Avengers #35

The Light that Failed!

Featuring: Avengers
Release: October 11, 1966
Cover: December 1966
12 cents
Edited (ecstatically) by Stan Lee
Scripted (surprisingly) by Roy Thomas
Drawn (dynamically) by Don Heck
Lettered (legibly) by Sam Rosen
20 pages

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To be an Avenger is to surrender a part of one’s life… to be ever at the beck and call of humanity! Still, in these quiet moments, each of the others has another human being to whom he can reach out… only I have no one… no life, except behind the mask of the Red-White-and-Blue Avenger!

This begins a 70-issue run on Avengers by Roy Thomas. Thomas will have his highs and lows over those 70 issues, and it will take him a minute to warm up and get into the groove, but on the whole I think his Avengers will be much better than Stan Lee’s.

We’ll try to note along the way milestones marking an increase in quality. I’ll offer a hint that a new artist is going to help a lot.

The slow move of Stan off scripting duties, and the expanding bullpen of artists… this is a transition into the next era of Marvel Comics. Where it’s not Stan and Jack and Steve making most of the comics.

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Avengers #34

The Living Laser!

Featuring: Avengers
Release: September 8, 1966
Cover: November 1966
12 cents
Spellbinding story: Smilin’ Stan Lee
Awe-inspiring artwork: Dashin’ Donnie Heck
Lots of little lettering: Adorable Artie Simek
20 pages

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The larger the beam, the more damage I can do…

This is Stan Lee’s final credited issue of The Avengers. He may have had a hand in next issue. But starting next issue, the official scripting duties will be passed to Roy Thomas.

He leaves without much fanfare. Especially for a man so known for talking to his audience. No goodbye, no notes about it. He wrote 34 issues of one of the most beloved superhero teams of all time, and then just handed off the duties.

And he doesn’t try to go out with a bang, not really. It’s the first part of a two-part story. I wonder if he does that intentionally, thinking it’s easier for a new writer to finish off a story than come up with a new one. His final Spider-Man (comic book) story will have a similar flavor, introducing a new villain and then leaving the second part to the incoming writer.

Last issue’s blurb about this issue, went “Next: Goliath changes!”

I took that to mean he was going to finally change his clothes and wash this outfit. The blurb in the letters page hinted at more, that this would relate to Goliath’s efforts to return to normal size. It also hinted we’d see the return of Bill Foster, and of Wanda and Pietro.

We do get the return of Bill Foster, not seen since, well, last issue. But nothing else along those lines happens in this issue, and we get an editor’s note apologizing and assuring us that a big change is coming for Goliath. I think the pun is intended.

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Tales of Suspense #86, Story B

The Secret!

Featuring: Captain America
Release: November 10, 1966
Cover: February 1967
12 cents
Produced with pandemonium by: Stan Lee and Jack Kirby
Inking by: Frank Giacoia
Lettering by: Artie Simek
10 pages

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…you were one of the greatest! Don’t ever forget that!

Before we start, I’d like to note the date. Tomorrow, December 20 2025, marks 85 years since the introduction of Captain America, by Joe Simon and Jack Kirby.

December 20, 1940, almost a year before Pearl Harbor, at a time American policy and popular sentiment was still against involvement in the war in Europe, here was Captain America punching Adolf Hitler in the face.

There are those on the internet who claim comics have become too political in recent years. To my mind, they’re not political enough. This cover was a bold political statement, and remains one of the greatest comic covers of all time, a fine introduction to one of Marvel’s greatest superheroes.

Superheroes should stand for what is right, not for what is popular. That’s how they become timeless.


Captain America is on a mission in the Orient, trying to rescue a double agent.

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Strange Tales #155, Story B

The Fearful Finish–!

Featuring: Dr. Strange
Release: January 10, 1967
Cover: April 1967
12 cents
A mystical Marvel masterwork by: Stan Lee and Marie Severin
Lettered by: Artie Simek
10 pages

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So long as this bridge endures– this bridge which is not a bridge– and yet, which is more a bridge than any other– Just so long shall hope of escape remain alive within us–

In an opening page clearly meant to evoke Ditko, Dr. Strange hurtles at the speed of thought to outrace the death spell Umar has sent toward Clea.

At last, Dr. Strange has rescued Clea, but it’s a long road to get her to Earth. They encounter many hazards along the way. Perhaps too many for a ten page comic, as each is too easily evaded.

But some of them are cool, like when they get caught in a road of repetition, stuck in a loop.

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Strange Tales #155

Death Trap!

Featuring: Nick Fury, Agent of SHIELD
Release: January 10, 1967
Cover: April 1967
12 cents
Edited by: Stan Lee (Marvel’s James Bond)
Written and drawn by: Jim Steranko (Marvel’s Man Flint)
Letted by: Sam Rosen (Marvel’s Secret Squirrel)
12 pages

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And so saying, the SHIELD agent’s finger begins to tighten on the trigger… his trance-like face telling of the incredible turmoil seething within… Then, the overwhelming force of the spell sweeps over his ego, as once again, the Supreme Hydra’s command echoes through his mind…

Jim Steranko is now writing and drawing Nick Fury, Agent Of SHIELD, and credited for doing so. Wally Wood had wanted that for Daredevil but was turned down.

