sandman – Coke & Comics

Fantastic Four #45

Among Us Hide… The Inhumans

Featuring: Fantastic Four
Release: September 9, 1965
Cover: December 1965
12 cents
Incredible story by: Stan Lee!
Incomparable pencilling by: Jack Kirby!
Invincible inking by: Joe Sinnott!
Inevitable lettering by: Artie Simek!
20 pages

Previous	#444	Next
Fantastic Four #44	Reading order	Fantastic Four #46
Fantastic Four #44	Fantastic Four	Fantastic Four #46

I know how it feels to be a misfit– to haveta depend on your strength– because you aint got anythin’ else to offer anyone!

This is an incredible moment in Marvel’s history. The same month that introduces the Inhumans, the Eternity Saga comes to a climax as Dr. Strange engages Baron Mordo in final battle. And the Master Planner Saga begins in the pages of Amazing Spider-Man. (We’ll read that story right after this one.)

Plus X-Men meet the Sentinels; SHIELD vs. Hydra; Odin vs. Absorbing Man. These coming months are the best period in Marvel’s history.

Gorgon has captured Medusa. Dragon Man has captured Sue. The remaining FF members are caught in a collapsing building caused by Gorgon’s shock wave kick.

Thing seems particularly down on himself: “I’ve been nothin’ but a thorn in yer sides for months anyway!” In fairness, he did quit the team and join the Frightful Four.

The Torch too. “I failed you–both of you–when you needed me the most!” Quite the pity party here.

Fantastic Four #43

Lo! There Shall Be an Ending!

Featuring: Fantastic Four
Release: July 8, 1965
Cover: October 1965
12 cents
Daringly written by Stan lee
Dazzlingly drawn by Jack Kirby
Dramatically inked by Vince Colletta
Docily lettered by Artie Simek
20 pages

Previous	#374	Next
Fantastic Four #42	Reading order	Daredevil #9
Fantastic Four #42	Fantastic Four	Fantastic Four #44

You thought you were the equal of the Fantastic Four– and nobody is!

Another great cover, and showing off Kirby’s versatility. Last issue had a cover beautiful in its simplicity, focused on two men locked in combat. Now we see a lot of complexity, that intricate machinery Kirby is so famous for drawing, but where the complexity frames the emotion of a defeated Fantastic Four.

When we left off, the Frightful Four had brainwashed Ben and Johnny into joining them. Now it’s up to Reed and Sue to fight off 6 enemies and restore their teammates’ minds. The startling conclusion of a 3-part battle.

Fantastic Four #42

To Save You, Why Must I Kill You?

Featuring: Fantastic Four
Release: June 8, 1965
Cover: September 1965
12 cents
Produced by: Stan Lee and Jack Kirby
Inking: V. Colletta
Lettering: S. Rosen
20 pages

Previous	#373	Next
Fantastic Four #41	Reading order	Fantastic Four #43
Fantastic Four #41	Fantastic Four	Fantastic Four #43

I am to blame for what happened to him! I can never escape that responsibility!!

Pretty awesome cover.

Last issue ended with Thing about to kill a helpless Mr. Fantastic. Let’s see what happens.

While his back is glued to the board, Reed’s plan of attack is to expand his belly. I didn’t need super powers to be able to do that.

Fantastic Four #41

The Brutal Betrayal of Ben Grimm!

Featuring: Fantastic Four
Release: May 11, 1965
Cover: August 1965
12 cents
Story by: Stan Lee, who has never lost his touch!
Art by: Jack Kirby, who has never lost his magic!
Inking by: Vince Colletta, who has never lost his flair!
Lettering by: Sam Rosen, who has never lost Artie Simek!
20 pages

Previous	#372	Next
Avengers #18	Reading order	Fantastic Four #42
Fantastic Four #40	Fantastic Four	Fantastic Four #42

You did this to me, Richards!! You turned me into somethin’ so ugly that they can only call me… a Thing!

I appreciate that they use Ben’s real name in the title, rather than his superhero name. It adds a certain something, though I suspect Stan did it for alliterative purposes: brutal, betrayal, Ben.

Notice this picks up right where the last issue left off, so no time has passed. Yet we’ve read 7 other comics in the meantime. The idea is all this stuff is happening close to concurrently.

Ben had been turned human again, but Reed felt they needed him to be super strong again to defeat Dr. Doom, so without permission, Reed fired a ray to turn him back into the Thing.

Ben is justifiably angry and quitting the Fantastic Four.

Fantastic Four #39

A Blind Man Shall Lead Them!

Featuring: Fantastic Four
Release: March 11, 1965
Cover: June 1965
12 cents
Splendiforious story by: Stan Lee
Delectable drawings by: Jack Kirby
Deliciious Delineation by: Frank Ray
Laconic lettering by: Artie Simek
20 pages

Previous	#367	Next
Amazing Spider-Man #25	Reading order	Fantastic Four #40
Fantastic Four #38	Fantastic Four	Fantastic Four #40

I don’t normally post things on Sundays, so I had planned this for Monday. But today is April 10, 2022. And it just seemed too fitting not to post this today, in honor of the introduction of Dr. Doom, April 10, 1962. Here’s the post we did on his introduction almost 3 years ago.

