Strange Tales #147, Story B

From the Nameless Nowhere Comes… Kaluu!

Featuring: Dr. Strange
Release: May 10, 1966
Cover: August 1966
12 cents
Script: (pgs. 1-5) Stan Lee.. (Our vacationin’ sorcerer)
Script: (pgs. 6-10) Denny O’Neil.. (Our sorcerer’s apprentice)
Art: Billy Everett… (Our peerless prestidigitator)
Lettering: Sam Rosen.. (Our naive necromancer)
Amulet polisher: Irv Forbush.. (Our stowaway)
10 pages

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“Zowie! He’s the ever-lovin’ gearest! Far as I’m concerned, the mods have had it! That crazy cape really comes on strong!”
“Man! Like there’s a boss bunch’a threads! That dad is gotta be what’s happenin’!”

The first issue of Dr. Strange without Steve Ditko. I think the first Spider-Man stories without Steve Ditko actually went pretty well. That John Romita guy is doing all right. But what even is Dr. Strange without Steve Ditko?

Stan Lee never cared about Dr. Strange. He never understood the character. He never understood the character’s appeal. He accepted the character had fans and was fine with that.

You can see this in his treatment of the character. The gap between the early issues, the character rarely being featured on the cover, the story always the back story of each issue, behind Human Torch and then Nick Fury.

He wrote the character for dozens of issues, but almost all the writing really came from Ditko.

On the other hand, Stan Lee loved Spider-Man. And you can tell. There are eternal disagreements over how much of the character and stories come from Lee and how much come from Ditko. But it was a much more collaborative process than Dr. Strange ever was, at least early on. And Stan Lee loved the character of Spider-Man like a son.

So when Ditko left Spider-Man, Lee put everything into making sure the next issue would keep the readership. He found the best artist for the job, told an extraordinarily eventful story, and plainly put his all into assuring readers that Spider-Man would continue to be great after Ditko.

For the first issue of Dr. Strange without Ditko… Lee writes half the script then hands the back pages to his new hire to write, a guy who’s scripted like 5 comics by this point. He just doesn’t care.

This is the second recent comic to refer to Stan Lee as being on vacation. Some reprints of this issue omit that, and change the credits to read “Smilin'” instead of “vacationing'”.

Bill Everett isn’t a bad choice for artist. He created Sub-Mariner and Daredevil. He’s been doing solid work illustrating the Hulk. But Ditko brought something wild and unique to these pages, while Everett is, well, less wild.

Though I’ll give him some credit for this image. He’s certainly taking his best shot at being Ditkoesque.

Continue reading “Strange Tales #147, Story B”

Strange Tales #147

The Enemy Within!

Featuring: Nick Fury, Agent of SHIELD
Release: May 10, 1966
Cover: August 1966
12 cents
Script: Stan Lee
Layouts: Jack Kirby
Pencils: Don Heck
Inks: Mickey Demeo
Lettering: Sam Rosen
Weapons: Forbush Novelty Co.
12 pages

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…we of AIM feel we simply cannot deal with such an unlettered oaf! We find his very appearance offensive! The idea of America’s highest-priority counter-espionage leader going around in his shirtsleeves… unshaven, unkempt, and making a mockery of your own language– shocking!

Shadowy organizations. These secret power-hungry cabals. Hydra had been the big one, but they fell to SHIELD in Strange Tales #141. The Secret Empire seemed to collapse from within in Tales to Astonish #83. An unnamed shadowy cabal was behind Batroc in Tales of Suspense #75. Not sure if they are connected to one of these others, or their own thing.

Most relevant is the organization called Them. We learned they had employed the Fixer in Strange Tales #145. In Tales of Suspense #78, Fury warns Captain America that Them is a group of scientists looking to overthrow the government. We see they have beekeeper-like uniforms and work for someone called the Imperator. They send a Chemical Android after Captain America.

AIM (Advanced Idea Mechanics) is a defense contractor looking to supply the US government weapons to make up for the shutdown of Stark Industries. Count Bornag Royale is their representative, and has claimed SHIELD needs someone more sophisticated than Nick Fury at its helm.

AIM and Them seem to be the same organization, with AIM the public-facing front. In Tales of Suspense #79, we see Them/AIM is responsible for the return of the Red Skull and the creation of the Cosmic Cube. Fortunately, Captain America dealt with both threats. Seemingly for good.

We open with Fury returning from having led a successful mission against a swamp headquarters for Them.

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Tales to Astonish #83, Story B

Less than Monster, More than Man!

Featuring: Hulk
Release: June 2, 1966
Cover: September 1966
12 cents
Script: Smilin’ Stan Lee
Layouts: Jolly Jack Kirby
Art: Wild Bill Everett
Lettering: Whammy Sammy Rosen
Applause: Honest Irving Forbush
10 pages

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If the man I love really is behind that grotesque face… does this mean I’ve lost him… forever?

“Less than Monster, More than Man!” A good title. Very Hulk.

These interactions between Betty and the Hulk give very significant insights into his character and their relationship.

