INTERLUDE: THUNDER Agents #1

The Higher United Nations Defense Enforcement Reserves

Featuring: THUNDER Agents
Release: September 1965
Cover: November 1965
25 cents

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We must find and train at least three special agents… the best!

We’re breaking my normal format for posts beyond the fact that this is plainly not a Marvel comic.

Normally, we read one story at a time, but I want to read the entire issue in one go. It consists of several shorter stories by different creative teams that add up to one larger story, all overseen by Wally Wood.

The issue has no credits, though sometimes artist signatures are visible. I have this in a collection, which credits the writers and artists involved when known. One or two names may be lost to history.

One of the disagreements between Wood and Lee was Lee taking the writer’s credit when Wood felt he was doing most of the writing. But this comic doesn’t credit anybody. In fact, most comics of the era don’t credit their creative teams. Lee was ahead of his time in trying to credit everybody. He just claimed a lot of credit for himself as well. Perhaps to Wood it was more about credit in the form of compensation than his name appearing in a box.

A couple notable differences from what we’ve been reading. First, the publisher is Tower Comics, a brand new publisher. Second, the price is 25 cents rather than 12 cents. Marvel prices its Annual comics at 25 cents, but its normal comics at 12 cents.

For 12 cents, Marvel comics give you 20-22 pages of content. The Annuals tend to be 70-72 pages for 25 cents, but with a lot of that dedicated to reprint material. This give you 60 pages of story for 25 cents.

Across the decades, comic prices had not changed much. Marvel Comics were 10 cents in 1939 and 10 cents in 1961 and 12 cents in 1965. They were very averse to raising the price, and had instead steadily decreased the page count over the years.

Thus, the page count of this comic is more reminiscent of 1940s comics than of its contemporary competitors. The idea that the individual stories all tie loosely together isn’t novel either, as 1940s Justice Society stories from DC had a similar structure, one Marvel imitated in the later 1940s with its All-Winners Squad.

We learn from the cover that THUNDER is an acronym. (Note for this blog, we’re not often including the “.”s in acronynms. I’m just too lazy to repeatedly type out S.H.I.E.L.D., finding it easier to type SHIELD.)

THUNDER: The Higher United Nations Defense Enforcement Reserves.

I can’t believe the “T” stands for “The”.

This title is a mix of superhero and spy adventure, with the acronym name likely inspired by “The Man from UNCLE”, and of course, the aforementioned SHIELD.

The concept was created by Len Brown and Wally Wood, who had previously co-created the science fiction trading card series, Mars Attacks.

Why are we reading this anyway? Because I wanted to see what Wally Wood got up to when he left Marvel. I think it will illuminate some discussions.

We’ll read through each story at a time, noting the title, creative team, and page count as we go. So don’t just stop when you get to the character lists. More stories to come below.

Continue reading “INTERLUDE: THUNDER Agents #1”

Daredevil #11

A Time to Unmask!

Featuring: Daredevil
Release: October 5, 1965
Cover: December 1965
12 cents
Writer: Smilin’ Stan Lee
Penciller: Bubbly Bobby Powell
Inker: Wonderful Wally Wood
Letterer: Swingin’ Sammy Rosen
20 pages

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Wally Wood wrote part one of this two-parter just for a lark! But now it’s up to sly ol’ Stan to put all the pieces together and make it come out right in the end! Can he do it? See for yourself!

This really is goodbye for Wally Wood. He was heavily involved with 4 issues of Daredevil, then partially involved with 3 more. Now he’s just on inks, making no claim to having written this story in any part. After this job, he’s out the door.

Bob Powell provides the main art.

The narration box is again important. Stan is speaking in his normal salesman voice, but it barely conceals the behind-the-scenes drama of Wood writing the first half of this tale and then resigning.

I’m guessing Wood left before making a cover, as the cover is just a repurposed interior panel.

Here’s a good rundown from the Marvel in the Silver Age blog about Wally Wood’s career and time with Marvel and on Daredevil.

We’re left with one of those “What If” scenarios. What if Wood and Lee had gotten along better? Then Wood was probably going to be the one to revive Sub-Mariner instead of Colan. We got a taste of Wood’s Sub-Mariner in Daredevil #7.

I want to take a peek at Tower Comics to see what Wood is up to next. We’ll see he’s cocreated the superhero/espionage team the THUNDER Agents. Maybe he could have brought ideas like that to Marvel. Who knows what he and Lee could have come up with if they’d been able to work together.

Continue reading “Daredevil #11”

Daredevil #10

While the City Sleeps!

Featuring: Daredevil
Release: August 3, 1965
Cover: October 1965
12 cents
Exquisite editing by: Stan Lee
Lustrous layouts by: Bob Powell
Stunning script and art by: Wally Wood
Lots of lettering by: Artie Simek
20 pages

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Wally Wood has always wanted to try his hand at writing a story as well as drawing it, and big-hearted Stan (who wanted a rest anyway) said okay! So, what follows next is anybody’s guess! You may like it or not, but, you can be sure of this… it’s gonna be different!

