Featuring: Fantastic Four Release: December 10, 1964 Cover: March 1965 12 cents Proudly produced by: Smilin’ Stan Lee and Jolly Jack Kirby Inked by: Chic Stone Lettered by: Artie Simek 21 pages
The main credits are shared between Stan and Jack without specifying who did what.
Fantastic Four has been one of the best of these Marvel superhero titles since the start, but it’s regarded as one of the best comic series ever, which hasn’t yet been obvious. The series gets better at some point. It can be hard to pinpoint the exact point of transition. We noted issue 29 when Kirby started using photo collages as a step toward greatness. The introduction of the Frightful Four in this issue also suggests we are well down the path. Particularly the mysterious Madam Medusa.
Sue and Reed announced their engagement last issue. They’ve now made a public announcement, and the press is excited, underscoring their celebrity status. There will be a big engagement party this issue.
Also, I think Sue’s gotten a haircut. Her hair definitely seems shorter.
Featuring: Human Torch and Thing Release: October 8, 1964 Cover: January 1965 12 cents Monumental story by: Stan Lee Magnificent pencilling by: Dick Ayers Masterful inking by: Frank Ray Melancholy lettering by: Artie Simek 12 pages
I appreciate that Simek has come up with logos for Quicksilver and Scarlet Witch. Some wooshes over Quicksilver’s name. Some frayed edges for the Scarlet Witch.
Frank Giacoia
We see a new name in the credits. Frank Ray is the inker. Frank Ray is a pen name for Frank Giacoia. He wil become a frequent Marvel inker, initially under the name Frank Ray or Frankie Ray.
Featuring: Fantastic Four Release: October 8, 1864 Cover: January 1965 12 cents Rapturously written by: Stan Lee Deliciously drawn by: Jack Kirby Impeccably inked by: Chic Stone Lavishly lettered by: Art Simek 20 pages
Then Ben trying on the Beatles wig he received from the Yancy Street Gang.
Mr. Gideon is a ruthless multi-billionaire financial wizard. By his reckoning, he is about 3 years away from buying out his top competitors and gaining financial control of the world. Impatient, he proposes they speed things up with a gamble. They propose the challenge. If he wins, they sell out now; if he loses, he stops trying to conquer the world. The challenge they propose: the defeat of the Fantastic Four.
Featuring: Fantastic Four Release: May 12, 1964 Cover: August 1964 12 cents Written with a dash of greatness by: Stan Lee Drawn with a hint of glory by: Jack Kirby Inked with a touch of drama by: Chic Stone Lettered with a bottle of India ink by: S. Rosen 22 pages
This is pretty easily my favorite cover so far. Years before I’d ever read the issue, I’d been enthralled by the cover. It seems to promise so much potential. What started on Yancy Street? Important enough to attract the attention of the Watcher.
Beyond my fascination with the ominous mood the cover suggests, there really hasn’t been a cover at all like this yet in our reading. First of all, it’s definitely the first Fantastic Four cover without a hint of a villain. The closest other example is Fantastic Four #13, which only shows Red Ghost’s hand. The mood of the characters is entirely different from the norm. Usually they’re mid-battle or primed for battle, with only a couple exceptions, notably FF#13 again. Now, they seem nervous, uncertain, hesitant. Moods that have never made it onto a cover. Reed is holding Sue’s hand. Ben looks uneasy. Johnny is nervously looking around.
Behind them all, the visage of the Watcher lurking ominously with glimpses of the cosmos behind him.
And yet. And yet. While almost everything about the visuals of the cover suggest this serious tone, we must also look to the street sign. Yancy Street. That creates an association which is far from serious. Since we first learned of the Yancy Street Gang back in issue 6, they have been comic relief, existing to knock Thing down a peg, to keep him humble. There is then some irony on the cover. Perhaps the super-serious tone is not meant to be taken quite so seriously.
Will the story live up to the incredible cover? As with most great works of this era, parts of it do and parts of it do not. In particular, the revelation of just what was happening on Yancy Street proves somewhat disappointing.
The first page seems almost a continuation of the cover, the Fantastic Four walking down Yancy Street, uncertain quite what they are looking for. Yet, the ominous tone of the cover is mixed with a certain wackiness as Thing steps in gum and somebody hurls lettuce at Mr. Fantastic. They are indeed on Yancy Street.
The first 5 pages of this comic are a quirky mix of foreboding and humor and relationship drama. The Fantastic Four get attacked by unseen members of the Yancy Street Gang. Reed bewilderingly concludes that a super-villain must be behind the Gang.
