Featuring: Prince Namor, the Sub-Mariner Release: September 1, 1966 Cover: December 1966 12 cents Story by Smilin’ Stan Lee Pencilling by Merry Jerry Grandenetti Inking by Wild Bill Everett Lettering by Adorable Artie Simek 12 pages
But, not even a prince of the blood can possess patience without limit!
Grandenetti is a new name to us, and really to me as well. This is one of very few Marvel works; we’ll see him again on Sgt. Fury in the near future. He got his start assisting and ghosting for Will Eisner on The Spirit and has been working comics at DC since the early 1950s, focused on war comics, and has lately started to do some side work for Warren, Charlton, Tower, and apparently Marvel at least once, sometimes ghosting for Joe Orlando. Here’s a sampling of his art.
Featuring: Hulk Release: August 2, 1966 Cover: November 1966 12 cents Script: Stan Lee Pencils: John Buscema Inks: John Tartaglione Lettering: Ray Holloway Hulk’s pants-pressing: Irving Forbush 10 pages
“Who is it, Phil?” “We’ll probably never know! From the looks of things, I’d say he was pretty much beyond recognition!”
Colan has been the regular penciller on Namor’s adventures of late. Bill Everett is the creator of Namor, and this is his second time working as Colan’s inker on the series.
Where were we? The head of the ruined Secret Empire had tricked an amnesiac Namor into being his pawn, until a blast from Krang’s ship sent Namor into the ocean, where he regained his memory. We pick up with Krang flying away, thinking he has killed Namor.
Dorma has been with Krang for a while now. Originally she had agreed to marry him in exchange for saving Namor’s life. Namor doesn’t know this and is mad at Dorma for betraying him. Krang keeps trying to kill Namor anyway, and Dorma keeps staying with him, so it’s all a bit confusing.
Also confusing that Number One blames Hulk for the destruction of the Secret Empire, when the Hulk had nothing to do with it. It was a combination of internal strife and infiltration by Gabe Jones of SHIELD that took them down.
…To Become an Avenger! Featuring: Spider-Man Release: August 2, 1966 Cover: November 1966 25 cents Smilin’ Stan Lee Layouts by Jazzy Johnny Romita Pencilin’ by Dashin’ Donnie Heck Inking’ by Mirthful Mickey Demeo Letterin’ by Adorable Artie Simek 21 pages
I can’t fight it any longer! I’ve got to follow my own destiny– and let the chips fall where they may! I must have been given my spider-power for a reason! Thor was right! I do have an obligation– to mankind!
This is a “King-Size Special”. Which Marvel will sometimes be calling their Annual issues.
It boasts “72 Big Pages”. Let’s do math. The story is actually a pretty normal-sized 21 pages, but they reprint two old Spider-Man stories (issues 11 and 12), which brings the total to 64 pages. What are the other 8 pages? A table of contents, and some ads. When they advertise 72 pages, they are advertising 7 pages of ads.
The first stories I ever read with Spider-Man were Transformers #3 and Avengers #317. In the Avengers saga, Spider-Man was offered membership in the Avengers, but when Spider-Man struggled to keep up on their space adventure, Captain America and Spider-Man both agreed membership wasn’t for him. Avengers was one of the first series I regularly followed, so I read Avengers #329 a year later, in which Spider-Man does officially join the Avengers. No explanation was given for why Cap and Spider-Man changed their mind. Avengers #329 is the first time he officially became an Avenger, but the arc in #314-317 was not the first time he came close. That is here.
The Avengers are an interesting grouping. They began as Thor, Hulk, Iron Man, Ant-Man, and the Wasp. All characters who had had solo (or duo) series. Left out of the Avengers were the Fantastic Four, already an established team, as well as Dr. Strange and Spider-Man. Behind the scenes, there seems a clear pattern that Kirby formed the Avengers from characters he had created, but left off the characters Ditko had created. They were soon joined by a revived old character of Kirby’s, Captain America.
