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Sgt. Fury #29

Armageddon!

Featuring: Sgt. Fury and his Howling Commandos
Release: February 10, 1966
Cover: April 1966
12 cents
Explosive editing by: Stan Lee
Seething script by: Roy Thomas
Pulsating pencils by: Dick Ayers
Invigorating inking by: John Tartaglione
Lacksadaisal lettering by Sam Rosen
20 pages

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Sgt. Fury #28	Reading order	Daredevil #15
Sgt. Fury #28	Sgt. Fury	Sgt. Fury #30

Armageddon… that the day when good and evil are supposed ta lock horns for the last time… with the good guys comin’ out on top! ‘Course, I know we went through that ‘war to end war’ jazz before! Still, a guy can’t help hopin’–! Yeah, every once in a while, I get ta thinkin’… mebbe this one will be the last war! Mebbe—

We met Roy Thomas in his first Marvel story featuring Millie the Model. He’s since done other work for Millie and for Kid Colt Outlaw. He has a couple other credits out there because he’d submitted some story ideas to other companies before landing the Marvel gig, and they’re now seeing print. We saw him a second time on a confusingly credited issue of Iron Man that seemed like they’d recruited everybody around.

This will be his first ongoing series. He’ll script the next 12 issues of Sgt. Fury. And the first time any of these Marvel titles have seen Stan Lee take a break of longer than a couple issues. Stan Lee has penned his last Sgt. Fury script. Without much fanfare.

Of course, Stan Lee still gets his name first in the credits. He is indeed the editor for this and all the titles.

It’s worth noting that right away Thomas will start referencing the continuity of earlier issues.

Thomas picks up where Lee left off with a tense face-off between Fury and his archnemesis, Baron Strucker. Strucker has a switch which will blow up the entire city; Fury a trigger to blow the building they are both in.

Except Fury is bluffing. His explosives aren’t wired yet.

Sgt. Fury #28

Not a Man Shall Remain Alive!

Featuring: Sgt. Fury and his Howling Commandos
Release: January 11, 1966
Cover: March 1966
12 cents
Story by: Stan Lee
Art by: Dick Ayers
Inking by: John Tartaglione
Lettering by: Sam Rosen
20 pages

Previous	#472	Next
Amazing Spider-Man #35	Reading order	Sgt. Fury #29
Sgt. Fury #27	Sgt. Fury	Sgt. Fury #29

Without weapons, without organization, even without hope, the spirit of free Frenchmen cannot be snuffed out!

We come to Stan Lee’s final issue as writer on this title. It ends with a cliffhanger, though a rather exciting one.

We see some conflict between Hitler and Strucker. Baron Strucker is an aristocrat who hates Hitler, who thinks him a madman. But Strucker follows orders to crush the resistance in Cherbeaux, even if he must kill the entire town to do so.

Sgt. Fury #24

When the Howlers Hit the Home Front!

Featuring: Sgt. Fury and his Howling Commandos
Relase: September 9, 1965
Cover: November 1965
12 cents
Written by: Stan Lee, Army Vet!
Pencilled by Dick Ayers, Air Force Vet!
Inked by Frank Ray, Air Force Vet!
Lettered by S. Rosen, Teacher’s Pet!
20 pages

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	INTERLUDE	Modeling with Millie #44
Sgt. Fury #23	Reading order	Avengers #23
Sgt. Fury #23	Sgt. Fury	Sgt. Fury #25

Stan and Dick want to take this opportunity to give a heartfelt thanks and well done to the countless wonderful guys and gals who did so much under the banner of the U.S.O., to keep up the morale of lonely Allied fighting men, both near and far from home! We’ll never forget ’em!

Happy Sam orders the Howlers on a furlough back to the States, including Percy and Hans.

PRELUDE: Daring Mystery Comics #6

Introducing– Marvel Boy

Featuring: Marvel Boy
Release: June 15, 1940
Cover: September 1940
10 cents
10 pages

Previous		Next
Daring Mystery Comics #5, Story H	PRELUDE	USA Comics #7, Story C
Daredevil #9	Reading order	Journey Into Mystery Annual 1

Do not be sad, for I do not really leave you– I shall be back– when America needs me the most–

Well, that’s an unfortunately racist cover from Jack Kirby and Joe Simon.

When we met Marvel Girl in X-Men #1, we took the excuse to meet Marvel Boy from 1950. That was actually not Marvel’s first character named Marvel Boy, and perhaps we should have met the other(s) then. We didn’t.

We’ll read about him/them now due to his/their connections to Hercules. (Join me in the next post to see why I seem so confused about singular vs. plural pronouns.)

