roy thomas – Coke ⊕ Comics

Ghost Rider #1

The Origin of the Ghost Rider

Featuring: Ghost Rider
Release: December 1, 1966
Cover: February 1967
12 cents
Edited by… Stan Lee
Written by… Gary Friedrich and Roy Thomas
Plotted and drawn by… Dick Ayers
Inked by… Vince Colletta
Lettered by… J. Verpooten
17 pages

Previous	#643	Next
Tim Holt #11, Story B	PRELUDE
Sgt. Fury #38	Reading order	Tales to Astonish #88
	Ghost Rider	Ghost Rider #2

It is sheer folly to do battle with a ghost!

Magazine Enterprises is long since defunct. So nobody owns the character of Ghost Rider we met in Tim Holt #11. The co-creator Dick Ayers is now a Marvel regular, so Marvel takes the character and has Ayers revive him.

Of course this means Marvel, now owned by Disney, owns the character of Ghost Rider and will for all time.

Ayers would attempt to return to his character in the ’90s, adding some new covers to the old stories, but they had to call him the “Haunted Horseman”, as they had no rights to the name. Because of the world we live in (or at least the country I live in) and laws built to serve corporations and not artists.

Gary Friedrich is a mostly new name to us. This is his first Marvel work. He’s in his early ’20s. He started at Charlton and we saw his work with Steve Ditko on Blue Beetle over there. He’ll become a prolific writer over the decades.

Gary has no relation to Mike Friedrich, who will be starting work at DC soon.

The letterer John Verpooten is also new to us. He’s just started as a regular at Marvel, working on staff. He’s here for behind-the-scenes stuff, and we’ll start seeing him occasionally as a letterer, and soon enough as an inker. He’ll spend a decade with Marvel until his untimely death in 1977 at the age of 37.

Giving Ayers a plotting credit is part of a general trend we are seeing of recognizing artists for their plotting contributions.

Though Thomas would much later claim that credit was false, and the plotting was entirely done by Friedrich and himself.

While the name and likeness are lifted directly from Ayers’ 40s hero, this is a different character with a different origin. The original Ghost Rider was Rex Fury. This issue introduces Carter Slade.

Sgt. Fury #38

This One’s For Dino!

Featuring: Sgt. Fury and his Howling Commandos
Release: November 10, 1966
Cover: January 1867
12 cents
Editing– Stan Lee
Script– Roy Thomas
Art– Dick Ayers
Inking– John Tartaglione
Lettering– Bob Agnew
Technical advisor this ish– Morrie (Super-samurai) Kuramoto
20 pages

Previous	#642	Next
	PRELUDE	Tim Holt #11, Story B
X-Men #28	Reading order	Ghost Rider #1
Sgt. Fury #37	Sgt. Fury	Sgt. Fury #39

I think you fellas must have me confused with the rats that bombed Pearl Harbor! Personally, I’ve never been west of San Francisco!

Bob Agnew is a new name to us. 99% of the comics we’ve read have been lettered by Sam Rosen or Artie Simek. The lettering here is by Agnew, in what is as best as I can tell his only Marvel work. His stint in comics seems to have been brief.

Morrie Kuramoto is credited with technical advising, with no more clarity offered as to what that entails. Kuramoto is Japanese-American who served the US in WWII, and this comic will introduce a Japanese-American soldier. The credit calls him a super-samurai, so it’s also possible he advised on the martial arts on display in this issue.

We’ve seen Kuramoto’s work occasionally as a letterer, under the pen name Sherigail.

Morrie Kuramoto was associated with Marvel on and off going back to 1946. He just joined back as a regular member of the Bullpen, and would be with Marvel continually for the next two decades. Morrie passed away in 1985 at the age of 64.

X-Men #28

The Wail of the Banshee!

Featuring: X-Men
Release: November 3, 1966
Cover: January 1967
12 cents
Stan Lee editor
Roy Thomas writer
Werner Roth artist
J. Tartaglione inker
Artie Simek letterer
Irving Forbush noise-maker
20 pages

Previous	#641	Next
Daredevil #24	Reading order	Sgt. Fury #38
X-Men #27	X-Men	X-Men #29

How could these puny humans– who dwell among the smoke and noise that they call civilization– hope to appreciate such matchless beauty?

