Fantastic Four #37

Behold! A Distant Star!

Featuring: Fantastic Four
Release: January 12, 1965
Cover: April 1965
12 cents
Written by Marvel’s inimitable Stan Lee!
Drawn by Marvel’s unmatchable Jack Kirby!
Inked by Marvel’s impeccable Chic Stone!
Lettered by Marvel’s unbearable Artie Simek!
20 pages

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Strange Tales #131Reading orderAmazing Spider-Man #23
Fantastic Four #36Fantastic FourFantastic Four #38

We haven’t seen a cover quite like this one yet. The FF are far in the background, their drawings somewhat ill-defined. They appear to be on an alien planet, stepping out of a landing module. Closer to the foreground are two ominous, perhaps alien, figures. We only see the lower part of their bodies from the back. So they’re the focus but not the focus. The actual foreground is some type of rock wall, and we’re just viewing the action through a hole in that rock. The rock becomes a background to the issue’s title logo; the artwork up to this point has almost entirely avoided interfering with that logo. And we have a cool title, with a very classical sci/fi feel. “Behold! A Distant Star!”

Wedding preparations are continually running through the background of these stories now. Two issues back, Sue and Reed got engaged. Last issue was the engagement party. Now it’s time for the rehearsal dinner. In typical FF style, they’ll just make a quick jaunt to the far side of the galaxy.

Ben and Johnny are trying on their tuxedos. Reed’s new invention accidentally destroys Johnny’s tuxedo. Presumably it’s cheaper to buy two tuxedos than to try to make one from unstable molecules.

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Strange Tales #131

The Bouncing Ball of Doom!

Featuring: Human Torch and Thing
Release: January 12, 1965
Cover: April 1965
12 cents
Story by: Stan (Prolific) Lee
Illustrations by: Bob (Terrific) Powell
Delineation by: Dick (Specific) Ayers
Lettering by: S. (Hieroglyphic) Rosen
12 pages

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Tales of Suspense #64, Story BReading orderFantastic Four #37
Strange Tales #130, Story BStrange TalesStrange Tales #131, Story B
Captain America Comics #1, Story CPrelude

Continuing through the Human Torch stories in Strange Tales while saving the Dr. Strange stories for much later.

Why is the story titled the “Bouncing Ball of Doom”? Because the Thinker’s plan involves a bouncing ball.

Huh.

How many Human Torch stories do we still have to read?

I must emphasize that the Dr. Strange story is one of the single greatest Marvel stories of all time, yet the Bouncing Ball of Doom is what gets spotlighted on the cover.

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Fantastic Four #36

The Frightful Four!

Featuring: Fantastic Four
Release: December 10, 1964
Cover: March 1965
12 cents
Proudly produced by: Smilin’ Stan Lee and Jolly Jack Kirby
Inked by: Chic Stone
Lettered by: Artie Simek
21 pages

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Avengers #14Reading orderTales to Astonish #65
Fantastic Four #35Fantastic FourFantastic Four #37

The main credits are shared between Stan and Jack without specifying who did what.

Fantastic Four has been one of the best of these Marvel superhero titles since the start, but it’s regarded as one of the best comic series ever, which hasn’t yet been obvious. The series gets better at some point. It can be hard to pinpoint the exact point of transition. We noted issue 29 when Kirby started using photo collages as a step toward greatness. The introduction of the Frightful Four in this issue also suggests we are well down the path. Particularly the mysterious Madam Medusa.

Sue and Reed announced their engagement last issue. They’ve now made a public announcement, and the press is excited, underscoring their celebrity status. There will be a big engagement party this issue.

Also, I think Sue’s gotten a haircut. Her hair definitely seems shorter.

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Avengers #13

The Castle of Count Nefaria

Featuring: Avengers
Release: December 10, 1964
Cover: February 1965
12 cents
Rather exceptional story by: Stan Lee
Somewhat distinctive art by: Don Heck
Fairly compelling inking by: Dick Ayers
Moderately clear lettering by: Artie Simek
20 pages

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Tales of Suspense #63, Story BReading orderAvengers #14
Avengers #12AvengersAvengers #14

The cover is pretty off for a Kirby composition. I’m pretty sure Count Nefaria is supposed to be manipulating the controls, but he looks passed out to me.

