Featuring: Fantastic Four Release: December 8, 1966 Cover: March 1967 12 cents Dazzlingly depicted by: Stan Lee and Jack Kirby Inking by: Joe Sinnott Lettering by: Sam Rosen 20 pages
I… never felt… pain.. like this… before..! ..Never knew anything… could hurt… so much… But… can’t let go… can’t knuckle down…! All I got is… my strength..! If I let that fail me… there’s nothin’ left…! Nothin’..! Fight it, Ben… fight it!! Fight… ya ugly , good-fer-nothin’ orange-skinned meathead… fight..! What’s a little bit… of pain… to a big beautiful slob… like you..!
Black Bolt has spoken, and his voice had the power to destroy the Negative Zone surrounding the Great Refuge. And now he along with the Royal Family and Court of the Inhumans venture forth into the wider world. Meanwhile, Dr. Doom continues to wield the cosmic power of the Silver Surfer.
As noted, I’m here for Doom on a surfboard. That’s what this story is about to me. And this is the best image of that yet.
The Human Torch tries to take on Dr. Doom by himself. It won’t go well.
Featuring: Marvels Release: January 25, 1994 Cover: March 1994 $5.95 Writer: Kurt Busiek Artist: Alex Ross Letterers: Starkings w/ John Gaushell Editor: Marcus McLaurin Assistant editor: Spencer Lamm Editor in chief: Tom DeFalco Cover design & logo: Joe Kaufman Interior Design: Comicraft 45 pages
And then it was quiet. No one around. They were all inside– or gone. Was this what it was going to be like? Silence and emptiness– forever?
We again jump back to 1994. As noted in this post, which serves as something of a vision statement, my goal here is to be able to reread my first comic, Avengers #309, but this time with full context, without feeling like I was missing anything or that I had read things out of order. More than that, it’s an attempt to try to see decades of disparate titles by a variety of creative voices as telling a larger single story.
I see Marvels, the masterpiece by Busiek and Ross, as an attempt to come to terms with that same story, and then to tell it in miniature. In general I try to take a contemporaneous viewpoint, looking at our 1966 stories from the perspective of 1966, and not spending too much thought on what later stories have to say. Marvels is the exception, as I’m using Marvels to frame our reading and my thinking about this reading.
For example, we jumped a little bit ahead in our X-Men reading lately. The rush through X-Men was to line up with this issue of Marvels. I was eager to read this comic right after the Galactus saga, but knew I had to hold back until after the X-Men battled Count Nefaria. And the choices in reading order we made with respect to the Avengers and Fantastic Four stories were inspired by how Marvels presented them.
There is no other later series I let impact my thinking on these stories. That’s born both out of a love of Marvels and its creators, and a trust in Kurt Busiek to have done his homework.
As this post is a bit long and picture-heavy, I’ve broken it into twoparts.
The series Marvels covers the Marvel Universe from 1939-1973. I don’t know how far this blog will go before I get bored or die, but I’m hoping to at least hit 1973 and finish Marvels. But that is several years away.
There’s also a bit of timing in the writing of this blog that has recontextualized Marvels and the stories it represents again. I started this blog in 2019 and reached Marvels #1 in 2020, and found new meaning in Phil’s desire for the world to return to normalcy. I write this blog post in 2024, with 2020 four years in the past, but the pandemic continuing to affect lives in big and small ways.
Marvels #1 starts with the dawn of Marvel in 1939 and takes us into the war in Europe, likely around 1943. We then jump forward 20 years and Marvels #2 covers the ground of part of our reading. It skips the introductions of most of the heroes and takes us to 1964 and Avengers #6 (May 1964), then ends in 1965 with Tales of Suspense #69 (around July 1965). Its focus was on the juxtaposition of two major events, the wedding of Reed and Sue in Fantastic Four Annual 3, and the introduction of the Sentinels in X-Men #14-16.
Thinking in terms of Fantastic Four, a title which has been a monthly constant in our reading, Marvels #2 covers the ground of approximately Fantastic Four #29-43.
Marvels #3 will cover a little less ground, Fantastic Four #44-50, bringing us to around February 1966. And most of the page count is dedicated to recapturing a single story, the battle between the Fantastic Four and Galactus in Fantastic Four #48-50. Due to its wonky arrangement with other stories, the original battle only covered about 48 pages of comics originally, so the retelling in miniature is not actually that much shorter, taking up almost 32 pages.
