein, I think not! If there be any traitor to the Fatherland, it is rather those who would lead it to the brink of disaster for the sake of their own personal glory!

The stories from this title had fallen into a pattern. The premise was always location-based. The Howlers had some mission in a new location. They completed it and went home.

Since taking over, Thomas has been trying to tell actual stories and have character arcs.

This issue is location-based. The Howlers go to the neutral territory of Switzerland, breaking any number of laws and treaties.

But there’s a premise and a larger character arc as well.

We met Eric in Sgt. Fury #27, when he defected from the Germans and came to Britain. But last issue it was decided Eric (whose last name we learned was Koenig) should join the Howlers, since Manelli was injured and recovering back in the States. This is his first mission with the Howlers.

So Thomas writes about a couple things pertaining to that, ideas that are more than “the Howlers have a mission and succeed”. The first is that he’s eager to prove himself, sometimes too eager and to everyone’s detriment.

I must prove myself… show the Commandos I am as good as any of them! I must! For, only thus will I ever be certain that they look on me as a man… not as an ex-Nazi!

Daredevil #22

The Tri-Man Lives!

Featuring: Daredevil
Release: September 1, 1966
Cover: November 1966
12 cents
Written with rapture by: Stan Lee
Drawn with drama by: Gene Colan
Delineated with delight by: Giacoia & Ayers
Lettered with the ball game on by: Sam Rosen
20 pages

Previous	#629	Next
Avengers #35	Reading order	Daredevil #23
Daredevil #21	Daredevil	Daredevil #23

I know it’s utterly insane, but I can’t help thinking of Daredevil every time I look at Matt! I know a blind attorney can’t possibly be a costumed super-hero… and yet…!

We checked in with Daredevil at the start of the Secret Empire mess because his story was entangled with Spider-Man’s battle against the Rhino. We paused, but now need to look back and remind ourselves where we were some.

Matt Murdock was wanted for Rhino’s defense council, but he couldn’t be found, because he was a prisoner of the Owl. When the Rhino broke out of prison, we saw that Matt had returned safely from the Owl’s island, and considered going after the Rhino, but decided to let Spider-Man handle it.

We now go back in time a bit as this issue opens with Daredevil just escaping from Owl’s island.

But by page 3, we are back in the present, in a scene set after his appearance in Amazing Spider-Man #43. So, the first two pages took place a few days back. But it’s been quite the few days in the lives of the Marvel heroes. And starting on page 3, a longer saga begins.

I hope this is the last time I refer to the continuity of the Secret Empire saga.

X-Men #26

Holocaust!

Featuring: X-Men
Release: September 1, 1966
Cover: November 1966
12 cents
Editing.. Stan Lee
Script.. Roy Thomas
Art… Werner Roth
Inks.. Dick Ayers
Lettering… Sam Rosen
Mayan headdresses… Irving Forbush
20 pages

Previous	#613	Next
X-Men #25	Reading order	Strange Tales #150
X-Men #25	X-Men	X-Men #27

I hate to sound like a poor man’s Hawkeye, but I can’t seem to stop myself! Why should Jean prefer Scott over me?

Last issue, the gem-hunter El Tigre found a pendant which transformed him into the Mayan feathered-serpent god Kukulcán. He now has the power of the sun. Which sounds pretty powerful.

This seems to be basically what happened to Don Blake. He found a mystic artifact and now finds himself the avatar for a god.

X-Men #25

The Power and the Pendant!

Featuring: X-Men
Release: August 2, 1966
Cover: October 1966
12 cents
Edited by: Stan Lee
Scripted by: Roy Thomas
Illustrated by: Werner Roth
Inked by: Dick Ayers
Lettered by: Sam Rosen
Imitated by: Brand Echh
20 pages

Previous	#612	Next
Fantastic Four Annual 4	Reading order	X-Men #26
X-Men #24	X-Men	X-Men #26

Come back an’ fight, ya crummy mutant!

At some point, we are faced with the question, are all these heroes interchangeable, or are their distinctions amongst the titles, making some stories more suitable for one title than another.

There are hints here of what I think the X-Men are about. Moments.