daily bugle – Coke & Comics

Fantastic Four #50

The Startling Saga of the Silver Surfer!

Featuring: Fantastic Four
Release: February 10, 1966
Cover: May 1966
12 cents
Script: Stan Lee
Art: Jack Kirby
Inks: Joe Sinnott
Lettering: S. Rosen
20 pages

Previous	#517	Next
Fantastic Four #49	Reading order	Fantastic Four #51
Fantastic Four #49	Fantastic Four	Fantastic Four #51

Master! For the first time I realize the dread enormity of what you plan to do! You must not tamper with other worlds! You cannot destroy the entire human race!

Would you hesitate to tread upon an ant hill? These creatures are of no consequence to Galactus!

These are not ants, Master! They think… they feel… they have even created the primitive civilization which we see all about us!

Master! Say we may leave this world! My heart grieves at battling one with whom I shared… a universe!

You speak of me as though I am a monster! Do not the humans themselves slay the lesser beasts for food… for sustenance? Galactus does no less!

Galactus is not evil! He is above good.. or evil! He does what he must… for he is Galactus!

Emulate the Watcher! Stand and observe! Try to fathom the cataclysmic forces which have been unleashed! For you shall never see their like again!

Long have I cherished the stumbling, bumbling, but always aspiring human race!

Consider the courage they display! Though they are still in their infancy, you must not disdain them! Did not your race… and mine… evolve from such humble beginnings? Do they not possess the seed of grandeur within their frail, human frames?

And at last I perceive the glint of glory within the race of man! Be ever worthy of that glory, humans… be ever mindful of your promise of greatness! …For it shall one day lift you beyond the stars.. or bury you within the ruins of war!! The choice is yours!!

Generally, my plan is to pick a single quote from each issue to open these posts. I cheated last issue and am doing so again this issue. Too many great quotes. Also too many great images.

This isn’t the worst cover we’ve seen, but it is the most disappointing. Compare it to the awesome first page.

That’s a cool image. But the cover? No Galactus? The FF just as floating heads? Just a shot of the Silver Surfer. With the corner of the cover devoted to Johnny at college? What?

Notice they seem to have gotten the coloring of Galactus basically right now. Purple over red, wearing pants. Still bare arms, but that’s fine. Third time’s the charm. Here’s how it looks in the digital version with modern coloring.

I think the conclusion of the Galactus saga is excellent, but the structuring of this issue is again weird. To appreciate that, I’d like to peek ahead a few pages.

Recall where we were. Galactus is about to destroy the entire world in order to convert its resources into energy to feed himself. His herald has been convinced by Alicia that human life matters, so Silver Surfer has decided for the first time in countless eons to defy his master. Meanwhile, the Human Torch has journeyed across the universe to the giant space station that is Galactus’ home, to find the one weapon that may yet save them.

With all that to wrap up ahead of us, this is page 15.

We meet Coach Thorpe, who is very concerned his college football team is performing poorly. And his star quarterback is giving him attitude.

I cannot even begin to explain the surreality of the contrast between the first and fifteenth page of this comic.

Maybe it will make sense as we go on.

It won’t.

Tales of Suspense #78

Crescendo!

Featuring: Iron Man
Release: March 10, 1966
Cover: June 1966
12 cents
Spectacular story by Stan Lee
Pace-setting pencilling by Gene Colan
Indescribable inking by Gary Michaels
Lonesome lettering by Artie Simek
12 pages

Previous	#513	Next
Tales of Suspense #77, Story B	Reading order	Tales of Suspense #78, Story B
Tales of Suspense #77, Story B	Tales of Suspense	Tales of Suspense #78, Story B

Ultimo, who never really lived– is now truly dead!

Stark factories are closed because Senator Byrd has cancelled the Defense contracts. Tony Stark is missing because Iron Man is in Asia battling Ultimo, the android creation of the Mandarin.

We get a cool time lapse splash page. Ditko often did these time lapse panels in his Spider-Man stories.

Of course, the flip side of all these splash pages and large panels is we get fewer panels to tell the story.