So, happy birthday to the greatest comic book villain of all time. Let’s celebrate by reading his first truly great battle against the Fantastic Four, still one of the greatest Dr. Doom stories ever.

Just don’t mention his age to him. He’ll probably kill you. He can be a bit vain.

After a battle with the Frightful Four, the Fantastic Four were caught in a Q-bomb explosion and left for dead in the middle of the ocean. When we last saw them, it appeared as though Ben was turning human again.

To me, that’s a good excuse to jump straight to the next issue where they are getting dragged out of the water.

But we didn’t do that. We read another 35 comics in between the two. Why? Well, a lot was happening all at once. While they were still at sea, the Frightful Four showed up in Thor’s comic during the Trial of the Gods. That’s a whole thing. That tied into this Daredevil/Sub-Mariner battle as well as to this milestone Avengers issue where a new team of Avengers formed. That spun out of an X-Men story which happened before Human Torch showed up in the pages of X-Men. It’s tightly connected.

Obviously, the FF couldn’t be at sea that many days without the submarine finding them. They need water at some point. But it could have taken a bit of time to get back to their headquarters. And all the other superhero adventures must have elapsed in that time.

Frank Giacoia is the credited inker (under the pen name Frank Ray), but Wally Wood was brought in to ink Daredevil specifically, to ensure consistency with Daredevil’s look across the books.

Journey Into Mystery #116

The Trial of the Gods!

Featuring: Thor
Release: March 4, 1965
Cover: May 1965
12 cents
Written by imperial Stan Lee
Illustrated by impregnable Jack Kirby
Inked by implacable Vince Colletta
Lettered by impossible Artie Simek
16 pages

Previous	#340	Next
Daredevil #7	Reading order	Journey Into Mystery #116, Story B
Journey Into Mystery #115, Story B	Journey Into Mystery	Journey Into Mystery #116, Story B

Colletta graduates from inking the backup stories to the main Thor feature. He will be the Thor artist for a very long time to come. For better or worse. In fact, he will ink the next 52 consecutive Thor stories, and a good many of the next 50 after that over the course of an 8-year run.

We’ll reserve commentary on the his style for now. Let’s spend a few issues taking in this new art style before we try to see how we think Colletta compares to Chic Stone.

Another compelling Thor title. “The Trial of the Gods!”

We’ve known the phrase since we read Avengers #16, which was actually published a week after this, but took place earlier. At least, Thor’s appearance in the story took place before this issue.

Kirby seemed to use the same concept for cover and first page.

I’ve never really understood Odin and never will. Everybody seems to agree he is wise, but his wisdom must be too much for my mortal intelligence to grasp. Thor claims Loki kidnapped Jane to Asgard; Loki claims Thor brought Jane to Asgard because he loves her. Who is lying? The God of Thunder or the God of Lies?

Only one way to find out, says Odin. The Trial of the Gods!

Fantastic Four #38

Defeated by the Frightful Four!

Featuring: Fantastic Four
Release: February 11, 1965
Cover: May 1965
12 cents
Writer: Stan Lee
Illustrator: Jack Kirby
Inker: Chic Stone
Letterer: S. Rosen
20 pages

Previous	#332	Next
X-Men #13	Reading order	Avengers #15
Fantastic Four #37	Fantastic Four	Fantastic Four #39

My sincerest apologies, faithful readers. Been a few weeks now since we covered the epic battle between the X-Men and the unstoppable Juggernaut. That’s life nonsense getting in the way of my priorities. Let’s pick up our reading with the Fantastic Four.

I’ve teased for years now that at some point this title goes from “good” to “transcendentally great”. The precise transition point is unclear and I’ve repeatedly noted some key issues that seemed to step up the quality. I feel like that transcendentally great era is now here. I could maybe hear an argument it begins with issue 44, but I feel like it’s here now.

We’ll talk about 44 when we get there, as there is a notable change that issue. This issue also represents a change. This is Chic Stone’s final issue of Fantastic Four.

Stone has inked the last 10 issues of Fantastic Four, and it’s now hard to remember the title without him. Prior, it had been Roussos or Ayers, and the difference is just night and day. The only standout prior to Stone was the couple issues inked by Joe Sinnott. (Hint, hint.)

The art popped under Stone. He highlighted the melodrama Kirby was infusing the stories with. He didn’t soften the exaggerations of Kirby’s faces or poses. He outlined them; he leaned in to just how over the top–and larger than life– Kirby wanted this all to be. And you see this across titles, just as evidently in the Thor stories, for example. The action and tension and emotion and drama are all just illustrated to the max under the Kirby/Stone collaboration. It will be sad to see him go.

This isn’t goodbye forever to Stone. He did a couple other titles this month we’re yet to read, and he has the odd cover or fill-in issue still to come. But here we bid goodbye to his work on Fantastic Four.

Fantastic Four #36

The Frightful Four!

