roy thomas – Coke ⊕ Comics

Tales of Suspense #87, Story B

Wanted: Captain America!

Featuring: Captain America
Release: December 8, 1966
Cover: March 1967
12 cents
Editing: Stan Lee
Script: Roy Thomas
Drawn by: Jack Sparling
Inked by: Joe Sinnott
Lettered by: Sam Rosen
Subway swept by: Honest Irv
10 pages

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Tales of Suspense #87	Reading order	Tales of Suspense #88
Tales of Suspense #87	Tales of Suspense	Tales of Suspense #88

You may have had hours of practice… but I’ve had years!

That’s quite a surprising line-up of creators. Lee and Kirby have been handling Captain America thus far. Kirby took a couple issues off last year, with fill-ins by Ayers or Romita. And Kirby isn’t done with the book, but it will be a few issues until we see him again, with Gil Kane taking over. Lee is only taking this one issue off.

Thomas is Lee’s standard backup at this point, so his name isn’t that surprising. Joe Sinnott is our favorite inker these days, so it’s good to see him.

But who is Jack Sparling? That’s a new name to us. He’s one of those guys that’s worked in comics since the 1940s, seemingly at every company but Marvel. This is his first Marvel work and he won’t become a regular.

Here’s a sampling of his work.

The Yorktown Younger Set, Calling All Girls #3, Parents’ Magazine Press, 1942
Hap Hopper, Sparkler Comics v2 #10, United Feature Syndicate, 1942
Nyoka the Jungle Girl, Master Comics #50, Fawcett, 1944
Claire Voyant, Keen Teens, M.E., 1945
Lovers Lane #2, Lev-Gleason, 1949
Texas Rangers, Action Comics #140, DC, 1950
Kid Lochinvar, Great Lover Romances #1, Toby, 1951
Warfront #1, Harvey, 1951
Masked Raider #1, Charlton, 1955
The Sword and the Dragon, Four Color #1118, Dell, 1960
Adventures into the Unknown #121, ACG, 1961
Immortal Man, Strange Adventures #177, DC, 1965

He’s at this time a fixture of DC’s horror books, while still drawing romance, war, or other comics for companies like Harvey and Dell.

Avengers #37

To Conquer a Colossus!

Featuring: Avengers
Release: December 8, 1966
Cover: February 1967
12 cents
Electrifying editing by Stan Lee
Scintillating scripting by Roy Thomas
Invigorating illustrating by Don Heck
Languishing lettering by Artie Simek
20 pages

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Avengers #36	Reading order	Tales of Suspense #87
Avengers #36	Avengers	Avengers #38

How must it feel to be the last of your kind– alone in a world where you don’t belong? Can it be even lonelier than to live forever behind the colorful mask of… Captain America?

Ixar’s Ultroids have defeated the Avengers and plan to absorb their powers.

We learn the Ultroid who had impersonated Scarlet Witch is named Ultrana.

Avengers #36

The Ultroids Attack!

Featuring: Avengers
Release: November 10, 1966
Cover: January 1967
12 cents
Edited by: Stan (The Man) Lee
Scripted by: Roy (The Boy) Thomas
Drawn by: Don (The One) Heck
Lettered by: Sam (The Sham) Rosen
20 pages

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Sgt. Fury #39	Reading order	Avengers #37
Avengers #35	Avengers	Avengers #37

It was with a feeling of eagerness… almost of exhilaration… that I donned my crimson costume once again…

Stan the Man is by far Stan’s most common nickname at this point. I think this is our first time seeing Roy the Boy. I appreciate the rhyming scheme they have going on here, except… Don and One don’t rhyme. Maybe they do in the same way as eye and symmetry.

Who was the mystery figure who confronted Captain America at the end of last issue? It turns out to be the Scarlet Witch.

Or does it?

Sgt. Fury #39

Into the Fortress of… Fear!

Featuring: Sgt. Fury
Release: December 8, 1966
Cover: February 1967
12 cents
Herculean editing by Stan Lee
Halcyon scripting by Roy Thomas
Heroic plotting and drawing by Dick Ayers
Heavenly inking by John Tartaglione
Homogenized lettering by Artie Simek
20 pages

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X-Men #29	Reading order	Avengers #36
Sgt. Fury #38	Sgt. Fury	Sgt. Fury #40

Oh well, like I always say, nobody lives forever!