Daredevil #16

Enter… Spider-Man

Featuring: Daredevil
Release: March 3, 1966
Cover: May 1966
12 cents
Sagacious script by: Stan Lee
Phantasmagoric pencilling by: Johnny Romita
Iconographic inking by: Frankie Ray (nee Giacoia)
Lachrymose lettering by: Artie Simek
20 pages

Previous	#505	Next
Thor #130, Story B	Reading order	Daredevil #17
Daredevil #15	Daredevil	Daredevil #17

Let’s talk about your costume! Those red longjohns break me up– but I liked your old yellow duds better! … I mean they matched your new yellow streak!

This might be the first time we learn the true identity of Frankie Ray, really Frank Giacoia. For a lot of these people, the aliases are about not sabotaging regular gigs with Marvel’s competition. Frank Giacoia was a regular DC artist at the time, and hadn’t necessarily wanted them knowing he was freelancing for Marvel. But at some point it becomes clear, or his Marvel gig becomes the more regular gig, and it just stops mattering. Though by this point Marvel fans might know him best as Frank or Frankie Ray and not recognize the name Frank Giacoia.

Just like they might be confused if a comic were credited to Stanley Lieber or Jacob Kurtzberg.

That’s a great cover by Romita and Giacoia. The cityscape is detailed but the lack of color keeps it subtly in the background, leaving the focus on the two colorful characters. This is our first chance to see Spider-Man as rendered by John Romita. He captures that sense of agility that Ditko creates, and you can feel the motion of the cover, even without the helpful motion lines.

We’ve talked a bit about the tension in the pages of Amazing Spider-Man. Lee and Ditko aren’t getting along and Ditko is looking out the door. Lee is well aware of this, but has a huge problem. Spider-Man is his best comic, indelibly associated with Steve Ditko. You can’t just throw anybody on the book. Jack Kirby is Stan’s go-to artist when he needs a good one, but Jack had drawn Spider-Man a couple times by this point, and it was never right. And Jack’s style– while perfect for Fantastic Four– just wasn’t Spider-Man. Nobody was Steve Ditko.

We talked in the last issue about John Romita, who recently passed away. He’s been on Daredevil since Wally Wood left, following a succession of legendary talent from Bill Everett to Joe Orlando. And Romita has been more than up to the task of making his own mark on Daredevil.

But John Romita is not famous for drawing Daredevil. And while he excelled at the romance comics he had been drawing, that’s not really what made him a household name amongst fans. His step into legendary status will come with his next assignment, and this issue will serve as his audition for that assignment.

So, how well can John Romita draw Spider-Man? Let’s find out.

Tales to Astonish #62

Giant-Man Versus the Wonderful Wasp!

Featuring: Giant-Man and Wasp
Release: September 1, 1964
Cover: December 1964
12 cents
Written–as if you couldn’t guess by now–by smilin’ Stan Lee!
Drawn–and here’s a little twist for you–by capricious Carlos Burgos!
Inked–as if he knew what he was doing–by devestatin’ Dickie Ayers
Lettered–as though each syllable is a gem–by amenable Artie Simek
12 pages

Previous	#267	Next
Tales to Astonish #61, Story B	Reading order	Tales to Astonish #62, Story B
Tales to Astonish #61, Story B	Tales to Astonish	Tales to Astonish #62, Story B

The cover is vertically split between the two stories. This will be a common format for these shared titles. Hulk’s story comes first on the cover, but the issue opens with the Giant-Man and the Wasp tale.

Don’t think we’ve ever seen Dick Ayers referred to as Dickie before. Carlos Burgos is normally Carl Burgos, who we recall is the creator of the original Human Torch. He’s already shown up once in the Marvel Age to draw a story with the new Human Torch. Art sometimes does go by Artie.

Giant-Man has found a way to make plants grow, as well as humans. It’s a little confusing, as he was able to shrink a chair before he shrank himself. His original goal for the technology was to revolutionize shipping. Originally, it was a liquid he pored on something (an object or his skin) to make it shrink. Then he got it into pill form. Lately, he’s been able to use his cybernetic helmet to make both himself and the Wasp change size with his thoughts. His plant growth serum comes in the form of a spray. He thinks he can use it to help with agriculture and solve world hunger.

Amazing Spider-Man #12

Unmasked by Dr. Octopus!

