Thor #130

Thunder in the Netherworld!

Featuring: Thor
Release: May 3, 1966
Cover: July 1966
12 cents
Stan the Man Lee, Writer
Jack King Kirby, artist
Vince the Prince Colletta, delineator
Artie Pussycat Simek, letterer
16 pages

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” Let there be no further battle! Only the weakling seeks to prove his strength at every turn!”
“Thy words have wisdom, Thor– even as thy limbs have power enow to make Hercules pause! Henceforth, I shall call thee friend!”
“And I thee!”
“What riotous revels we shall enjoy together! What battles we shall share, at each other’s side!”
“Alas, Olympian– revels are not for such as me– And, my hammer swings only for justice– never for the thrill of battle alone!”
“But, what good then to be a god?”
“Thy careless query, Hercules, is far more profound than you suspect!”

Stan the Man Lee. Jack King Kirby. Every issue Stan’s had new nicknames for the creative team. We’ve seen this particular set of nicknames before. And we’ll see it again. These are the nicknames that will stick for Stan and Jack. The Man and The King.

The issue’s title is “Thunder in the Netherworld”. Seems like a missed opportunity to call it “Thunder Down Under”.

Hercules had stupidly signed a contract saying he’d rule the Netherworld and let Pluto free. Hercules thought it was a movie deal. Zeus is enforcing the contract. Hercules’ only way out is for a champion to fight in his stead, to challenge Pluto and the armies of the dead to win Hercules’ freedom.

Thor is that champion.

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Thor #129, Story B

The Hordes of Harokin!

Featuring: Tales of Asgard
Release: April 5, 1966
Cover: June 1966
12 cents
Fabulously written by… Stan Lee
Fantastically drawn by… Jack Kirby
Fastidiously inked by… Vince Colletta
Finally lettered by… Artie Simek
5 pages

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Yet, the Lord of Asgard must first be a monarch– and then a father!

Clean story breaks are hard to find. The Odinsword Saga seems to be over. It bled into stories about the prophecies of Ragnarok. Which brings us here. For his role to be in Ragnarok, Loki is to be punished.

I don’t know if I approve morally of punishing someone for what he might do in the future.

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Thor #129

The Verdict of Zeus!

Featuring: Thor
Release: April 5, 1966
Cover: June 1966
12 cents
Stan Lee, writer
Jack Kirby, penciller
Vince Colletta, inker
Artie Simek, letterer
16 pages

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I have received plaudits and accolades from the highest and mightiest of mortals, yet, the words you have spoken shall gladden my heart for as long as memory endures!

Thor and Hercules have beaten back Pluto in Los Angeles, but Pluto escaped, and still has Hercules’ signed contract, which will condemn Hercules to rule the Netherworld in his place. Thor has returned to New York.

People usually credit the turnaround in the Thor stories to Kirby taking more control and bringing in his interest in mythology. But Stan also pulls his weight. I actually have to make a hard choice to get a pull quote out of the issue. I found at least four good options. The first I considered was the most humorous, where Thor shouts to the New York crowd: “The endless prattle of thy voices proves wearisome to mine ears!” Stan seems to have Thor’s Shakespeare-lite dialogue down now.

This unnamed taxi driver is a favorite character of mine. Thor’s sentimental words to him are what I chose for the pull quote above. The cabbie had been a soldier, and thus Thor finds a kindred spirit. He’d fought in World War II, and been wounded in Anzio, Italy, which would have been in 1944.

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Thor #128

The Power of Pluto!

Featuring: Thor
Release: March 3, 1966
Cover: May 1966
12 cents
Stan Lee, writer
Jack Kirby, penciller
Vince Colletta, inker
Artie Simek, letterer
16 pages

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Let silence reign! The God of Thunder doth take his rest!! By order of Imperial Odin!

After the battle with Siedring, the wise and mighty Odin has issued an imperial decree: Thor needs a nap.

I like to imagine the herald yelling extremely loudly about how Thor needs his rest.

Most artists who need to draw a bed just draw a bed. But this is Jack Frigging Kirby. And that’s the bed of Thor.

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Thor #127, Story B

The Meaning of… Ragnarok!

