Sgt. Fury #38

This One’s For Dino!

Featuring: Sgt. Fury and his Howling Commandos
Release: November 10, 1966
Cover: January 1867
12 cents
Editing– Stan Lee
Script– Roy Thomas
Art– Dick Ayers
Inking– John Tartaglione
Lettering– Bob Agnew
Technical advisor this ish– Morrie (Super-samurai) Kuramoto
20 pages

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I think you fellas must have me confused with the rats that bombed Pearl Harbor! Personally, I’ve never been west of San Francisco!

Bob Agnew is a new name to us. 99% of the comics we’ve read have been lettered by Sam Rosen or Artie Simek. The lettering here is by Agnew, in what is as best as I can tell his only Marvel work. His stint in comics seems to have been brief.

Morrie Kuramoto is credited with technical advising, with no more clarity offered as to what that entails. Kuramoto is Japanese-American who served the US in WWII, and this comic will introduce a Japanese-American soldier. The credit calls him a super-samurai, so it’s also possible he advised on the martial arts on display in this issue.

We’ve seen Kuramoto’s work occasionally as a letterer, under the pen name Sherigail.

Morrie Kuramoto was associated with Marvel on and off going back to 1946. He just joined back as a regular member of the Bullpen, and would be with Marvel continually for the next two decades. Morrie passed away in 1985 at the age of 64.

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X-Men #28

The Wail of the Banshee!

Featuring: X-Men
Release: November 3, 1966
Cover: January 1967
12 cents
Stan Lee editor
Roy Thomas writer
Werner Roth artist
J. Tartaglione inker
Artie Simek letterer
Irving Forbush noise-maker
20 pages

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X-Men #27X-MenX-Men #29

How could these puny humans– who dwell among the smoke and noise that they call civilization– hope to appreciate such matchless beauty?

So my normal standard for making posts is to prepare the post one day, but not publish it the same day. I sleep on it and give it a last lookover before publication.

I’m skipping my usual standards today. Because today is St. Patrick’s Day. So I’m posting this without my usual extra day to edit. And from a pub. While some number of drinks in.

As seems appropriate.

This issue feels appropriate for St. Patrick’s Day because it introduces the character of the Banshee.

Who I think is Irish. Though they don’t say so. At least, I associate banshees with being Irish. Of course, I also associate banshees with being women, so shows what I know.

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Sgt. Fury #37

In the Desert… To Die!

Featuring: Sgt. Fury and his Howling Commandos
Release: October 11, 1966
Cover: December 1966
12 cents
Editor: Smilin’ Stan Lee
Scripter: Rascally Roy Thomas
Artist: Darlin’ Dick Ayers
Inker: Jivey John Tartaglione
Letterer: Sandy Sammy Rosen
Technical advisor in charge of parachuting: Jovial Johnny Hayes, ex-para-trooper, Marvel’s swingin’ circulation manager.
20 pages

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Now, like the blamed fly-boys always say… Geronimo!

A credit to Johnny Hayes, a name we don’t see often. We did recently see his name because a Bullpen Bulletin made it a point to name some of the behind the scenes staff. Here he gets credit for offering some consulting based on his days parachuting in the military.

I’m going to say that Thomas is really finding his footing on this title. Under Kirby this had been one of Marvel’s best comics, but it fell quickly to mediocrity when he left, with thin cookie cutter plots.

Stan Lee had remained the writer, but in practice as he was “writing” 20 titles every month, most of the storytelling was left to Ayers, who wasn’t up to it. We’re 9 issues into Thomas’ run, who likely is providing more plotting and scripting guidance to Ayers. Thomas had a slow start, but more and more, the comic feels like somebody is writing it.

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Sgt. Fury #36

My Brother, My Enemy!