Continue reading “Tales to Astonish #83, Story B”

Tales to Astonish #83

The Sub-Mariner Strikes!

Featuring: Prince Namor, the Sub-Mariner!
Release: June 2, 1966
Cover: September 1966
12 cents
Script: Smilin’ Stan Lee
Pencilling: Jolly Jack Kirby
Inking: Darlin’ Dick Ayers
Lettering: Adorable Artie Simek
And, in the unlikely words of Irving Forbush: Imperius Rex!
12 pages

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…My Secret Empire may yet rise again!

Jack Kirby takes on another issue of the Sub-Mariner. Perhaps Gene Colan remains out sick.

I had a choice here. I’ve got this comic, Tales to Astonish #83 in my hand. I could read it in order, as any normal person would. Starting at the first page, and then turning the pages in order until I reach the end.

Or I could realize that the story makes no sense if I do that, so instead turn to halfway through this comic to the Hulk story, read that, and then flip back to the beginning to read the Namor story.

The story makes slightly more sense to do it that way, but it doesn’t really make sense no matter how I read it. And certainly no kid picking this up in 1966 would have known to jump to the middle. Maybe some did anyway because they are big Hulk fans.

So I’m going to start this comic from the beginning, get very confused, then eventually get to the end of the comic, and resolve some, but not all, of that confusion.


Namor just had his big brawl with Iron Man, and then left to continue to pursue Krang and Dorma. As far as I know, the last thing Hulk did was rescue Betty Ross from Boomerang, who escaped with some goons from the Secret Empire, who as far as I know remain an active threat. As are Them/AIM.

Dorma is with Krang because he agreed to spare Namor’s life. But now he’s trying to kill Namor. So maybe that’s grounds for an annulment?

But Dorma hadn’t read the fine print. Krang agreed to spare Namor from the Behemoth, not to spare him generally. Again, I would just leave him now and find a lawyer to discuss the contract with.

Continue reading “Tales to Astonish #83”

Tales to Astonish #82, Story B

The Battle Cry of Boomerang!

Featuring: Hulk
Release: May 5, 1966
Cover: August 1966
12 cents
Stan Lee, writer
Jack Kirby, designer
Bill Everett, illustrator
Artie Simek, letterer
A touch of the muse, inspirer
10 pages

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Simple boomerang! That can’t hurt Hulk!

Where were we? Namor tired of fighting Iron Man and continues his pursuit of Krang and Dorma. Tony Stark has made the decision to give in to Senator Byrd and turn over the secrets of Iron Man to the US Government.

Hulk has just made his way back to the surface from the subterranean realm where Mole Man and Tyrannus are at war. Tyrannus’ prisoners Talbot, Betty, and Rick, had also recently returned to the surface. They weren’t back long before Betty was captured by Boomerang, who was hired by the Secret Empire to steal some type of weapon.

“No one shoots Hulk! No one!” exclaims Hulk.

Actually, people shoot at Hulk all the time. They just never hurt him.

Ross blames Hulk for his daughter’s abduction. He blames the Hulk for most everything. Note he is talking about Betty’s previous abduction by Tyrannus. He doesn’t know she’s been abducted again since then.

Anybody else notice Betty gets abducted a lot?

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Tales to Astonish #82

The Power of Iron Man!

Featuring: Prince Namor, the Sub-Mariner
Release: May 3, 1966
Cover: August 1966
12 cents
Plotted by Smilin’ Stan (who then went on vacation!)
Scripted by Rascally Roy (who wishes he had!)
Begun by Gallant Gene (who caught the flu after finishing the first two pages!)
Finished by King Kirby (who drew the last ten pages, then asked who Sub-Mariner was!)
Inked by Darlin’ Dick (who else?)
12 pages

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Never will Prince Namor surrender! Never shall your eyes view the true Sovereign of Atlantis humbled! Not all your vaunted power will give you the final triumph!

Yesterday was Mother’s Day, and my mother, this blog’s most loyal reader, always liked Namor in her youth. So this is for her.


The digital reprints leave off the letterer credit, and I don’t own the original of this comic. And my reprint in Marvel Masterworks has the same misprint as the digital version. But the GCD tells me there should be one more line in the credits, which reads:

Adorable Arthur (Who??)

Where were we? Red Skull is alive and has been working with Them, and AIM and Them may be the same organization. AIM/Them had created the Cosmic Cube, which Red Skull used to make himself a god, but was still defeated by Captain America. AIM is a defense contractor trying to worm its way into SHIELD and convince the government to remove Col. Fury. But Fury suspects what they are up to.

The Secret Empire is after the Orion Missile, and has hired Boomerang to the task. He has kidnapped the General’s daughter, Betty Ross, as the first step in his plan.

To save Namor from the Behemoth, Dorma agreed to marry Krang, and they ran off together. Unaware of her noble intentions, a furious Namor pursued them to the surface.

Returning to America from a battle with Ultimo, Iron Man found that his factories had been closed, and that he was running low on power and friends. Happy, Pepper, the Avengers… none were home when he desperately needed them. Happy and Pepper may have been on a date. The Avengers may have been in a hidden kingdom in South America.

