mandarin – Coke & Comics

Tales of Suspense #78

Crescendo!

Featuring: Iron Man
Release: March 10, 1966
Cover: June 1966
12 cents
Spectacular story by Stan Lee
Pace-setting pencilling by Gene Colan
Indescribable inking by Gary Michaels
Lonesome lettering by Artie Simek
12 pages

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Tales of Suspense #77, Story B	Reading order	Tales of Suspense #78, Story B
Tales of Suspense #77, Story B	Tales of Suspense	Tales of Suspense #78, Story B

Ultimo, who never really lived– is now truly dead!

Stark factories are closed because Senator Byrd has cancelled the Defense contracts. Tony Stark is missing because Iron Man is in Asia battling Ultimo, the android creation of the Mandarin.

We get a cool time lapse splash page. Ditko often did these time lapse panels in his Spider-Man stories.

Of course, the flip side of all these splash pages and large panels is we get fewer panels to tell the story.

Tales of Suspense #77

Ultimo Lives!

Featuring: Iron Man
Release: February 10, 1966
Cover: May 1966
12 cents
Homerically written by: Stan Lee
Heroically pencilled by: Adam Austin
Historically inked by: Gary Michaels
Hysterically lettered by: Sam Rosen
12 pages

Previous	#511	Next
Strange Tales #145, Story B	Reading order	Tales of Suspense #77, Story B
Tales of Suspense #76, Story B	Tales of Suspense	Tales of Suspense #77, Story B

This is a grave moment in hour nation’s history! A time for patriotism… for dedication to the cause of freedom! There must be no special privileges for self-seeking opportunists like Stark, who flout their country’s laws!

Adam Austin has long since been unmasked as Gene Colan, but he is going back and forth between the two aliases. It’s worth noting that his art seems to improve each month.

Gary Michaels is a pseudonym for Jack Abel. He’s been working with Colan on this series off and on for a few issues now.

When we left off, Tony Stark was a prisoner of the Mandarin and Ultimo is rising. Confusingly, we’ve also seen Tony Stark filling in as the head of SHIELD since then. It’s hard to balance all the things one might want to in a reading order, and sometimes the chronology has to give. Stark’s appearances with SHIELD must take place either before or after this adventure. It’s hard because Tony’s just been pretty busy, and I like to keep the reading order relatively close to publication date.

Mandarin had thrown Stark’s attache case out the window, not realizing it contained the Iron Man armor. What can Stark do without his armor?

Mandarin kidnapped Stark from America to Asia via teleportation. Stark at the time had been in Senator Byrd’s car on the way to Congress to testify about the identity of Iron Man.

Tales of Suspense #76

Here Lies Hidden… The Unspeakable Ultimo!

Featuring: Iron Man
Release: January 1, 1966
Cover: April 1966
12 cents
Tenderly written by: Stan Lee
Lovingly pencilled by: Adam Austin
Gently delineated by: Gary Michaels
Finally lettered by: Sam Rosen
12 pages

Previous	#456	Next
Tales of Suspense #75	Reading order	Sgt. Fury #26
Tales of Suspense #75, Story B	Tales of Suspense	Tales of Suspense #76, Story B

Look at you! Bedraggled and red-eyed! Too much celebrating last night, eh? I always said you were nothing but a playboy!

Marvel has given up on the idea of clean story breaks, which makes reading tricky when I’d like to put the stories together. This is part 3 of the Happy-as-The-Freak arc, but also part 1 of the Ultimo arc. Essentially they seem to want to end every issue on a cliffhanger, so they begin the next story now. I can’t just keep reading Iron Man. We already are getting ahead of the Captain America stories he shares the title with, because I need to align those with the SHIELD arc. And there’s a whole Marvel Universe to check in with. Which means I need to either break last issue with the Freak saga unresolved, or break after this issue with the Ultimo saga unresolved. The Freak saga resolves in about 2 pages, but the Ultimo saga really only takes up the last 2 pages. The ongoing Senator Byrd subplot dominates the middle bit. I don’t know. We’re reading this now, then we’ll take a break. And see what happens with Ultimo at a later date.

Where were we. The experimental treatment on Happy turned him into a Freak. Iron Man had a thing that might save Happy, at risk to himself.

Well, it worked.

This was all a fallout from the Titanium Man battle. That’s when Happy was injured saving Iron Man, and revealed he knew (or suspected) Tony’s secret. This is their first chance to talk since then.

Avengers #20

Vengeance is Ours!