Featuring: Sgt. Fury and his Howling Commandos
Release: September 8, 1966
Cover: November 1966
12 cents
Block-buster editing by Stan Lee
Bullet-scarred script by Roy Thomas
Battle-ready art by Dick Ayers
Bomb-happy inking by John Tartaglione
Ballpoint-pen lettering by Sam Rosen
20 pages

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Sgt. Fury #35Sgt. FurySgt. Fury #37

A traitor? Nein, I think not! If there be any traitor to the Fatherland, it is rather those who would lead it to the brink of disaster for the sake of their own personal glory!

The stories from this title had fallen into a pattern. The premise was always location-based. The Howlers had some mission in a new location. They completed it and went home.

Since taking over, Thomas has been trying to tell actual stories and have character arcs.

This issue is location-based. The Howlers go to the neutral territory of Switzerland, breaking any number of laws and treaties.

But there’s a premise and a larger character arc as well.

We met Eric in Sgt. Fury #27, when he defected from the Germans and came to Britain. But last issue it was decided Eric (whose last name we learned was Koenig) should join the Howlers, since Manelli was injured and recovering back in the States. This is his first mission with the Howlers.

So Thomas writes about a couple things pertaining to that, ideas that are more than “the Howlers have a mission and succeed”. The first is that he’s eager to prove himself, sometimes too eager and to everyone’s detriment.

I must prove myself… show the Commandos I am as good as any of them! I must! For, only thus will I ever be certain that they look on me as a man… not as an ex-Nazi!

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Sgt. Fury #35

Berlin Breakout!

Berlin Breakout!
Featuring: Sgt. Fury and his Howling Commandos
Release: August 9, 1966
Cover: October 1966
12 cents
Edited by Stan Lee
Scripted by Roy Thomas
Drawn by Dick Ayers
Inked by John Tartaglione
Lettered by Sam Rosen
Picketed by Baron Strucker
20 pages

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I am not a traitor to my homeland! I want to save it… to free it from the tyranny of a madman like Adolf Hitler!

The Howlers are in custody in Berlin, set to be executed. Nick Fury intends to rescue them, but he’ll need help.

Part of that help will come from Fury’s good friend, Bull McGiveney. As well as Corporal Rickets Johnson from the Maulers. We learned his name two issues back, but now we get to put a face to it.

The other person is Eric, a German we met in Sgt. Fury #27. He’d been an aide to Goering, but defected to join the Allies. We didn’t get his surname then, but we now learn his full name is Eric Koenig.

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Sgt. Fury #34

The Origin of the Howlers!

Featuring: Sgt. Fury and his Howling Commandos
Release: July 7, 1966
Cover: September 1966
12 cents
The peerless editing of Stan Lee
The preciocious scripting of Roy Thomas
The power-packed pencilling of Dick Ayers
The pulse-pounding inking of John Tartaglione
The pussycat lettering of Sam Rosen
20 pages

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Sgt. Fury #33Sgt. FurySgt. Fury #35

“I don’t like Hitler’s goose-steppers any more’n you do, but as long as he don’t attack America, it ain’t my war!”
“It’s everybody’s war, Mister… I just hope they realize it before it’s too late!”

Recall last issue the Howlers were separated from Nick Fury during a mission in Greece. He is back in England now without them.

With nothing to do but wait for G-2 to bring back word on the fate of the Commandos, Captain Sawyer reflects on how he first met Nick Fury, and the group’s beginnings.

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Sgt. Fury #33

The Grandeur that was Greece..

Featuring: Sgt. Fury and his Howling Commandos
Release: June 9, 1966
Cover: August 1966
12 cents
Stan Lee, editor
Roy Thomas, writer
Dick Ayers, artist
John Tartaglione, inker
Sam Rosen, letterer
Irving Forbush, camp mascot
20 pages

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Sgt. Fury #32Sgt. FurySgt. Fury #34

My countrymen, the much-vaunted invincibility of our so-called Aryan conquerors is but a myth! They can be stopped… but only by a united front! Do not let petty jealousies divide you in this time of crisis!

