john romita – Coke & Comics

Tales of Suspense #77, Story B

If a Hostage Should Die!

Featuring: Captain America
Release: February 10, 1966
Cover: May 1966
12 cents
Script: Stan Lee
Layouts: Jack Kirby
Penciling: John Romita
Inking: Frank Ray
Lettering: Sam Rosen
Kibitzing: Irving Forbush
10 pages

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Tales of Suspense #77	Reading order	Tales of Suspense #78
Tales of Suspense #77	Tales of Suspense	Tales of Suspense #78

Oh, Cap… Cap… will this war never end? Will we never be able to lead normal lives? How can we speak of love… when the world is in flames… when I don’t even know your name!

With famed romance artist John Romita on pencils, we will learn the story of the “girl from Cap’s past”. There’s going to be some confusion here. A lot of confusion, in fact. So let’s review what we know.

Two issues ago, Cap encountered a female SHIELD agent who reminded him of an old flame. This SHIELD agent has an older sister who once dated a man named Steve Rogers.

We see the final parting of Cap and this woman in his memory. We’ll recall it here for reference.

Not a lot of details about this woman to go off, but enough that this issue will find a dozen ways to contradict them.

A documentary about Cap’s role in the liberation of Paris stirs up Cap’s memories. He notes it’s been over 20 years. He lost her that day and never learned what became of her, if she survived the war or not.

“That lightning and thunder… it’s like the angry roar of the past… trying to capture me again!”

Daredevil #17

None Are So Blind..!

Featuring: Daredevil
Release: April 5, 1966
Cover: June 1966
12 cents
Writer: Smilin’ Stan Lee
Artist: Jazzy Johnny Romita
Inker: Fearless Frankie Ray
Letterer: Swingin’ Sammy Rosen
Complaints may be sent to the irascible Irving Forbush!
20 pages

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Daredevil #16	Reading order	Strange Tales #144
Daredevil #16	Daredevil	Daredevil #18

It’s the challenge… the thrill of battle… the danger! That’s what really grabs me! And, I’ve a hunch that Spider-Man feels the same way!

Who’s Irving Forbush?

Recall the situation: The Masked Marauder had manipulated Daredevil and Spider-Man into being suspicious of each other. Now not only does Spider-Man think Daredevil is in league with the Masked Marauder, but he believes Foggy is Daredevil!

And remember, we’re supposed to be seeing what we think of John Romita’s take on Spider-Man. Somebody needs to take over for Steve Ditko!

Daredevil #16

Enter… Spider-Man

Featuring: Daredevil
Release: March 3, 1966
Cover: May 1966
12 cents
Sagacious script by: Stan Lee
Phantasmagoric pencilling by: Johnny Romita
Iconographic inking by: Frankie Ray (nee Giacoia)
Lachrymose lettering by: Artie Simek
20 pages

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Thor #130, Story B	Reading order	Daredevil #17
Daredevil #15	Daredevil	Daredevil #17

Let’s talk about your costume! Those red longjohns break me up– but I liked your old yellow duds better! … I mean they matched your new yellow streak!

This might be the first time we learn the true identity of Frankie Ray, really Frank Giacoia. For a lot of these people, the aliases are about not sabotaging regular gigs with Marvel’s competition. Frank Giacoia was a regular DC artist at the time, and hadn’t necessarily wanted them knowing he was freelancing for Marvel. But at some point it becomes clear, or his Marvel gig becomes the more regular gig, and it just stops mattering. Though by this point Marvel fans might know him best as Frank or Frankie Ray and not recognize the name Frank Giacoia.

Just like they might be confused if a comic were credited to Stanley Lieber or Jacob Kurtzberg.

That’s a great cover by Romita and Giacoia. The cityscape is detailed but the lack of color keeps it subtly in the background, leaving the focus on the two colorful characters. This is our first chance to see Spider-Man as rendered by John Romita. He captures that sense of agility that Ditko creates, and you can feel the motion of the cover, even without the helpful motion lines.

