My oldest enemy! The most dangerous menace to freedom and democracy that the world has ever known!! Then– this must be why fate has spared me so long–?! It’s my destiny to battle him– to stand between the Red Skull and free men everywhere!
Well, that’s a compelling title.
Costumed assassins attack a power plant in the heart of New York.
They seemed to expect Captain America to show up. How do villains set these traps to target a particular superhero in New York. “If I commit a crime in New York I’m bound to attract precisely the superhero I intend!” Green Goblin just had a bank robbery, trusting Spider-Man would show up to foil it. Would Daredevil turning up ruin these plans?
But nobody but Cap saw these villains. Is he going insane?
Featuring: Iron Man Release: April 12, 1966 Cover: July 1966 12 cents Drama-drenched script by: Stan Lee Power-packed pencilling by: Gene Colan Fantasy-filled inking by: Jack Abel Twelve pages of lettering by: Artie Simek 12 pages
Sometimes I feel as though this iron head shield actually has a life of its own! I find myself thinking of Iron Man as someone else– almost as if it’s a separate entity– as though we’re really two men!
This is all getting confusing (to me, at least). Hulk has just escaped from the subterranean realm where Mole Man and Tyrannus were at war. The Secret Empire have employed Boomerang to steal the Orion Missile. Phase 1 of his plan was to kidnap Betty Ross. To save Namor, Dorma agreed to marry Krang. Namor only knows half this story, and ruthlessly pursues Dorma and Krang to the surface. Nick Fury recently teamed up with Captain America against Them. Fury suspects Them is connected to the supposedly benign scientific organization called AIM. Iron Man was kidnapped by Mandarin and brought to the Orient to fight Ultimo. He thus missed his summons to Congress, and has had his contracts revoked, factories closed, finances impounded, while a warrant has been placed for his arrest. This is all thanks to the zealous Senator Byrd. Before his factories were closed, Stark Industries was able to create a special suit for Colonel John Jameson, infected by space spores.
Of course, lots of other stuff is happening around the Marvel Universe, but that’s the most relevant for the next several issues.
We find Tony on the edge of collapse, recent events being a strain on his heart.
He’s in need of a charge.
Pepper and Happy are both not home. Are they out together? Tony is jealous.
Featuring: Hulk Release: March 3, 1966 Cover: June 1966 12 cents Script: Stan Lee, D.H. (Doctor of Hulkishness) Layouts: Jack Kirby, M.H. (Master of Hulkability) Art: Bill Everett, B.H. (Bachelor of Hulkosity) Lettering: Artie Simek, P.H. (The Pride of Hulkdom) 10 pages
There is no Banner! Only the Hulk! I’m the Hulk! The Hulk!
At this point, continuity becomes complicated, and things will move fast. Let’s recall where we were.
We read the first half of this issue a while back. Namor had defeated the Behemoth, but returned in victory to find Dorma had fled with Krang, and that they were to wed. She agreed to the marriage only to save Namor’s life. But Namor doesn’t know that. So now he’s angry.
Hulk just had a fight with Hercules.
Thor defeated the Troll army in a war. Spider-Man bought a bike and met a girl named Mary Jane. Daredevil escaped from the Owl’s trap, but had not been around to defend the Rhino. The Avengers have returned from a South American adventure (though this may lead to a small continuity hiccup we’ll discuss). Hank and Jan have recently rejoined the team. Wanda and Pietro remain in Europe recovering their powers. Dr. Strange has defeated Dormammu (well, Eternity did most of the work). Iron Man defeated Ultimo and returned home to find Senator Byrd had closed Stark factories, but not before they were able to make a suit to contain John Jameson’s newfound powers.
The Fantastic Four and X-Men are mostly doing their own thing lately, without much interaction with the other heroes.
Most relevantly, Nick Fury had warned Captain America about the threat of an organization of scientists named Them in Tales of Suspense #78. Meanwhile, in Strange Tales #146, an organization of scientists called AIM was offering to help the US government with weapons technology, but only if they removed Nick Fury as the head of SHIELD.
Our story opens with Hulk moping about not having friends. When Tyrannus pulls him beneath the surface.
We met Tyrannus in Incredible Hulk #5. Tyrannus has long ago been banished beneath the surface by Merlin; there he found the Fountain of Youth, and the race called the Tyrannoids who now serve him. A race similar to those Tyrannoids (but a little different-looking) was also revealed to serve the Mole Man in Fantastic Four #22. Several people claim to rule the underworld, including Kala, and the Lava Men.