When the original team disbanded, they needed replacements. Rather than turn to established loner superheroes like Daredevil, Dr. Strange, or Spider-Man, they sought out old enemies like Namor and Hulk, and accepted applications from reformed villains, Hawkeye, Quicksilver, and Scarlet Witch.
The Avengers know Spider-Man, or at least of him. He teamed up with Giant-Man and Wasp in Tales to Astonish #57; Wasp hated him because wasps and spiders are natural enemies. Spider-Man briefly ran into the individual Avengers in Amazing Spider-Man Annual 1. They fought a Spider-Man robot created by Kang in Avengers #11. And they were all guests at the wedding of Reed and Sue.
For his part, Spider-Man has mostly been a loner, but at the start of his career, he tried to join the Fantastic Four, only to learn they don’t pay a salary. You sometimes find yourself asking if things might have been different. What if Spider-Man had joined the Fantastic Four?
But the Avengers are funded by Tony Stark. Maybe they can afford to pay Spider-Man?
I think this is a really good comic, if we forgive some nonsense in the premise. Which we’ll get to.
It even has great art. Heck is the credited artist, and Romita is just credited with layouts, but a lot of Romita shines through, perhaps due in part to Esposito’s finishes. Layouts have been Heck’s biggest weakness as an artist.
Where does this fit in in Spider-Man’s story. The most important thing to note to me is that Peter Parker has the motorcycle he acquired in Amazing Spider-Man #41, so it’s after that. I think Amazing Spider-Man #41-43 read well as a story, united by arcs for the Rhino, Mary Jane, and John Jameson. So I didn’t care to break that up. Hence we are reading it after #43. This is where a lot of collections place it, including the Essential, Omnibus and Epic Collection. The Masterworks weirdly places it after issue 50. But I think the thinking there was just to put it at the end of one of their volumes and not worry about where it “goes”. The MCP wants it before issue 42, and the CMRO agrees, but that seems unnecessary when there are so many unresolved plot threads from issue 41 to deal with first.
“We’ve studied that photo of Spider-Man long enough” says Cap. How much was there to study in one photo? Detail-oriented heroes, I guess.
In the funniest line of any of these comics we’ve read, Hawkeye describes Spider-Man as “a real swinger”.
Captain America, famous for his tact, notes Hawkeye identifies with Spider-Man because they’ve both been outlaws.
The question before them is: Should Spider-Man be offered membership in the Avengers.
Featuring: Tales of Asgard Release: March 2, 1967 Cover: May 1967 12 cents A glory-drenched masterwork by: Stan (The Man) Lee and Jack (King) Kirby Inking: Vince Colletta Lettering: Sam Rosen 5 pages
As we’ve discussed, I just read these Thor back-up stories along with the Thor comic they appear in. With the main stories, I try to combine story arcs into one or otherwise think through the continuity.
Because of that, we’re just kind of reading the middle chapter of this Arabians Nights saga in isolation.
I found the story doesn’t really read any better if I tried to condense it.
So we need to remember what happened, but not much happens in these stories.
Featuring: Thor Release: March 3, 1967 Cover: May 1967 12 cents Conceived and created by the noblest collaborative combo in comicdom: Stan (The Man) Lee and Jack (King) Kirby Inking by: Vince Colletta Lettering by: Sam Rosen 16 pages
Thanks to thy valor– thy matchless devotion– Asgard endures! But, many are the battles that lie ahead! Many are the foes we yet must face! Many the dangers to be overcome! Yet, verily I say unto thee– Whate’er may befall… we shall face it together!!!
We are pretty far ahead in Thor’s story compared to the rest of the characters. This comic is from March 1967, but we’re still in July 1966 in the other comics.