We’ve talked a bit about the tension in the pages of Amazing Spider-Man. Lee and Ditko aren’t getting along and Ditko is looking out the door. Lee is well aware of this, but has a huge problem. Spider-Man is his best comic, indelibly associated with Steve Ditko. You can’t just throw anybody on the book. Jack Kirby is Stan’s go-to artist when he needs a good one, but Jack had drawn Spider-Man a couple times by this point, and it was never right. And Jack’s style– while perfect for Fantastic Four– just wasn’t Spider-Man. Nobody was Steve Ditko.

We talked in the last issue about John Romita, who recently passed away. He’s been on Daredevil since Wally Wood left, following a succession of legendary talent from Bill Everett to Joe Orlando. And Romita has been more than up to the task of making his own mark on Daredevil.

But John Romita is not famous for drawing Daredevil. And while he excelled at the romance comics he had been drawing, that’s not really what made him a household name amongst fans. His step into legendary status will come with his next assignment, and this issue will serve as his audition for that assignment.

So, how well can John Romita draw Spider-Man? Let’s find out.

Tales to Astonish #77, Story B

Bruce Banner is the Hulk!

Featuring: Hulk
Release: December 2, 1965
Cover: March 1966
12 cents
Script by: Stan Lee
Layouts by: Jack Kirby
Pencilling + inking by: Johnny Romita!
Lettering by: Sam Rosen
10 pages

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Tales to Astonish #77	Reading order	Tales to Astonish #78
Tales to Astonish #77	Tales to Astonish	Tales to Astonish #78

Why shouldn’t I tell? It’s time the world learned the truth…!

That’s a damn compelling cover, a collaboration between Kirby and Romita, with the Romita influence coming in heavy, but a unique look for the Hulk that is very distinctive compared to either man’s style. Dramatically, we shockingly hear Rick Jones tell an officer (presumably Talbot) Hulk’s secret. We’ll see how that plays out.

John Romita took over as the regular artist on Daredevil last month. He’s just filling in here, as the series has floundered without a regular artist for the last 10 months. Bill Everett will be taking over next issue. We also saw Romita filling in on last month’s Captain America

As we noted in our recent Daredevil post, John Romita just recently passed away in June 2023 at the age of 93. One of the greatest comic artists of all time.

It is a compelling title. “Bruce Banner is the Hulk!” Is this the issue where his secret identity is finally revealed? Secret identities have been revealed on occasion before, but the learner of the identity usually develops amnesia or dies.

Recall from last issue the army built Banner’s T-Gun without knowing what it did. They hit Hulk with it and now everybody assumes Hulk is dead. In fact, Hulk has been transported to the future.

Tales of Suspense #76, Story B

The Gladiator, the Girl, and the Glory!

Featuring: Captain America
Release: January 11, 1966
Cover: April 1966
12 cents
Script: Smilin’ Stan Lee
Art: Jazzy Johnny Romita
Lettering: Adorable Artie Simek
10 pages

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Tales of Suspense #75, Story B	Reading order	Tales to Astonish #75, Story B
Tales of Suspense #76	Tales of Suspense	Tales of Suspense #77

Is this my destiny? To have been given a second chance at life– only to lose everything I ever held dear? First, it was Bucky, the greatest sidekick a man ever had! Then, those many years ago, I can still remember her– promising to wait– no matter how long it might be-! Now– when I thought I had found her reborn– I’ve lost her again! And perhaps this time– it will be– forever!

For a story that’s introducing a pretty woman to Cap’s world, the late John Romita seems like the perfect artist. Though the woman is barely in this comic.

In fact, we’ve seen John Romita’s work on Captain America before way back in the 1950s, in his early days as an artist.

Romita won’t be returning to Cap regularly. He’s just filling in for Kirby here. He’s already the regular artist on Daredevil and may be taking over another title soon.