So my normal standard for making posts is to prepare the post one day, but not publish it the same day. I sleep on it and give it a last lookover before publication.

I’m skipping my usual standards today. Because today is St. Patrick’s Day. So I’m posting this without my usual extra day to edit. And from a pub. While some number of drinks in.

As seems appropriate.

This issue feels appropriate for St. Patrick’s Day because it introduces the character of the Banshee.

Who I think is Irish. Though they don’t say so. At least, I associate banshees with being Irish. Of course, I also associate banshees with being women, so shows what I know.

X-Men #27

Re-enter: The Mimic!

Featuring: X-Men
Release: October 11, 1966
Cover: December 1966
12 cents
Edited by Stan Lee
Scripted by Roy Thomas
Drawn by Werner Roth
Inked by Dick Ayers
Lettered by Sam Rosen (Wouldja believe Artie Simek?)
20 pages

Previous	#636	Next
Fantastic Four #60	Reading order	Sgt. Fury #37
X-Men #26	X-Men	X-Men #28

…as long as there are evil mutants abroad in the world, the X-Men must remain vigilant!

Recall last issue ended with Cyclops accidentally (or so he claims) injuring Angel. Meanwhile, Jean Grey ran into Cal Rankin at Metro College. Cal Rankin had fought the X-Men as Mimic, but he doesn’t recall the encounter because Professor X futzed with his brain.

We pick up with the X-Men battling Mimic again, now seeming to recall their last encounter. After the in media res opening, we see how we got here.

Sgt. Fury #36

My Brother, My Enemy!

Featuring: Sgt. Fury and his Howling Commandos
Release: September 8, 1966
Cover: November 1966
12 cents
Block-buster editing by Stan Lee
Bullet-scarred script by Roy Thomas
Battle-ready art by Dick Ayers
Bomb-happy inking by John Tartaglione
Ballpoint-pen lettering by Sam Rosen
20 pages

Previous	#631	Next
Captain Atom #83, Story B	INTERLUDE
Daredevil #23	Reading order	Fantastic Four #57
Sgt. Fury #35	Sgt. Fury	Sgt. Fury #37

A traitor? Nein, I think not! If there be any traitor to the Fatherland, it is rather those who would lead it to the brink of disaster for the sake of their own personal glory!

The stories from this title had fallen into a pattern. The premise was always location-based. The Howlers had some mission in a new location. They completed it and went home.

Since taking over, Thomas has been trying to tell actual stories and have character arcs.

This issue is location-based. The Howlers go to the neutral territory of Switzerland, breaking any number of laws and treaties.

But there’s a premise and a larger character arc as well.

We met Eric in Sgt. Fury #27, when he defected from the Germans and came to Britain. But last issue it was decided Eric (whose last name we learned was Koenig) should join the Howlers, since Manelli was injured and recovering back in the States. This is his first mission with the Howlers.

So Thomas writes about a couple things pertaining to that, ideas that are more than “the Howlers have a mission and succeed”. The first is that he’s eager to prove himself, sometimes too eager and to everyone’s detriment.

I must prove myself… show the Commandos I am as good as any of them! I must! For, only thus will I ever be certain that they look on me as a man… not as an ex-Nazi!

Avengers #35

The Light that Failed!

Featuring: Avengers
Release: October 11, 1966
Cover: December 1966
12 cents
Edited (ecstatically) by Stan Lee
Scripted (surprisingly) by Roy Thomas
Drawn (dynamically) by Don Heck
Lettered (legibly) by Sam Rosen
20 pages

Previous	#628	Next
Avengers #34	Reading order	Daredevil #22
Avengers #34	Avengers	Avengers #36

To be an Avenger is to surrender a part of one’s life… to be ever at the beck and call of humanity! Still, in these quiet moments, each of the others has another human being to whom he can reach out… only I have no one… no life, except behind the mask of the Red-White-and-Blue Avenger!

This begins a 70-issue run on Avengers by Roy Thomas. Thomas will have his highs and lows over those 70 issues, and it will take him a minute to warm up and get into the groove, but on the whole I think his Avengers will be much better than Stan Lee’s.

We’ll try to note along the way milestones marking an increase in quality. I’ll offer a hint that a new artist is going to help a lot.

The slow move of Stan off scripting duties, and the expanding bullpen of artists… this is a transition into the next era of Marvel Comics. Where it’s not Stan and Jack and Steve making most of the comics.