This is really because Thor attends an Avengers meeting in an August 1966 comic. And there’s just no space in Thor’s saga for that to happen in a long window of time. A lot happened at once for Thor, involving Hercules, Tana Nile, Ego, and the High Evolutionary. It was go, go, go for lots of issues. Things calmed down a few issues back. But it was clear that Thor was in Asgard chilling with his new crush, Sif. And not on Earth. And then the Troll War broke out.
So we jump ahead to this comic which at last returns Thor to Earth and gives him enough breathing room to attend an Avengers meeting. We’ll discuss as we go through the issue what clues there are as to how long he’s been away.
We open with celebrations marking the end of the Troll War.
Featuring: Iron Man Release: November 10, 1966 Cover: February 1967 12 cents Story: Stan Lee Art: Gene Colan Inking: Frank Giacoia Lettering: Sam Rosen Nail-biting: Irv Forbush 12 pages
Featuring: Iron Man Release: October 11, 1966 Cover: January 1967 12 cents Story: Stan Lee Pencilling: Gene Colan Inking: Frankie Giacoia Lettering: Artie Simek 12 pages
From this moment on, Iron Man is more invincible than ever before!
In a plot greatly echoing a recent Daredevil story, Mandarin now believes Happy to be Iron Man, because Happy had been going around in the suit. In the Daredevil analog, Foggy had put on the Daredevil suit to impress Karen. Here, Happy was a bit more noble. He was trying to help preserve the secret identity, as the press was starting to suspect that Tony Stark was Iron Man. On the basis of the fact that it’s ridiculously obvious to anybody paying attention.
Flash Thompson has also gotten himself into similar trouble by wearing the Spider-Man outfit.
Unfortunately, Tony is still recovering from his recent heart attack. It’s not clear he’s in any shape to help Happy after the Mandarin captures him. And even wearing the armor, Happy is no match for Mandarin. He just doesn’t have the practice with it.
Featuring: Hulk Release: June 30, 1966 Cover: October 1966 10 pages Script… Stan (The Man) Lee Art… Almost the whole blamed bullpen Lettering… Artie (Smarty) Simek Therapy… Honest Irving Forbush 10 pages
Can a green-skinned introvert, with anti-social tendencies, find happiness and fulfillment in a modern materialistic society?
I leave it to your eagle eyes to determine who drew what in this issue. Some artwork may or may not be due to Bill Everett, Jerry Grandenetti, Gene Colan, Jack Kirby, Dick Ayers, John Tartaglione, Mike Esposito, Sol Brodsky, or others.
Can a green-skinned introvert, with anti-social tendencies, find happiness and fulfillment in a modern materialistic society?
We’d seen a similar question posed at the beginning of Hulk’s current series in issue 60.
Can a man with green skin and a petulant personality find true happiness in today’s status-seeking society?
In this issue’s Namor story, we learned Hulk was in the city. And this story is conveniently titled “Rampage in the City”.
Hulk thinks saving Betty from Boomerang means people won’t hate him anymore. Good luck with that.
Hulk used to be an Avenger, so he goes to New York to ask them to help him find Betty.
Featuring: Prince Namor, the Sub-Mariner Release: June 30, 1966 Cover: October 1966 12 cents Fabulous script: Stan Lee Fascinating art: Gene Colan Fantastic inks: Dick Ayers Free-hand lettering: Sam Rosen Fancy haberdashery: Irving Forbush 12 pages
You are too conspicuous, walking around the city in that manner! Find the nearest clothing store…
In Avengers #17, the Avengers search for the Hulk, and end up vaguely near him, but not meeting him. But it’s sort of a crossover. Not really, but sort of.
In this issue, Namor is searching for Hulk, because he’s been brainwashed by Number One of the former Secret Empire, who wants revenge on Hulk for destroying the Secret Empire. Even though Hulk has never met the Secret Empire and had nothing whatsoever to do with their demise.
I would suggest the writer of the Namor stories hasn’t been reading the Hulk stories, but both series are allegedly written by Stan Lee.
