Sgt. Fury #37

In the Desert… To Die!

Featuring: Sgt. Fury and his Howling Commandos
Release: October 11, 1966
Cover: December 1966
12 cents
Editor: Smilin’ Stan Lee
Scripter: Rascally Roy Thomas
Artist: Darlin’ Dick Ayers
Inker: Jivey John Tartaglione
Letterer: Sandy Sammy Rosen
Technical advisor in charge of parachuting: Jovial Johnny Hayes, ex-para-trooper, Marvel’s swingin’ circulation manager.
20 pages

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Now, like the blamed fly-boys always say… Geronimo!

A credit to Johnny Hayes, a name we don’t see often. We did recently see his name because a Bullpen Bulletin made it a point to name some of the behind the scenes staff. Here he gets credit for offering some consulting based on his days parachuting in the military.

I’m going to say that Thomas is really finding his footing on this title. Under Kirby this had been one of Marvel’s best comics, but it fell quickly to mediocrity when he left, with thin cookie cutter plots.

Stan Lee had remained the writer, but in practice as he was “writing” 20 titles every month, most of the storytelling was left to Ayers, who wasn’t up to it. We’re 9 issues into Thomas’ run, who likely is providing more plotting and scripting guidance to Ayers. Thomas had a slow start, but more and more, the comic feels like somebody is writing it.

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Sgt. Fury #36

My Brother, My Enemy!

Featuring: Sgt. Fury and his Howling Commandos
Release: September 8, 1966
Cover: November 1966
12 cents
Block-buster editing by Stan Lee
Bullet-scarred script by Roy Thomas
Battle-ready art by Dick Ayers
Bomb-happy inking by John Tartaglione
Ballpoint-pen lettering by Sam Rosen
20 pages

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Sgt. Fury #35Sgt. FurySgt. Fury #37

A traitor? Nein, I think not! If there be any traitor to the Fatherland, it is rather those who would lead it to the brink of disaster for the sake of their own personal glory!

The stories from this title had fallen into a pattern. The premise was always location-based. The Howlers had some mission in a new location. They completed it and went home.

Since taking over, Thomas has been trying to tell actual stories and have character arcs.

This issue is location-based. The Howlers go to the neutral territory of Switzerland, breaking any number of laws and treaties.

But there’s a premise and a larger character arc as well.

We met Eric in Sgt. Fury #27, when he defected from the Germans and came to Britain. But last issue it was decided Eric (whose last name we learned was Koenig) should join the Howlers, since Manelli was injured and recovering back in the States. This is his first mission with the Howlers.

So Thomas writes about a couple things pertaining to that, ideas that are more than “the Howlers have a mission and succeed”. The first is that he’s eager to prove himself, sometimes too eager and to everyone’s detriment.

I must prove myself… show the Commandos I am as good as any of them! I must! For, only thus will I ever be certain that they look on me as a man… not as an ex-Nazi!

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Strange Tales #155

Death Trap!

Featuring: Nick Fury, Agent of SHIELD
Release: January 10, 1967
Cover: April 1967
12 cents
Edited by: Stan Lee (Marvel’s James Bond)
Written and drawn by: Jim Steranko (Marvel’s Man Flint)
Letted by: Sam Rosen (Marvel’s Secret Squirrel)
12 pages

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And so saying, the SHIELD agent’s finger begins to tighten on the trigger… his trance-like face telling of the incredible turmoil seething within… Then, the overwhelming force of the spell sweeps over his ego, as once again, the Supreme Hydra’s command echoes through his mind…

Jim Steranko is now writing and drawing Nick Fury, Agent Of SHIELD, and credited for doing so. Wally Wood had wanted that for Daredevil but was turned down.

Does this show Lee’s faith in the newcomer Steranko? Or is it just that he’s busy and become somewhat indifferent?

Steranko delivers quite the opening splash page, so maybe he’ll do okay with this assignment.

