art simek – Coke ⊕ Comics

Incredible Hulk #189

None Are So Blind…!

Featuring: Hulk
Release: April 1, 1975
Cover: July 1975
25 cents
Len Wein writer/editor
Herbe Trimpe & Joe Staton illustrators
Glynis Oliver Wein colorist
Arty Simek letterer
18 pages

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Giant-Size X-Men #1	Reading order	Daredevil #123
Incredible Hulk #188	Incredible Hulk	Incredible Hulk #190

Why? Why is there so much Hulk does not understand? All Hulk wants is a place where Hulk can find peace… a place Hulk can call… home! Why is Hulk forever lost? Where is Hulk? Where–? Nowhere! Hulk is always nowhere!

After a hiatus of a half-decade, the X-Men have returned, now with an all new team, including Wolverine, who we just met when he battled Hulk a few issues back. Of course, Len Wein was the writer on both titles, making for a smooth crossover.

We recall that in Hulk #187, Hulk tagged along on a SHIELD mission to Siberia to rescue Glenn Talbot, only to find him brain-swapped with a Soviet agent. The Gremlin erased the Soviet agent from his mind, so Ross and Quartermain only brought back a mindless husk. As they left, SHIELD destroyed the Gremlin’s Siberian base with Hulk still inside fighting the Droog monster. Presumably Hulk is now dead.

Except as we see on page 1, Hulk unexpectedly survived the destruction.

INTERLUDE: Two-Gun Kid #60

The Beginning of the Two-Gun Kid

Featuring: Two-Gun Kid
Release: August 2, 1962
Cover: November 1962
12 cents
Stan Lee + J. Kirby
Ayers
13 pages

Previous		Next
Two-Gun Kid #1	PRELUDE
Fantastic Four #8	Reading order	Journey Into Mystery #86

Back East, I remember reading about a fictitious gun-fighter named the Two-Gun Kid! I don’t know whatever happened to him, but I think I’ll borrow the name!

We see the signatures for Lee, Kirby, and Ayers. The GCD credits the coloring to Stan Goldberg, and the letters to Artie Simek.

We just met Marvel’s original Two-Gun Kid, Clay Harder from 1948. In 1962, Marvel introduced the new Two-Gun Kid. Marvel had been reviving the idea of superheroes with the Fantastic Four and Hulk. And just two months earlier introduced Thor, Spider-Man, and Ant-Man.

Stan and Jack bring the sensibility that had been working for them on the superhero titles to the western genre as they reimagne the Two-Gun Kid. For example, this new one will have a mask and secret identity.

X-Men #28

The Wail of the Banshee!

Featuring: X-Men
Release: November 3, 1966
Cover: January 1967
12 cents
Stan Lee editor
Roy Thomas writer
Werner Roth artist
J. Tartaglione inker
Artie Simek letterer
Irving Forbush noise-maker
20 pages

Previous	#641	Next
Daredevil #24	Reading order	Sgt. Fury #38
X-Men #27	X-Men	X-Men #29

How could these puny humans– who dwell among the smoke and noise that they call civilization– hope to appreciate such matchless beauty?

So my normal standard for making posts is to prepare the post one day, but not publish it the same day. I sleep on it and give it a last lookover before publication.

I’m skipping my usual standards today. Because today is St. Patrick’s Day. So I’m posting this without my usual extra day to edit. And from a pub. While some number of drinks in.

As seems appropriate.

This issue feels appropriate for St. Patrick’s Day because it introduces the character of the Banshee.

Who I think is Irish. Though they don’t say so. At least, I associate banshees with being Irish. Of course, I also associate banshees with being women, so shows what I know.

Fantastic Four #59

Doomsday

Featuring: Fantastic Four
Release: November 10, 1966
Cover: February 1967
12 cents
A Stan Lee * Jack Kirby modern day masterwork!
Delineation by: Joe Sinnott
Lettering by: Artie Simek
20 pages

Previous	#634	Next
Fantastic Four #58	Reading order	Fantastic Four #60
Fantastic Four #58	Fantastic Four	Fantastic Four #60

But now– with an entire planet looming before us– what do we do? Where do we go? Is the human race yet ready for us–??