Recall where we left off. This Agent of SHIELD may be the younger sister of Cap’s WWII sweetheart. We don’t know her name. She has Inferno 42 and is protecting it from Batroc, but doesn’t realize it’s cracked and set to destroy New York within half hour. Cap and Batroc have teamed up to save the city.

Daredevil #15

And Men Shall Call Him… Ox!

Featuring: Daredevil
Release: February 3, 1966
Cover: April 1966
12 cents
Unsurpassed story by: Stan Lee
Unexcelled pencilling by: John Romita
Unparalleled inking by: Frankie Ray
Unabashed lettering by: Artie Simek
20 pages

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Sgt. Fury #29	Reading order	X-Men #19
Daredevil #14	Daredevil	Daredevil #16

The cover is evocative of Kirby’s style with the high melodrama and sense of characters leaning forward out of the page, but it is by the now regular Daredevil artist, John Romita, with inks by Frank Giacoia.

John Romita passed away last month. I thought about making a note of it on this blog at the time but didn’t quite have the words.

I didn’t really know John Romita. Never met him or spoke to him. I just know his work. So my reaction to his death isn’t the same as that of his family, or even those professionals or fans who knew him better. The question is, what does the death of someone I just know through their work mean to me.

I’ve had cause to ask this too many times in the last several years. Tom Palmer. George Pérez. Steve Ditko. Stan Lee. The first artist death to really hit me was John Buscema about 20 years ago. What do these people I only know through their work mean to me?

Everything. They mean everything. Their deaths fill me with a profound sense of sadness and loss.

That said, John Romita was 93 when he passed. He lived a full and good life and leaves behind an extraordinary legacy. Not the least of which is his son, John Romita Jr., a legendary comic artist in his own right.

Daredevil #14

If This Be Justice…!

Featuring: Daredevil
Release: January 4, 1966
Cover: March 1966
12 cents
Story: Stan Lee
Pencilling: John Romita
Inking: Frankie Ray
Lettering: Artie Simek
20 pages

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Daredevil #13	Reading order	Journey Into Mystery #124
Daredevil #13	Daredevil	Daredevil #15

There it is– the most valuable ore of all time!

The kids are growing up. After two issues with Kirby layouts, Lee is ready to let Romita stand on his own feet and draw the comic from scratch, which likely means a lot of the plotting for this issue is also owed to Romita. Frank Giacoia is brought in to finish.

This will wrap up the Ka-Zar saga. Bit of a recap of the key points. Ka-Zar and the Plunderer are brothers. Ka-Zar’s original name was Kevin Plunder. Their father Lord Plunder had been an explorer who discovered a Vibrating Ore with strange and powerful properties. The secret of the mound lies in having the completed medallion that he gave half of to each son.

Plunderer has brought Ka-Zar and Daredevil to his castle in England, and called the local authorities on them, taking advantage of his nobility to accuse them of murder.

Daredevil #13

The Secret of Ka-Zar’s Origin!

Featuring: Daredevil
Release: December 12, 1965
Cover: February 1966
12 cents
Dastardly story by: Stan Lee
Demonic layouts by: Jack Kirby
Devastating artwork by: John Romita
Dilapidated lettering by: Sam Rosen
20 pages

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Daredevil #12	Reading order	Daredevil #14
Daredevil #12	Daredevil	Daredevil #14

No man is ever helpless… not while he lives… not while he dares!

The title promises the secret of Ka-Zar’s origin. The narration seems to hedge a bit, promising only new clues to his origin.

Recall, we had a bit of confusion last time. In name and appearance, Ka-Zar appears to be a character we’d met long before. David Rand, a jungle lord in the Congo introduced in Marvel Comics #1. This Ka-Zar looks the same and also goes by Ka-Zar, but lives in a hidden dinosaur-laden land in Antarctica. Is this Ka-Zar David Rand? And if so, how did we get to Antarctica?

