medusa – Coke & Comics

Fantastic Four #50

The Startling Saga of the Silver Surfer!

Featuring: Fantastic Four
Release: February 10, 1966
Cover: May 1966
12 cents
Script: Stan Lee
Art: Jack Kirby
Inks: Joe Sinnott
Lettering: S. Rosen
20 pages

Previous	#517	Next
Fantastic Four #49	Reading order	Fantastic Four #51
Fantastic Four #49	Fantastic Four	Fantastic Four #51

Master! For the first time I realize the dread enormity of what you plan to do! You must not tamper with other worlds! You cannot destroy the entire human race!

Would you hesitate to tread upon an ant hill? These creatures are of no consequence to Galactus!

These are not ants, Master! They think… they feel… they have even created the primitive civilization which we see all about us!

Master! Say we may leave this world! My heart grieves at battling one with whom I shared… a universe!

You speak of me as though I am a monster! Do not the humans themselves slay the lesser beasts for food… for sustenance? Galactus does no less!

Galactus is not evil! He is above good.. or evil! He does what he must… for he is Galactus!

Emulate the Watcher! Stand and observe! Try to fathom the cataclysmic forces which have been unleashed! For you shall never see their like again!

Long have I cherished the stumbling, bumbling, but always aspiring human race!

Consider the courage they display! Though they are still in their infancy, you must not disdain them! Did not your race… and mine… evolve from such humble beginnings? Do they not possess the seed of grandeur within their frail, human frames?

And at last I perceive the glint of glory within the race of man! Be ever worthy of that glory, humans… be ever mindful of your promise of greatness! …For it shall one day lift you beyond the stars.. or bury you within the ruins of war!! The choice is yours!!

Generally, my plan is to pick a single quote from each issue to open these posts. I cheated last issue and am doing so again this issue. Too many great quotes. Also too many great images.

This isn’t the worst cover we’ve seen, but it is the most disappointing. Compare it to the awesome first page.

That’s a cool image. But the cover? No Galactus? The FF just as floating heads? Just a shot of the Silver Surfer. With the corner of the cover devoted to Johnny at college? What?

Notice they seem to have gotten the coloring of Galactus basically right now. Purple over red, wearing pants. Still bare arms, but that’s fine. Third time’s the charm. Here’s how it looks in the digital version with modern coloring.

I think the conclusion of the Galactus saga is excellent, but the structuring of this issue is again weird. To appreciate that, I’d like to peek ahead a few pages.

Recall where we were. Galactus is about to destroy the entire world in order to convert its resources into energy to feed himself. His herald has been convinced by Alicia that human life matters, so Silver Surfer has decided for the first time in countless eons to defy his master. Meanwhile, the Human Torch has journeyed across the universe to the giant space station that is Galactus’ home, to find the one weapon that may yet save them.

With all that to wrap up ahead of us, this is page 15.

We meet Coach Thorpe, who is very concerned his college football team is performing poorly. And his star quarterback is giving him attitude.

I cannot even begin to explain the surreality of the contrast between the first and fifteenth page of this comic.

Maybe it will make sense as we go on.

It won’t.

Fantastic Four #48

The Coming of Galactus!

Featuring: Fantastic Four
Release: December 12, 1965
Cover: March 1966
12 cents
Stan Lee, writer without peer!
Jack Kirby, penciller of the year!
Joe Sinnott, inker most sincere!
Artie Simek, how’d he get in here!
20 pages

Previous	#515	Next
Tales of Suspense #78, Story B	Reading order	Fantastic Four #49
Fantastic Four #47	Fantastic Four	Fantastic Four #49

My journey is ended! This planet shall sustain me until it has been drained of all elemental life! So speaks Galactus!

There’s a lot going on in this issue, and a lot to say. So we’ll break it into sections.

The end of the Inhumans saga

We were reading the Inhumans saga in Fantastic Four #44–47. And it wasn’t done. Maximus, the mad would-be king of the Inhumans, was just about to wipe out all humanity with his weapon.