Featuring: Spider-Man
Release: February 11, 1964
Cover: May 1964
12 cents
Written in the white heat of inspiration by: Stan Lee
Drawn in a wild frenzy of enthusiasm by: Steve Ditko
Lettered in a comfortable room by: Art Simek
22 pages

We’re reading this story an entire month early. A few reasons for this. One is that a lot of plot and thematic elements remain unresolved from issue 11. So these two issues read well together. The other is that I’ll be shuffling around a lot of Avengers-related comics due to chronological complications, including Spider-Man’s upcoming guest appearance in Tales to Astonish. I’ll be pulling that story forward, which also pulls this story forward.

Since the Dr. Octopus subplot remains unresolved from last issue, I think it’s best if Spider-Man’s guest appearances with Human Torch or Giant-Man don’t break up these issues.

Just keep in mind this comic was actually was published after a lot of the exciting events we are about to read, including the return of Captain America, the introduction of Black Widow, the epic Thing/Hulk showdown, and the introduction of Daredevil. But I think it reads better before all that. So here we are.

This is actually one of my very favorite Spider-Man comics. Let’s dive in.

We see a Daily Bugle article in an unusual level of detail. Spider-Man is blamed for letting Dr. Octopus escape by interfering in police business. Jameson’s articles are often over the top, but this seems a reasonable assessment to me. Spider-Man is a child who barged into a delicate hostage situation. One person was killed and the villain escaped. We know he did his best, but he is an amateur. Nonetheless, Spider-Man is outraged by the article. He should perhaps instead be remorseful about Bennet’s death. That’s what happens when you provoke a criminal into wildly firing shots.

Amazing Spider-Man #4

Nothing can stop… the Sandman!

Featuring: Spider-Man
Release: June 11, 1963
Cover: September 1963
12 cents
By: Stan Lee and Steve Ditko
21 pages

Previous	#85	Next
Tales of Suspense #45	Reading order	Fantastic Four #18
Amazing Spider-Man #3	Amazing Spider-Man	Amazing Spider-Man #5

You teen-agers are all alike– You think the world owes you a living! Now go out and get me some shots of Spider-Man, and don’t come back till you do!

The covers so far have mostly been single images. Here, the cover is itself a comic. It’s not a common artistic choice, perhaps because it forces the images to be smaller. But it effectively shows off the range of Sandman’s powers.

Lee and Ditko share the credits for this issue with a simple “By”, rather than breaking up who did the story and who did the art.

In 4 issues, this series has introduced:

Chameleon
Vulture
Tinkerer
Dr. Octopus
Sandman

That’s 5 enduring villains, and at least 3 iconic ones.

Amazing Spider-Man #1

Spider-Man
Featuring: Spider-Man
Release: December 10, 1962
Cover: March 1963
12 cents
Script: Stan Lee
Art: Steve Ditko
14 pages

Previous	#46	Next
Tales of Suspense #39, Story C	Reading order	Amazing Spider-Man #1, Story B
	Amazing Spider-Man	Amazing Spider-Man #1, Story B

I say that Spider-Man must be outlawed! There is no place for such a dangerous creature in our fair city!

Spider-Man is back! He appeared briefly, set to be a recurring star in Amazing Fantasy, a comic which was cancelled immediately after he appeared. Sometime between making that decision and now, we learn the publisher received lots of letters and postcards, so now Spider-Man gets his own comic. Probably good they brought him back, as he’ll go on to become Marvel’s most enduringly popular character.

We are still on December 10, 1962. A day with four major Marvel superhero milestones. The first was the crossover between the Fantastic Four and the Hulk. The second was the debut of Iron Man. The third of these is Spider-Man getting his own series.

Milestone #1 of December 10, 1962:
Fantastic Four meet the Hulk!
Milestone #2:
Iron Man
Miletone #3:
Amazing Spider-Man #1

The tale begins with a 2-panel recap of his origin from Amazing Fantasy #15. But, strangely, they leave out what most today would consider the most pivotal part, Peter’s culpability in Ben’s murder by letting the burglar run past him. True, it’s only two panels, but they seem to go out of their way to not mention it. He instead uses phrases like, “All because I was too late to save him!” and “…while I was busy showing off…”; so they keep Peter’s feelings of guilt but leave off the reason he feels so guilty. It seems like a rather intentional and conscious decision. But I don’t know why they made it.