paste-pot pete – Coke & Comics

Fantastic Four #41

The Brutal Betrayal of Ben Grimm!

Featuring: Fantastic Four
Release: May 11, 1965
Cover: August 1965
12 cents
Story by: Stan Lee, who has never lost his touch!
Art by: Jack Kirby, who has never lost his magic!
Inking by: Vince Colletta, who has never lost his flair!
Lettering by: Sam Rosen, who has never lost Artie Simek!
20 pages

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Avengers #18	Reading order	Fantastic Four #42
Fantastic Four #40	Fantastic Four	Fantastic Four #42

You did this to me, Richards!! You turned me into somethin’ so ugly that they can only call me… a Thing!

I appreciate that they use Ben’s real name in the title, rather than his superhero name. It adds a certain something, though I suspect Stan did it for alliterative purposes: brutal, betrayal, Ben.

Notice this picks up right where the last issue left off, so no time has passed. Yet we’ve read 7 other comics in the meantime. The idea is all this stuff is happening close to concurrently.

Ben had been turned human again, but Reed felt they needed him to be super strong again to defeat Dr. Doom, so without permission, Reed fired a ray to turn him back into the Thing.

Ben is justifiably angry and quitting the Fantastic Four.

Fantastic Four #38

Defeated by the Frightful Four!

Featuring: Fantastic Four
Release: February 11, 1965
Cover: May 1965
12 cents
Writer: Stan Lee
Illustrator: Jack Kirby
Inker: Chic Stone
Letterer: S. Rosen
20 pages

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X-Men #13	Reading order	Avengers #15
Fantastic Four #37	Fantastic Four	Fantastic Four #39

My sincerest apologies, faithful readers. Been a few weeks now since we covered the epic battle between the X-Men and the unstoppable Juggernaut. That’s life nonsense getting in the way of my priorities. Let’s pick up our reading with the Fantastic Four.

I’ve teased for years now that at some point this title goes from “good” to “transcendentally great”. The precise transition point is unclear and I’ve repeatedly noted some key issues that seemed to step up the quality. I feel like that transcendentally great era is now here. I could maybe hear an argument it begins with issue 44, but I feel like it’s here now.

We’ll talk about 44 when we get there, as there is a notable change that issue. This issue also represents a change. This is Chic Stone’s final issue of Fantastic Four.

Stone has inked the last 10 issues of Fantastic Four, and it’s now hard to remember the title without him. Prior, it had been Roussos or Ayers, and the difference is just night and day. The only standout prior to Stone was the couple issues inked by Joe Sinnott. (Hint, hint.)

The art popped under Stone. He highlighted the melodrama Kirby was infusing the stories with. He didn’t soften the exaggerations of Kirby’s faces or poses. He outlined them; he leaned in to just how over the top–and larger than life– Kirby wanted this all to be. And you see this across titles, just as evidently in the Thor stories, for example. The action and tension and emotion and drama are all just illustrated to the max under the Kirby/Stone collaboration. It will be sad to see him go.

This isn’t goodbye forever to Stone. He did a couple other titles this month we’re yet to read, and he has the odd cover or fill-in issue still to come. But here we bid goodbye to his work on Fantastic Four.

Fantastic Four #36

The Frightful Four!

Featuring: Fantastic Four
Release: December 10, 1964
Cover: March 1965
12 cents
Proudly produced by: Smilin’ Stan Lee and Jolly Jack Kirby
Inked by: Chic Stone
Lettered by: Artie Simek
21 pages

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Avengers #14	Reading order	Tales to Astonish #65
Fantastic Four #35	Fantastic Four	Fantastic Four #37

The main credits are shared between Stan and Jack without specifying who did what.

Fantastic Four has been one of the best of these Marvel superhero titles since the start, but it’s regarded as one of the best comic series ever, which hasn’t yet been obvious. The series gets better at some point. It can be hard to pinpoint the exact point of transition. We noted issue 29 when Kirby started using photo collages as a step toward greatness. The introduction of the Frightful Four in this issue also suggests we are well down the path. Particularly the mysterious Madam Medusa.

Sue and Reed announced their engagement last issue. They’ve now made a public announcement, and the press is excited, underscoring their celebrity status. There will be a big engagement party this issue.

Also, I think Sue’s gotten a haircut. Her hair definitely seems shorter.

Strange Tales #124

Paste-Pot Pete

Featuring: Human Torch and Thing
Release: June 9, 1964
Cover: September 1964
12 cents
Written by: Smilin’ Stan Lee
Illustrated by: Darlin’ Dick Ayers
Inked by: Peerless P. Reinman
Lettered by: Adorable Art Simek
14 pages

Starting with last issue, Thing and Human Torch are costars in this space, though last issue still described Thing as a guest star. Now Thing goes right in the title: “The Human Torch and The Thing Team Up to Battle The Menace of… Paste-Pot Pete.” Of course, Human Torch still gets top billing. This was his title first after all.

Paste-Pot Pete gets a new look this issue, a step toward becoming a more serious foe. He’s clean-shaven. He’s got on a real battle suit, almost like armor, from which he… well, from which he still just shoots paste.

Avengers #6

Masters of Evil!

Featuring: Avengers
Release: May 5, 1964
Cover: July 1964
12 cents
Written by the inspired typewriter of: Stan Lee
Drawn by the enchanted pencil of: Jack Kirby
Inked by the gifted brush of: Chic Stone
Lettered by the scratch pen of: S. Rosen
23 pages

As if it wasn’t hard enough trying to figure out how to fit the Avengers’ solo adventures around this title, issue 5 ended with an urgent call from the Teen Brigade to go on a mission unrelated to the Lava Men adventure they just had, which itself was unrelated to the Hulk adventure that started that issue. Leaving almost no space for solo adventures.

Here, the narration informs us they are still on the way to New York to respond to the urgent call, but needed to refuel in Chicago.

Between New York and Chicago, Iron Man and Giant-Man have gotten new costumes, and Wasp has a new hairdo and headpiece.

Captain America meanwhile has new glove magnets and miniature transistors installed in his shield that allow him to control its motion.

Iron Man designed the shield transistors. He is apparently an engineering genius on par with Tony Stark, the man nobody has ever seen him with, despite being Stark’s bodyguard.

And then Thor gives Captain America his mail. Wait? What? I thought this was a refueling stop in Chicago. Where did they get the mail? Where are they?

Not many details in the scene. Some equipment makes it look like a lab. Cap is sitting on a chair, so they seem to not be on a plane or at a refueling station.

Strange Tales #110

The Wizard and Paste-Pot Pete!

Featuring: Human Torch
Release: April 9, 1963
Cover: July 1963
12 cents
Plot: Stan Lee
Script: H.E. Huntley
Art: Dick Ayers
13 pages

I read this story in Marvel Masterworks: The Human Torch vol. 1.

Wizard and Paste-Pot Pete team up.

First, we dedicate 3/13 pages to recapping the last encounter with each villain. It sticks pretty close to the original story.

Strange Tales #104

The Human Torch Meets Paste-Pot Pete!
Featuring: Human Torch
Release: October 9, 1962
Cover: January 1963
12 cents
Plot: Stan Lee
Script: Larry Lieber
Art: Jack Kirby
Inking: Dick Ayers
13 pages

I think it goes without saying that Paste-Pot Pete is one of the greatest super-villains of all time. And that he has one of the greatest names. And therefore– I will say no more.