chronological concerns – Coke & Comics

Journey Into Mystery #105

The Cobra and Mr. Hyde!

Featuring: Thor
Release: April 2, 1964
Cover: June 1964
12 cents
Written by: Happy Stan Lee
Drawn by: Healthy Jack Kirby
Inked by: Husky Chic Stone
Lettered by: Hasty Art Simek
18 pages

I really am excited that Kirby is the regular on Thor, especially when paired with a great inker like Chic Stone. I remain hopeful that the quality of the “Tales of Asgard” backups will soon be reflected in the main stories, turning around what has been Marvel’s worst title so far. Enchantress and Executioner were two good additions to the rogues gallery. And last issue we got a taste of mythic armageddon. Far more interesting than Thor fighting mobsters. I like the direction they’re going. I hope they keep it u–

Oh. Huh. Cobra and Mr. Hyde, eh.

Sigh. Ah well. Teach me to get my hopes up.

Because there are no longer sci/fi backup tales, the entire issue is dedicated to Thor. Which means they have to drag this story over 18 pages. And then they make it a two-parter! 36 pages of Cobra and Mr. Hyde.

The Avengers show up. The costumes they are wearing could be clues to where this story places amidst the Avengers comics and other titles… except they provide inconsistent evidence.

Avengers #6

Masters of Evil!

Featuring: Avengers
Release: May 5, 1964
Cover: July 1964
12 cents
Written by the inspired typewriter of: Stan Lee
Drawn by the enchanted pencil of: Jack Kirby
Inked by the gifted brush of: Chic Stone
Lettered by the scratch pen of: S. Rosen
23 pages

As if it wasn’t hard enough trying to figure out how to fit the Avengers’ solo adventures around this title, issue 5 ended with an urgent call from the Teen Brigade to go on a mission unrelated to the Lava Men adventure they just had, which itself was unrelated to the Hulk adventure that started that issue. Leaving almost no space for solo adventures.

Here, the narration informs us they are still on the way to New York to respond to the urgent call, but needed to refuel in Chicago.

Between New York and Chicago, Iron Man and Giant-Man have gotten new costumes, and Wasp has a new hairdo and headpiece.

Captain America meanwhile has new glove magnets and miniature transistors installed in his shield that allow him to control its motion.

Iron Man designed the shield transistors. He is apparently an engineering genius on par with Tony Stark, the man nobody has ever seen him with, despite being Stark’s bodyguard.

And then Thor gives Captain America his mail. Wait? What? I thought this was a refueling stop in Chicago. Where did they get the mail? Where are they?

Not many details in the scene. Some equipment makes it look like a lab. Cap is sitting on a chair, so they seem to not be on a plane or at a refueling station.

Journey Into Mystery #104

Giants Walk the Earth!

Featuring: Thor
Release: March 3, 1964
Cover: May 1964
12 cents
…only the inspired talent of Stan Lee could have written it…
Only the gifted hand of Jack Kirby could have illustrated it!!
Inked by: Chic Stone
Lettered by: S. Rosen
13 pages

As with last month’s Tales of Suspense, this issue sees Thor take a more significant place on the cover. He gets his own logo, prominent on the cover, with the series’ title taking a subordinate position. “Journey Into Mystery with The Mighty Thor”. This is Thor’s comic now.

Thor has spent most of this series battling threats that really should be beneath his notice. Cobra with his slithering power? Finally, Thor’s mettle gets tested. In fact, it’s a test too great for him. He’ll need the help of Balder and his father Odin to overcome this threat.

The story begins soon after the end of the previous issue. Loki is chastising Enchantress and Executioner for their recent failure. If Enchantress could only have waited a few seconds to turn Executioner into a tree…

We really need to talk about Loki. I mean, we already did, but it’s getting more confounding. Odin had sentenced him to eternal imprisonment. I really must stress the word “eternal”. But then suddenly Loki was seemingly Odin’s most trusted advisor. No explanation was offered. Loki manipulated the supposedly wise Odin into causing Thor’s most recent grief, both his battles against Zarrko and the Enchantress. Now, Loki not only convinces Odin to travel to Earth, but Odin lets Loki rule in his stead, and grants him extra power to do so.

Avengers #4

Captain America Joins… The Avengers!

Featuring: Avengers
Release: January 3, 1964
Cover: March 1964
12 cents
Gloriously written by: Stan Lee
Grandly illustrated by: Jack Kirby
Gallantly lettered by: Art Simek
23 pages

No inker is given in the credits for some reason. The GCD suggests the inker is George Roussos, who has been doing a lot of inking lately under the pseudonym George Bell. I don’t think we’ve yet seen a single comic where Kirby has done his own finishes. Probably because he’s drawing a half dozen comics each month.

There’s something that troubles me about these credits, and it’s the type of thing that makes Stan Lee a controversial character to this day. Look to the acknowledgement on this first page. Stan notes that Jack drew the original Captain America comics. That’s true and good to point out. But that massively understates Kirby’s contribution. Kirby and Simon created Captain America. The box should say. “Jack Kirby is one of the creators of Captain America.” Now, this may have been mere thoughtlessness on Stan’s part. Kirby used to draw Captain America and now is drawing him again; Stan used to write Captain America and now is writing him again. That may be the only point he wanted to make, and perhaps no other thoughts occurred to him. But the phrasing seems careful, and reflects the longtime legal stance of the many companies that have owned Marvel, that people don’t create characters, companies do. You can read an article from Brian Cronin on a piece Stan Lee had written in 1947 crediting publisher Martin Goodman with the idea for Captain America. The piece is basically fictional. Joe Simon came up with the character independently, and Kirby helped him flesh out the details. Stan’s failure to credit them for that goes back a long ways.