What are we looking at? It’s called the Vortex Beam. It seems to be like a tractor beam they use as a fancy elevator. Best as I can tell, people get onto a disc on the ground and then get lifted onto the Heli-Carrier. We see some VIPs and a strange device coming on the ship that way.

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Strange Tales #154

Beware… the Deadly Dreadnought!

Featuring: Nick Fury, Agent of SHIELD
Release: December 8, 1966
Cover: March 1967
12 cents
Edited by: Stan Lee
Scripted by: Roy Thomas
Plotted and drawn by: Jim Steranko
Lettered by: Sam Rosen
12 pages

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Leave the thinkin’ to AUTOFAC…

The training wheels are off for Jim Steranko. In his first couple issues, he’d been drawing off layouts from Kirby, but Kirby has stepped away. The newcomer Steranko has drawn this all by himself.

And he even gets a plotting credit for his work. Something it took Ditko and Kirby years to get. That folks like Orlando and Wood left the company over.

Roy Thomas was also on scripting duties last issue, but this won’t be a regular gig for him. This is his second and final turn on the series.

AUTOFAC is the AI system that does SHIELD’s thinking. If they feed it what they know about Supreme Hydra, it will deduce their identity.

Can you, reader, deduce the identity of Supreme Hydra before AUTOFAC can? If not, maybe we should just surrender to AI.

We get a detailed diagram of the Heli-Carrier. Below the story notes, we recorded all the rooms and notes.

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Strange Tales #153

The Hiding Place!

Featuring: Nick Fury, Agent of SHIELD
Release: November 10, 1966
Cover: February 1967
12 cents
Seldom-equalled editing by Stan Lee
Seldom-surpassed scripting by Roy Thomas
Seldom-lacking layouts by Jack Kirby
Seldom-rivaled rendering by Jim Steranko
Seldom-legible lettering by Artie Simek
12 pages

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The hour of Hydra has come at last– And nothing that the human race can do will cease our relentless march toward world domination!

Steranko takes on the cover solo, and does an impressive job. He probably won’t need Kirby’s handholding much longer.

Inside, it’s still the Kirby/Steranko art team, with the art seeming more and more Steranko each issue. What’s changed is the writer. Thomas has been the regular on X-Men and Sgt. Fury and occasionally filled in elsewhere. This is in that fill-in category. He won’t be a regular writer on this series.

We open in the barbershop. Not clear the status of it after the attack by AIM. Is it still a SHIELD base? Is it still secret?

We recognize the two agents working in the barbershop, but still haven’t learned their names.

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Strange Tales #152

The Power of SHIELD!

The Power of SHIELD!
Featuring: Nick Fury, Agent of SHIELD!
Release: October 11, 1966
Cover: January 1967
12 cents
Script: Smilin’ Stan Lee
Layouts: Jolly Jack Kirby
Artwork: Jaunty Jim Steranko
Lettering: Adorable Artie Simek
12 pages

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So long as men such as you exist– men who are dedicated not merely to the cause of nationalism– but to international freedom– to global justice– so long will the lamp of liberty continue to burn bright– until men of good will, everywhere, put down their arms and come forth to reason together!

Once again, Kirby is on layouts with Steranko on art, but the character work looks more like Steranko this issue than last, perhaps suggesting looser layouts from Kirby.

Worth noting this will be Stan Lee’s final work on Nick Fury, Agent of SHIELD. He remains the editor, of course.

Last issue, Nick had escaped Hydra, but was unwittingly piloting their Overkill Horn. We pick up there this issue. Sitwell is in charge of SHIELD, and manages to destroy the Horn, fearing he has killed Fury in doing so. But Nick gets free.

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Strange Tales #151

Overkil!

