Featuring: Tales of Asgard Release: April 5, 1966 Cover: June 1966 12 cents Fabulously written by… Stan Lee Fantastically drawn by… Jack Kirby Fastidiously inked by… Vince Colletta Finally lettered by… Artie Simek 5 pages
Yet, the Lord of Asgard must first be a monarch– and then a father!
Clean story breaks are hard to find. The Odinsword Saga seems to be over. It bled into stories about the prophecies of Ragnarok. Which brings us here. For his role to be in Ragnarok, Loki is to be punished.
I don’t know if I approve morally of punishing someone for what he might do in the future.
I have received plaudits and accolades from the highest and mightiest of mortals, yet, the words you have spoken shall gladden my heart for as long as memory endures!
Thor and Hercules have beaten back Pluto in Los Angeles, but Pluto escaped, and still has Hercules’ signed contract, which will condemn Hercules to rule the Netherworld in his place. Thor has returned to New York.
People usually credit the turnaround in the Thor stories to Kirby taking more control and bringing in his interest in mythology. But Stan also pulls his weight. I actually have to make a hard choice to get a pull quote out of the issue. I found at least four good options. The first I considered was the most humorous, where Thor shouts to the New York crowd: “The endless prattle of thy voices proves wearisome to mine ears!” Stan seems to have Thor’s Shakespeare-lite dialogue down now.
This unnamed taxi driver is a favorite character of mine. Thor’s sentimental words to him are what I chose for the pull quote above. The cabbie had been a soldier, and thus Thor finds a kindred spirit. He’d fought in World War II, and been wounded in Anzio, Italy, which would have been in 1944.
Featuring: Tales of Asgard Release: March 3, 1966 Cover: May 1966 12 cents Script: Stan Lee Pencilling: Jack Kirby Delineation: Vince Colletta Lettering: S. Rosen 5 pages
For this is the destiny of god and man alike… this is the lesson supreme… all that live must die… but, all that die shall live!
Hey, we come to the 500th Marvel story in our reading order. That’s cool. Thanks to everybody who’s been reading along since the beginning and to those who have joined us recently. We’ve covered almost 5 years of Marvel history and have many more years ahead of us.
I admit somewhat to wishing it were a different comic for this anniversary. It was almost a really cool comic in an early draft of the reading order. But at least we get probably our best Tales of Asgard story yet to mark the occasion. How much can one do in 5 pages? Let’s find out.
Featuring: Tales of Asgard Release: February 3, 1966 Cover: April 1966 12 cents Script: Stan Lee Pencilling: Jack Kirby Delineation: Vince Colletta Lettering: Artie Simek 5 pages
In the name of the omnipotent Odin– in the name of eternal Asgard– by the power of my hammer– for the glory of our cause– onwarrrrd– to victory!
The Odinsword Saga might be over now. Unclear. The story never seemed to be going anywhere and in the end it didn’t go anywhere. The whole thing was a ruse by Odin, who felt his warriors needed a bit of adventure.
So why was the Odinsword cracked if there was no enemy? Was it really cracked? Had it just always been cracked? We’ll never know. We’re moving on.
Featuring: Thor Release: February 3, 1966 Cover: April 1966 12 cents Writer: Stan Lee Artist: Jack Kirby Delineator: Vince Colletta Letterer: Sam Rosen 16 pages
For one brief, fleeting instant of eternity, a god hath dared to love a mortal! Till the universe crumbles, my heart is ever thine! Let that be our epitaph… and our glory!
Now that’s a cover.
We discussed Pieta-inspired covers with Journey Into Mystery #110. This is a much better example of such a cover. I would call this awesome.
As with Avengers, I want to note where Thor is during an upcoming Fantastic Four story, published concurrently with the last few issues. What keeps him away from helping the FF? I don’t believe his short fight with the Demon nor his tiff with Hercules would do it.
Also, the last year of Thor stories still must have taken very little time, as there has been little room for pausing. So it’s likely these Thor stories take place before a lot of the other stories we’ve been reading, and the adventure that seemed more important than helping the FF is still ahead. We’ll be on the lookout for it!
In that sense of there being not a lot of time passing, this picks up precisely where last issue left off, with Jane trying to comfort a moping Thor, who has just lost his first fight, because his daddy halved his powers. Notably, Odin finally seems to support the relationship.
Of course, now there’s a new reason Thor and Jane can’t be together. It’s not about his bum leg or his daddy issues. How could she love a man who can’t even beat Hercules in a fight?
Featuring: Avengers Release: April 12, 1966 Cover: June 1966 12 cents Savage script by: Stan Lee! Powerful pencilling by: Don Heck! Explosive embellishment by: Frank Giacoia! Lethargic lettering by: Sam Rosen! 20 pages
No matter what else… he’ll always be an Avenger! Just as he’ll always be… the man I love!
