Featuring: Daredevil Release: February 14, 1967 Cover: April 1967 12 cents By– Stan (The Man) Lee and Gentleman Gene Colan Indescribable inking by Fearless Frank Giacoia Level-headed lettering by Adorable Artie Simek 20 pages
Last issue, Stilt-Man tried to team up with Leap-Frog, but that fizzled. Leap-Frog was arrested again, but Stilt-Man escaped with the Masked Marauder, who stands revealed as Frank Farnum, the building manager.
This issue, Daredevil runs into Spider-Man. It’s a small city.
This is our first chance to see Gene handling Spider-Man. He has a good take on the character.
Featuring: Daredevil Release: January 10, 1967 Cover: March 1967 12 cents Pulse-pounding presentation by: Smilin’ Stan Lee and Genial Gene Colan Lots of little lettering by: Artie Simek 20 pages
“Oh! Another superhero!” “In this town, you can’t turn around without tripping over one of ’em!”
We come to story #666 in our Marvel reading. Daredevil seems an appropriate character for the occasion.
The title is Stilt-Man Strikes Again. We’ve already discussed at some length that I think “Hero fights ___ again” is one of the weakest possible premises for a comic. So hopefully there’s more going on here.
Unfortunately there is more going on, and it involves Mike Murdock.
When spelled correctly, Alec Guinness is an anagram for “genuine class”.
Last issue, to protect his secret identity, Matt invented an imaginary twin brother whom he could pretend to be, to convince Foggy and Karen that this guy, Mike, and not he, was Daredevil.
At some point it seems easier to just tell them the truth.
Featuring: Daredevil Release: December 8, 1966 Cover: February 1967 12 cents A Stan Lee * Gene Colan epic extravaganza! Inked by: Frank Giacoia Lettered by: Art Simek 20 pages
We’re both lawyers, Matt! You know how thin that story sounds!
Where were we? Matt had the weirdest plan yet to protect his secret for Karen. Strong, strong emphasis on the word “yet” there. He thought he would put on a Daredevil costume in front of her and pretend to be pretending to be Daredevil to diffuse a hostage situation. Over the course of events, “Matt in disguise as Daredevil” disappears and the “real Daredevil” appears. And then finds himself transported to Europe and trapped there for a bit.
Fortunately that whole act seemed to basically have Karen fooled. But now Matt has disappeared along with Daredevil. And she opened a letter written to Matt from Spider-Man which said that Spidey knew Matt was Daredevil but would keep his secret.
Not very well, apparently.
Now, Matt is back from Europe and will need to scramble to explain his disappearance and protect his secret. He’ll need a plan even crazier than the last one.
Meanwhile, Leap-Frog is a new menace on par with Dr. Doom.
Release: November 3, 1966 Cover: January 1967 12 cents A Stan Lee * Gene Colan contemporary classic! Inked by: Frank Giacoia Lettered by: S. Rosen 20 pages
Starting this issue, Colan gets a credit like Romita got last month, and like Kirby and Ditko had been getting. Rather than just crediting him with art, the entire story is credited to the combo of Stan and Gene. This implicitly acknowledges Colan’s contributions to the writing. While still putting Stan’s name first.
On continuity, we haven’t travelled far into the future. Daredevil escaped Owl’s island while the Rhino was first being tried, and got into his tiff with the Tri-Man very soon after. That ended with him trapped in Europe with no money. And he’s still stuck. So this isn’t long after Amazing Spider-Man #43, perhaps still before Amazing Spider-Man Annual 3.
Featuring: Daredevil Release: October 11, 1966 Cover: December 1966 12 cents Story: Stan (The Man) Lee Art: Gentleman Gene Colan Inks: Fearless Frank Giacoia Lettering: Swingin’ Sam Rosen 20 pages
Surrender, Daredevil… or suffer the fatal consequences!
We seem to have two very similar opening splash pages.
Stan explains that Gene had drawn both, and they liked both, so they used both. I think Gene just likes his splash pages because it’s less pictures to draw.
