Featuring: Avengers Release: December 8, 1966 Cover: February 1967 12 cents Electrifying editing by Stan Lee Scintillating scripting by Roy Thomas Invigorating illustrating by Don Heck Languishing lettering by Artie Simek 20 pages
How must it feel to be the last of your kind– alone in a world where you don’t belong? Can it be even lonelier than to live forever behind the colorful mask of… Captain America?
Ixar’s Ultroids have defeated the Avengers and plan to absorb their powers.
We learn the Ultroid who had impersonated Scarlet Witch is named Ultrana.
Featuring: Avengers Release: November 10, 1966 Cover: January 1967 12 cents Edited by: Stan (The Man) Lee Scripted by: Roy (The Boy) Thomas Drawn by: Don (The One) Heck Lettered by: Sam (The Sham) Rosen 20 pages
It was with a feeling of eagerness… almost of exhilaration… that I donned my crimson costume once again…
Stan the Man is by far Stan’s most common nickname at this point. I think this is our first time seeing Roy the Boy. I appreciate the rhyming scheme they have going on here, except… Don and One don’t rhyme. Maybe they do in the same way as eye and symmetry.
Who was the mystery figure who confronted Captain America at the end of last issue? It turns out to be the Scarlet Witch.
Featuring: Avengers Release: September 8, 1966 Cover: November 1966 12 cents Spellbinding story: Smilin’ Stan Lee Awe-inspiring artwork: Dashin’ Donnie Heck Lots of little lettering: Adorable Artie Simek 20 pages
This is Stan Lee’s final credited issue of The Avengers. He may have had a hand in next issue. But starting next issue, the official scripting duties will be passed to Roy Thomas.
He leaves without much fanfare. Especially for a man so known for talking to his audience. No goodbye, no notes about it. He wrote 34 issues of one of the most beloved superhero teams of all time, and then just handed off the duties.
And he doesn’t try to go out with a bang, not really. It’s the first part of a two-part story. I wonder if he does that intentionally, thinking it’s easier for a new writer to finish off a story than come up with a new one. His final Spider-Man (comic book) story will have a similar flavor, introducing a new villain and then leaving the second part to the incoming writer.
Last issue’s blurb about this issue, went “Next: Goliath changes!”
I took that to mean he was going to finally change his clothes and wash this outfit. The blurb in the letters page hinted at more, that this would relate to Goliath’s efforts to return to normal size. It also hinted we’d see the return of Bill Foster, and of Wanda and Pietro.
We do get the return of Bill Foster, not seen since, well, last issue. But nothing else along those lines happens in this issue, and we get an editor’s note apologizing and assuring us that a big change is coming for Goliath. I think the pun is intended.
Featuring: Avengers Release: August 9, 1966 Cover: October 1966 12 cents Stan (The Man) Lee, writer Dazzlin’ Don Heck, artist Adorable Art Simek, letterer Invincible Irving Forbush, snake charmer 20 pages
…beware of the man who sets you against your neighbor!
The cover features Scarlet Witch fighting against the Sons of the Serpent. But I think she’s in Europe and missing all the action.
The reprint of the story in Marvel Triple Action #25 corrects the cover, drawing instead Black Widow, who was in the story.
The Sons of the Serpent originally seemed to have the goal of getting all immigrants out of America. But when they attacked a Black American-born man, we saw their goals were a bit broader. Now, they mention creeds. They also are targeting people of different religions.
Featuring: Avengers Release: July 7, 1966 Cover: September 1966 12 cents Stan Lee, writer and raconteur Don Heck, artist and bon vivant Artie Simek, letterer and patron des artes Irv Forbush, scapegoat, junior grade 20 pages
The Mystery of the Hidden Man and his Rays of Doom!
Featuring: Giant-Man and Wasp Release: February 4, 1965 Cover: May 1965 12 cents Way-out story by: Stan Lee Ring-a-ding art by: Bob Powell Singin’ inkin’ by: Chic Stone Boss balloons by: Artie Simek 12 pages
We need to recall that everything is happening almost concurrently. The X-Men fight the Stranger and then Juggernaut. The Fantastic Four fight the Frightful Four and get lost at sea. The Avengers fight the Masters of Evil, then disband, then get replaced by the New Avengers. Thor fights Absorbing Man, then faces the Trial of the Gods, then the Destroyer. Hulk faces a series of villains controlled by the Leader.
These all overlap to some extent.
We’ve just caught up on 4 months of Hulk stories in this title. We’d been keeping up with the Giant-Man stories, but skipping the Hulk ones. Now we’re caught up to both. The Huk’s saga is continuing, so we’ll read the next 3 issues together.