Frank Giacoia going by his real name for perhaps the first time. He’s usually been under the pen name Frankie Ray or similar.
Dr. Henry Pym. Ant-Man. Giant-Man. Goliath. He who can’t choose a name.
Or a status quo. His latest shtick is that he can only turn exactly 25 feet tall and only for a period of exactly 15 minutes. What happens if he exceeds 15 minutes? We’re about to find out. He did so last issue, then collapsed while shrinking, having gotten down to about 10 feet.
I think it’s cute how quickly all the Avengers have taken to calling him Goliath. There’s probably a lesson for people today to take from this.
Goliath! I like the sound of that! That’s what I’ll call myself from now on– Goliath!!
Today… Hank Pym will be infamous for having taken on too many superhero identities… but this isn’t new. This was a pretty early feature of the character. In under 5 years, he’s on 3, and sort of 4, identities.
When we met him, he wasn’t a superhero at all, just a scientist named Dr. Henry Pym. A year or so later he jumped on the superhero bandwagon as Ant-Man. Another year down and Lee decided the public wanted more powerful superheroes, so Ant-Man became Giant-Man. Those changes all somewhat made sense. But now… he’s no longer Giant-Man… he’s Goliath. That change seems gratutitous.
With the new name comes a new status quo. But he’s had a lot of status quos already. We attempted to recount in the final issue of his ongoing series, Tales to Astonish #69. The rules just keep changing. He drinks a liquid or takes a pill or uses his mind. And he can only chage size every so often or hold the new size for so often or…
Anyways, now he can grow to 25 feet and only 25 feet and remain that way for exactly 15 minutes, no more, no less.
We’ve met one other Goliath, the biblical one, in Avengers #10.
How does he get the new name anyway? It’s a bit weird. We basically learn it’s happening from the cover and title.
We are getting ahead of ourselves. The story begins with Hank Pym contacting the Avengers to help him find the Wasp. We’d last seen her attempting to escape from Attuma. Of course, they don’t know who Dr. Pym is. Because of secret identites.
Now, as secret identities go… Wasp’s costume often didn’t cover her face… she often called Giant-Man Henry or Hank in the presence of others… Giant-Man’s lab was a well known location where his fan club hung out… the kids Jan read sci/stories to knew she was the Wasp… Hank sometimes did experiments in his own house and one day he accidentally turned giant and came bursting out of his house…
Featuring: Avengers Release: February 10, 1966 Cover: April 1966 12 cents Mad, mixed-up story by Stan Lee Ickie, insane illustrations by Don Heck Daffy, dizzy delineation by Frankie Ray Loony, lampoony lettering by Artie Simek 20 pages
Only a fool– or a liar– says he’s never afraid, Wanda!
A lot of plot threads to pick up on from last issue. Namor headed to New York (though we’ve already seen how that plays out in the pages of Tales to Astonish). Dr. Pym busy with research on ship. Other Avengers captured in attempt to rescue Wasp. Attuma engaging them in trial combat to impress men, as the sea poured in. Hawkeye in a coma attempting to remember his password. A mysterious figure in the shadows. Wasp has escaped Atttuma but her fate is unknown.
The password thing is quite funny. People forget their passwords at work and need to call IT support to get it reset. No such backup here. Hawkeye must hook himself up to a fancy memory-jogging machine.
But the number he couldn’t remember was 1313. How hard is that? It’s not like the password was something actually secure like _b9<Jgu_X^TZDS.
Featuring: Avengers Release: January 11, 1966 Cover: March 1966 12 cents Incredible script by: Stan Lee Inconceivable art by: Don Heck Indescribable inking by: Frank Ray Indelible lettering by: Artie Simek 20 pages
He endures so much– to hold the Avengers together! And yet– none can help him! He walks– alone!
A recap. Giant-Man and the Wasp left the Avengers in Avengers #16. Then in Tales to Astonish #69, they agreed it was time to retire from superheroing and work on their relationship. And presumably on Pym’s scientific interests as well. Flash forward to Tales to Astonish #77 and Hank’s experiments involve drilling into the ocean to learn the secrets of life. These experiments are wreaking havoc on Namor’s domain. This leads to conflict. Namor breaks their equipment and then decides to head to New York. In a nonsensical plot decision, Jan decides to become the Wasp once more to race Namor across the ocean to New York. But she’s the size of a wasp, and can presumably fly at about the speed of a wasp. She obviously can’t cross an ocean. But she tries anyway.
Unsurprisingly, we haven’t heard from her since. Surprisingly, we will hear from her again.
I’d like to start thinking about something as we read the next several Avengers comics. At some point very soon, the Fantastic Four are going to fight a massive global threat, one the Avengers probably should have helped them with. The Avengers do not show up to help, which implies the Avengers are busy. So let’s be on the lookout for where the Avengers might be at the time that they don’t notice a very noticeable world-ending threat.
