Featuring: Avengers Release: January 10, 1967 Cover: March 1967 12 cents Edited for everyman by Stan Lee Scripted for somebody by Roy Thomas Penciled for posterity by Don Heck Inked for immortality by Geoge Bell Lettered for a living by Artie Simek 20 pages
Nuts! Those creeps yell “Avengers Assemble” every time somethin’ goes wrong with the pop-up toaster!
Goliath and Hawkeye are fighting because Hank doesn’t want Black Widow to join the Avengers. He doesn’t quite say why. Because she’s Russian? Because she’s a woman?
The other male Avengers join the fray. Because.
Goliath finally admits he doesn’t know why he’s so opposed to her joining. This is a concept known as unconscious bias.
Featuring: Nick Fury, Agent of SHIELD Release: January 10, 1967 Cover: April 1967 12 cents Edited by: Stan Lee (Marvel’s James Bond) Written and drawn by: Jim Steranko (Marvel’s Man Flint) Letted by: Sam Rosen (Marvel’s Secret Squirrel) 12 pages
And so saying, the SHIELD agent’s finger begins to tighten on the trigger… his trance-like face telling of the incredible turmoil seething within… Then, the overwhelming force of the spell sweeps over his ego, as once again, the Supreme Hydra’s command echoes through his mind…
Jim Steranko is now writing and drawing Nick Fury, Agent Of SHIELD, and credited for doing so. Wally Wood had wanted that for Daredevil but was turned down.
Does this show Lee’s faith in the newcomer Steranko? Or is it just that he’s busy and become somewhat indifferent?
Steranko delivers quite the opening splash page, so maybe he’ll do okay with this assignment.
What are we looking at? It’s called the Vortex Beam. It seems to be like a tractor beam they use as a fancy elevator. Best as I can tell, people get onto a disc on the ground and then get lifted onto the Heli-Carrier. We see some VIPs and a strange device coming on the ship that way.
Featuring: Nick Fury, Agent of SHIELD Release: December 8, 1966 Cover: March 1967 12 cents Edited by: Stan Lee Scripted by: Roy Thomas Plotted and drawn by: Jim Steranko Lettered by: Sam Rosen 12 pages
The training wheels are off for Jim Steranko. In his first couple issues, he’d been drawing off layouts from Kirby, but Kirby has stepped away. The newcomer Steranko has drawn this all by himself.
And he even gets a plotting credit for his work. Something it took Ditko and Kirby years to get. That folks like Orlando and Wood left the company over.
Roy Thomas was also on scripting duties last issue, but this won’t be a regular gig for him. This is his second and final turn on the series.
AUTOFAC is the AI system that does SHIELD’s thinking. If they feed it what they know about Supreme Hydra, it will deduce their identity.
Can you, reader, deduce the identity of Supreme Hydra before AUTOFAC can? If not, maybe we should just surrender to AI.
We get a detailed diagram of the Heli-Carrier. Below the story notes, we recorded all the rooms and notes.
Featuring: Nick Fury, Agent of SHIELD Release: November 10, 1966 Cover: February 1967 12 cents Seldom-equalled editing by Stan Lee Seldom-surpassed scripting by Roy Thomas Seldom-lacking layouts by Jack Kirby Seldom-rivaled rendering by Jim Steranko Seldom-legible lettering by Artie Simek 12 pages
The hour of Hydra has come at last– And nothing that the human race can do will cease our relentless march toward world domination!
Steranko takes on the cover solo, and does an impressive job. He probably won’t need Kirby’s handholding much longer.
Inside, it’s still the Kirby/Steranko art team, with the art seeming more and more Steranko each issue. What’s changed is the writer. Thomas has been the regular on X-Men and Sgt. Fury and occasionally filled in elsewhere. This is in that fill-in category. He won’t be a regular writer on this series.
We open in the barbershop. Not clear the status of it after the attack by AIM. Is it still a SHIELD base? Is it still secret?
We recognize the two agents working in the barbershop, but still haven’t learned their names.
The Power of SHIELD! Featuring: Nick Fury, Agent of SHIELD! Release: October 11, 1966 Cover: January 1967 12 cents Script: Smilin’ Stan Lee Layouts: Jolly Jack Kirby Artwork: Jaunty Jim Steranko Lettering: Adorable Artie Simek 12 pages
So long as men such as you exist– men who are dedicated not merely to the cause of nationalism– but to international freedom– to global justice– so long will the lamp of liberty continue to burn bright– until men of good will, everywhere, put down their arms and come forth to reason together!
Once again, Kirby is on layouts with Steranko on art, but the character work looks more like Steranko this issue than last, perhaps suggesting looser layouts from Kirby.
Worth noting this will be Stan Lee’s final work on Nick Fury, Agent of SHIELD. He remains the editor, of course.
Last issue, Nick had escaped Hydra, but was unwittingly piloting their Overkill Horn. We pick up there this issue. Sitwell is in charge of SHIELD, and manages to destroy the Horn, fearing he has killed Fury in doing so. But Nick gets free.
Featuring: Nick Fury, Agent of SHIELD Release: September 8, 1966 Cover: December 1966 12 cents Script: Smilin’ Stan Lee Layouts: Jolly Jack Kirby Illustrations: Jaunty Jim Steranko Lettering: Adorable Artie Simek Hood laundering: Irate Irving Forbush 12 pages
So you’re the guys who’re gonna take over the world, huh?