This Marvel Boy is a creation of Joe Simon and Jack Kirby, before the same team created Captain America, and before Jack Kirby and various collaborators would go on to create… a lot of famous superheroes.

I think there is a case to be made this might be Kirby’s first superhero co-creation, which makes Marvel Boy quite notable in itself. Moreso because you can see elements that made their way into Captain America, including the basic mask shape, the boots and gloves, using Hitler as an enemy.

Two notes against that point. Kirby had previously co-created with Martin Burstein the feature “Mercury in the 20th Century”. This was about the classic god Mercury. Not precisely a superhero, but if Thor counts, perhaps he should too. (We’ll probably read that Mercury story in the near future when we are ready to meet Pluto.)

That same issue introduced Jack Kirby’s science fiction hero Comet Pierce. In the Flash Gordon or Buck Rogers mold. Again, not exactly a superhero.

Marvel Boy is Kirby’s first standard superhero co-creation.

Except the second note is I have no idea who created Marvel Boy. Harry Mendryk explains the creation of this issue as follows on the Kirby Museum blog. He credits Joe Simon with the initial 3 pages which introduce the character and lay out his origin, and then Kirby with the rest. It’s thus quite possible that Joe Simon created the character on his own, and then gave the partially completed issue to Kirby to finish.

Often, history doesn’t tell us with much certainty what the division of labor going into an issue was. So I usually find it easiest to credit the writers and artists of a character’s inaugural issue as co-creators. By my normal intentionally naive standards, I would say Marvel Boy was a co-creation of Joe Simon and Jack Kirby.

But there is probably room for disagreement and assertion this was a Joe Simon creation.

The character only lasts one issue, though there is a sort-of revival 3 years later we will consider in the next post.

I’ve expressed before my opinion that initials are generally the worst logo for a superhero uniform. Imagine that chest with a better logo, like say a star. And imagine he wore pants. Now lose the cape and add some little wings to the cap. You’re getting closer to a good superhero design.

Tales of Suspense #67, Story B

Lest Tyranny Triumph!

Featuring: Captain America
Release: April 8, 1965
Cover: July 1965
12 cents
Story and art by: Stan Lee and Jack Kirby
Inking: Frank Ray
Lettering: Artie Simek
10 pages

Previous		Next
Tales of Suspense #67	Reading order	Tales of Suspense #68
Tales of Suspense #67	Tales of Suspense	Tales of Suspense #68

Part 2 of the Nazi Cap story where Captain America has been brainwashed by the Red Skull.

Tales of Suspense #66, Story B

The Fantastic Origin of the Red Skull

Featuring: Captain America
Release: March 11, 1965
Cover: June 1965
12 cents
By: Stan Lee and Jack Kirby
Inked by: Chic Stone
Lettered by: Artie Simek
10 pages

7Previous		Next
Tales of Suspense #66	Reading order	Tales of Suspense #67
Tales of Suspense #66	Tales of Suspense	Tales of Suspense #66, Story B

We’ve been very slowly saying goodbye to Chic Stone, as this represents his last month with Marvel. So we’ve seen his last work on many titles already. This is his final Captain America Story. He is Kirby’s best inker on these books so far, for my money. And he will be missed.

These Captain America stories have been set in his early days. The last three issues retold stories from Captain America Comics #1, with last issue retelling the introduction of the Red Skull (and making it really lame). This issue offers a new Red Skull story. At last we learn his origin.

In the original story, Red Skull was revealed to be American industrialist George Maxon. Last issue played out similarly, (though now he was John instead of George), but it added that Red Skull was not the real Maxon. He had killed Maxon and was impersonating him. That leaves room for his new origin here. As we’ve noted before, for my purposes we are treating the post-1961 stories as canonical for this Marvel Universe. The 1940s Marvel canon is separate. So the origin of the Red Skull is what gets told here. He is not Maxon.

We learn in this issue that he had also not been impersonating Maxon. That was someone pretending to be the Red Skull pretending to be Maxon. Yeesh. And apparently Captain America is desperate to hunt down the real Red Skull based on the crimes of a fake Red Skull. Maybe?

Will the real Red Skull please stand up?

The story opens with Captain America a prisoner of the Skull. That is not where the last issue left off at all. Perhaps they will fill us in how we got here.

PRELUDE: Young Allies #1

The Coming of Agent Zero/The Red Skull and the Graveyeard of Doom!/Voyage to No-Man’s Land/Trapped in Nazi-Land!/Outwitting the Bloodthirsty Tyrants!/Captain America and the Human Torch to the Rescue!!