Featuring: Avengers
Release: July 8, 1965
Cover: September 1965
12 cents
Wham-Type script by Stan Lee
Pow-type pencilling by Don Heck
Zowie-type inking by Wallace Wood
Rather nice lettering by Artie Simek
20 pages

Previous	#411	Next
Avengers #19	Reading order	Strange Tales #130, Story B
Avengers #19	Avengers	Avengers #21

There’s something about being an Avenger… that seems to get into your blood and never let go!

The creative team is almost never mentioned on the cover of these (or any) comics. This is certainly the first time we’ve seen the inker advertised. Stan knows he’s lucky to have Wally Wood, and perhaps already knows he won’t have him much longer.

We saw Wood inking Heck in Tales of Suspense #71, which comes out one month after this one. So this is properly their first collaboration.

The cover is a rare Kirby/Wood collaboration, and pretty awesome. A team I think many would like to have seen more work by.

We see a rare feat of teamwork for these new Avengers. They seem to be defeating the Swordsman when he disappears.

He finds himself in the lair of the Mandarin. Who wishes to destroy the Avengers, though he’s never met them*. His foe is Iron Man, who used to be an Avenger. And it follows that he must destroy these Avengers, which don’t include Iron Man. Because Iron Man is his foe. And… the Mandarin’s plans may just be too crafty for my little brain.

Fantastic Four Annual 3

Bedlam at the Baxter Building!

Featuring: Fantastic Four
Release: July 1, 1965
Cover: 1965
25 cents
Written by: Stan Lee
Drawn by: Jack Kirby
Inked by: Vince Colletta
Lettered by: Artie Simek
23 pages

Previous	#400!	Next
	POSTLUDE	Marvel: Heroes & Legends #1
Journey Into Mystery #123, Story B	Reading order	X-Men #14
Fantastic Four Annual 2, Story C	Fantastic Four Annual	Fantastic Four Annual 4

I now pronounce you man and wife! You may kiss your bride!

It’s the wedding of the century. Today’s the day. Half the Marvels have been invited! And the rest of them are turning up anyway!

This issue represents by far the largest gathering of heroes and villains yet, forever binding these disparate characters into a universe.

This issue represents the idea that there is no status quo, that these characters are at their best when they change and grow. Forward momentum is an essential ingredient to storytelling. Genuine, non-illusionary, change.

This is the most significant moment in the early Marvel Universe.

I think I’d have come up with a better title than “Bedlam at the Baxter Building”.

I wish Chic Stone or Joe Sinnott had been the inker. A few months too late to have Stone and one month too early to have Sinnott. Also, Colletta is uniquely suited to a long special issue with many characters because he’s famously expedient.

I appreciate that the headline takes for granted the public knows who Reed and Sue are without the need for surnames or superhero identities. The cover does the same for its audience.

Pretty cool this worked out to be the 400th story in our reading order. Currently on track to also have the 500th story be a particularly special issue of Fantastic Four as well. When we read Avengers #1, it was the 100th story, but then I went and retroactively mucked with the ordering.

Tales to Astonish #66

The Menace of Madam Macabre

Featuring: Giant-Man and Wasp
Release: January 5, 1965
Cover: April 1965
12 cents
Story: Smilin’ Stan Lee
Art: Beamin’ Bobby Powell
Inking: Friendly Frankie Ray
Lettering: Sunny ol’ Sherigail
12 pages

Previous	#314 *(≈ 100 𝜋)**	Next
	Prelude	Marvel Comics #1, Story F
Tales to Astonish #65	Reading order	X-Men #10
Tales to Astonish #65, Story B	Tales to Astonish	Tales to Astonish #66, Story B

The Giant-Man tale is hogging most of the cover real estate.

Wasp doesn’t seem to be recognized as a co-lead for the second issue in a row. This is just described as a Giant-Man story. The covers have long since omitted her name.

Yes, we are falling farther and farther behind in our Hulk reading.

As before, it’s not actually a new Giant-Man. He just has a new hat.

Madam Macabre is an evil analogue to Giant-Man, with the power to make things shrink or grow. Not knowing she is evil, Giant-Man considers partnering with her, until he learns she thinks they can rule the world together.

Tales of Suspense #62

The Origin of the Mandarin!