That’s commentary on when these Giant-Man/Wasp stories take place. They fit better before Avengers #15 or perhaps in the middle of Avengers #16, before Giant-Man and Wasp announce their retirement (page 6). When the Avengers disbanded, it sure looked like Giant-Man and Wasp wanted a break from superheroing. These next 3 issues we are about to read are published concurrently with Avengers #15-17.
The Vengeance of the Scarlet Beetle! Featuring: Ant-Man Release: October 2, 1962 Cover: January 1963 12 cents Plot: Stan Lee Script: Larry Lieber Art: Jack Kirby Inking: Dick Ayers 10 pages
I read this comic in Marvel Masterworks: Ant-Man/Giant-Man vol. 1.
Through the eyes of an ant…
Jack Kirby is a pretty great artist. But he’s also churning out a lot of comics, drawing all 4 of Marvel’s superhero comics to premiere this month. He seems to put most of his energy into making Fantastic Four as good as he can, and treating the others as after-thoughts. But this comic shows plenty of splashes of greatness, beginning with the cool perspective of the first panel, and continuing with Kirby’s depictions of a war with a variety of insects.
Betrayed by the Ants!!
Featuring: Ant-Man
Release: September 11, 1962
Cover: December 1962
12 cents
Plot: Stan Lee
Scrtipt: Larry Lieber
Art: Jack Kirby
Inking: Dick Ayers
10 pages
I read this story in Marvel Masterworks: Ant-Man/Giant-Man vol. 1.
Johnny Dee is credited with the letters. I believe this is a pen name for Jon D’Agostino.
We open with a meeting of organized crime, who have been stymied by Ant-Man… I must pause here and reflect. We’ve seen Ant-Man triumph over villains so far by tying their shoelaces together and blowing dust in their face with a fan. We’ve seen Ant-Man almost defeated by a box and a vacuum cleaner. I have trouble believing he is so much of a threat that criminals haven’t dared pull a robbery in weeks. And if Ant-Man is this much of a threat, what will these same criminals do when–any moment now–the streets start filling up with costumed vigilantes, many much bigger than an ant?
The Challenge of Comrade X! Featuring: Ant-Man Release: July 10, 1962 Cover: October 1962 12 cents Writers: Stan Lee and Larry Lieber Penciler: Jack Kirby Inker: Dick Ayers 13 pages
Some time has passed since the previous issue, which ended with Henry Pym pondering: “Will I ever be forced to become Ant-Man again?”
Turns out, it didn’t take much forcing. He immediately began positioning himself to find and stop crime, and has made a name for himself, trusted by the police and public.
The FF stories used a similar gap. Had their first tale tell of their first adventure, but jumped forward for their second tale, to where their heroism had already become routine and they had gained public acceptance.
The Return of the Ant-Man/An Army of Ants!/The Ant-Man’s Revenge! Featuring: Ant-Man Release: June 5, 1962 Cover: September 1962 12 cents Writers: Stan Lee and Larry Lieber Penciler: Jack Kirby Inker: Dick Ayers 13 pages
So great a discovery must not melt into nothingness! I must concoct the serums again!
The credits are taken from the table of contents for Marvel Masterworks Ant-Man/Giant-Man vol. 1. The book’s table of contents gives the credits I put above. I don’t see any credits in the actual issue.
June 5, 1962. Marvel introduces Spider-Man. And their take on the mythological Thor. Also: their scientist Henry Pym gets a costume and superhero identity and becomes Ant-Man. A decent chunk of the cast of Avengers: Endgame was introduced on that day. Stan Lee was involved in all three. Jack Kirby designed Thor and Ant-Man and was involved in initial designs for Spider-Man, before Steve Ditko came on board. Larry Lieber was involved in scripting for both the Thor and Ant-Man stories. That’s a lot of simultaneous creativity going on for a small group of people.
To recap, in Tales to Astonish #27, we met Dr. Henry Pym. He was a mad scientist type, in a story that seemed similar to many others of the time, likely intended as a one-off. We get a recap in this issue, which describes it as a “nightmarish story”. I mean, I guess if you hate ants.
But 8 issues later, Henry Pym returns. At the end of the last story, he decided his shrinking serum was too dangerous and destroyed it. Here, we learn he had a change of heart a few weeks later. He decided to concoct a new serum and hide it away until the world was ready. Wait… if he still thinks the world isn’t ready for the serum, why make a new one only to hide it? Why not just wait to make the new batch? Unless you expect an urgent need for it?