The title of this comic is Doomsday. That’s also the name of an upcoming superhero movie.

Dr. Doom has the powers of the Silver Surfer and may be unbeatable. However, Ben disagrees, at least out loud.

Like ol’ Stretcho would say– as long as a guy still has a brain– and some backbone– he aint never beaten ‘less he wants’a be!

Mr. Fantastic coordinates with all nations on Earth, suggesting differences must be put aside against the threat of Doom.

Fantastic Four #58

The Dismal Dregs of Defeat!

Featuring: Fantastic Four
Release: October 11, 1966
Cover: January 1967
12 cents
A Stan Lee * Jack Kirby powerhouse production
Inked by: Joe Sinnott
Lettered by: Artie Simek
20 pages

Previous	#633	Next
Fantastic Four #57	Reading order	Fantastic Four #59
Fantastic Four #57	Fantastic Four	Fantastic Four #59

“Hah! The once-mighty Silver Surfer! Now, barely able to move a muscle since your new master has stripped you of your power!”
“Master? Galactus had been– my master! You– are but– a flea!”

Dr. Doom’s head appears in the air. I appreciate that Reed just thinks it’s a random pattern from the electrical storm. Smartest man in the world.

But then the pattern randomly looks like Dr. Doom again, and Reed begins to do the math on the odds of that.

Fantastic Four #57

Enter… Dr. Doom!

Featuring: Fantastic Four
Release: September 8, 1966
Cover: December 1966
12 cents
Panoramically produced by: Stan Lee, Jack Kirby
Inking: Joe Sinnott
Lettering: Artie Simek
20 pages

Previous	#632	Next
Sgt. Fury #36	Reading order	Fantastic Four #58
Fantastic Four #56	Fantastic Four	Fantastic Four #58

It is you I wish to learn about! For power has ever been my god– And, in all the universe, there can be no greater truth than– knowledge is power!

One thing we’ve seen going back to issue 36 is a tighter continuity amongst a larger cast. These aren’t isolated adventures anymore, but part of a larger whole. I mention issue 36 because it introduced the Frightful Four. The character of Medusa led us to the Inhumans, who have essentially become supporting characters on this title, as we check in with them often. The FF have had three battles against the Frightful Four, but now Sandman and Wizard are attempting a prison break.

After the Inhumans saga, we met the Silver Surfer, who has also become a supporting cast member in essence.

Sandman is an interesting character, as he was created to be a Spider-Man villain but at this point seems to have been adopted by the Fantastic Four. Which leads me to a question. Is Sandman a Jack Kirby creation?

Sandman was introduced in Amazing Spider-Man by Steve Ditko. But I believe Ditko has been quoted that he got occasional help on Spider-Man’s villains from Jack. And I wonder if that refers to the Sandman.

Ditko’s first Spider-Man super-villains were: Chameleon, Vulture, Dr. Octopus, Lizard… and Sandman. Who stands out in the group. Spider-Man has an excellent rogues gallery, and Stan and the other artists have brought many of them around to threaten other heroes… but Kirby has shown no interest in using any of them in his comics… except for Sandman, who is essentially a regular Fantastic Four character at this point.

I don’t know any of this. I’m just speculating out loud. But at this point, Sandman has been adopted by the FF as a villain… and I wonder if Jack Kirby created him?

Avengers #34

The Living Laser!

Featuring: Avengers
Release: September 8, 1966
Cover: November 1966
12 cents
Spellbinding story: Smilin’ Stan Lee
Awe-inspiring artwork: Dashin’ Donnie Heck
Lots of little lettering: Adorable Artie Simek
20 pages

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Tales of Suspense #86, Story B	Reading order	Avengers #35
Avengers #33	Avengers	Avengers #35

The larger the beam, the more damage I can do…

This is Stan Lee’s final credited issue of The Avengers. He may have had a hand in next issue. But starting next issue, the official scripting duties will be passed to Roy Thomas.

He leaves without much fanfare. Especially for a man so known for talking to his audience. No goodbye, no notes about it. He wrote 34 issues of one of the most beloved superhero teams of all time, and then just handed off the duties.

