Tales to Astonish #79, Story B

The Titan and the Torment!

Featuring: Hulk
Release: February 3, 1966
Cover: April 1966
12 cents
Hulkish story by: Stan Lee
Hulkable layouts by: Jack Kirby
Hulking artwork by: Bill Everett
Hulksome lettering by: Artie Simek
10 pages

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Even he cannot suspect that Bruce Banner’s gamma rays have miraculously given Hulk the power to grow stronger, rather than weaker, so long as his rage keeps mounting!

As Richard recently pointed out in the comments, this is a great cover of Hulk battling Hercules, courtesy of Kirby and Everett. I fear the issue itself won’t quite live up to the image.

There is some pretty tight continuity on display. When we last saw Hercules, he and a casting agent had left New York bound for Los Angeles. Here we see them on a train from New York to LA. We’ll next see them arriving in LA in Thor #128. The casting agent doesn’t know this is the real Hercules. He’s been cast to play Hercules, so the agent assumes he’s method acting.

Note how little time there has been to breathe in these stories. Hulk’s battle with the Leader led right into his battles in the future, which have led right into his battle with Dr. Zaxon. There’s been no room to breathe. Cliffhanger after cliffhanger. Not so much one long story, as a bunch of story threads that don’t respect issue boundaries.

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Tales to Astonish #79

When Rises the Behemoth

Featuring: Prince Namor, the Sub-Mariner
Release: February 3, 1966
Cover: May 1966
12 cents
Now this is a story! By: Stan Lee
Now this is pencilling! By: Adam Austin
Now this is delineation! By: Bill Everett
Now this is lettering! By: Artie Simek
12 pages

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Back, you mortal rabble– back!!

Without much fanfare, we have Bill Everett inking Gene Colan. Bill Everett is the creator of the Sub-Mariner. Of course, for whatever reason, it’s the publisher and not he that controls the character. So Marvel gets to publish and profit off Sub-Mariner stories, and he only gets paid if he does more work. So here he is inking Colan’s pencils with Stan adding dialogue. Once Everett wrote and drew Namor’s adventures entirely on his own.

He’s slowly coming back to do more work for Marvel. The last thing he did for them was create Daredevil. But his Daredevil comic was drawn with immaculate detail and unfortunately not within deadline. So he got immediately removed from his own character, and only now 2 years later is starting to get regular work with Marvel again.

As of last issue, he’s the regular finisher on the Hulk stories within this title. He’s just filling in on this Namor story, but will be returning to Namor regularly soon.

I was down to two choices for the pull quote at the top of this quote. I went with one that best exhibited Namor’s personality. I could have gone with the more standard Stan Lee heroic purple prose: There is a time to flee– and a time to fight! While life endures–I shall ever choose the latter course!

I’m never quite clear on what the powers of all these characters are. Namor sometimes seems like Superman. But we see here he’s not bulletproof. He gets shot in the shoulder, and is wounded and losing blood.

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Tales to Astonish #78

The Prince and the Puppet!

Featuring: Prince Namor, the Sub-Mariner
Release: January 4, 1966
Cover: April 1966
12 cents
Blue ribbon story by: Stan Lee
Prize winning pencilling by: Adam Austin
Academy Award winning inking by: Vince Colletta
Booby prize lettering by: Artie Simek
12 pages

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Fire! The one element which is alien to me! The one element I fear!

Austin had unmasked as Gene Colan last issue. Not sure why were are back to the pseudonym.

We are into Namor’s second story arc in his new series. Though it will turn out to be less of an arc than a bunch of loose threads. Surface experimentation is threatening Atlantis; Namor resolves to go to the surface to stop it; the earthquakes created unleash the Behemoth; Namor finds Hank Pym and Janet Van Dyne–formerly Giant-Man and Goliath–responsible for the testing.

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Tales to Astonish #76, Story B

I, Against a World!

Featuring: Hulk
Release: November 4, 1965
Cover: February 1966
12 cents
Script: Stan Lee
Layout: Jack Kirby
Pencilling: Scott Edward
Inking: Mickey Demeo
Lettering: Artie Simek
10 pages

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Stay back!! Back!! You’re just a pack of men– but me, I’m the Hulk!

I like to think I know Marvel decently well, but I’ve never heard of Scott Edward. Usually means a regular DC artist is moonlighting at Marvel on the down low. Indeed, Scott Edward is the already legendary Gil Kane. He’s got some great work at Marvel ahead of him. Of course, Gil Kane isn’t actually his name either. His birth name is Eli Katz, but we all know him as Gil Kane.

But let’s see what he’s done in his 20+ years in comics before getting here. We technically did meet him as one of the artists working with Wood on Thunder AGENTS.

By this point in his career, his biggest claim to fame is the creation of the new Green Lantern, Hal Jordan.

As well as the new Atom, Ray Palmer.

Inks by Murphy Anderson

Arguably, the sleek stylish sci-fi looks of Gil Kane– along with those of Carmine Infantino– are what gave birth to DC’s Silver Age of comics.

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Tales of Suspense #76, Story B

The Gladiator, the Girl, and the Glory!