Featuring: Tales of Asgard
Release: February 3, 1966
Cover: April 1966
12 cents
Script: Stan Lee
Pencilling: Jack Kirby
Delineation: Vince Colletta
Lettering: Artie Simek
5 pages

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In the name of the omnipotent Odin– in the name of eternal Asgard– by the power of my hammer– for the glory of our cause– onwarrrrd– to victory!

The Odinsword Saga might be over now. Unclear. The story never seemed to be going anywhere and in the end it didn’t go anywhere. The whole thing was a ruse by Odin, who felt his warriors needed a bit of adventure.

So why was the Odinsword cracked if there was no enemy? Was it really cracked? Had it just always been cracked? We’ll never know. We’re moving on.

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Avengers #28

Among Us Walks… A Goliath!

Featuring: Avengers
Release: March 10, 1966
Cover: May 1966
12 cents
Brilliantly conceived by: Stan Lee, writer
Cleverly perpetrated by Don Heck, penciller
Daringly executed by: Frankie Ray, inker
Stoically buried by: Artie Simek, letterer
20 pages

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Goliath! I like the sound of that! That’s what I’ll call myself from now on– Goliath!!

Today… Hank Pym will be infamous for having taken on too many superhero identities… but this isn’t new. This was a pretty early feature of the character. In under 5 years, he’s on 3, and sort of 4, identities.

When we met him, he wasn’t a superhero at all, just a scientist named Dr. Henry Pym. A year or so later he jumped on the superhero bandwagon as Ant-Man. Another year down and Lee decided the public wanted more powerful superheroes, so Ant-Man became Giant-Man. Those changes all somewhat made sense. But now… he’s no longer Giant-Man… he’s Goliath. That change seems gratutitous.

With the new name comes a new status quo. But he’s had a lot of status quos already. We attempted to recount in the final issue of his ongoing series, Tales to Astonish #69. The rules just keep changing. He drinks a liquid or takes a pill or uses his mind. And he can only chage size every so often or hold the new size for so often or…

Anyways, now he can grow to 25 feet and only 25 feet and remain that way for exactly 15 minutes, no more, no less.

We’ve met one other Goliath, the biblical one, in Avengers #10.

How does he get the new name anyway? It’s a bit weird. We basically learn it’s happening from the cover and title.

We are getting ahead of ourselves. The story begins with Hank Pym contacting the Avengers to help him find the Wasp. We’d last seen her attempting to escape from Attuma. Of course, they don’t know who Dr. Pym is. Because of secret identites.

Now, as secret identities go… Wasp’s costume often didn’t cover her face… she often called Giant-Man Henry or Hank in the presence of others… Giant-Man’s lab was a well known location where his fan club hung out… the kids Jan read sci/stories to knew she was the Wasp… Hank sometimes did experiments in his own house and one day he accidentally turned giant and came bursting out of his house…

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Avengers #27

Four Against the Floodtide!

Featuring: Avengers
Release: February 10, 1966
Cover: April 1966
12 cents
Mad, mixed-up story by Stan Lee
Ickie, insane illustrations by Don Heck
Daffy, dizzy delineation by Frankie Ray
Loony, lampoony lettering by Artie Simek
20 pages

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Only a fool– or a liar– says he’s never afraid, Wanda!

A lot of plot threads to pick up on from last issue. Namor headed to New York (though we’ve already seen how that plays out in the pages of Tales to Astonish). Dr. Pym busy with research on ship. Other Avengers captured in attempt to rescue Wasp. Attuma engaging them in trial combat to impress men, as the sea poured in. Hawkeye in a coma attempting to remember his password. A mysterious figure in the shadows. Wasp has escaped Atttuma but her fate is unknown.

The password thing is quite funny. People forget their passwords at work and need to call IT support to get it reset. No such backup here. Hawkeye must hook himself up to a fancy memory-jogging machine.

But the number he couldn’t remember was 1313. How hard is that? It’s not like the password was something actually secure like _b9<Jgu_X^TZDS.

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Avengers #26

The Voice of the Wasp!

Featuring: Avengers
Release: January 11, 1966
Cover: March 1966
12 cents
Incredible script by: Stan Lee
Inconceivable art by: Don Heck
Indescribable inking by: Frank Ray
Indelible lettering by: Artie Simek
20 pages

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He endures so much– to hold the Avengers together! And yet– none can help him! He walks– alone!