Of course, this retelling will not be from the perspective of the Fantastic Four, but our man Phil Sheldon.
The story has been about Phil, but also about his changing opinion of the Marvels. In the 1930s, he thought they were something to fear when he first saw Human Torch and Sub-Mariner, but came to conclude they were something to cheer on when he saw Captain America, and then all the heroes teaming up against Nazis. He continued to cheer them on into the 1960s, loving the Fantastic Four and the Avengers… but not the X-Men. Mutants, he hated. Though he grew a bit by the end.
Now he begins to wonder if he’d put a bit too much faith in all the Marvels, put them too much on a pedestal. As they become embroiled in controversy after controversy… had he overestimated them? He begins to have doubts.
Featuring: Fantastic Four Release: February 10, 1966 Cover: May 1966 12 cents Script: Stan Lee Art: Jack Kirby Inks: Joe Sinnott Lettering: S. Rosen 20 pages
Master! For the first time I realize the dread enormity of what you plan to do! You must not tamper with other worlds! You cannot destroy the entire human race!
Would you hesitate to tread upon an ant hill? These creatures are of no consequence to Galactus!
These are not ants, Master! They think… they feel… they have even created the primitive civilization which we see all about us!
Master! Say we may leave this world! My heart grieves at battling one with whom I shared… a universe!
You speak of me as though I am a monster! Do not the humans themselves slay the lesser beasts for food… for sustenance? Galactus does no less!
Galactus is not evil! He is above good.. or evil! He does what he must… for he is Galactus!
Emulate the Watcher! Stand and observe! Try to fathom the cataclysmic forces which have been unleashed! For you shall never see their like again!
Long have I cherished the stumbling, bumbling, but always aspiring human race!
Consider the courage they display! Though they are still in their infancy, you must not disdain them! Did not your race… and mine… evolve from such humble beginnings? Do they not possess the seed of grandeur within their frail, human frames?
And at last I perceive the glint of glory within the race of man! Be ever worthy of that glory, humans… be ever mindful of your promise of greatness! …For it shall one day lift you beyond the stars.. or bury you within the ruins of war!! The choice is yours!!
Generally, my plan is to pick a single quote from each issue to open these posts. I cheated last issue and am doing so again this issue. Too many great quotes. Also too many great images.
This isn’t the worst cover we’ve seen, but it is the most disappointing. Compare it to the awesome first page.
That’s a cool image. But the cover? No Galactus? The FF just as floating heads? Just a shot of the Silver Surfer. With the corner of the cover devoted to Johnny at college? What?
Notice they seem to have gotten the coloring of Galactus basically right now. Purple over red, wearing pants. Still bare arms, but that’s fine. Third time’s the charm. Here’s how it looks in the digital version with modern coloring.
I think the conclusion of the Galactus saga is excellent, but the structuring of this issue is again weird. To appreciate that, I’d like to peek ahead a few pages.
Recall where we were. Galactus is about to destroy the entire world in order to convert its resources into energy to feed himself. His herald has been convinced by Alicia that human life matters, so Silver Surfer has decided for the first time in countless eons to defy his master. Meanwhile, the Human Torch has journeyed across the universe to the giant space station that is Galactus’ home, to find the one weapon that may yet save them.
With all that to wrap up ahead of us, this is page 15.
We meet Coach Thorpe, who is very concerned his college football team is performing poorly. And his star quarterback is giving him attitude.
I cannot even begin to explain the surreality of the contrast between the first and fifteenth page of this comic.
Featuring: Fantastic Four Release: January 1, 1966 Cover: April 1966 12 cents Written in the masterful manner of Stan Lee Illustrated in the magnificent mode of Jack Kirby Inked in the majestic mood of Joe Sinnott Lettered in the nick of time by S. Rosen 20 pages
Of what import are brief, nameless lives… to Galactus??
It is not my intention to injure any living being! But… I must replenish my energy! If petty creatures are wiped out when I drain a planet, it is regrettable… but unavoidable!
I am supreme unto myself… I am Galactus!
This planet contains the energies to sustain me! I shall absorb it at will… as I have for ages in countless galaxies throughout the cosmos!