Strange Tales #154

Beware… the Deadly Dreadnought!

Featuring: Nick Fury, Agent of SHIELD
Release: December 8, 1966
Cover: March 1967
12 cents
Edited by: Stan Lee
Scripted by: Roy Thomas
Plotted and drawn by: Jim Steranko
Lettered by: Sam Rosen
12 pages

Previous	#622	Next
Strange Tales #153, Story B	Reading order	Strange Tales #154, Story B
Strange Tales #153, Story B	Strange Tales	Strange Tales #154, Story B

Leave the thinkin’ to AUTOFAC…

The training wheels are off for Jim Steranko. In his first couple issues, he’d been drawing off layouts from Kirby, but Kirby has stepped away. The newcomer Steranko has drawn this all by himself.

And he even gets a plotting credit for his work. Something it took Ditko and Kirby years to get. That folks like Orlando and Wood left the company over.

Roy Thomas was also on scripting duties last issue, but this won’t be a regular gig for him. This is his second and final turn on the series.

AUTOFAC is the AI system that does SHIELD’s thinking. If they feed it what they know about Supreme Hydra, it will deduce their identity.

Can you, reader, deduce the identity of Supreme Hydra before AUTOFAC can? If not, maybe we should just surrender to AI.

We get a detailed diagram of the Heli-Carrier. Below the story notes, we recorded all the rooms and notes.

Strange Tales #153

The Hiding Place!

Featuring: Nick Fury, Agent of SHIELD
Release: November 10, 1966
Cover: February 1967
12 cents
Seldom-equalled editing by Stan Lee
Seldom-surpassed scripting by Roy Thomas
Seldom-lacking layouts by Jack Kirby
Seldom-rivaled rendering by Jim Steranko
Seldom-legible lettering by Artie Simek
12 pages

Previous	#620	Next
Strange Tales #152, Story B	Reading order	Strange Tales #153, Story B
Strange Tales #152, Story B	Strange Tales	Strange Tales #153, Story B

The hour of Hydra has come at last– And nothing that the human race can do will cease our relentless march toward world domination!

Steranko takes on the cover solo, and does an impressive job. He probably won’t need Kirby’s handholding much longer.

Inside, it’s still the Kirby/Steranko art team, with the art seeming more and more Steranko each issue. What’s changed is the writer. Thomas has been the regular on X-Men and Sgt. Fury and occasionally filled in elsewhere. This is in that fill-in category. He won’t be a regular writer on this series.

We open in the barbershop. Not clear the status of it after the attack by AIM. Is it still a SHIELD base? Is it still secret?

We recognize the two agents working in the barbershop, but still haven’t learned their names.

X-Men #26

Holocaust!

Featuring: X-Men
Release: September 1, 1966
Cover: November 1966
12 cents
Editing.. Stan Lee
Script.. Roy Thomas
Art… Werner Roth
Inks.. Dick Ayers
Lettering… Sam Rosen
Mayan headdresses… Irving Forbush
20 pages

Previous	#613	Next
X-Men #25	Reading order	Strange Tales #150
X-Men #25	X-Men	X-Men #27

I hate to sound like a poor man’s Hawkeye, but I can’t seem to stop myself! Why should Jean prefer Scott over me?

Last issue, the gem-hunter El Tigre found a pendant which transformed him into the Mayan feathered-serpent god Kukulcán. He now has the power of the sun. Which sounds pretty powerful.

This seems to be basically what happened to Don Blake. He found a mystic artifact and now finds himself the avatar for a god.

X-Men #25

The Power and the Pendant!

Featuring: X-Men
Release: August 2, 1966
Cover: October 1966
12 cents
Edited by: Stan Lee
Scripted by: Roy Thomas
Illustrated by: Werner Roth
Inked by: Dick Ayers
Lettered by: Sam Rosen
Imitated by: Brand Echh
20 pages

Previous	#612	Next
Fantastic Four Annual 4	Reading order	X-Men #26
X-Men #24	X-Men	X-Men #26

Come back an’ fight, ya crummy mutant!

At some point, we are faced with the question, are all these heroes interchangeable, or are their distinctions amongst the titles, making some stories more suitable for one title than another.

There are hints here of what I think the X-Men are about. Moments.