Despite this cliffhanger, we left the saga behind to check in on the rest of the Marvel Universe. We’ve read 70 other stories over the 9 months since we left ourselves hanging. The story concludes this issue. Prior to issue 44, the longest FF saga was 3 parts in the previous 3 issues, #41–43, clocking in at 60 pages. Before that, the longest FF saga was the 2-part #39–40, clocking in at 40 pages.

We’ve already ready 4 issues and 80 pages of the Inhumans arc, and we’re not done! Here we are on the 5th issue. Since this issue is another 20 pages, does that mean it’s a 100-page long saga?

I would say no. I would put it at about 86.7 pages.

That’s right. There are less than 7 pages left.

The Fantastic Four have found the Great Refuge within the Andes. Black Bolt wants them to leave immediately. Reed wants Black Bolt to stop hiding from humanity. Crystal and Johnny want each other.

And Maximus… he fires his “atmo-gun”, which will send vibrations that only affect humans into the air, leaving the Inhumans the rulers of the world.

And the resolution of this apocalyptic moment?

Fantastic Four #47

Beware the Hidden Land!

Featuring: Fantastic Four
Release: November 11, 1965
Cover: February 1966
12 cents
Story: Stan Lee
Art: Jack Kirby
Inking: Joe Sinnott
Lettering: Art Simek
20 pages

Previous	#446	Next
Fantastic Four #46	Reading order	Amazing Spider-Man #31
Fantastic Four #46	Fantastic Four	Fantastic Four #48

If ya got a few spare minutes, it’s time fer us ‘ta save humanity again!

All Johnny can think about is Crystal. Guess we’re over Dorrie. Also, a man is dying. Luckily, Sue is there to point out Triton needs to get to water immediately. Johnny’s head is elsewhere. He’s only thinking with his, let’s say, heart.

The Great Refuge is the home of the Inhumans. They are ruled by Maximus the Magnificent. He had ordered the Seeker to return the others, such as Triton. He had ordered Gorgon to bring Medusa to the Great Refuge. He wanted Medusa back so he could marry her.

Fantastic Four #46

Those Who Would Destroy Us!

Featuring: Fantastic Four
Release: October 12, 1965
Cover: January 1966
12 cents
Story by our leader, Stan Lee
Illustrations by our idol, Jack Kirby
Inking by our star, Joe Sinnott
Lettering by our letterer, Artie Simek
20 pages

Previous	#445	Next
Fantastic Four #45	Reading order	Fantastic Four #47
Fantastic Four #45	Fantastic Four	Fantastic Four #47

Although I die– I die– free!

Who is Black Bolt? He’s fast. He’s strong. Strong enough to stagger the Thing with one blow. The antenna on his mask converts electrons into his strength and speed.

He doesn’t speak.

Fantastic Four #44

The Gentleman’s Name is Gorgon!

Featuring: Fantastic Four
Release: August 10, 1965
Cover: November 1965
12 cents
Dreamed up by: Stan Lee
Sketched down by: Jack Kirby
Inked in by: Joe Sinnott
Lettered around by: S. Rosen
20 pages

Previous	#443	Next
Avengers #25	Reading order	Fantastic Four #45
Fantastic Four #43	Fantastic Four	Fantastic Four #45

I’ve had enough of this domestic bliss bit! Hanging around here is like being on the set of Ozzie and Harriet!

“The world’s greatest comic magazine!” That’s what is says on the cover. Despite being a comic not as good as the company’s own Dr. Strange or Spider-Man stories. But it’s always been one of Marvel’s best comics and has gotten continually better. We’ve noted assorted leaps forward in quality, such as in issues 13, 29, 35, 36, 38, 39… At some point, we enter into the great era of Fantastic Four. And if we weren’t there already, we’re definitely there now.

