Featuring: Dr. Strange Release: February 10, 1966 Cover: May 1966 12 cents Edited with percipacity by: Stan Lee Written with precocity by: Roy Thomas Plotted and illustrated with profundity by: Steve Ditko Lettered with the windows closed by: Artie Simek 10 pages
How dare you make a request of the great Tazza! In the name of Satannish the Supreme, you shall join the other unmoving forms in my hallowed halls…
We are in what I see as the spinning-the-wheels phase. We had an extremely tense and fast-paced adventure that took us from issues 130-141. Then it slowed down. Mordo was defeated. Dormammu was humbled. Loose plot threads included servants of Mordo’s to deal with, and this woman who had helped Strange, who was now a prisoner of Dormammu. We’ve spent the last couple issues dealing with Mordo’s servants and now we’ll go look for this unnamed woman.
Dormammu was beaten with yet another vow to not move against Strange. But there’s a loophole if you read the fine print. Dormammu agreed not to attack Strange on Earth. But if the good Doctor travels to another dimension…
Featuring: Nick Fury, Agent of SHIELD Release: February 10, 1966 Cover: May 1966 12 cents Writer: Stan Lee Designer: Jack Kirby Penciller: H. Purcell Inker: M. Demeo Letterer: Sam Rosen 12 pages
It is given to few men to serve the forces of SHIELD… and those of us who are chosen dare not take the challenge lightly!
We are back for the new year! And Howard Purcell is back on art. He was credited with an assist last issue, but now is credited as the penciller, with Kirby as the “designer”. Which presumably means layouts by Kirby, finished pencils by Purcell, followed by inks by Esposito. Or something like that.
Strange Tales has oddly shared its pages of late between the spy stories of Nick Fury and the mystical stories of Dr. Strange. It seems like the writer has finally mixed up the two and tossed a Dr. Strange villain into Nick Fury’s story.
Obviously, my attempts to talk about the Marvel Universe are rooted in many resources found online. I make some attempt to list those sites on the Resources page.
One of the most valuable resources I use constantly is Mike’s Amazing World. It lets you look at a particular month and see all the comics released that month. This helps me systematically walk through and make sure I don’t miss any comics and that I can use the date of release as a factor in deciding what order to read them.
Also, every month, I like to add a little context by seeing what other publishers were doing, and Mike’s directly enables this.
I’ve never met Mike in any capacity. Can’t say I know the man. But I’ve used his website for years and found it an invaluable resource. And now wish I’d taken the time to send him a thank you at some point.
This is the best I can do, long overdue: Thank you Mike, for a great site.
The site currently directs you to this picture, which informs of us Mike’s passing, but assures us he’s made arrangements to see the site continue in his absence.
The image is of Death, from DC’s Sandman comics, and she informs us she’s helped Mike on his way, in a message cleverly filled with Sandman references.
Rest in peace, Mike. Thanks for the Amazing World!
Featuring: Daredevil Release: April 5, 1966 Cover: June 1966 12 cents Writer: Smilin’ Stan Lee Artist: Jazzy Johnny Romita Inker: Fearless Frankie Ray Letterer: Swingin’ Sammy Rosen Complaints may be sent to the irascible Irving Forbush! 20 pages
It’s the challenge… the thrill of battle… the danger! That’s what really grabs me! And, I’ve a hunch that Spider-Man feels the same way!
Who’s Irving Forbush?
Recall the situation: The Masked Marauder had manipulated Daredevil and Spider-Man into being suspicious of each other. Now not only does Spider-Man think Daredevil is in league with the Masked Marauder, but he believes Foggy is Daredevil!
And remember, we’re supposed to be seeing what we think of John Romita’s take on Spider-Man. Somebody needs to take over for Steve Ditko!
Let’s talk about your costume! Those red longjohns break me up– but I liked your old yellow duds better! … I mean they matched your new yellow streak!
This might be the first time we learn the true identity of Frankie Ray, really Frank Giacoia. For a lot of these people, the aliases are about not sabotaging regular gigs with Marvel’s competition. Frank Giacoia was a regular DC artist at the time, and hadn’t necessarily wanted them knowing he was freelancing for Marvel. But at some point it becomes clear, or his Marvel gig becomes the more regular gig, and it just stops mattering. Though by this point Marvel fans might know him best as Frank or Frankie Ray and not recognize the name Frank Giacoia.
Just like they might be confused if a comic were credited to Stanley Lieber or Jacob Kurtzberg.
That’s a great cover by Romita and Giacoia. The cityscape is detailed but the lack of color keeps it subtly in the background, leaving the focus on the two colorful characters. This is our first chance to see Spider-Man as rendered by John Romita. He captures that sense of agility that Ditko creates, and you can feel the motion of the cover, even without the helpful motion lines.
We’ve talked a bit about the tension in the pages of Amazing Spider-Man. Lee and Ditko aren’t getting along and Ditko is looking out the door. Lee is well aware of this, but has a huge problem. Spider-Man is his best comic, indelibly associated with Steve Ditko. You can’t just throw anybody on the book. Jack Kirby is Stan’s go-to artist when he needs a good one, but Jack had drawn Spider-Man a couple times by this point, and it was never right. And Jack’s style– while perfect for Fantastic Four– just wasn’t Spider-Man. Nobody was Steve Ditko.