A recap. Giant-Man and the Wasp left the Avengers in Avengers #16. Then in Tales to Astonish #69, they agreed it was time to retire from superheroing and work on their relationship. And presumably on Pym’s scientific interests as well. Flash forward to Tales to Astonish #77 and Hank’s experiments involve drilling into the ocean to learn the secrets of life. These experiments are wreaking havoc on Namor’s domain. This leads to conflict. Namor breaks their equipment and then decides to head to New York. In a nonsensical plot decision, Jan decides to become the Wasp once more to race Namor across the ocean to New York. But she’s the size of a wasp, and can presumably fly at about the speed of a wasp. She obviously can’t cross an ocean. But she tries anyway.

Unsurprisingly, we haven’t heard from her since. Surprisingly, we will hear from her again.

I’d like to start thinking about something as we read the next several Avengers comics. At some point very soon, the Fantastic Four are going to fight a massive global threat, one the Avengers probably should have helped them with. The Avengers do not show up to help, which implies the Avengers are busy. So let’s be on the lookout for where the Avengers might be at the time that they don’t notice a very noticeable world-ending threat.

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Tales to Astonish #79, Story B

The Titan and the Torment!

Featuring: Hulk
Release: February 3, 1966
Cover: April 1966
12 cents
Hulkish story by: Stan Lee
Hulkable layouts by: Jack Kirby
Hulking artwork by: Bill Everett
Hulksome lettering by: Artie Simek
10 pages

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Even he cannot suspect that Bruce Banner’s gamma rays have miraculously given Hulk the power to grow stronger, rather than weaker, so long as his rage keeps mounting!

As Richard recently pointed out in the comments, this is a great cover of Hulk battling Hercules, courtesy of Kirby and Everett. I fear the issue itself won’t quite live up to the image.

There is some pretty tight continuity on display. When we last saw Hercules, he and a casting agent had left New York bound for Los Angeles. Here we see them on a train from New York to LA. We’ll next see them arriving in LA in Thor #128. The casting agent doesn’t know this is the real Hercules. He’s been cast to play Hercules, so the agent assumes he’s method acting.

Note how little time there has been to breathe in these stories. Hulk’s battle with the Leader led right into his battles in the future, which have led right into his battle with Dr. Zaxon. There’s been no room to breathe. Cliffhanger after cliffhanger. Not so much one long story, as a bunch of story threads that don’t respect issue boundaries.

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Tales to Astonish #79

When Rises the Behemoth

Featuring: Prince Namor, the Sub-Mariner
Release: February 3, 1966
Cover: May 1966
12 cents
Now this is a story! By: Stan Lee
Now this is pencilling! By: Adam Austin
Now this is delineation! By: Bill Everett
Now this is lettering! By: Artie Simek
12 pages

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Back, you mortal rabble– back!!

Without much fanfare, we have Bill Everett inking Gene Colan. Bill Everett is the creator of the Sub-Mariner. Of course, for whatever reason, it’s the publisher and not he that controls the character. So Marvel gets to publish and profit off Sub-Mariner stories, and he only gets paid if he does more work. So here he is inking Colan’s pencils with Stan adding dialogue. Once Everett wrote and drew Namor’s adventures entirely on his own.

He’s slowly coming back to do more work for Marvel. The last thing he did for them was create Daredevil. But his Daredevil comic was drawn with immaculate detail and unfortunately not within deadline. So he got immediately removed from his own character, and only now 2 years later is starting to get regular work with Marvel again.

As of last issue, he’s the regular finisher on the Hulk stories within this title. He’s just filling in on this Namor story, but will be returning to Namor regularly soon.

I was down to two choices for the pull quote at the top of this quote. I went with one that best exhibited Namor’s personality. I could have gone with the more standard Stan Lee heroic purple prose: There is a time to flee– and a time to fight! While life endures–I shall ever choose the latter course!

I’m never quite clear on what the powers of all these characters are. Namor sometimes seems like Superman. But we see here he’s not bulletproof. He gets shot in the shoulder, and is wounded and losing blood.

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