Solid opening splash page of the Avengers looking furtive near the wanted ad.

The story opens with Iron Man and Thor stopping a fur robbery. Honestly, that seems somewhat beneath them; I’d be more comfortable with such crimes being left to conventional authorities or more down-to-earth vigilantes.

Up to this point, there was no evidence the Avengers were proactively seeking out any types of crimes to stop. They responded to two global threats–the Lava Men and Kang. They occasionally seek out the Hulk to fight, but usually just wait for a villain to attack them. Villains in these stories tend to be much more proactive. But now we learn the Avengers have been actively fighting crime for a while now.

This story introduces the Maggia, an organized criminal organization, perhaps inspired by real-life Mafia.

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Fantastic Four #35

Calamity on the Campus!

Featuring: Fantastic Four
Release: November 10, 1964
Cover: February 1965
12 cents
Adequate script: Stan Lee
Satisfactory art: Jack Kirby
Passable inking: Chic Stone
Sufficient lettering: Artie Simek
20 pages

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Strange Tales #129, Story BReading orderDaredevil #6
Fantastic Four #34Fantastic FourFantastic Four #36

The page count in these books had been gradually dwindling. At first it was to make room for more letters pages or announcements, or the occasional pin-up. This is the third FF story in a row to clock in at 20 pages. Before that, they’d been 21 or 22; 23 pages even earlier. It doesn’t seem to be a fixed quantity. We still have the occasional 21-pager coming up, but 20 pages seems to be the new rule. Other titles have followed this pattern.

Comics have not gotten much more expensive over time. There were a dime in 1939 and a dime in 1961. In 1964, they’ve only increased to 12 cents. What’s changed is how many story pages you get for those pennies, often 70-80 pages for that dime in 1939. (These days Marvel comics tend to go for $3.99)

The comic returns us to State U, the alma mater of Reed and Ben. Reed is giving a guest lecture.

Where is State U? I assume it’s in New York somewhere. They seem to have brought a lot of luggage. They go galavanting all over the world and into space and into the depths of the ocean with far less.

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Fantastic Four #34

A House Divided!

Featuring: Fantastic Four
Release: October 8, 1864
Cover: January 1965
12 cents
Rapturously written by: Stan Lee
Deliciously drawn by: Jack Kirby
Impeccably inked by: Chic Stone
Lavishly lettered by: Art Simek
20 pages

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Sgt. Fury #13Reading orderStrange Tales #128
Fantastic Four #33Fantastic FourFantastic Four #35

We begin with Ben and Johnny fighting as usual.

Then Ben trying on the Beatles wig he received from the Yancy Street Gang.

Mr. Gideon is a ruthless multi-billionaire financial wizard. By his reckoning, he is about 3 years away from buying out his top competitors and gaining financial control of the world. Impatient, he proposes they speed things up with a gamble. They propose the challenge. If he wins, they sell out now; if he loses, he stops trying to conquer the world. The challenge they propose: the defeat of the Fantastic Four.

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Fantastic Four #33

Side-by-side with Sub-Mariner!

Featuring: Fantastic Four
Release: September 8, 1964
Cover: December 1964
12 cents
Script: Smilin’ S. Lee
Art: Jolly Jack Kirby
Inks: Chucklin’ Chic Stone
Lettering: Amiable Art Simek
20 pages

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Sgt. Fury #12Reading orderTales of Suspense #60
Fantastic Four #32Fantastic FourFantastic Four #34

Kirby has used these photo collages a few times now, but this is the first cover that combines art with photographs in a cool collage.

This is the first time Stan’s name has ever been abbreviated in the credits: “S. Lee”. I’m guessing the letterer just ran out of room.

Namor is again the king of Atlantis (the exact same month Aquaman is first named king of Atlantis at the Distinguished Competition). Namor has the most fickle people. They moved the entire kingdom once so he couldn’t find them because of his affection for Sue. But I guess that’s all forgotten now.