Featuring: Young Allies
Release: July 23, 1941
Cover: Summer 1941
10 cents
57 pages

Previous		Next
Captain America Comics #3	Prelude	Captain America Comics #7
Sgt. Fury #16	Reading order	Tales of Suspense #65

The table of contents lists Joe Simon as “Art editor” and Jack Kirby as “Art director”, while recognizing Carl Burgos as the creator of Toro. No hints as to who actually wrote or drew the comic are given. The GCD credits Otto Binder, Charles Nicholas, and Syd Shores, noting Jack Kirby supplied art for some of the chapter-opening splash pages. The cover is by Jack Kirby and Syd Shores.

We also take the on-sale date from the GCD, which disagrees with the July 10 date given in Mike’s Amazing World, but also offers an explanation for the discrepancy.

An ad shows an earlier version of the cover (and gives the July 10 release date). Notice in the original cover, Stalin is one of the villains (along with Hitler, Tōjō, and Mussolini). This comic was released in July 1941. Between its original advertisement and publication, Germany invaded the Soviet Union, so Stalin was now a good guy, and couldn’t be depicted as evil in the comic. The USSR was now part of the Allied forces.

America remained neutral in the war, but you couldn’t tell by the comic books.

We read the introduction of the Young Allies, a painfully long 57-page adventure. Our motivation is that this is the third appearance of the Red Skull, who was presumed dead in an explosion in Captain America Comics #3.

This comic is pretty rough reading. The most infamous part of it is the character of Whitewash Jones, a painful stereotype of an African American child, whose portrayal somehow keeps getting worse as the issue progresses. Even leaving aside that racial sentiment has evolved in 80 years, the other kids are also pretty awful characters. Tubby, the obese child, is portrayed no better. Nor is Knuckles, the street-tough kid. Jefferson, the nerd, probably comes off the best.

The history of cartooning is built on caricature and exaggeration, but these four kids just push it into the absurd and unreadable.

Sgt. Fury #14

The Blitzkrieg Squad of Baron Strucker!

Featuring: Sgt. Fury and his Howling Commandos
Release: November 10, 1964
Cover: January 1965
12 cents
Written with the explosive power of a live grenade by: Ex-Sgt. Stan Lee
Drawn with the savage impact of a block-buster by: Ex-Corp. Dick Ayers
Inked with the smashing force of a Sherman tank by: Geo. Bell
Lettered with a brand new bottle of India ink by: Artie Simek
20 pages

Previous	#297	Next
Tales to Astonish #64	Reading order	Amazing Spider-Man #21
Sgt. Fury #13	Sgt. Fury	Sgt. Fury #15

We’ve met Baron Strucker twice before. Fury’s only recurring foe at this point. But now he’s got his own team of commandos backing him up, the Blitzkrieg Squad.

The idea of the Blitzkrieg Squad is that each is specifically chosen to be a match for a commando. The brawler matches Dugan; the charmer, Manelli; the musician, Gabe; the mechanic, Izzy; the horseman, Reb; the aristrocrat, Percy.

I was a bit confused by the word “Junker” in the context and had to look it up. It refers to a Prussian noble, not somebody who trades in scraps.

Sgt. Fury #9

Mission: Capture Adolf Hitler!

Featuring: Sgt. Fury and his Howling Commandos
Release: June 9, 1964
Cover: August 1964
12 cents
Sensational story by: Ex-Sgt. Stan Lee!
Awe-inspiring art by: Ex-Corp. Dick Ayers!
Inked by: Geo. Bell
Lettered by: S. Rosen
22 pages

Nick Fury is always on his best behavior when on a date with Pam. Unfortunately, their lovely evening is brought to a halt when Fury’s Howlers splash mud on him. He starts to lose his temper, only to be scolded by Pam, who is more impressed by Percy’s gentlemanliness. Fury then gets a scolding from the Captain for the muddy uniform. This remains the funniest title.

The Howlers’ mission is to sneak into Berlin and capture Hitler. Seems easy enough until Fury is recognized by Baron Strucker.

PRELUDE: Human Torch #5

The Human Torch Battles the Sub-Mariner as the World Faces Destruction!

Featuring: Human Torch
Release: October 8, 1941
Cover: Fall 1941
10 cents
60 pages (!)

The comic gives no credits. I’ll point you to the GCD, which notes work from Carl Burgos, Bill Everett, Jack D’Arcy, Hank Chapman, Mike Roy, Harry Sahle and George Kapitan. That’s… a lot of names. I will make no attempt to untangle who did what.

Counting to 5

Let’s get the confusing part out of the way. We are looking at Human Torch #5, with a cover date of Fall 1941.

The previous issue of Human Torch was… Human Torch #5, with a cover date of Summer 1941. Why? I have no idea. I think somebody counted wrong.