This comic’s cool because if you look closely you can see all the behind-the-scenes drama playing out on the page.

The hype box is unusually important. Stan notes Wally had always wanted to try writing a story as well as drawing it, so Stan’s giving him a shot. Really, Wally claims he’s already been writing these comics, but not being paid for doing so.

The precise way in which this issue was constructed is unclear to me, in part because the people who could describe it to history weren’t in agreement, and nobody involved is still living. My best guess is the process here is something like this. Wally came up with the story and gave it to Bob Powell to lay out. Wood filled in the final art and supplied the script. Lee made his final edits.

The other important part of that narration box is that this is a mystery with clues. We’ll see that the mystery isn’t resolved in this issue, but we’ll also see that Wood doesn’t write the next issue and instead leaves the company.

Having his one writing gig be the setup to a mystery he doesn’t tell anybody the ending of may have been an intentional parting shot from Mr. Wood.

Continue reading “Daredevil #10”

PRELUDE: Weird Science #20

The Loathsome!

Release: March 30, 1953
Cover: July-August 1953
10 cents
Publisher: EC Comics
By: Wood
8 pages

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POSTLUDEMarvels #2
Tales of Suspense #72Reading orderSgt. Fury #22

To whoever finds this noteā€¦ I love you.

The Grand Comics Database credits the plot to Bill Gaines and Al Feldstein with a script by Feldstein. The coloring is credited to Marie Severin and the lettering to Jim wroten. The artist is Wally Wood.

Astute observers will notice our latest entry in our Marvel reading is not a Marvel comic. This was published by EC Comics in 1953.

Why are we reading it?

Three reasons. One, Wally Wood is soon finishing up his time at Marvel. I’d alluded before to his astounding science fiction work in the past. We may as well read a story. Two, thematically, this is basically the story of the X-Men in comic form a decade earlier. Three, we are about to read Marvels #2, which explicitly references this comic, drawing the parallels to the X-Men.

The issue features 3 other sci/fi tales and a text story, including an adaptation of a Ray Bradbury story, and the story about cryogenic slumber and space travel the cover is based on (eerily similar to that awful film Passengers, except more self-aware). Another tale is titled “The Reformers”, and non-subtly mocks those who would foment outrage about comics. Great stories, all.

Warning. This is much darker and more intense a story than our normal Marvel reading. EC Comics were famously dark, to the point where they became the center of a nationwide outrage against the comics medium.

This is the story of a mutant girl.

It begins with then-current events. Operation Ivy. The US military conducted a nuclear test on Enewetak Atoll in the Marshall Islands, October 31, 1952, the first successful explosion of a hydrogen bomb.

This comic then speculates on the fate of a soldier exposed to the radiation from the fallout. A soldier who goes home, marries, and sires a child. A child who is born hideously deformed.

Continue reading “PRELUDE: Weird Science #20”

Avengers #22

The Road Back

Featuring: Avengers
Release: September 2, 1965
Cover: November 1965
12 cents
Star-studded story by: Stan Lee!
Peerless pencilling by: Don Heck!
Dazzling delineation by: Wally Wood!
Lonesome lettering by: Artie Simek!
20 pages

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Avengers #21AvengersAvengers #23

I was chosen to be– keeper of the flame! But now– the torch has– gone out!

Captain America is certain there is somebody behind Power Man. Since he knows nothing about Power Man, I’m not sure where that certainty comes from.

The Avengers have been ordered to disband by the city. That’s enough for most of the team, but not for Captain America. He thinks they stand for something bigger than obeying laws.

This leads the Avengers to fight amongst themselves. They do this a lot. But this time, the fight dissolves the team.

Continue reading “Avengers #22”

Avengers #21

The Bitter Taste of Defeat!

Featuring: Avengers
Release: August 10, 1965
Cover: October 1965
12 cents
Written with the usual Stan Lee madness!
Drawn with the usual Don Heck magnificence!
Inked with the usual Wally Wood magic!
Lettered with the usual Artie Simek mistakes!
20 pages

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Strange Tales #141, Story BReading orderAvengers #22
Avengers #20AvengersAvengers #22

When I took command, the Avengers were at the height of their power, their prestige, their fame! And now– look what I’ve done!

Yesterday was Don Heck’s birthday! He would have been 94 years old, but he passed away at the age of 66.

The story opens with a lot of chastising.

Well, first Hawkeye is fixing a fuse. The narrator seems to mock that the artist chose to begin the story in such a “prosaic” way. Stan, if you want the stories to open differently, you have to write the stories.

The machinery seems unusually detailed. I suspect that has a lot to do with Wood’s inking.

Continue reading “Avengers #21”

Avengers #20

Vengeance is Ours!