There is a trend toward recognizing artists for their work in plotting. I think this is the first time we’ve seen Ayers get a plotting credit.

The Howlers are in the Bavarian Alps, infiltrating a Nazi stronghold known as the Fortress of Fear to stop a new superweapon called the Thunderer.

X-Men #29

When Titans Clash!

Featuring: X-Men
Release: December 8, 1966
Cover: February 1967
12 cents
Stan Lee… editor
Roy Thomas… scripter
Werner Roth… artist
John Tartaglione… inker
Sam Rosen… letterer
Irving Forbush… skating instructor
20 pages

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Amazing Spider-Man #46	Reading order	Sgt. Fury #39
X-Men #28	X-Men	X-Men #30

Funny… it took an inhuman, emotionless thing like the Super-Adaptoid… to make me realize the true value of the emotion called… friendship!

We haven’t seen many seasons yet in our years of Marvel reading. But now it’s clearly winter. We’ll think at the end of the post about what that means for our continuity.

Jean is in town for the weekend from college. Going off to college seemed like a way of sidelining her from the series, but she’s managed to miss very few adventures.

We learn Warren is recovering from his accident.

And see Scott standing alone and aloof off to the side while his teammates enjoy themselves.

Ghost Rider #1

The Origin of the Ghost Rider

Featuring: Ghost Rider
Release: December 1, 1966
Cover: February 1967
12 cents
Edited by… Stan Lee
Written by… Gary Friedrich and Roy Thomas
Plotted and drawn by… Dick Ayers
Inked by… Vince Colletta
Lettered by… J. Verpooten
17 pages

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Tim Holt #11, Story B	PRELUDE
Sgt. Fury #38	Reading order	Tales to Astonish #88
	Ghost Rider	Ghost Rider #2

It is sheer folly to do battle with a ghost!

Magazine Enterprises is long since defunct. So nobody owns the character of Ghost Rider we met in Tim Holt #11. The co-creator Dick Ayers is now a Marvel regular, so Marvel takes the character and has Ayers revive him.

Of course this means Marvel, now owned by Disney, owns the character of Ghost Rider and will for all time.

Ayers would attempt to return to his character in the ’90s, adding some new covers to the old stories, but they had to call him the “Haunted Horseman”, as they had no rights to the name. Because of the world we live in (or at least the country I live in) and laws built to serve corporations and not artists.

Gary Friedrich is a mostly new name to us. This is his first Marvel work. He’s in his early ’20s. He started at Charlton and we saw his work with Steve Ditko on Blue Beetle over there. He’ll become a prolific writer over the decades.

Gary has no relation to Mike Friedrich, who will be starting work at DC soon.

The letterer John Verpooten is also new to us. He’s just started as a regular at Marvel, working on staff. He’s here for behind-the-scenes stuff, and we’ll start seeing him occasionally as a letterer, and soon enough as an inker. He’ll spend a decade with Marvel until his untimely death in 1977 at the age of 37.

Giving Ayers a plotting credit is part of a general trend we are seeing of recognizing artists for their plotting contributions.

Though Thomas would much later claim that credit was false, and the plotting was entirely done by Friedrich and himself.

While the name and likeness are lifted directly from Ayers’ 40s hero, this is a different character with a different origin. The original Ghost Rider was Rex Fury. This issue introduces Carter Slade.

Sgt. Fury #38

This One’s For Dino!

Featuring: Sgt. Fury and his Howling Commandos
Release: November 10, 1966
Cover: January 1867
12 cents
Editing– Stan Lee
Script– Roy Thomas
Art– Dick Ayers
Inking– John Tartaglione
Lettering– Bob Agnew
Technical advisor this ish– Morrie (Super-samurai) Kuramoto
20 pages

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	PRELUDE	Tim Holt #11, Story B
X-Men #28	Reading order	Ghost Rider #1
Sgt. Fury #37	Sgt. Fury	Sgt. Fury #39

I think you fellas must have me confused with the rats that bombed Pearl Harbor! Personally, I’ve never been west of San Francisco!

Bob Agnew is a new name to us. 99% of the comics we’ve read have been lettered by Sam Rosen or Artie Simek. The lettering here is by Agnew, in what is as best as I can tell his only Marvel work. His stint in comics seems to have been brief.