One missing ingredient was Joe Sinnott on inks. Often cited as Kirby’s best inker. He’s not entirely new, as he inked the introduction of Dr. Doom back in issue 5. He’d also been the regular artist on Thor for a bit, but did a pretty terrible job. He later recalled in interviews that he hadn’t realized at the time anybody expected these comics to be good. He took the Thor assignment as a job to churn out some disposable work. He seems to take this Fantastic Four assignment more seriously.

Why are Joe’s inks special?

Fantastic Four #41

The Brutal Betrayal of Ben Grimm!

Featuring: Fantastic Four
Release: May 11, 1965
Cover: August 1965
12 cents
Story by: Stan Lee, who has never lost his touch!
Art by: Jack Kirby, who has never lost his magic!
Inking by: Vince Colletta, who has never lost his flair!
Lettering by: Sam Rosen, who has never lost Artie Simek!
20 pages

Previous	#372	Next
Avengers #18	Reading order	Fantastic Four #42
Fantastic Four #40	Fantastic Four	Fantastic Four #42

You did this to me, Richards!! You turned me into somethin’ so ugly that they can only call me… a Thing!

I appreciate that they use Ben’s real name in the title, rather than his superhero name. It adds a certain something, though I suspect Stan did it for alliterative purposes: brutal, betrayal, Ben.

Notice this picks up right where the last issue left off, so no time has passed. Yet we’ve read 7 other comics in the meantime. The idea is all this stuff is happening close to concurrently.

Ben had been turned human again, but Reed felt they needed him to be super strong again to defeat Dr. Doom, so without permission, Reed fired a ray to turn him back into the Thing.

Ben is justifiably angry and quitting the Fantastic Four.

Fantastic Four #39

A Blind Man Shall Lead Them!

Featuring: Fantastic Four
Release: March 11, 1965
Cover: June 1965
12 cents
Splendiforious story by: Stan Lee
Delectable drawings by: Jack Kirby
Deliciious Delineation by: Frank Ray
Laconic lettering by: Artie Simek
20 pages

Previous	#367	Next
Amazing Spider-Man #25	Reading order	Fantastic Four #40
Fantastic Four #38	Fantastic Four	Fantastic Four #40

I don’t normally post things on Sundays, so I had planned this for Monday. But today is April 10, 2022. And it just seemed too fitting not to post this today, in honor of the introduction of Dr. Doom, April 10, 1962. Here’s the post we did on his introduction almost 3 years ago.

So, happy birthday to the greatest comic book villain of all time. Let’s celebrate by reading his first truly great battle against the Fantastic Four, still one of the greatest Dr. Doom stories ever.

Just don’t mention his age to him. He’ll probably kill you. He can be a bit vain.

After a battle with the Frightful Four, the Fantastic Four were caught in a Q-bomb explosion and left for dead in the middle of the ocean. When we last saw them, it appeared as though Ben was turning human again.

To me, that’s a good excuse to jump straight to the next issue where they are getting dragged out of the water.

But we didn’t do that. We read another 35 comics in between the two. Why? Well, a lot was happening all at once. While they were still at sea, the Frightful Four showed up in Thor’s comic during the Trial of the Gods. That’s a whole thing. That tied into this Daredevil/Sub-Mariner battle as well as to this milestone Avengers issue where a new team of Avengers formed. That spun out of an X-Men story which happened before Human Torch showed up in the pages of X-Men. It’s tightly connected.

Obviously, the FF couldn’t be at sea that many days without the submarine finding them. They need water at some point. But it could have taken a bit of time to get back to their headquarters. And all the other superhero adventures must have elapsed in that time.

Frank Giacoia is the credited inker (under the pen name Frank Ray), but Wally Wood was brought in to ink Daredevil specifically, to ensure consistency with Daredevil’s look across the books.

Journey Into Mystery #116

The Trial of the Gods!