Featuring: Fantastic Four
Release: December 10, 1964
Cover: March 1965
12 cents
Proudly produced by: Smilin’ Stan Lee and Jolly Jack Kirby
Inked by: Chic Stone
Lettered by: Artie Simek
21 pages

Previous	#312	Next
Avengers #14	Reading order	Tales to Astonish #65
Fantastic Four #35	Fantastic Four	Fantastic Four #37

The main credits are shared between Stan and Jack without specifying who did what.

Fantastic Four has been one of the best of these Marvel superhero titles since the start, but it’s regarded as one of the best comic series ever, which hasn’t yet been obvious. The series gets better at some point. It can be hard to pinpoint the exact point of transition. We noted issue 29 when Kirby started using photo collages as a step toward greatness. The introduction of the Frightful Four in this issue also suggests we are well down the path. Particularly the mysterious Madam Medusa.

Sue and Reed announced their engagement last issue. They’ve now made a public announcement, and the press is excited, underscoring their celebrity status. There will be a big engagement party this issue.

Also, I think Sue’s gotten a haircut. Her hair definitely seems shorter.

Amazing Spider-Man #19

Spidey Strikes Back!

Featuring: Spider-Man
Release: September 8, 1964
Cover: December 1965
12 cents
Written by: Spidey’s godfather, Stan Lee
Illustrated by: Spidey’s big daddy, Steve Ditko
Lettered by: S. Rosen (Spidey’s second cousin on his uncle’s side!)
22 pages

Previous	#264	Next
Strange Tales #127, Story B	Reading order	Tales to Astonish #61
Amazing Spider-Man #18	Amazing Spider-Man	Amazing Spider-Man #20

The conclusion of the “End of Spider-Man” trilogy sees Spider-Man’s triumphant return.

Recall the story so far. Spider-Man had been in a battle with Green Goblin when he learned Aunt May had been hospitalized; he ran away from the fight, provoking the whole town to talk about what a coward he is. In the next issue, he ran away from a fight with Sandman, fearing injuries to himself would leave nobody to look after Aunt May. A confluence of factors convinced him to retire the Spider-Man persona before Aunt May gave a well-timed speech which inspired him to change his mind. Now, he wants a rematch with the Sandman.

We tried to read Amazing Spider-Man #17-19 together, but Human Torch had at least one Strange Tales adventure in the middle, and Dr. Strange was involved in a two-part story in that same title, so we took a brief detour before wrapping up Spidey’s mini-saga.

That said, all the in-story information tells us is that Human Torch is weary from a battle he just had. That could be anything, one we saw or didn’t. However, if we trust Stan’s editor note, then Johnny is referring to Strange Tales #127. That doesn’t really make much sense, as that battle was in Utah. So why would Human Torch be in New York flying to his own house commenting on how he’s still exhausted from a battle in Utah. Did he not nap on the plane ride home?

Sandman and the Enforcers capture the Human Torch. Montana’s rope seems like a poor weapon against the Torch’s flame, but maybe it’s specially treated. Most likely, Human Torch’s weariness from the battle with that mystery villain in Utah is the only reason he was beaten.

Amazing Spider-Man #18

The End of Spider-Man!

Featuring: Spider-Man (for the moment)
Release: August 11, 1964
Cover: November 1964
12 cents
Written by: Stan Lee, author of “The Fantastic Four”
Illustrated by: Steve Ditko, illustrator of “Dr. Strange”
Lettered by: Sam Rosen, letterer of… “Patsy Walker”???
22 pages

Previous	#259	Next
Amazing Spider-Man #17	Reading order	Strange Tales #126
Amazing Spider-Man #17	Amazing Spider-Man	Amazing Spider-Man #19

Check out that cover. Quite the contrast with pretty much every other superhero cover. The superhero is usually portrayed as tough, dramatically standing against the odds. In the worst case, the cover might show the villain winning, but the superhero remains defiant. This one has Spider-Man cowering and hiding from the villain.

In this story, Peter decides to quit being Spider-Man. He’s thought about it before, but he’s about to actually quit for the first time. It won’t be the last time, or even necessarily the most famous time. A similar story will get told and retold across decades of Spider-Man stories and even make its way into Spider-Man 2. (More directly, the film borrowed from Amazing Spider-Man #50, which borrowed from this issue.)

Note we’re reading this and the last issue together because they make a strong arc when read together. In terms of continuity, it has been weeks since the conclusion of the last issue, so it’s likely several other heroes’ adventures we’ve read occurred in the interim.

The story begins with everybody reacting to Spider-Man’s retreat: heroes, villains, people on the street… guy can’t run away from a single fight without everybody having an opinion. Ditko is great at people reacting to things.

Wasp notes that wasps and spiders are natural enemies. Always found that a weird thing to say. But she’s said it before and she’ll say it again; it’s an obsession of hers whenever the topic of Spider-man comes up.

This is an excellent comic for helping shape the nature of the relationship between Human Torch and Spider-Man. They’ve had some banter and conflict before, but also teamed up. A friendly rivalry. We saw how friendly last issue when Johnny attended the Spider-Man Fan Club meeting and then was quick to help Spider-Man against the Goblin. Now, he seems uncertain. He witnessed Spider-Man’s cowardice firsthand, but still wants to think better of his friend.