Krang attacked Iron Man, then escaped. Namor blamed Iron Man for the escape, and decided to stop pursuing Krang and battle Iron Man instead.

This is the direct continuation of the story from Tales of Suspense #80.

Continue reading “Tales to Astonish #82”

Tales of Suspense #81, Story B

The Red Skull Supreme!

Featuring: Captain America
Release: May 3, 1966
Cover: September 1966
12 cents
Script: Stan (The Man) Lee
Art: Jack (King) Kirby
Inking: Frank (Good Guy) Giacoia
Lettering: Artie (Smarty) Simek
Recruiting: Irv (Fall Guy) Forbush
10 pages

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There is nothing I cannot do! The universe itself must bend to my wishes, so long as I hold the Cosmic Cube! My every wish– my every command– must be instantly obeyed!

At this point, of the many many nicknames we’ve seen in credits, Stan the Man Lee, and Jack King Kirby are by far the most common.

I’m doing a thing I don’t like doing and skipping into the middle of this comic, skipping the Iron Man story at the start.

We had a choice as we have at least two cliffhangers to resolve. See what happens between Namor and Iron Man or between Cap and the Red Skull? I’ve chosen the latter. The fight between Iron Man and Namor continues in Namor’s title, so we have to read that before we get to this Iron Man story. And I was eager to see the resolution of this Captain America story.

Also, this issue’s Iron Man story begins a new saga, one I don’t want to entangle with the web of comics we’re in the middle of.

Red Skull has the Cosmic Cube, giving him godlike power.

He gets in a good villain monologue we use for the pull quote above.

While Cap’s thoughts form a good heroic response.

My life means nothing! The fate of all mankind is at stake! If he isn’t stopped– humanity itself is doomed!

Red Skull creates a creature called the Man-Thing to menace Cap. Won’t be the last Marvel character to use this name.

Continue reading “Tales of Suspense #81, Story B”

Tales of Suspense #80, Story B

He Who Holds the Cosmic Cube

Featuring: Captain America
Release: May 10, 1966
Cover: August 1966
12 cents
Stupifying script: Stan Lee
Electifying illustration: Jack Kirby
Dazzling delineation: Don Heck
Luminiferous lettering: Artie Simek
Frantic fund-raising: Irv Forbush
10 pages

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So long as evil lives– to muster the forces of bigotry, greed, and oppression– the fight goes on! So long as men take liberty for granted– so long as they laugh at brotherhood– sneer at honesty– and turn away from faith– So long will the forces of the Red Skull creep ever closer to the final victory!

Them is an evil organization. AIM is an ordinary defense contractor. But Fury suspects a connection. Captain America remains unaware of this.

Eisenhower did warn us about the military industrial complex.

This conjunction of an immense military establishment and a large arms industry is new in the American experience. . . .Yet we must not fail to comprehend its grave implications. . . . In the councils of government, we must guard against the acquisition of unwarranted influence, whether sought or unsought, by the military-industrial complex. The potential for the disastrous rise of misplaced power exists and will persist.

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Tales of Suspense #80

When Fall the Mighty!

Featuring: Iron Man
Release: May 10, 1966
Cover: August 1966
12 cents
Stan Lee, Sovereign of Script
Gene Colan, Prince of Pencilling
Gary Michaels, Imperator of Inking
Artie Simek, Lord of Lettering
12 pages

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At last! I’m at the peak of my power! This is the moment that makes all the agony of the past more than worthwhile! This is the supreme sensation which no other living being can ever experience– the feeling which none can ever fully comprehend– the triumphant moment when the strength of a thousand transistors flows thru me and I stand once more ready for battle– as the invincible Iron Man!

Namor attacks Iron Man. Superheroes do that when the meet, generally. And Namor has always walked that superhero/supervillain line.

Superhero brawls are a well-established trope by this point. A one-on-one battle between Namor and Iron Man was due. Of course they’ve fought before, but then Iron Man had all the Avengers on his side. And Namor still held them at bay.

The battle will exploit their respective weaknesses. They both need the occasional charge. Iron Man needs to plug in. Namor needs water.

Continue reading “Tales of Suspense #80”

Tales of Suspense #79, Story B

The Red Skull Lives!

Featuring: Captain America
Release: April 12, 1966
Cover: July 1966
12 cents
Script: Smilin’ Stan!
Art: Jolly Jack
Inks: Frantic Frankie
Lettering: Agonized Artie
10 pages

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My oldest enemy! The most dangerous menace to freedom and democracy that the world has ever known!! Then– this must be why fate has spared me so long–?! It’s my destiny to battle him– to stand between the Red Skull and free men everywhere!

Well, that’s a compelling title.

Costumed assassins attack a power plant in the heart of New York.

They seemed to expect Captain America to show up. How do villains set these traps to target a particular superhero in New York. “If I commit a crime in New York I’m bound to attract precisely the superhero I intend!” Green Goblin just had a bank robbery, trusting Spider-Man would show up to foil it. Would Daredevil turning up ruin these plans?

But nobody but Cap saw these villains. Is he going insane?

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