Morrie Kuramoto is credited with technical advising, with no more clarity offered as to what that entails. Kuramoto is Japanese-American who served the US in WWII, and this comic will introduce a Japanese-American soldier. The credit calls him a super-samurai, so it’s also possible he advised on the martial arts on display in this issue.

We’ve seen Kuramoto’s work occasionally as a letterer, under the pen name Sherigail.

Morrie Kuramoto was associated with Marvel on and off going back to 1946. He just joined back as a regular member of the Bullpen, and would be with Marvel continually for the next two decades. Morrie passed away in 1985 at the age of 64.

X-Men #28

The Wail of the Banshee!

Featuring: X-Men
Release: November 3, 1966
Cover: January 1967
12 cents
Stan Lee editor
Roy Thomas writer
Werner Roth artist
J. Tartaglione inker
Artie Simek letterer
Irving Forbush noise-maker
20 pages

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Daredevil #24	Reading order	Sgt. Fury #38
X-Men #27	X-Men	X-Men #29

How could these puny humans– who dwell among the smoke and noise that they call civilization– hope to appreciate such matchless beauty?

So my normal standard for making posts is to prepare the post one day, but not publish it the same day. I sleep on it and give it a last lookover before publication.

I’m skipping my usual standards today. Because today is St. Patrick’s Day. So I’m posting this without my usual extra day to edit. And from a pub. While some number of drinks in.

As seems appropriate.

This issue feels appropriate for St. Patrick’s Day because it introduces the character of the Banshee.

Who I think is Irish. Though they don’t say so. At least, I associate banshees with being Irish. Of course, I also associate banshees with being women, so shows what I know.

X-Men #27

Re-enter: The Mimic!

Featuring: X-Men
Release: October 11, 1966
Cover: December 1966
12 cents
Edited by Stan Lee
Scripted by Roy Thomas
Drawn by Werner Roth
Inked by Dick Ayers
Lettered by Sam Rosen (Wouldja believe Artie Simek?)
20 pages

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Fantastic Four #60	Reading order	Sgt. Fury #37
X-Men #26	X-Men	X-Men #28

…as long as there are evil mutants abroad in the world, the X-Men must remain vigilant!

Recall last issue ended with Cyclops accidentally (or so he claims) injuring Angel. Meanwhile, Jean Grey ran into Cal Rankin at Metro College. Cal Rankin had fought the X-Men as Mimic, but he doesn’t recall the encounter because Professor X futzed with his brain.

We pick up with the X-Men battling Mimic again, now seeming to recall their last encounter. After the in media res opening, we see how we got here.

Sgt. Fury #36

My Brother, My Enemy!

Featuring: Sgt. Fury and his Howling Commandos
Release: September 8, 1966
Cover: November 1966
12 cents
Block-buster editing by Stan Lee
Bullet-scarred script by Roy Thomas
Battle-ready art by Dick Ayers
Bomb-happy inking by John Tartaglione
Ballpoint-pen lettering by Sam Rosen
20 pages

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Captain Atom #83, Story B	INTERLUDE
Daredevil #23	Reading order	Fantastic Four #57
Sgt. Fury #35	Sgt. Fury	Sgt. Fury #37

A traitor? Nein, I think not! If there be any traitor to the Fatherland, it is rather those who would lead it to the brink of disaster for the sake of their own personal glory!

The stories from this title had fallen into a pattern. The premise was always location-based. The Howlers had some mission in a new location. They completed it and went home.

Since taking over, Thomas has been trying to tell actual stories and have character arcs.

This issue is location-based. The Howlers go to the neutral territory of Switzerland, breaking any number of laws and treaties.

But there’s a premise and a larger character arc as well.

We met Eric in Sgt. Fury #27, when he defected from the Germans and came to Britain. But last issue it was decided Eric (whose last name we learned was Koenig) should join the Howlers, since Manelli was injured and recovering back in the States. This is his first mission with the Howlers.

So Thomas writes about a couple things pertaining to that, ideas that are more than “the Howlers have a mission and succeed”. The first is that he’s eager to prove himself, sometimes too eager and to everyone’s detriment.

I must prove myself… show the Commandos I am as good as any of them! I must! For, only thus will I ever be certain that they look on me as a man… not as an ex-Nazi!