Meet Attuma. We’ll be seeing him again.

The story is that Dorma betrayed Namor because he scorned her love, so she helped Attuma’s armies gain entry to Atlantis so Attuma could seize the throne. Women, eh?

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Fantastic Four #32

Death of a Hero!

Featuring: Fantastic Four
Release: August 11, 1964
Cover: November 1964
12 cents
Story by: Stan Lee who has never been more dramatic!
Illustrations by: Jack Kirby who has never been more thrilling!
Inking by: Chic Stone who has never been more realistic!
Lettering by: S. Rosen who has never been more than an hour late!
21 pages

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Tales to Astonish #62, Story BReading orderX-Men #8
Fantastic Four #31Fantastic FourFantastic Four #33

Kirby continues his experimental depictions of outer space, using a collage of art and photos.

That’s not a great reprint. Let’s see the cleaned-up digital version:

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Amazing Spider-Man #19

Spidey Strikes Back!

Featuring: Spider-Man
Release: September 8, 1964
Cover: December 1965
12 cents
Written by: Spidey’s godfather, Stan Lee
Illustrated by: Spidey’s big daddy, Steve Ditko
Lettered by: S. Rosen (Spidey’s second cousin on his uncle’s side!)
22 pages

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Strange Tales #127, Story BReading orderTales to Astonish #61
Amazing Spider-Man #18Amazing Spider-ManAmazing Spider-Man #20

The conclusion of the “End of Spider-Man” trilogy sees Spider-Man’s triumphant return.

Recall the story so far. Spider-Man had been in a battle with Green Goblin when he learned Aunt May had been hospitalized; he ran away from the fight, provoking the whole town to talk about what a coward he is. In the next issue, he ran away from a fight with Sandman, fearing injuries to himself would leave nobody to look after Aunt May. A confluence of factors convinced him to retire the Spider-Man persona before Aunt May gave a well-timed speech which inspired him to change his mind. Now, he wants a rematch with the Sandman.

We tried to read Amazing Spider-Man #17-19 together, but Human Torch had at least one Strange Tales adventure in the middle, and Dr. Strange was involved in a two-part story in that same title, so we took a brief detour before wrapping up Spidey’s mini-saga.

That said, all the in-story information tells us is that Human Torch is weary from a battle he just had. That could be anything, one we saw or didn’t. However, if we trust Stan’s editor note, then Johnny is referring to Strange Tales #127. That doesn’t really make much sense, as that battle was in Utah. So why would Human Torch be in New York flying to his own house commenting on how he’s still exhausted from a battle in Utah. Did he not nap on the plane ride home?

Sandman and the Enforcers capture the Human Torch. Montana’s rope seems like a poor weapon against the Torch’s flame, but maybe it’s specially treated. Most likely, Human Torch’s weariness from the battle with that mystery villain in Utah is the only reason he was beaten.

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Strange Tales #126

Pawns of the Deadly Duo!

Featuring: Human Torch and Thing
Release: August 11, 1964
Cover: November 1964
12 cents
Stan Lee is our inspired writer
Dick Ayers is our admired penciller
Paul Reinman is our desired inker
S. Rosen is our tired letterer
13 pages

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Amazing Spider-Man #18Reading orderStrange Tales #126, Story B
Strange Tales #125, Story BStrange TalesStrange Tales #126, Story B

Mad Thinker and Puppet Master team up to destroy the Fantastic Four; the plan is to use puppets to manipulate Thing and Human Torch into fighting.

I swear we’ve already read this story. Maybe I’m thinking of Strange Tales #116 where Puppet Master used puppets to manipulate Thing and Human Torch into fighting. Or Fantastic Four #28 where the Mad Thinker and Puppet Master teamed up to destroy the Fantastic Four.

Stan refers to the alliance of the Puppet Master and Mad Thinker as the “Deadly Duo”. That’s what Stan called the alliance of Dr. Doom and Namor in Fantastic Four #6. I guess there are so many alliterative appellations for abhorrent alliances.

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