Featuring: Captain America
Release: January 11, 1966
Cover: April 1966
12 cents
Script: Smilin’ Stan Lee
Art: Jazzy Johnny Romita
Lettering: Adorable Artie Simek
10 pages

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Is this my destiny? To have been given a second chance at life– only to lose everything I ever held dear? First, it was Bucky, the greatest sidekick a man ever had! Then, those many years ago, I can still remember her– promising to wait– no matter how long it might be-! Now– when I thought I had found her reborn– I’ve lost her again! And perhaps this time– it will be– forever!

For a story that’s introducing a pretty woman to Cap’s world, the late John Romita seems like the perfect artist. Though the woman is barely in this comic.

In fact, we’ve seen John Romita’s work on Captain America before way back in the 1950s, in his early days as an artist.

Romita won’t be returning to Cap regularly. He’s just filling in for Kirby here. He’s already the regular artist on Daredevil and may be taking over another title soon.

Recall where we left off. This Agent of SHIELD may be the younger sister of Cap’s WWII sweetheart. We don’t know her name. She has Inferno 42 and is protecting it from Batroc, but doesn’t realize it’s cracked and set to destroy New York within half hour. Cap and Batroc have teamed up to save the city.

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Tales of Suspense #75, Story B

30 Minutes to Live!

Featuring: Captain America
Release: December 9, 1965
Cover: March 1966
12 cents
Stan Lee, script
Jack Kirby, layout
Dick Ayers, pencil
J. Tartaglione, inks
Artie Simek, lettering
Irving Forbush, cheerleader
10 pages

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But, there was one other! Our lives touched for only a short time– but I’ve never forgotten her! I can still remember our final date– when she whispered to me thru trembling lips… “I’ll wait till you return, Steve! No matter how long– no matter what happens– I’ll wait for you, my darling…!”

We read this issue’s Iron Man story a little while ago, in which Happy had turned into a Freak. We saved this story to make sure it tied into to the issue of Strange Tales that referenced it.

It was a tricky call for reading order, as I don’t like to separate issues, so I’d prefer to have read this story with the Iron Man story, and continuity-wise, the issue of Strange Tales we’re tying into doesn’t fit in where we left off with the Iron Man story. But I just couldn’t find a good way to juggle all the things I’m juggling to assemble a reading order.

This is a good comic with lots going on to talk about. I had to make a checklist for myself to ensure I covered the 10 most important points.

Though we’d taken a pause in reading Cap’s story, there is no break between the beginning of this story and the end of the last. As we open, Cap is hurtling toward the sea after the defeat of the Sleepers.

Except last seen, he had a working parachute. Sometime between the issues, his parachute seems to have failed, so we get a dramatic opening.

We cut to some shadowy figures observing a test of Inferno 42. Nick Fury was aware of this item and had sent an agent to retrieve it. We learned this in Strange Tales #142. Also in that story, Fixer referred to a mysterious organization that was his benefactor, known as Them. Is that who these shadowy figures are?

Back to Cap, we get a great moment. The sailors are in awe of him. One had idolized him as a child.

I have a notion in my head of who these characters are, formed from reading decades of comics beyond these. Cap inspiring awe in those around him is part of my basic image of Cap. But it’s not necessarily something we’ve seen a lot of in these early comics. We did see examples in Cap’s return in Avengers #4. But it’s not yet that common, so every such example is notable, as together they will form the basis for that aspect of Cap’s character.

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Strange Tales #143, Story B

With None Beside Me!

Featuring: Dr. Strange
Release: January 11, 1966
Cover: April 1966
12 cents
Edited and rehashed by: Stan Lee
Written and rewritten by: Roy Thomas
Plotted and drawn by: Steve Ditko
Lettered and blotted by: Artie Simek
10 pages

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And just like that, Stan Lee is not writing this series any more. He’s been the credited writer since the beginning, and isn’t quite done as the regular writer. But he’s off for the next half dozen issues or so. Last issue was his final collaboration with Ditko on the character of Dr. Strange. Maybe for the best as they no longer get along by this point.

Roy Thomas is Marvel’s young writer that Lee will increasingly be leaning on to take the burden of scripting some of these titles. He’s now the regular scripter on Sgt. Fury, but is only on Dr. Strange for the next two issues.

Either way, this is really Ditko’s comic. Whoever is scripting is just there for finishing touches.

We’re kind of maybe still in the middle of the Eternity Saga. Mordo defeated. Dormammu humbled. That woman missing. The Ancient One off searching for her. Mordo’s minions causing trouble. Dr. Strange with his hands and face bound, and his amulet and cloak stolen.

In this issue, Strange defeats the disciples and recovers his amulet and cloak.

Notably, we still don’t get the name for either disciple. The man will eventually be named Kaecilius, and he’ll be the main villain in the first Dr. Strange film, played by Mads Mikkelsen.

The woman will be known as Adria. It will be 16 years before either shows up again.