As part of a brilliant plan to protect his secret identity, Matt told Karen he was going to pretend to be Daredevil. And he put on a Daredevil costume in front of her. They then went to the arena, where the real Daredevil showed up. And then she couldn’t find Matt in his Daredevil costume.
Featuring: Daredevil Release: September 1, 1966 Cover: November 1966 12 cents Written with rapture by: Stan Lee Drawn with drama by: Gene Colan Delineated with delight by: Giacoia & Ayers Lettered with the ball game on by: Sam Rosen 20 pages
I know it’s utterly insane, but I can’t help thinking of Daredevil every time I look at Matt! I know a blind attorney can’t possibly be a costumed super-hero… and yet…!
We checked in with Daredevil at the start of the Secret Empire mess because his story was entangled with Spider-Man’s battle against the Rhino. We paused, but now need to look back and remind ourselves where we were some.
Matt Murdock was wanted for Rhino’s defense council, but he couldn’t be found, because he was a prisoner of the Owl. When the Rhino broke out of prison, we saw that Matt had returned safely from the Owl’s island, and considered going after the Rhino, but decided to let Spider-Man handle it.
We now go back in time a bit as this issue opens with Daredevil just escaping from Owl’s island.
But by page 3, we are back in the present, in a scene set after his appearance in Amazing Spider-Man #43. So, the first two pages took place a few days back. But it’s been quite the few days in the lives of the Marvel heroes. And starting on page 3, a longer saga begins.
I hope this is the last time I refer to the continuity of the Secret Empire saga.
…To Become an Avenger! Featuring: Spider-Man Release: August 2, 1966 Cover: November 1966 25 cents Smilin’ Stan Lee Layouts by Jazzy Johnny Romita Pencilin’ by Dashin’ Donnie Heck Inking’ by Mirthful Mickey Demeo Letterin’ by Adorable Artie Simek 21 pages
I can’t fight it any longer! I’ve got to follow my own destiny– and let the chips fall where they may! I must have been given my spider-power for a reason! Thor was right! I do have an obligation– to mankind!
This is a “King-Size Special”. Which Marvel will sometimes be calling their Annual issues.
It boasts “72 Big Pages”. Let’s do math. The story is actually a pretty normal-sized 21 pages, but they reprint two old Spider-Man stories (issues 11 and 12), which brings the total to 64 pages. What are the other 8 pages? A table of contents, and some ads. When they advertise 72 pages, they are advertising 7 pages of ads.
The first stories I ever read with Spider-Man were Transformers #3 and Avengers #317. In the Avengers saga, Spider-Man was offered membership in the Avengers, but when Spider-Man struggled to keep up on their space adventure, Captain America and Spider-Man both agreed membership wasn’t for him. Avengers was one of the first series I regularly followed, so I read Avengers #329 a year later, in which Spider-Man does officially join the Avengers. No explanation was given for why Cap and Spider-Man changed their mind. Avengers #329 is the first time he officially became an Avenger, but the arc in #314-317 was not the first time he came close. That is here.
The Avengers are an interesting grouping. They began as Thor, Hulk, Iron Man, Ant-Man, and the Wasp. All characters who had had solo (or duo) series. Left out of the Avengers were the Fantastic Four, already an established team, as well as Dr. Strange and Spider-Man. Behind the scenes, there seems a clear pattern that Kirby formed the Avengers from characters he had created, but left off the characters Ditko had created. They were soon joined by a revived old character of Kirby’s, Captain America.
When the original team disbanded, they needed replacements. Rather than turn to established loner superheroes like Daredevil, Dr. Strange, or Spider-Man, they sought out old enemies like Namor and Hulk, and accepted applications from reformed villains, Hawkeye, Quicksilver, and Scarlet Witch.