Featuring: Nick Fury, Agent of SHIELD
Release: September 8, 1966
Cover: December 1966
12 cents
Script: Smilin’ Stan Lee
Layouts: Jolly Jack Kirby
Illustrations: Jaunty Jim Steranko
Lettering: Adorable Artie Simek
Hood laundering: Irate Irving Forbush
12 pages

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So you’re the guys who’re gonna take over the world, huh?

A new name in the credits. Who is this Jim Steranko on the art over Kirby’s layouts?

He had apparently dabbled in comics briefly in 1957, but I have no examples of that. His first work came out for Harvey just three months earlier. He co-created several adventure heroes for them like Spyman. And perhaps contributed to varying degrees to the stories.

Per The Comics Journal, some of this work such as in Double Dare Adventures is illustrated by Steranko.

Either way, he’s new to comics. This is a pretty big assignment for a rookie. Let’s see if he makes anything of himself.

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Strange Tales #150

Hydra Lives!

Featuring: Nick Fury, Agent of SHIELD
Release: August 9, 1966
Cover: November 1966
12 cents
Script… Stan Lee
Layouts… Jack Kirby
Pencils… John Buscema
Inks… Frank Giacoia
Letterings… Sam Rosen
Ear plugs… Irving Forbush
12 pages

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Cut off a limb, and two more shall takes its place!’ We were right… Hydra still lives!

We read the second half of this issue already. Last issue really ended the AIM stuff, and this issue begins the return of Hydra arc, so I wanted that cutoff. But the Dr. Strange stories cut a bit differently, as this issue ends the Kaluu arc and next issue properly begins the Umar arc.

Kirby is on hand for the layouts, but the main art credit goes to John Buscema. We spoke of him at length with his return to Marvel in Tales to Astonish #85, published one week prior to this. And we’ll be seeing a lot more of him.

We begin with Nick in a strange contraption performing a dangerous test. So dangerous, he won’t let anyone else do it. It’s a prototype Overkill Horn. They are concerned an enemy has a real one.

Perhaps a Super-Overkill Horn. Adding the word Super in front of something already called the Overkill Horn seems like, well, overkill.

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Sgt. Fury #35

Berlin Breakout!

Berlin Breakout!
Featuring: Sgt. Fury and his Howling Commandos
Release: August 9, 1966
Cover: October 1966
12 cents
Edited by Stan Lee
Scripted by Roy Thomas
Drawn by Dick Ayers
Inked by John Tartaglione
Lettered by Sam Rosen
Picketed by Baron Strucker
20 pages

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I am not a traitor to my homeland! I want to save it… to free it from the tyranny of a madman like Adolf Hitler!

The Howlers are in custody in Berlin, set to be executed. Nick Fury intends to rescue them, but he’ll need help.

Part of that help will come from Fury’s good friend, Bull McGiveney. As well as Corporal Rickets Johnson from the Maulers. We learned his name two issues back, but now we get to put a face to it.

The other person is Eric, a German we met in Sgt. Fury #27. He’d been an aide to Goering, but defected to join the Allies. We didn’t get his surname then, but we now learn his full name is Eric Koenig.

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Sgt. Fury #34

The Origin of the Howlers!

Featuring: Sgt. Fury and his Howling Commandos
Release: July 7, 1966
Cover: September 1966
12 cents
The peerless editing of Stan Lee
The preciocious scripting of Roy Thomas
The power-packed pencilling of Dick Ayers
The pulse-pounding inking of John Tartaglione
The pussycat lettering of Sam Rosen
20 pages

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Sgt. Fury #33Sgt. FurySgt. Fury #35

“I don’t like Hitler’s goose-steppers any more’n you do, but as long as he don’t attack America, it ain’t my war!”
“It’s everybody’s war, Mister… I just hope they realize it before it’s too late!”

Recall last issue the Howlers were separated from Nick Fury during a mission in Greece. He is back in England now without them.

With nothing to do but wait for G-2 to bring back word on the fate of the Commandos, Captain Sawyer reflects on how he first met Nick Fury, and the group’s beginnings.

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