X-Men #23

To Save a City

Featuring: X-Men
Release: June 2, 1966
Cover: August 1966
12 cents
Edited in ecstacy by Stan Lee
Written in rapture by Roy Thomas
Drawn in delight by Werner Roth
Delineated in depth by Dick Ayers
Lettered in a lawn-chair by Artie Simek
20 pages

Previous#529Next
POSTLUDEMarvels #3
X-Men #22Reading orderDaredevil #18
X-Men #22X-MenX-Men #24

It is only in this form, in which I have no solid substance, that I can know anything like the thrill of walking again!

Werner Roth had been referring to himself as “Jay Gavin” these last several issues. But now he’s ready to use his real name in the credits.

We pick up where last issue left off, with the X-Men prisoners of Count Nefaria and the new Maggia, with lieutenants picked from an assortment of titles.

Now Nefaria executes his plan, holding Washington DC hostage, blackmailing America, and framing the X-Men.

Continue reading “X-Men #23”

X-Men #22

Divided– We Fall!

Featuring: X-Men
Release: May 3, 1966
Cover: July 1966
12 cents
Editor emeritus: Stan Lee
Script by: Roy Thomas
Art by: Jay Gavin
Inking by: Dick Ayers
Lettering by: Artie Simek
Colosso by: Irving Forbush Robotics, Inc.
20 pages

Previous#528Next
Sgt. Fury #31Reading orderX-Men #23
X-Men #21X-MenX-Men #23

And, we did it as a team! No one of us could have done it alone!

The cover shows quite the assemblage of super-villains, with the X-Men reduced to floating heads.

As noted before (such as in the last X-Men arc), I find it interesting when super-villains treated as major threats upon their debut get relegated to henchman status. This starts to get them categorized as miscellaneous villains, but at least keeps them from being forgotten.

The story begins in the Danger Room, the most common place for an X-Men story to begin, then as now. Professor X has created a robot named Colosso for the X-Men to fight. And the robot was created to teach a very particular lesson. He can counter all the powers of the individual X-Men, but they can beat him as a team.

Continue reading “X-Men #22”

Strange Tales #121

Prisoner of the Plantman!

Featuring: Human Torch
Release: March 10, 1964
Cover: June 1964
12 cents
Written in the sensational style of: Stan Lee
Drawn in the marvelous manner of: Dick Ayers
Lettered by: Art Simek
14 pages

Twenty issues in and this remains the most worthless series Marvel is publishing. The contrast in quality between this and Fantastic Four is mind-boggling, especially given that both are purported to be written by the same person. Basically, I’m reading these Human Torch stories so you don’t have to.

The most notable occurrence in this issue is that Dr. Strange actually gets a chunk of the cover real estate devoted to his story. He’s coming up in the world.

Anyways, Plantman returns. New costume. We finally learn his last name.

Continue reading “Strange Tales #121”

Strange Tales #113

The Coming of the Plantman!

Featuring: Human Torch
Release: July 9, 1963
Cover: October 1963
12 cents
Story plot: Stan Lee
Script: Joe Carter
Art: Dick Ayers
13 pages

Once again, Superman creator Jerry Siegel takes on a Human Torch script under the pen name Joe Carter. His scripts seem a cut above what we are used to from Human Torch stories, but it’s a pretty low bar.

Get it… “flame”.

We have seen Johnny on many dates both in this title and the pages of Fantastic Four. It’s been a different girl each time. But this issue seems different. He has a date with Doris Evans, and he describes himself as her “flame”. Puns aside, this suggests something more serious than his usual dalliances. Perhaps it is because Dorrie plays a little hard to get. She is willing to go out with Johnny, but seems to dislike his Human Torch persona. She’s clearly dating him despite his celebrity. The fact that she is given a full name is another hint this one is special.

Continue reading “Strange Tales #113”