sam rosen – Page 2 – Coke ⊕ Comics

Strange Tales #155

Death Trap!

Featuring: Nick Fury, Agent of SHIELD
Release: January 10, 1967
Cover: April 1967
12 cents
Edited by: Stan Lee (Marvel’s James Bond)
Written and drawn by: Jim Steranko (Marvel’s Man Flint)
Letted by: Sam Rosen (Marvel’s Secret Squirrel)
12 pages

Previous	#624	Next
Strange Tales #154, Story B	Reading order	Strange Tales #155, Story B
Strange Tales #154, Story B	Strange Tales	Strange Tales #155, Story B

And so saying, the SHIELD agent’s finger begins to tighten on the trigger… his trance-like face telling of the incredible turmoil seething within… Then, the overwhelming force of the spell sweeps over his ego, as once again, the Supreme Hydra’s command echoes through his mind…

Jim Steranko is now writing and drawing Nick Fury, Agent Of SHIELD, and credited for doing so. Wally Wood had wanted that for Daredevil but was turned down.

Does this show Lee’s faith in the newcomer Steranko? Or is it just that he’s busy and become somewhat indifferent?

Steranko delivers quite the opening splash page, so maybe he’ll do okay with this assignment.

What are we looking at? It’s called the Vortex Beam. It seems to be like a tractor beam they use as a fancy elevator. Best as I can tell, people get onto a disc on the ground and then get lifted onto the Heli-Carrier. We see some VIPs and a strange device coming on the ship that way.

Strange Tales #154, Story B

Clea Must Die!

Featuring: Dr. Strange
Release: December 8, 1966
Cover: March 1967
12 cents
A mystic Marvel masterwork by: Stan Lee and Marie Severin
Lettered by: Sam Rosen
10 pages

Previous	#623	Next
Strange Tales #154	Reading order	Strange Tales #155
Strange Tales #154	Strange Tales	Strange Tales #155

Do as you will, Spectral One! Dr. Strange cannot be harmed by the truth!

Where were we? Oh yes, Dr. Strange thought he had rescued Clea. But it turned out to be a Mindless One in disguise.

I’m sympathetic, having grown up thinking I’d been successful in finding a woman only to be constantly told, “Our princess is in another castle.”

Strange Tales #154

Beware… the Deadly Dreadnought!

Featuring: Nick Fury, Agent of SHIELD
Release: December 8, 1966
Cover: March 1967
12 cents
Edited by: Stan Lee
Scripted by: Roy Thomas
Plotted and drawn by: Jim Steranko
Lettered by: Sam Rosen
12 pages

Previous	#622	Next
Strange Tales #153, Story B	Reading order	Strange Tales #154, Story B
Strange Tales #153, Story B	Strange Tales	Strange Tales #154, Story B

Leave the thinkin’ to AUTOFAC…

The training wheels are off for Jim Steranko. In his first couple issues, he’d been drawing off layouts from Kirby, but Kirby has stepped away. The newcomer Steranko has drawn this all by himself.

And he even gets a plotting credit for his work. Something it took Ditko and Kirby years to get. That folks like Orlando and Wood left the company over.

Roy Thomas was also on scripting duties last issue, but this won’t be a regular gig for him. This is his second and final turn on the series.

AUTOFAC is the AI system that does SHIELD’s thinking. If they feed it what they know about Supreme Hydra, it will deduce their identity.

Can you, reader, deduce the identity of Supreme Hydra before AUTOFAC can? If not, maybe we should just surrender to AI.

We get a detailed diagram of the Heli-Carrier. Below the story notes, we recorded all the rooms and notes.

Strange Tales #153, Story B

Alone, Against the Mindless Ones!

Featuring: Dr. Strange
Release: November 10, 1966
Cover: February 1966
12 cents
Stupefying story by: Spellbinding Stan Lee!
Inconceivable illustration by: Mystical Marie Severin!
Legendary lettering by: Sardonic Sammy Rosen!
10 pages

Previous	#621	Next
Strange Tales #153	Reading order	Strange Tales #154
Strange Tales #153	Strange Tales	Strange Tales #154

I must endure their blows… regardless of the pain… By the Omnipotent Oshtur, I shall not fail… I shall not fall!

After Ditko left, Bill Everett became the regular artist on Dr. Strange for the next half dozen issues. And I was unimpressed. But I do really like Bill Everett. Last post, I rattled off Sub-Mariner, Venus, and Daredevil. All great works by him.

We get a new artist. Marie Severin. We haven’t seen her work yet. We saw her coloring when we read an old tangentially related EC comic. We saw an issue of Nick Fury illustrated by John Severin. Some possible connection, there. Siblings, perhaps.

But she’s actually been with Marvel for the entirety of our reading, just one of those unsung heroes behind the scenes, working on the production of the comics, sometimes as a colorist, perhaps lending a hand to some bits of art here or there.

Tales of Suspense #85, Story B

The Blitzkrieg of Batroc!

Featuring: Captain America
Release: September 8, 1966
Cover: January 1967
12 cents
A Stan Lee Jack Kirby premium presentation
Inimitable inking by: Frank Giacoia
Laborious lettering by: Sam Rosen
10 pages

Previous	#615	Next
Strange Tales #150	Reading order	Strange Tales #151
Tales of Suspense #85	Tales of Suspense	Tales of Suspense #86

Indeed, eet shall be for zee last time, mon ami…! For none may strike Batroc in such a manner… wizout paying zee price!

“This must be the place,” thinks Cap, anticipating David Byrne.

In Tales of Suspense #76, Captain America defeated Batroc, but a SHIELD agent on assignment succumbed to poison and was hospitalized. We didn’t learn her name. She reminded Cap of a woman he’d known in World War II, a woman whose name we also didn’t learn.