Destroy is merely a word! We simply change things! We change elements into energy… the energy which sustains Galactus! For it is only he that matters!
No! No! We all matter! Every living being… every bird and beast… this is our world! Ours!
Perhaps we are not as powerful as your Galactus… but we have hearts… we have souls… we live… breathe… feel! Can’t you see that?? Are you as blind as I?
Never have I heard such words… sensed such courage… or known this strange feeling… this new emotion…! There is a word some races use… a word I have never understood… until now! At last I know… beauty!
But look! Look at the city below you! Look at the people! Each of them is entitled to life… to happiness… each of them is… human!
All I need do is link these two igniters… and all the seas of Earth shall be transformed into purest energy… enough energy to sustain me until I find the next such planet somewhere in the endless cosmos!
Trust me! Banish fear from your heart! You shall travel by time space distortion! We must force open the very fabric of time itself! Let it be done… now! You are traveling back… far, far back… into the center of infinity!
There’s always a chance, darling… so long as we’re alive!
Perhaps for the first time within memory… I have found something worth protecting!
This is the middle chapter of the Galactus saga. In many cases, the middle chapter of a saga is the weakest. But the odd structuring of the story makes this the best issue. The first issue was beset by having to finish off the Inhuamns saga before getting started. The last issue will oddly finish halfway through and then become about college football.
Making this the only chapter that dedicates 20 pages to being about Galactus.
I have a book collecting some Jack Kirby Collector magazines, which includes some pencils for this issue. Comparing Kirby’s pencils with the finished artwork can help us understand what Joe Sinnott brings to the table with his finishes.
Let’s dive in and I’ll make some comments as we go.
Featuring: Fantastic Four Release: December 12, 1965 Cover: March 1966 12 cents Stan Lee, writer without peer! Jack Kirby, penciller of the year! Joe Sinnott, inker most sincere! Artie Simek, how’d he get in here! 20 pages
My journey is ended! This planet shall sustain me until it has been drained of all elemental life! So speaks Galactus!
There’s a lot going on in this issue, and a lot to say. So we’ll break it into sections.
The end of the Inhumans saga
We were reading the Inhumans saga in Fantastic Four #44–47. And it wasn’t done. Maximus, the mad would-be king of the Inhumans, was just about to wipe out all humanity with his weapon.
Despite this cliffhanger, we left the saga behind to check in on the rest of the Marvel Universe. We’ve read 70 other stories over the 9 months since we left ourselves hanging. The story concludes this issue. Prior to issue 44, the longest FF saga was 3 parts in the previous 3 issues, #41–43, clocking in at 60 pages. Before that, the longest FF saga was the 2-part #39–40, clocking in at 40 pages.
We’ve already ready 4 issues and 80 pages of the Inhumans arc, and we’re not done! Here we are on the 5th issue. Since this issue is another 20 pages, does that mean it’s a 100-page long saga?
I would say no. I would put it at about 86.7 pages.
That’s right. There are less than 7 pages left.
The Fantastic Four have found the Great Refuge within the Andes. Black Bolt wants them to leave immediately. Reed wants Black Bolt to stop hiding from humanity. Crystal and Johnny want each other.
And Maximus… he fires his “atmo-gun”, which will send vibrations that only affect humans into the air, leaving the Inhumans the rulers of the world.
Featuring: Hulk Release: October 5, 1965 Cover: January 1966 12 cents Story: Stan Lee Layouts: Jack Kirby Illustrations: M. Demeo Lettering: S. Rosen Enjoying: That’s your job, pussycat! 10 pages
At last I got somethin’ to smash out against… somethin’ to fight… a chance to do the thing I can do better than anything that lives!
This picks up right where the last issue left off, though we paused for a bit since reading the last issue and since reading the earlier half of this comic.
Hulk had just acquired the Ultimate Machine for the Leader from the Watcher’s world. Leader’s attempt to use the machine resulted in his death.