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Strange Tales #143

To Free a Brain Slave

Featuring: Nick Fury, Agent of SHIELD
Release: January 11, 1966
Cover: April 1966
12 cents
Story: Stan Lee
Art: Jack Kirby
with an assist by: Howard Purcell
Inking: M. Demeo
Lettering: A. Simek
12 pages

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Howard Purcell is a new name to us, but he’s been in the business since 1940, mostly doing work for the companies that would become DC. He’s not going to be a regular Marvel artist. It’s not even clear what he did this issue. Some form of finishing Kirby’s pencil art before handing it off to Mike Esposito to finish in ink.

Here’s a sampling of his work for DC.

  • Adventure Comics #53, featuring Mark Lansing of Mikishawm, 1940
  • World’s Finest Comics #2, feat. Lando Man of Magic, 1941
  • All American Comics #25, 1941
  • All American Comics #26, feat. Sargon the Sorcerer, 1941
  • Sensation Comics #1, feat. The Gay Ghost, 1942
  • Comic Cavalcade #15, feat. Johnny Peril’s Surprise Story, 1946
  • Green Lantern #26, 1947
  • Mr. District Attorney #6, 1948
  • Mystery in Space #1, 1951
  • My Greatest Adventure #29, 1959
  • The Brave and the Bold #51, 1964
  • Sea Devils #16, 1964
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Strange Tales #142, Story B

Those Who Would Destroy Me!

Featuring: Dr. Strange
Release: December 12, 1965
Cover: March 1966
12 cents
Extravagantly edited and written by… Stan Lee!
Painstakingly plotted and drawn by… Steve Ditko!
Lovingly lettered and bordered by… Artie Simek!
10 pages

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I was born to battle the forces of evil– and though death be my reward, I would have it no other way!

Ditko’s time on this title draws short, and Lee is starting to hand off more and more of his scripting duties. So this is the final Dr. Strange story to be written by the team of Lee and Ditko. (I use the word “team” a bit loosely, as Ditko is by this point utterly refusing to even speak to Stan Lee.)

Dr. Strange’s adventures had been characterized by stories that fit entirely within 10 pages. Then his first battle with Dormammu lasted two issues and 20 pages, the size of a normal Spider-Man or Fantastic Four comic.

Then Strange Tales #130 ended with a cliffhanger. Dormammu and Mordo had teamed up; they’d seriously injured the Ancient One, and Dr. Strange was on the run. Without a break, Dr. Strange struggled against this duo of foes for a full 12 issues. Then finally it seemed as though Mordo and Dormammu were defeated, and Dr. Strange could rest.

But not quite! The woman from the Dark Dimension who befriended Strange remains a prisoner. Dormammu was humbled by Strange but remains a threat. And Mordo’s servants remain at large, and in fact have planted a bomb in Dr. Strange’s sanctum, and the last issue ended with the bomb about to go off.

We then paused and checked in with the many other Marvel titles. That was 8 months ago our time. Thank you for your patience in learning what’s up with that bomb. We won’t quite see the resolution of all the threads at present, but at least we’ll resolve this bomb question.

It’s actually a clever resolution. This cleverness is important as sometimes it seems Dr. Strange could maybe magic his way out of anything, so it’s good when we understand how. The villains left an ordinary bomb, because he would have sensed a mystical trap. And they erased traces of their presence, so he would not detect they had been there.

But… he sensed no trace of evil presences! And knew Mordo had been there recently, thus realizing someone had used a spell to eliminate traces of evil presences! See, clever. Anyways, this puts him on guard, and he finds the bomb. It was a close one, though.

And while he evades the bomb, he’s caught in the shockwave and captured by the baddies.

Mordo’s servants don’t know what’s happened in the Dark Dimension. They just know they can’t contact Mordo. They are unaware Dormammu had him banished for being a pathetic loser.

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Strange Tales #142

Who Strikes At— SHIELD?

Featuring: Nick Fury, Agent of SHIELD
Release: December 9, 1965
Cover: March 1966
12 cents
Stan Lee, writer! (Our answer to Bond)
Jack Kirby, penciller! (Our answer to UNCLE)
Mike Demeo, inker! (Our answer to Brand echh)
Artie Simek, letterer! (Our answer to Rosen)
12 pages

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We’re a team, blast it! We trained month after month ta live like a team– fight like a team– die like a team!

I’d like to open this post with a happy birthday to the issue’s artist, Jack Kirby. He would be 106 years old today.

The story breaks have become increasingly unclear. Last issue seemed to both end the Hydra saga and begin this Mentallo/Fixer saga we find ourselves embroiled in. We took a pause at the end of the last issue, so let’s recall where we were.

Hydra was finally defeated, the Supreme Hydra murdered by his own agents; Nick allowed his daughter Agent H to escape because he had a soft spot for her. We were then introduced to the “Thinkers”, SHIELD’s ESP division. Mentallo had been a former agent of this division, who had gone rogue. Mentallo decides to form an alliance with a villainous inventor called the Fixer. And Nick Fury realizes Mentallo must be stopped at all costs.

This issue opens with a robot out of control. Lee, as the narrator, lets us know this robot has nothing to do with the main story. Sometimes it feels as though he is offering his commentary on Kirby’s storytelling as we go.

But whatever, Stan. Check out Jack’s awesome robot design!

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