We talked in the last issue about John Romita, who recently passed away. He’s been on Daredevil since Wally Wood left, following a succession of legendary talent from Bill Everett to Joe Orlando. And Romita has been more than up to the task of making his own mark on Daredevil.
But John Romita is not famous for drawing Daredevil. And while he excelled at the romance comics he had been drawing, that’s not really what made him a household name amongst fans. His step into legendary status will come with his next assignment, and this issue will serve as his audition for that assignment.
So, how well can John Romita draw Spider-Man? Let’s find out.
Featuring: Tales of Asgard Release: May 3, 1966 Cover: July 1966 12 cents Script: Stan Lee Art: Jack Kirby Inking: Vince Colletta Lettering: Sam Rosen Costumes: Asgard Haberdashery 5 pages
My glorious record proves that Volstagg knows not the meaning of fear! But, why do we race so quickly into a land where death lurks everywhere?
The meandering Odinsword Saga came to an unclimactic resolution, but this led into a couple good issues showing us Ragnarok, the end of Asgard and the death of the gods. That’s led into this story of Thor and friends battling Harokin to retrieve the Warlock’s Eye.
Kirby does cool things with the 5-page/at-most-17-panel format when doing sweeping arcs of abstract history, but it’s limiting when trying to tell a piece of a more standard story. It just doesn’t get very far.
Featuring: Thor Release: May 3, 1966 Cover: July 1966 12 cents Stan the Man Lee, Writer Jack King Kirby, artist Vince the Prince Colletta, delineator Artie Pussycat Simek, letterer 16 pages
” Let there be no further battle! Only the weakling seeks to prove his strength at every turn!” “Thy words have wisdom, Thor– even as thy limbs have power enow to make Hercules pause! Henceforth, I shall call thee friend!” “And I thee!” “What riotous revels we shall enjoy together! What battles we shall share, at each other’s side!” “Alas, Olympian– revels are not for such as me– And, my hammer swings only for justice– never for the thrill of battle alone!” “But, what good then to be a god?” “Thy careless query, Hercules, is far more profound than you suspect!”
Stan the Man Lee. Jack King Kirby. Every issue Stan’s had new nicknames for the creative team. We’ve seen this particular set of nicknames before. And we’ll see it again. These are the nicknames that will stick for Stan and Jack. The Man and The King.
The issue’s title is “Thunder in the Netherworld”. Seems like a missed opportunity to call it “Thunder Down Under”.
Hercules had stupidly signed a contract saying he’d rule the Netherworld and let Pluto free. Hercules thought it was a movie deal. Zeus is enforcing the contract. Hercules’ only way out is for a champion to fight in his stead, to challenge Pluto and the armies of the dead to win Hercules’ freedom.
Featuring: Tales of Asgard Release: April 5, 1966 Cover: June 1966 12 cents Fabulously written by… Stan Lee Fantastically drawn by… Jack Kirby Fastidiously inked by… Vince Colletta Finally lettered by… Artie Simek 5 pages
Yet, the Lord of Asgard must first be a monarch– and then a father!
Clean story breaks are hard to find. The Odinsword Saga seems to be over. It bled into stories about the prophecies of Ragnarok. Which brings us here. For his role to be in Ragnarok, Loki is to be punished.
I don’t know if I approve morally of punishing someone for what he might do in the future.
I have received plaudits and accolades from the highest and mightiest of mortals, yet, the words you have spoken shall gladden my heart for as long as memory endures!
Thor and Hercules have beaten back Pluto in Los Angeles, but Pluto escaped, and still has Hercules’ signed contract, which will condemn Hercules to rule the Netherworld in his place. Thor has returned to New York.
People usually credit the turnaround in the Thor stories to Kirby taking more control and bringing in his interest in mythology. But Stan also pulls his weight. I actually have to make a hard choice to get a pull quote out of the issue. I found at least four good options. The first I considered was the most humorous, where Thor shouts to the New York crowd: “The endless prattle of thy voices proves wearisome to mine ears!” Stan seems to have Thor’s Shakespeare-lite dialogue down now.
This unnamed taxi driver is a favorite character of mine. Thor’s sentimental words to him are what I chose for the pull quote above. The cabbie had been a soldier, and thus Thor finds a kindred spirit. He’d fought in World War II, and been wounded in Anzio, Italy, which would have been in 1944.
Featuring: Tales of Asgard Release: March 3, 1966 Cover: May 1966 12 cents Script: Stan Lee Pencilling: Jack Kirby Delineation: Vince Colletta Lettering: S. Rosen 5 pages
For this is the destiny of god and man alike… this is the lesson supreme… all that live must die… but, all that die shall live!
Hey, we come to the 500th Marvel story in our reading order. That’s cool. Thanks to everybody who’s been reading along since the beginning and to those who have joined us recently. We’ve covered almost 5 years of Marvel history and have many more years ahead of us.
I admit somewhat to wishing it were a different comic for this anniversary. It was almost a really cool comic in an early draft of the reading order. But at least we get probably our best Tales of Asgard story yet to mark the occasion. How much can one do in 5 pages? Let’s find out.