Featuring: Iron Man
Release: November 10, 1964
Cover: February 1965
12 cents
Brashly written by: Stan Lee
Boldly drawn by: Don Heck
Brazenly inked by: Dick Ayers
Bashfully lettered by: S. Rosen
12 pages

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Tales of Suspense #61, Story B	Reading order	Tales of Suspense #62, Story B
Tales of Suspense #61, Story B	Tales of Suspense	Tales of Suspense #62, Story B

Now that the issue is dual-featured, with each feature of similar importance, they need to think of different ways to highlight two pictures on the cover. We’ve seen the Iron Man picture embedded in the Captain America picture, while consuming a large chunk of the real estate, forming the main art of the Cap picture into an ‘L’. We’ve seen 2 separate pictures placed onto the mat at odd angles like postcards dropped on a canvas. The most conventional format will be a split-screen, either horizontal or vertical. This one is basically a horizontal split, but with a slanted line. It feels like the Iron Man portion wastes the portion of the image where it has the space. The Cap portion has extra space on the left and puts Cap himself there. Iron Man is squeezed into the small space on the left, and the extra space on the right is devoted to landscape.

Apparently Marvel had received more than 500 requests for the origin of the Mandarin.

If you look to the Best we’ve read page, it will become obvious the origin stories tend to be my favorite comics. At present, I see a full quarter of the list are origin stories, including the top 3 entries. Conversely, almost every major origin we’ve read is represented. (Sorry to Ant-Man, Thor, and Watcher.) Therefore I’m excited whenever we get a new origin story… unless it’s Mandarin’s story.

Tales of Suspense #61

The Death of Tony Stark!

Featuring: Iron Man
Release: October 8, 1964
Cover: January 1965
12 cents
Story by: Stan Lee because we wanted the best!
Art by: Don Heck because we wanted the finest!
Inking by: Dick Ayers because we wanted the tops!
Lettering by: S. Rosen because we wanted to keep him busy!
12 pages

Previous	#287	Next
Strange Tales #128, Story B	Reading order	Tales of Suspense #61, Story B
Tales of Suspense #60, Story B	Tales of Suspense	Tales of Suspense #61, Story B

The cover boasts that Tony Stark will die at the hands of the Mandarin. Covers often exaggerate or outright fabricate such things. This caption is closer to true than usual, though.

We are informed the Mandarin returns by overwhelming popular demand. I was not given a vote. He remains my least favorite Marvel villain.

We meet Inspector Flint, investigating the disappearance of Tony Stark. I spent some mental cycles trying to decide if he was the unnamed inspector we met last issue. He resembles that inspector, and it makes sense he would still be on the case. However, since he introduces himself to Happy and Pepper, that implies they’ve never met. So I assume he is a different inspector.

A journalist overhears Flint talking to Happy and Pepper, so the papers reveal that Iron Man is top suspect in Stark disappearance. Clearly, Iron Man is the only suspect. Either Stark is on vacation like Iron Man claimed, or Iron Man is lying. So if there is a criminal case, Iron Man is at the center of it. Or, Iron Man is telling the truth, and there is no criminal case.

Tales of Suspense #55

No one escapes the Mandarin!

Featuring: Iron Man
Release: April 9, 1964
Cover: July 1964
12 cents
Written by: Friendly Stan Lee
Illustrated by: Faithful Don Heck
Lettered by: Fearless Art Simek
13 pages

For the second issue in a row, a comic I own in original form, because it was too hard to find the Watcher story in the back any other way.

The title is, “No one escapes the Mandarin!” Iron Man is currently a prisoner. Willing to bet money someone will escape the Mandarin by issue’s end. (In fact, someone will escape the Mandarin by page 3.)

I need everybody to agree on a couple points. Iron Man is a captive. He is tied up just like he was at the end of last issue. That’s the first point. The second is that he is wearing a different helmet than he was a moment ago. There is a clear lack of bolts down the face. Somebody explain.

Tales of Suspense #54

The Mandarin’s Revenge!

Featuring: Iron Man
Release: March 10, 1964
Cover: June 1964
12 cents
Written (in his magic Marvel manner) by: Stan lee
Drawn (in his famous flashing fashion) by: Don Heck
Lettered (in his smooth subtle style) by: Art Simek
13 pages

We reach a personal milestone for me in this reading. Up to this point, every story I’ve read, I’ve used some form of reprint, often a collection from one of their reprint lines like Marvel Masterworks, sometimes a later comic that happens to reprint the old story.

This comic I own. Cover barely hanging on, brown at the edges, but this is mine. That cover? That’s a scan of my copy. Most of the other covers have been taken from the GCD.

So that’s pretty exciting.

Now for the bad news. The Mandarin returns. Iron Man’s lamest villain yet (despite some stiff competition) is back for round 2.

Iron Man gets a new helmet. The face mask no longer protrudes out, making his head a smoother shape, and there are visible bolts along the mask. I get the bolts along where the facemask meets the helmet, but not sure what the ones down the middle are doing. They won’t be around long. In fact, they’ll disappear mid-story suddenly without any plausible explanation.

It’s a pretty weird look, frankly. It will be better when that middle line of bolts goes away.