Strange Tales #150

Hydra Lives!

Featuring: Nick Fury, Agent of SHIELD
Release: August 9, 1966
Cover: November 1966
12 cents
Script… Stan Lee
Layouts… Jack Kirby
Pencils… John Buscema
Inks… Frank Giacoia
Letterings… Sam Rosen
Ear plugs… Irving Forbush
12 pages

Previous	#614	Next
X-Men #26	Reading order	Tales of Suspense #85, Story B
Strange Tales #149, Story B	Strange Tales	Strange Tales #150, Story B

‘Cut off a limb, and two more shall takes its place!’ We were right… Hydra still lives!

We read the second half of this issue already. Last issue really ended the AIM stuff, and this issue begins the return of Hydra arc, so I wanted that cutoff. But the Dr. Strange stories cut a bit differently, as this issue ends the Kaluu arc and next issue properly begins the Umar arc.

Kirby is on hand for the layouts, but the main art credit goes to John Buscema. We spoke of him at length with his return to Marvel in Tales to Astonish #85, published one week prior to this. And we’ll be seeing a lot more of him.

We begin with Nick in a strange contraption performing a dangerous test. So dangerous, he won’t let anyone else do it. It’s a prototype Overkill Horn. They are concerned an enemy has a real one.

Perhaps a Super-Overkill Horn. Adding the word Super in front of something already called the Overkill Horn seems like, well, overkill.

X-Men #26

Holocaust!

Featuring: X-Men
Release: September 1, 1966
Cover: November 1966
12 cents
Editing.. Stan Lee
Script.. Roy Thomas
Art… Werner Roth
Inks.. Dick Ayers
Lettering… Sam Rosen
Mayan headdresses… Irving Forbush
20 pages

Previous	#613	Next
X-Men #25	Reading order	Strange Tales #150
X-Men #25	X-Men	X-Men #27

I hate to sound like a poor man’s Hawkeye, but I can’t seem to stop myself! Why should Jean prefer Scott over me?

Last issue, the gem-hunter El Tigre found a pendant which transformed him into the Mayan feathered-serpent god Kukulcán. He now has the power of the sun. Which sounds pretty powerful.

This seems to be basically what happened to Don Blake. He found a mystic artifact and now finds himself the avatar for a god.

X-Men #25

The Power and the Pendant!

Featuring: X-Men
Release: August 2, 1966
Cover: October 1966
12 cents
Edited by: Stan Lee
Scripted by: Roy Thomas
Illustrated by: Werner Roth
Inked by: Dick Ayers
Lettered by: Sam Rosen
Imitated by: Brand Echh
20 pages

Previous	#612	Next
Fantastic Four Annual 4	Reading order	X-Men #26
X-Men #24	X-Men	X-Men #26

Come back an’ fight, ya crummy mutant!

At some point, we are faced with the question, are all these heroes interchangeable, or are their distinctions amongst the titles, making some stories more suitable for one title than another.

There are hints here of what I think the X-Men are about. Moments.

Fantastic Four Annual 4

The Torch that Was!

Featuring: Fantastic Four
Release: August 2, 1966
Cover: November, 1966
25 cents
Conceived and created by: Stan Lee (scenarist) & Jack Kirby (illustrator)
Inked and lettered by: Joe Sinnott (Delineator) & Sam Rosen (Calligrapher)
Recited and ignited by: Irving Forbush (part-time non-entity)
19 pages

Previous	#611	Next
Human Torch #38, Story D	PRELUDE
Fantastic Four #56	Reading order	X-Men #25
Fantastic Four Annual 3	Fantastic Four Annual	Fantastic Four Annual 5

The Original Human Torch! Reborn– only to die again!

We began our Marvel reading with Fantastic Four #1, released in August 1961. But Marvel had 22 years of history predating that comic. What is the relationship between those older comics and the modern 1960s ones? We’ve seen some impacts.

Fantastic Four #55

When Strikes the Silver Surfer!

Featuring: Fantastic Four
Release: July 7, 1966
Cover: October 1966
12 cents
Scripted with a smile by: Stan (The Man) Lee
Pencilled with a passion by: Jack (King) Kirby
Delineated with a dignity by: Jovial Joe Sinnott
Lettered with a lilt by: Swingin’ Sammy Rosen
Applauded with Aplomb by: Honest Irving Forbush
20 pages

Previous	#609	Next
Sgt. Fury #35	Reading order	Fantastic Four #56
Fantastic Four #54	Fantastic Four	Fantastic Four #56

I have seen men build… and destroy! I have seen this world, which could be paradise, reduced to a planet of greed, and fear, and hatred! I have seen humanity with its heritage betrayed!

When Galactus came to devour Earth, Silver Surfer was his herald. But Silver Surfer met Alicia Masters, and she convinced him that humanity was worth saving. So Silver Surfer betrayed his master. As punishment, Galactus took Silver Surfer’s space-time powers from him. This presumably means he cannot fly faster than light speed, so is practically confined to within a lightyear or so of Earth.

Thing hadn’t been happy that Alicia seemed so impressed by the Silver Surfer, and spent some time moping in the rain about it.

Johnny and Wyatt have been on their way to the Great Refuge of the Inhumans since they left Wakanda. Along the way, they came across Prester John and the Evil Eye, which Johnny thought might break the Negative Zone barrier around the Great Refuge. But that didn’t work out.

Shouldn’t Johnny and Wyatt be in school?

Reed still owes Sue a proper honeymoon. Though he has taken her to the Great Refuge and Wakanda. But I guess she wants somewhere just the two of them where they don’t battle evil. Women, eh.