Featuring: Avengers
Release: July 8, 1965
Cover: September 1965
12 cents
Wham-Type script by Stan Lee
Pow-type pencilling by Don Heck
Zowie-type inking by Wallace Wood
Rather nice lettering by Artie Simek
20 pages

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Avengers #19AvengersAvengers #21

There’s something about being an Avenger… that seems to get into your blood and never let go!

The creative team is almost never mentioned on the cover of these (or any) comics. This is certainly the first time we’ve seen the inker advertised. Stan knows he’s lucky to have Wally Wood, and perhaps already knows he won’t have him much longer.

We saw Wood inking Heck in Tales of Suspense #71, which comes out one month after this one. So this is properly their first collaboration.

The cover is a rare Kirby/Wood collaboration, and pretty awesome. A team I think many would like to have seen more work by.

We see a rare feat of teamwork for these new Avengers. They seem to be defeating the Swordsman when he disappears.

He finds himself in the lair of the Mandarin. Who wishes to destroy the Avengers, though he’s never met them*. His foe is Iron Man, who used to be an Avenger. And it follows that he must destroy these Avengers, which don’t include Iron Man. Because Iron Man is his foe. And… the Mandarin’s plans may just be too crafty for my little brain.

Continue reading “Avengers #20”

Tales of Suspense #71

What Price Victory?

Featuring: Iron Man
Release: August 10, 1965
Cover: November 1965
12 cents
A study in splendor by Stan Lee, writer!
A muse of majesty by Don Heck, artist!
A glimmer of glory by Wally Wood, inker!
A nice lettering job by Art Simek, bon vivant!
12 pages

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Tales of Suspense #70, Story BReading orderTales of Suspense #71, Story B
Tales of Suspense #70, Story BTales of SuspenseTales of Suspense #71, Story B

My heart must remain as cold as the armor I wear– forever!

Wally Wood on inks. He’s just about done with Marvel, so this will be a rare treat.

He teams up with Kirby for an excellent cover. Iron Man getting a solid Kirbyesque punch in. With Happy dead or dying in the background.

We haven’t seen Wood on Heck before. I think the team works really well.

Last issue featured Happy’s apparent death. So now Iron Man isn’t just fighting Titanium Man for national pride. Now it’s personal.

Continue reading “Tales of Suspense #71”

Daredevil #9

That He May See!

Featuring: Daredevil
Release: June 1, 1965
Cover: August 1965
12 cents
Fundamental plot and script by Smilin’ Stan Lee
Basic layouts and delineation by Wondrous Wally Wood
Comprehensive pencilled graphics by Bouncy Bobby Powell
Balloons, orders and blurbs by Sammy Rosen
20 pages

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INTERLUDETwo-Gun Kid #77
Fantastic Four #43Reading orderJourney Into Mystery Annual 1
Daredevil #8DaredevilDaredevil #10

I can’t let them shoot me at sunrise! I hate getting up so early!

Wally Wood took over as artist on Daredevil with issue 5. In the coming issues, he introduced Daredevil’s iconic costume, some of his trademark weapons and moves, and told one of the greatest Marvel stories ever as Daredevil fought Sub-Mariner.

Now his short but impactful run is wrapping up. Because he did not get along with Stan Lee.

He was an industry veteran. He knew what the breakdown of responsibilities between artist and writer was. He knew he was doing a writer’s work on this comic, but only being paid as an artist.

The credits claim Stan Lee plotted this issue. Wally Wood would disagree. He admitted he and Stan did get together for plotting sessions to work out the stories together, but he described these sessions as them staring at each other in silence until Wood would suggest a plot. Which Stan then took credit for.

He’s not quitting just yet. We’ll see next issue he’ll get the credit and the pay for writing the issue, but that won’t become a regular practice. Wood will leave instead.

In some sense, Wood’s proper run on Daredevil is over, as this issue is really drawn by Bob Powell. Powell is a veteran artist as well, but one of the non-superstar artists we’ve been seeing on the weaker titles. Wood is credited with layouts and delineations, sketching out the story and character positions, but leaving it to Powell to draw the details.

Wood will be associated with the title for 2 more issues, but last issue was the final time we’ll really see Wood’s full artwork on Daredevil.

A short, but memorable run. His greatest contribution to early Marvel is probably to walk out the door. Marvel’s other superstar artists will do the same soon enough.

Continue reading “Daredevil #9”

Daredevil #8

The Stiltman Cometh!

Featuring: Daredevil
Release: April 1, 1965
Cover: June 1965
12 cents
Written with the inventive genius of Stan Lee
Drawn with the artistic brilliance of Wally Wood
Lettered with the scratch penpoint of S. Rosen
20 pages

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Daredevil #7DaredevilDaredevil #9

Wood repeats a cover trick from last issue, using a newspaper headline to provide the text for the cover.

We open with some action. An out-of-control driverless car is careening toward a woman. Fortunately, Daredevil is on hand to save the day.

He needs the woman to keep screaming in order to locate her. Not clear why his radar sense isn’t sufficient.

Continue reading “Daredevil #8”