Featuring: Tales of Asgard Release: February 2, 1967 Cover: April 1967 12 cents A Stan Lee and Jack Kirby rhapsodic rabelaisian romp Inked by Vince Colletta Lettered by Art Simek 5 pages
There can be no doubt– ’tis Zanadu, wherein the accursed Mogul dwells!! Zanadu– whose hidden spires have been sought for ages– sought by those whose souls strive for justice– and for righteous retribution!! Zanadu– where the murderous Mogul rules with power absolute! But, he shall rule no longer! This doth Hogun swear!!
At last Thor and his three warrior friends find the Mystic Mountain.
Featuring: Thor Release: January 3, 1967 Cover: March 1967 12 cents Garnished with grandeur by Stan (The Man) Lee and Jack (King) Kirby Inked by: Vince (The Prince) Colletta Lettered by: Artie (The Smartie) Simek 16 pages
While they get a different nickname every issue, these nicknames we’ve seen several times and they are the nicknames which will endure. Stan The Man Lee. And Jack King Kirby.
An army of Trolls attacks Asgard, while Ulik attacks Manhattan. Thor has chosen to confront Ulik to save Sif and Midgard.
Featuring: Tales of Asgard Release: December 1, 1966 Cover: February 1966 12 cents Fabulously presented at its full flavor peak by: Stan Lee and Jack Kirby Inked by: Vince Colletta Lettered by: Artie Simek 5 pages
“By the sword I clutch– By the name I bear– I swear that Hogun’s fate shall be the fate of Fandral!” “So speaks Volstagg– the fearless flower of chivalry!” “In the name of Odin– so say we all!”
A new story arc begins. This will center on Hogun and his origins.
It begins with Thor and this three warrior friends coming upon a bound Saguta, whom Hogun recognizes as a warrior from his homeland. Saguta is dying, a victim of Mogul of the Mystic Mountain.
Featuring: Spider-Man Release: September 8, 1966 Cover: December 1966 12 cents Stan (The Man) Lee, writer John (Ring-a-ding) Romita, artist Artie (stout-hearted) Simek, letterer 20 pages
Aunt May had been trying to set up Peter with Anna Watson’s niece since he was in high school. Her matchmaking finally paid off, and Peter met Mary Jane Watson at the end of last issue.
She was not quite as ugly as he’d feared.
Dinner is going well, but there are other things going on that will affect Peter’s life. For example, the Rhino is breaking out of prison. They took him out easily with some smoke gas last issue. But maybe they ran out of smoke gas?
Featuring: Spider-Man Release: July 7, 1966 Cover: October 1966 12 cents Stan Lee, writer John Romita, artist M. Demeo, inker Art Simek, letterer 20 pages
I realize now– we never had anything in common! It’s just that she was the first girl I ever thought i loved!
One of the great things Ditko did was come up with a seemingly endless stream of memorable and enduring villains for Spider-Man to fight. A good many were animal-themed: the Chameleon, the Vulture, Dr. Octopus, the Lizard, the Scorpion, and the lion-themed Kraven the Hunter.
Romita needs to score with a bold new villain in that vein. The Rhino suffices.
For much of the Ditko run, Aunt May had been trying to set Peter up with Aunt Anna’s niece, Mary Jane Watson. Peter never made time for that date, and we’ve still never even seen Mary Jane’s face. Now we learn Mary Jane is moving out of Aunt Anna’s to get her own place.
A lot of teenagers in that neighborhood living with elderly aunts. I wonder how long she’d lived across the street from Peter without him ever even glimpsing her.
The Trap is Sprung Featuring: Daredevil Release: August 2, 1966 Cover: October 1966 12 cents Spellbinding script: Stan Lee Phenominal pencilling; Gene Colan Dynamic delineation: Fearless Frank * Darlin’ Dick * Wild Bill Laudatory lettering: Artie Simek Bombastic bird-watching: Irving Forbush 20 pages
In this court– presided over by the Owl– I make my own laws!
I’m a little confused about who the inker is. GCD claims Esposito, who we see credited in the reprint below by his standard pen name, Mickey Demeo. The GCD also claims the original comic has this credit. UHBMCC claims that the original comic credits Giacoia. Earth’s Mightiest Blog has a scan of what looks like the original credits, and it’s Giacoia.
Looking at various collections on my shelves, the Epic Collection and Marvel Masterworks volumes credit Frank Giacoia; but the Essential Daredevil credits Esposito.
Here’s the original art for the issue, which has Giacoia, though you can see it appears to be a last minute change over a whited-out name.
Note about pencilling that John Romita is too busy polishing off the Amazing Spider-Man Annual. Though he only does the layouts for that comic.
In fact, Colan turns out to not just be filling in. As of this issue, he’ll be the regular penciler on Daredevil for the next several years, freeing Romita to focus on Spider-Man.