We left off with Ka-Zar in peril from a plant and Daredevil in peril from Maa-Gor, last of the Ape Men, whom we met alongside Ka-Zar in X-Men #10.

Daredevil #12

Sightless, in a Savage Land!

Featuring: Daredevil
Release: November 4, 1965
Cover: January 1966
12 cents
Story: Stan Lee
Layouts: Jack Kirby
Lettering: Sam Rosen
.. and introducing: the matchless artistic wizardry of Marvel’s newest, and most eagerly-awaited, illustrator… the inimitable John Romita!
20 pages

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Sgt. Fury #26	Reading order	Daredevil #13
Daredevil #11	Daredevil	Daredevil #13

Ka-Zar have you, Zabu… Need no other! You are wisest… bravest… swiftest of all!

John Romita’s arrival is greeted enthusiastically by Stan. Kirby does layouts, as is common when welcoming new artists, as Stan doesn’t yet trust their storytelling chops (or his own).

Daredevil has a lack stability with revolving doors of legendary superstar artists. Bill Everett only made it one issue because he struggled with deadlines. Joe Orlando left after 3 issues because he got angry with Stan. Wally Wood left after 5 issues because he got angry with Stan. Good luck, John.

We’ve seen John Romita before in our “Prelude” posts. He was a regular artist on Captain America’s short-lived 1950s revival. His art has improved a lot in the intervening 10 years. He found his niche with the romance genre, and then left comics for a successful career in advertising. He draws good-looking people, in a way that artists like Kirby and Ditko don’t. Stan talked him into coming back to comics.

We talked about Romita’s career when we read Captain America #78. This is his new regular gig as a main artist at Marvel, but we’d seen him before providing finishes for Don Heck in Avengers #23, released 3 months earlier.

The story picks up where last issue left off, with Matt leaving Nelson & Murdock. The characters have lots of thoughts. Matt is leaving to let Foggy and Karen be together. Karen is sad because she loves Matt. Foggy thinks Matt is his best friend, but is happy that Karen can now be his. Matt doesn’t recognize that Karen loves him; he thinks her affection is just pity for a blind man. Matt books an ocean cruise to the other side of the world.

Avengers #23

Once an Avenger…

Featuring: Avengers
Release: August 10, 1965
Cover: December 1965
12 cents
Stan Lee, Rollickin’ writer!
Don Heck, prancin’ penciller!
John Romita, dazzlin’ delineator!
Sherigail, liltin’ letterer!
20 pages

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Modeling with Millie #44	INTERLUDE
Sgt. Fury #24	Reading order	Avengers #24
Avengers #22	Avengers	Avengers #24

The crown is still yours by my leave only! ‘Tis Kang who is the power here! Though countless worlds have fallen before my banner, yours have I spared… but only because of love for you!

Serendipitous timing. We get to see a major battle between Kang and the Avengers just in time for Kang to make his big screen debut in Ant-Man and the Wasp: Quantumania this Friday, portrayed by Jonathan Majors. We had met Jonathan Majors as Kang before in the Loki series.

This story is particularly notable for introducing Kang’s great love, the Princess Ravonna. She was portrayed by Gugu Mbatha-Raw in the Loki series.

John Romita is a new name in the modern Marvel reading, but we’d seen him before in our looks back, as he was the Captain America artist in the 1950s. We’ll be seeing more of him, and have more to say soon.

Sherigail we recall is an alias for for Morrie Kuramoto. We haven’t seen him in a while, with Rosen and Simek dividing up most lettering between them. He married Gail Masuoka in 1955, and they had a daughter Sheri– hence the pen name. As a young adult, Morrie had seen his possessions confiscated and his family sent into prison camps by the US government for having Japanese ancestry. He was able to enlist in the military to escape imprisonment. He worked as a letterer after the war, and continued to do irregular lettering work until his death in 1985.