Featuring: Thor
Release: March 4, 1965
Cover: May 1965
12 cents
Written by imperial Stan Lee
Illustrated by impregnable Jack Kirby
Inked by implacable Vince Colletta
Lettered by impossible Artie Simek
16 pages

Previous	#340	Next
Daredevil #7	Reading order	Journey Into Mystery #116, Story B
Journey Into Mystery #115, Story B	Journey Into Mystery	Journey Into Mystery #116, Story B

Colletta graduates from inking the backup stories to the main Thor feature. He will be the Thor artist for a very long time to come. For better or worse. In fact, he will ink the next 52 consecutive Thor stories, and a good many of the next 50 after that over the course of an 8-year run.

We’ll reserve commentary on the his style for now. Let’s spend a few issues taking in this new art style before we try to see how we think Colletta compares to Chic Stone.

Another compelling Thor title. “The Trial of the Gods!”

We’ve known the phrase since we read Avengers #16, which was actually published a week after this, but took place earlier. At least, Thor’s appearance in the story took place before this issue.

Kirby seemed to use the same concept for cover and first page.

I’ve never really understood Odin and never will. Everybody seems to agree he is wise, but his wisdom must be too much for my mortal intelligence to grasp. Thor claims Loki kidnapped Jane to Asgard; Loki claims Thor brought Jane to Asgard because he loves her. Who is lying? The God of Thunder or the God of Lies?

Only one way to find out, says Odin. The Trial of the Gods!

Fantastic Four #36

The Frightful Four!

Featuring: Fantastic Four
Release: December 10, 1964
Cover: March 1965
12 cents
Proudly produced by: Smilin’ Stan Lee and Jolly Jack Kirby
Inked by: Chic Stone
Lettered by: Artie Simek
21 pages

Previous	#312	Next
Avengers #14	Reading order	Tales to Astonish #65
Fantastic Four #35	Fantastic Four	Fantastic Four #37

The main credits are shared between Stan and Jack without specifying who did what.

Fantastic Four has been one of the best of these Marvel superhero titles since the start, but it’s regarded as one of the best comic series ever, which hasn’t yet been obvious. The series gets better at some point. It can be hard to pinpoint the exact point of transition. We noted issue 29 when Kirby started using photo collages as a step toward greatness. The introduction of the Frightful Four in this issue also suggests we are well down the path. Particularly the mysterious Madam Medusa.

Sue and Reed announced their engagement last issue. They’ve now made a public announcement, and the press is excited, underscoring their celebrity status. There will be a big engagement party this issue.

Also, I think Sue’s gotten a haircut. Her hair definitely seems shorter.

Avengers #4

Captain America Joins… The Avengers!

Featuring: Avengers
Release: January 3, 1964
Cover: March 1964
12 cents
Gloriously written by: Stan Lee
Grandly illustrated by: Jack Kirby
Gallantly lettered by: Art Simek
23 pages

No inker is given in the credits for some reason. The GCD suggests the inker is George Roussos, who has been doing a lot of inking lately under the pseudonym George Bell. I don’t think we’ve yet seen a single comic where Kirby has done his own finishes. Probably because he’s drawing a half dozen comics each month.

There’s something that troubles me about these credits, and it’s the type of thing that makes Stan Lee a controversial character to this day. Look to the acknowledgement on this first page. Stan notes that Jack drew the original Captain America comics. That’s true and good to point out. But that massively understates Kirby’s contribution. Kirby and Simon created Captain America. The box should say. “Jack Kirby is one of the creators of Captain America.” Now, this may have been mere thoughtlessness on Stan’s part. Kirby used to draw Captain America and now is drawing him again; Stan used to write Captain America and now is writing him again. That may be the only point he wanted to make, and perhaps no other thoughts occurred to him. But the phrasing seems careful, and reflects the longtime legal stance of the many companies that have owned Marvel, that people don’t create characters, companies do. You can read an article from Brian Cronin on a piece Stan Lee had written in 1947 crediting publisher Martin Goodman with the idea for Captain America. The piece is basically fictional. Joe Simon came up with the character independently, and Kirby helped him flesh out the details. Stan’s failure to credit them for that goes back a long ways.