The Avengers know Spider-Man, or at least of him. He teamed up with Giant-Man and Wasp in Tales to Astonish #57; Wasp hated him because wasps and spiders are natural enemies. Spider-Man briefly ran into the individual Avengers in Amazing Spider-Man Annual 1. They fought a Spider-Man robot created by Kang in Avengers #11. And they were all guests at the wedding of Reed and Sue.
For his part, Spider-Man has mostly been a loner, but at the start of his career, he tried to join the Fantastic Four, only to learn they don’t pay a salary. You sometimes find yourself asking if things might have been different. What if Spider-Man had joined the Fantastic Four?
But the Avengers are funded by Tony Stark. Maybe they can afford to pay Spider-Man?
I think this is a really good comic, if we forgive some nonsense in the premise. Which we’ll get to.
It even has great art. Heck is the credited artist, and Romita is just credited with layouts, but a lot of Romita shines through, perhaps due in part to Esposito’s finishes. Layouts have been Heck’s biggest weakness as an artist.
Where does this fit in in Spider-Man’s story. The most important thing to note to me is that Peter Parker has the motorcycle he acquired in Amazing Spider-Man #41, so it’s after that. I think Amazing Spider-Man #41-43 read well as a story, united by arcs for the Rhino, Mary Jane, and John Jameson. So I didn’t care to break that up. Hence we are reading it after #43. This is where a lot of collections place it, including the Essential, Omnibus and Epic Collection. The Masterworks weirdly places it after issue 50. But I think the thinking there was just to put it at the end of one of their volumes and not worry about where it “goes”. The MCP wants it before issue 42, and the CMRO agrees, but that seems unnecessary when there are so many unresolved plot threads from issue 41 to deal with first.
“We’ve studied that photo of Spider-Man long enough” says Cap. How much was there to study in one photo? Detail-oriented heroes, I guess.
In the funniest line of any of these comics we’ve read, Hawkeye describes Spider-Man as “a real swinger”.
Captain America, famous for his tact, notes Hawkeye identifies with Spider-Man because they’ve both been outlaws.
The question before them is: Should Spider-Man be offered membership in the Avengers.
Featuring: Spider-Man Release: September 8, 1966 Cover: December 1966 12 cents Stan (The Man) Lee, writer John (Ring-a-ding) Romita, artist Artie (stout-hearted) Simek, letterer 20 pages
Aunt May had been trying to set up Peter with Anna Watson’s niece since he was in high school. Her matchmaking finally paid off, and Peter met Mary Jane Watson at the end of last issue.
She was not quite as ugly as he’d feared.
Dinner is going well, but there are other things going on that will affect Peter’s life. For example, the Rhino is breaking out of prison. They took him out easily with some smoke gas last issue. But maybe they ran out of smoke gas?
The Trap is Sprung Featuring: Daredevil Release: August 2, 1966 Cover: October 1966 12 cents Spellbinding script: Stan Lee Phenominal pencilling; Gene Colan Dynamic delineation: Fearless Frank * Darlin’ Dick * Wild Bill Laudatory lettering: Artie Simek Bombastic bird-watching: Irving Forbush 20 pages
In this court– presided over by the Owl– I make my own laws!
I’m a little confused about who the inker is. GCD claims Esposito, who we see credited in the reprint below by his standard pen name, Mickey Demeo. The GCD also claims the original comic has this credit. UHBMCC claims that the original comic credits Giacoia. Earth’s Mightiest Blog has a scan of what looks like the original credits, and it’s Giacoia.
Looking at various collections on my shelves, the Epic Collection and Marvel Masterworks volumes credit Frank Giacoia; but the Essential Daredevil credits Esposito.
Here’s the original art for the issue, which has Giacoia, though you can see it appears to be a last minute change over a whited-out name.
Note about pencilling that John Romita is too busy polishing off the Amazing Spider-Man Annual. Though he only does the layouts for that comic.
In fact, Colan turns out to not just be filling in. As of this issue, he’ll be the regular penciler on Daredevil for the next several years, freeing Romita to focus on Spider-Man.