Featuring: Everybody Release: August 21, 1996 Cover: October 1996 $2.95 Scintillating script by Stan Lee Prurient plot by Fabian Nicieza Pulse-pounding pencils by Sal Buscema, John Buscema, John Romita, Sr., Steve Ditko, Gene Colan, Marie Severin & Ron Frenz Incredible inks by Tom Palmer, Joe Sinnott, Terry Austin, Bill Reinhold, Marie Severin & Al Milgrom Kaleidoscopic colors by John Kalisz (with perfect page one and colossal cover coloring by Paul Becton) Lascivious letters by Richard Starkings and Comicraft/ad Effervescent edits by Matt Idelson Aching assistant edits by Paul Tutrone Evil editing-in-chiefing by Bob Harras Very special thanks to: Mariano Nicieza, Darren Auck, Scott Koblish, Gil Kane, The Raiders, and the many terrific talents of the Mighty Marvel Bullpen Based on Fantastic Four Annual #3 by Stan Lee and Jack Kirby 48 pages
Just between us, Alicia– I’ve been ready ever since I met the man!
I’m not trying to include too many POSTLUDE entries, but don’t have a clear standard for when I do. Having a copy of the comic in my living room as opposed to in storage somewhere is a good motivator. Plus, I actively used this comic as a reference when making my Fantastic Four Annual post, in deciding who might have been present at the wedding but off-panel.
Heroes & Legends is a loving retelling of the wedding of Sue and Reed from 1996, by continuity nerd Fabian Nicieza with a rotating cast of classic artists and a script by Stan Lee.
We know Steve Ditko very well by this point. We’ve seen some early work of John Romita, but he’s just about to join our regular cast of artists. Gene Colan just started drawing Namor’s adventures. Marie Severin has been working behind the scenes, and we’ll see her artwork soon enough. We’ve already seen some artwork of her brother John. John and Sal Buscema will be shaking things up eventually, and Ron Frenz in the more distant future. We’ll see Tom Palmer soon enough. We’ve briefly met Joe Sinnott a couple times, but he’s just about to become a regular. I’d bemoaned he wasn’t the original inker on the annual. It came out just one month too early. The other inkers will be coming along later.
This tells the same story as the Fantastic Four Annual, but with over twice as many pages.
In a short while, we’ll also read Marvels #2, which includes yet another take on this wedding to contrast with these two takes.
We’ll compare the new comic to the original and note the artist on the new comic. The original art is all by Jack Kirby and Vince Colletta. As noted above, for everything but the first page, John Kalisz did the colors in the new one.
The opening page deliberately mirrors the original.
New art by Sal Buscema & Tom Palmer with colors by Paul Becton
The big addition is a kid named Mark, a superhero fan who gets separated from his father in the commotion, and targeted by villains and saved by heroes. He serves as the centerpiece for this retelling.
Featuring: Fantastic Four Release: July 1, 1965 Cover: 1965 25 cents Written by: Stan Lee Drawn by: Jack Kirby Inked by: Vince Colletta Lettered by: Artie Simek 23 pages
I now pronounce you man and wife! You may kiss your bride!
It’s the wedding of the century. Today’s the day. Half the Marvels have been invited! And the rest of them are turning up anyway!
This issue represents by far the largest gathering of heroes and villains yet, forever binding these disparate characters into a universe.
This issue represents the idea that there is no status quo, that these characters are at their best when they change and grow. Forward momentum is an essential ingredient to storytelling. Genuine, non-illusionary, change.
This is the most significant moment in the early Marvel Universe.
I think I’d have come up with a better title than “Bedlam at the Baxter Building”.
I wish Chic Stone or Joe Sinnott had been the inker. A few months too late to have Stone and one month too early to have Sinnott. Also, Colletta is uniquely suited to a long special issue with many characters because he’s famously expedient.
I appreciate that the headline takes for granted the public knows who Reed and Sue are without the need for surnames or superhero identities. The cover does the same for its audience.
Pretty cool this worked out to be the 400th story in our reading order. Currently on track to also have the 500th story be a particularly special issue of Fantastic Four as well. When we read Avengers #1, it was the 100th story, but then I went and retroactively mucked with the ordering.
Featuring: Hulk Release: September 2, 1965 Cover: December 1965 12 cents Dreamed up by: Stan Lee! Designed by: Jack Kirby! Drawn by: Bob Powell! Delineated by: Mickey Demeo! Doodled by: S. Rosen 10 pages
I am the Watcher! That is enough! That answers all!