A new name in the credits. Who is this Jim Steranko on the art over Kirby’s layouts?
He had apparently dabbled in comics briefly in 1957, but I have no examples of that. His first work came out for Harvey just three months earlier. He co-created several adventure heroes for them like Spyman. And perhaps contributed to varying degrees to the stories.
Per The Comics Journal, some of this work such as in Double Dare Adventures is illustrated by Steranko.
Either way, he’s new to comics. This is a pretty big assignment for a rookie. Let’s see if he makes anything of himself.
Featuring: Nick Fury, Agent of SHIELD Release: August 9, 1966 Cover: November 1966 12 cents Script… Stan Lee Layouts… Jack Kirby Pencils… John Buscema Inks… Frank Giacoia Letterings… Sam Rosen Ear plugs… Irving Forbush 12 pages
‘Cut off a limb, and two more shall takes its place!’ We were right… Hydra still lives!
We read the second half of this issue already. Last issue really ended the AIM stuff, and this issue begins the return of Hydra arc, so I wanted that cutoff. But the Dr. Strange stories cut a bit differently, as this issue ends the Kaluu arc and next issue properly begins the Umar arc.
Kirby is on hand for the layouts, but the main art credit goes to John Buscema. We spoke of him at length with his return to Marvel in Tales to Astonish #85, published one week prior to this. And we’ll be seeing a lot more of him.
We begin with Nick in a strange contraption performing a dangerous test. So dangerous, he won’t let anyone else do it. It’s a prototype Overkill Horn. They are concerned an enemy has a real one.
Perhaps a Super-Overkill Horn. Adding the word Super in front of something already called the Overkill Horn seems like, well, overkill.
Featuring: Nick Fury, Agent of SHIELD Release: July 7, 1966 Cover: October 1966 12 cents Edited by: Stan Lee Layouts by: Jack Kirby Script by: Denny O’Neil Art by: Ogden Whitney Lettering by: Artie Simek Ammunition by the Forbush Pyrotechnic Co. 12 pages
Hydra can never be killed! Althrough you have captured Hydra’s body, its head is still free… It shall last forever! It has resources you have not dreamed of… resources that will insure its ultimate triumph!
It’s rare that the scripter doesn’t get credited ahead of the artists. When Lee was scripting, his name always came first. Now that Lee is editing, the editor’s name comes first. But then he put Kirby’s layouts ahead of the scripting and art in the credits.
The credits claim this issue’s writer and artist are surprises.
At this point, we know Denny O’Neil. He’s been taking over the scripting duties on Dr. Strange. But the name Ogden Whitney is new to us.
Featuring: Nick Fury, Agent of SHIELD! Release: June 9, 1966 Cover: September 1966 12 cents Edited (in absentia) by… Stan Lee Layouts and script by… Jack Kirby Pencilling and inking by… Don Heck Lettering by… Sam Rosen 12 pages
Part of the month when Stan is on vacation. Kirby did the script. Stan still claims to have edited the comic while also claiming to not be in the office. His name still comes first in the credits.
The first script we’ve seen Kirby get credit for in our Marvel reading.
Certainly not the first script Kirby deserved credit for.
The battle against AIM/Them continues. I’d almost gotten in my head that AIM and Them were just different names for the same organization. But then last issue AIM was described as a branch of Them.
Now the narrator tells us AIM is in league with Them.
After a failed attempt to kill Nick Fury, Count Bornag Royale notes that AIM must improve its prestige with Them. That suggests there really is a distinction. My current thinking is that AIM is a branch of Them.
Featuring: Nick Fury, Agent of SHIELD Release: May 10, 1966 Cover: August 1966 12 cents Script: Stan Lee Layouts: Jack Kirby Pencils: Don Heck Inks: Mickey Demeo Lettering: Sam Rosen Weapons: Forbush Novelty Co. 12 pages
…we of AIM feel we simply cannot deal with such an unlettered oaf! We find his very appearance offensive! The idea of America’s highest-priority counter-espionage leader going around in his shirtsleeves… unshaven, unkempt, and making a mockery of your own language– shocking!
Shadowy organizations. These secret power-hungry cabals. Hydra had been the big one, but they fell to SHIELD in Strange Tales #141. The Secret Empire seemed to collapse from within in Tales to Astonish #83. An unnamed shadowy cabal was behind Batroc in Tales of Suspense #75. Not sure if they are connected to one of these others, or their own thing.
Most relevant is the organization called Them. We learned they had employed the Fixer in Strange Tales #145. In Tales of Suspense #78, Fury warns Captain America that Them is a group of scientists looking to overthrow the government. We see they have beekeeper-like uniforms and work for someone called the Imperator. They send a Chemical Android after Captain America.
AIM (Advanced Idea Mechanics) is a defense contractor looking to supply the US government weapons to make up for the shutdown of Stark Industries. Count Bornag Royale is their representative, and has claimed SHIELD needs someone more sophisticated than Nick Fury at its helm.
AIM and Them seem to be the same organization, with AIM the public-facing front. In Tales of Suspense #79, we see Them/AIM is responsible for the return of the Red Skull and the creation of the Cosmic Cube. Fortunately, Captain America dealt with both threats. Seemingly for good.