Greece. You get the sense these stories are written by looking at a map of where the Howlers haven’t been yet.

We open with a fight between the Howlers and Maulers. A typical Tuesday.

Besides Sgt. McGiveney, we’ve not learned the names of any of the Maulers; we first met the group in issue 7. We now learn that one of them is named “Rickets” Johnson. It’s not clearly identified which one. Izzy claims he started the fight by slugging Rickets.

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Tales to Astonish #85, Story B

The Missile and the Monster!

Featuring: Hulk
Release: August 2, 1966
Cover: November 1966
12 cents
Script: Stan Lee
Pencils: John Buscema
Inks: John Tartaglione
Lettering: Ray Holloway
Hulk’s pants-pressing: Irving Forbush
10 pages

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Tales to Astonish #85Tales to AstonishTales to Astonish #86

Banner! He’s a weakling! He’s helpless! The Hulk is strong– can do anything!

We reach the 600th story in our read-through of the Marvel Universe. It’s cool when that happens to be a significant story.

Which this, for the most part, isn’t.

But there is one very significant thing about it. And I’ll take that.

The fainting woman is my favorite character in the comic.

John Buscema is joining the Marvel artists with this issue. He’s also doing this month’s Nick Fury Agent of SHIELD story, which we’ll get to later.

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Tales to Astonish #84, Story B

Rampage in the City!

Featuring: Hulk
Release: June 30, 1966
Cover: October 1966
10 pages
Script… Stan (The Man) Lee
Art… Almost the whole blamed bullpen
Lettering… Artie (Smarty) Simek
Therapy… Honest Irving Forbush
10 pages

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Tales to Astonish #84Tales to AstonishTales to Astonish #85

Can a green-skinned introvert, with anti-social tendencies, find happiness and fulfillment in a modern materialistic society?

I leave it to your eagle eyes to determine who drew what in this issue. Some artwork may or may not be due to Bill Everett, Jerry Grandenetti, Gene Colan, Jack Kirby, Dick Ayers, John Tartaglione, Mike Esposito, Sol Brodsky, or others.

Can a green-skinned introvert, with anti-social tendencies, find happiness and fulfillment in a modern materialistic society?

We’d seen a similar question posed at the beginning of Hulk’s current series in issue 60.

Can a man with green skin and a petulant personality find true happiness in today’s status-seeking society?

In this issue’s Namor story, we learned Hulk was in the city. And this story is conveniently titled “Rampage in the City”.

Hulk thinks saving Betty from Boomerang means people won’t hate him anymore. Good luck with that.

Hulk used to be an Avenger, so he goes to New York to ask them to help him find Betty.

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Sgt. Fury Annual 2

A Day of Thunder!

Featuring: Sgt. Fury and his Howling Commandos
Release: June 9, 1966
Cover: 1966
25 cents
Stan Lee, editor extaordinary
Roy Thomas, scripter superlative
Dick Ayers, penciler pre-eminent
John Tartaglione, inker infallible
Sam Rosen, letterer lamentable
24 pages

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Sgt. Fury Annual 1Sgt. Fury AnnualSgt. Fury Annual 3

Countless ships… squadrons of high-flying B-17’s, and medium-range bombers…170,000 American and British troops– all part of the mightiest armada ever assembled by man! All dedicated to the overthrow of the most unholy empire ever conceived by man… or demon!

We’ve been hanging out in 1943-44 for this whole series. It’s been pointedly pre-D-Day. The Howlers are based in England because there is no major Allied presence in Europe. They keep sneaking into Europe for their adventures.

These annuals aren’t necessarily set with the monthly comics, so there may be several pre-D-Day comics yet to come. For example, the first annual showed the Howlers reunite in Korea, and the next one will take us to Viet Nam. And we have several more pre-D-Day stories to come in the main title.

June 5. 1944. Normandy. Hitler believes his wall around Europe to be impenetrable. The Howlers once again sneak into France on their most important mission.

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