Featuring: Fantastic Four Release: January 10, 1964 Cover: April 1964 12 cents Sensational story by: Stan Lee Astonishing art by: Jack Kirby Incredible inking by: G. Bell Lighthearted lettering by: S. Rosen 22 pages
I have no idea why it took us so long to get to something like this. It seems like such an obvious superhero story to me: a good old-fashioned slugfest. Take two very strong characters and just have them duke it out. Thing and Hulk are perfect for a brawl. They met before, but it wasn’t a brawl. There was a mystery and a Commie plot and all this stuff. This time, the rest of the team is quickly taken out of contention. And it’s up to Ben Grimm to hold his own against the Hulk.
Worth the wait.
We get some preamble. Hulk has returned to New Mexico with the Avengers in pursuit. Unbeknownst to them, he turned around suddenly and went to New York to find them. He read in the paper that Captain America had replaced him and thought Rick had betrayed him. He is off to finally destroy the Avengers. Of course, Rick never betrayed him. And the Avengers only replaced him because he quit.
Featuring: Fantastic Four Release: November 12, 1963 Cover: Februrary 1964 12 cents Written by: Stan Lee Illustrated by: Jack Kirby Inked by: George Bell 23 pages
We open with a dinosaur running loose. Ben refers to Reed as “Stretch”. This nickname will stick.
We get some drama with the team. Reed is being too bossy, so they try to pick a new leader. It doesn’t go well. Reeds turns out to be the only fit leader on the team. After all, Johnny is a teenager. Ben loses his temper so easily. And Sue is a woman.
The last issue promised the Four would face off against four super-villains this issue. Turns out they meant one super-villain and three henchmen. At least by my count.
Featuring: Fantastic Four Release: August 8, 1963 Cover: November 1963 12 cents Written by: Stan Lee Drawn by: Jack Kirby Inked by: Dick Ayers 22 pages
“This proves that some form of life must exist in outer space!”
Reed.
You’ve fought the Skrulls twice. You’ve traveled to Planet X, and transported its population to another planet. You’ve met the Impossible Man and the Watcher. You’re about to meet the Watcher again this issue. You’ve seen the ruins of a lost civilization on the moon.
Plus, if you’ve been paying attention, you would have noted earth has been recently invaded by several other alien races, from the Toad Men to the Stone Men from Saturn.
Of course there’s some form of life in outer space!
Maybe I’m misinterpreting. Perhaps he’s not speaking of other worlds or moons or even spaceships, but within space itself.
Featuring: Fantastic Four Release: July 2, 1963 Cover: 1963 25 cents <– whoa! Written by: Stan Lee Drawn by: Jack Kirby Inking: Dick Ayers 37 pages
We just read no less than 5 Sub-Mariner stories from the ’40s and ’50s to have some context for this giant-sized Fantastic Four/Sub-Mariner epic we are about to read. At 37 pages, this is the longest story we have yet read. And at 25 cents, this and the Strange Tales annual are the most expensive comics we’ve come across by a factor of 2.
When Sub-Mariner returned in Fantastic Four #4, he learned that his kingdom had been destroyed and his people were missing. He’s been searching for them ever since. Until now.
Is it the longest ever? Or might Stan be exaggerating?
Quite the opening couple pages. The bold imagination on display is Kirby at his best. But we haven’t seen that much of his true potential yet in these stories. He’s just been getting warmed up.
The Fantastic Four decide to take a vacation along with Alicia. Reed’s suggestion is to take a cruise to where some sea monsters have been sighted.
Featuring: Fantastic Four Release: March 12, 1963 Cover: June 1963 12 cents Script: Stan Lee Art: Jack Kirby Inking: Dick Ayers 20 pages
I read this story in Fantastic Four Omnibus vol. 1
In general, the desire to be king of the city’s gangs is an uninteresting motivation. The FF villains are better when they think bigger than the Thinker seems to be thinking here. The lack of a good supervillain plot cheapens the new villain out of the box. Nonetheless, the Thinker (sometimes called the Mad Thinker) will become a major FF adversary.
A Visit with the Fantastic Four Featuring: Fantastic Four Release: November 1, 1962 Cover: February 1963 12 cents Script: Stan Lee Art: Jack Kirby Inking: Dick Ayers 11 pages
I read this comic in Fantastic Four Omnibus vol. 1.
I find this story interesting for all the biographical details we get filled in, even the stuff that contradicts the other stuff.
We learned last issue that Stan and Jack are characters in the Marvel Universe, publishing Fantastic Four comics. On the opening splash page, we see a new issue has come out. One child is excited to get his letter published. This is the second time we’ve seen the fan letters addressed in story. I’ll repeat what I said then: this is where Stan shines, interacting directly with young readers.
I like how popular they suggest their own comic is within the comic.
We then get a cute scene where they come across kids playing “Fantastic Four” and introduce themselves. Reed suggests the boy playing him ought to give flowers to the girl playing Invisible Girl. They offer a message to kids: don’t play with fire at home.