And he doesn’t try to go out with a bang, not really. It’s the first part of a two-part story. I wonder if he does that intentionally, thinking it’s easier for a new writer to finish off a story than come up with a new one. His final Spider-Man (comic book) story will have a similar flavor, introducing a new villain and then leaving the second part to the incoming writer.

Last issue’s blurb about this issue, went “Next: Goliath changes!”

I took that to mean he was going to finally change his clothes and wash this outfit. The blurb in the letters page hinted at more, that this would relate to Goliath’s efforts to return to normal size. It also hinted we’d see the return of Bill Foster, and of Wanda and Pietro.

We do get the return of Bill Foster, not seen since, well, last issue. But nothing else along those lines happens in this issue, and we get an editor’s note apologizing and assuring us that a big change is coming for Goliath. I think the pun is intended.

Tales of Suspense #86, Story B

The Secret!

Featuring: Captain America
Release: November 10, 1966
Cover: February 1967
12 cents
Produced with pandemonium by: Stan Lee and Jack Kirby
Inking by: Frank Giacoia
Lettering by: Artie Simek
10 pages

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Strange Tales #155, Story B	Reading order	Avengers #34
Tales of Suspense #86	Tales of Suspense	Tales of Suspense #87

…you were one of the greatest! Don’t ever forget that!

Before we start, I’d like to note the date. Tomorrow, December 20 2025, marks 85 years since the introduction of Captain America, by Joe Simon and Jack Kirby.

December 20, 1940, almost a year before Pearl Harbor, at a time American policy and popular sentiment was still against involvement in the war in Europe, here was Captain America punching Adolf Hitler in the face.

There are those on the internet who claim comics have become too political in recent years. To my mind, they’re not political enough. This cover was a bold political statement, and remains one of the greatest comic covers of all time, a fine introduction to one of Marvel’s greatest superheroes.

Superheroes should stand for what is right, not for what is popular. That’s how they become timeless.

Captain America is on a mission in the Orient, trying to rescue a double agent.

Strange Tales #155, Story B

The Fearful Finish–!

Featuring: Dr. Strange
Release: January 10, 1967
Cover: April 1967
12 cents
A mystical Marvel masterwork by: Stan Lee and Marie Severin
Lettered by: Artie Simek
10 pages

Previous	#625	Next
Strange Tales #155	Reading order	Tales of Suspense #86, Story B
Strange Tales #155	Strange Tales	Strange Tales #156

So long as this bridge endures– this bridge which is not a bridge– and yet, which is more a bridge than any other– Just so long shall hope of escape remain alive within us–

In an opening page clearly meant to evoke Ditko, Dr. Strange hurtles at the speed of thought to outrace the death spell Umar has sent toward Clea.

At last, Dr. Strange has rescued Clea, but it’s a long road to get her to Earth. They encounter many hazards along the way. Perhaps too many for a ten page comic, as each is too easily evaded.

But some of them are cool, like when they get caught in a road of repetition, stuck in a loop.

Strange Tales #153

The Hiding Place!

Featuring: Nick Fury, Agent of SHIELD
Release: November 10, 1966
Cover: February 1967
12 cents
Seldom-equalled editing by Stan Lee
Seldom-surpassed scripting by Roy Thomas
Seldom-lacking layouts by Jack Kirby
Seldom-rivaled rendering by Jim Steranko
Seldom-legible lettering by Artie Simek
12 pages

Previous	#620	Next
Strange Tales #152, Story B	Reading order	Strange Tales #153, Story B
Strange Tales #152, Story B	Strange Tales	Strange Tales #153, Story B

The hour of Hydra has come at last– And nothing that the human race can do will cease our relentless march toward world domination!

Steranko takes on the cover solo, and does an impressive job. He probably won’t need Kirby’s handholding much longer.

Inside, it’s still the Kirby/Steranko art team, with the art seeming more and more Steranko each issue. What’s changed is the writer. Thomas has been the regular on X-Men and Sgt. Fury and occasionally filled in elsewhere. This is in that fill-in category. He won’t be a regular writer on this series.

We open in the barbershop. Not clear the status of it after the attack by AIM. Is it still a SHIELD base? Is it still secret?

We recognize the two agents working in the barbershop, but still haven’t learned their names.