Tales of Suspense #60 was released in September 1964, a full year earlier. That began Marvel’s first extended saga. The threat of the Leader has united the disparate threads and arcs from that issue until this one. At the time, Marvel stories were self-contained things. Just a few years earlier, they tended to fit into under 10 pages. The full-issue 20-page long Fantastic Four epics stood out in their length. Since then we’ve had the occasional 2-part arc, often two standalone issues that tie together. Because Dr. Octopus or Dr. Doom hadn’t quite been defeated in the previous issue.
This month, Dr. Strange begins a proper 2-part arc against Dormammu. About 4 months after the debut of Tales of Suspense #60, Thor’s title followed suit. Journey Into Mystery #114 moved away from discrete stories to a series of interconnected threads, which we are still untangling 6 issues later and nowhere near done with. Three months later, Dr. Strange’s story (also by Ditko) would follow suit, beginning a 17-part saga we are almost ready to sit down to read.
Thor and Dr. Strange have the benefit of a consistent creative team. Stan Lee, Jack Kirby, and Vince Colletta have brought consistency to Thor, just as Lee and Ditko have with Dr. Strange.
This saga opened with a variety of artists attempting the impossible task of inking Ditko before Kirby took over again briefly, before moving to the current state where Kirby does the layouts for another artist to fill in with art. Too many artists across these 15 issues. No consistency of anything.
Let’s review the story so far. It began with an unnamed spy stealing a robotic suit of armor Banner had designed for the military. Hulk dealt with the robot, but found himself a prisoner of General Ross. Meanwhile, Major Talbot joined the base with the express intention of learning Banner’s secrets, and also possibly stealing Betty’s heart. Then Chameleon attacks the base, working for the mysterious Leader, whose face we don’t see. We learn the spy from the previous issues had also been an agent of the Leader. See how the loose connections work? We finally meet the Leader, and learn he is also a victim of a Gamma-based accident, which gave him green skin and a powerful mind. He has created something called the Humanoid, which he sends against the Hulk. Rick reveals Hulk’s secret to the President to clear Bruce’s name. When Banner is conducting his next military experiment, more Humanoids attack. In the wake of the battle, he finds himself a prisoner aboard a Soviet sub and taken behind the Red Curtain. His adventures there don’t have much to do with the Leader, but it spins directly out of and into confrontations with the Leader. There’s always a cliffhanger to tie the arcs together. Hulk breaks free of the Soviets and ends up in Mongolia. And soon becomes a prisoner of the Leader. The military raid the Leader’s complex and shoot and kill Banner. By transforming into Hulk and staying that way, Hulk is able to stay alive. But then the military raid Hulk’s lab and he has no choice but to turn to the Leader for help. This time, Hulk willingly joins the Leader. The Leader sends Hulk to the planet of the Watcher to steal the Ultimate Machine. But first he will have to battle the most powerful creature in the galaxy.
Whew. That’s almost a story. Let’s see how it all ends.
Hulk is famous for battling monsters. But he hasn’t had much of a chance to yet in his career, usually facing off against the US military. Here we go. Finally. A Hulk-sized foe for the Hulk.
The Watcher relocates their battle to a barren land. While this might seem like an act of interference from one forbidden to interfere, there’s an explanation…
Featuring: Hulk Release: August 3, 1965 Cover: November 1965 12 cents You’ll never forget Stan Lee’s script! You’ll never forget Jack Kirby’s layouts! You’ll never forget Bob Powell’s art! You’ll never forget Artie Simek’s –eh– let’s see now, what did Artie do? 10 pages
I’m no good to anyone– including myself! The world hates me– fears me–
Mike Esposito has drawn the last few issues over Kirby’s layouts. This time the art goes to Bob Powell, a semi-regular name by this point. Powell brings a distinctive level of details to Hulk’s facial expressions. The failure to find a consistent creative team over this extended story arc is one of the things keeping Hulk from greatness. It would have been better if Ditko could have stayed on, but he clearly never had his heart in this title. Still, the work Ditko phoned in was enough to lay a foundation for the character that writers have spent decades building on.
Notice these need longer and longer exposition boxes at the beginning to explain the plot so far. Hulk is about to turn back into Banner, at which point the bullet in his brain will kill him. But he is also helpless against the Leader’s Humanoids.