Does this show Lee’s faith in the newcomer Steranko? Or is it just that he’s busy and become somewhat indifferent?

Steranko delivers quite the opening splash page, so maybe he’ll do okay with this assignment.

What are we looking at? It’s called the Vortex Beam. It seems to be like a tractor beam they use as a fancy elevator. Best as I can tell, people get onto a disc on the ground and then get lifted onto the Heli-Carrier. We see some VIPs and a strange device coming on the ship that way.

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Strange Tales #154, Story B

Clea Must Die!

Featuring: Dr. Strange
Release: December 8, 1966
Cover: March 1967
12 cents
A mystic Marvel masterwork by: Stan Lee and Marie Severin
Lettered by: Sam Rosen
10 pages

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Do as you will, Spectral One! Dr. Strange cannot be harmed by the truth!

Where were we? Oh yes, Dr. Strange thought he had rescued Clea. But it turned out to be a Mindless One in disguise.

I’m sympathetic, having grown up thinking I’d been successful in finding a woman only to be constantly told, “Our princess is in another castle.”

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Strange Tales #154

Beware… the Deadly Dreadnought!

Featuring: Nick Fury, Agent of SHIELD
Release: December 8, 1966
Cover: March 1967
12 cents
Edited by: Stan Lee
Scripted by: Roy Thomas
Plotted and drawn by: Jim Steranko
Lettered by: Sam Rosen
12 pages

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Leave the thinkin’ to AUTOFAC…

The training wheels are off for Jim Steranko. In his first couple issues, he’d been drawing off layouts from Kirby, but Kirby has stepped away. The newcomer Steranko has drawn this all by himself.

And he even gets a plotting credit for his work. Something it took Ditko and Kirby years to get. That folks like Orlando and Wood left the company over.

Roy Thomas was also on scripting duties last issue, but this won’t be a regular gig for him. This is his second and final turn on the series.

AUTOFAC is the AI system that does SHIELD’s thinking. If they feed it what they know about Supreme Hydra, it will deduce their identity.

Can you, reader, deduce the identity of Supreme Hydra before AUTOFAC can? If not, maybe we should just surrender to AI.

We get a detailed diagram of the Heli-Carrier. Below the story notes, we recorded all the rooms and notes.

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Strange Tales #153, Story B

Alone, Against the Mindless Ones!

Featuring: Dr. Strange
Release: November 10, 1966
Cover: February 1966
12 cents
Stupefying story by: Spellbinding Stan Lee!
Inconceivable illustration by: Mystical Marie Severin!
Legendary lettering by: Sardonic Sammy Rosen!
10 pages

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I must endure their blows… regardless of the pain… By the Omnipotent Oshtur, I shall not fail… I shall not fall!

After Ditko left, Bill Everett became the regular artist on Dr. Strange for the next half dozen issues. And I was unimpressed. But I do really like Bill Everett. Last post, I rattled off Sub-Mariner, Venus, and Daredevil. All great works by him.

We get a new artist. Marie Severin. We haven’t seen her work yet. We saw her coloring when we read an old tangentially related EC comic. We saw an issue of Nick Fury illustrated by John Severin. Some possible connection, there. Siblings, perhaps.

But she’s actually been with Marvel for the entirety of our reading, just one of those unsung heroes behind the scenes, working on the production of the comics, sometimes as a colorist, perhaps lending a hand to some bits of art here or there.

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Strange Tales #153

The Hiding Place!

Featuring: Nick Fury, Agent of SHIELD
Release: November 10, 1966
Cover: February 1967
12 cents
Seldom-equalled editing by Stan Lee
Seldom-surpassed scripting by Roy Thomas
Seldom-lacking layouts by Jack Kirby
Seldom-rivaled rendering by Jim Steranko
Seldom-legible lettering by Artie Simek
12 pages

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The hour of Hydra has come at last– And nothing that the human race can do will cease our relentless march toward world domination!

Steranko takes on the cover solo, and does an impressive job. He probably won’t need Kirby’s handholding much longer.

Inside, it’s still the Kirby/Steranko art team, with the art seeming more and more Steranko each issue. What’s changed is the writer. Thomas has been the regular on X-Men and Sgt. Fury and occasionally filled in elsewhere. This is in that fill-in category. He won’t be a regular writer on this series.

We open in the barbershop. Not clear the status of it after the attack by AIM. Is it still a SHIELD base? Is it still secret?

We recognize the two agents working in the barbershop, but still haven’t learned their names.

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Strange Tales #152, Story B

Into the Dimension of Death!

Featuring: Dr. Strange
Release: October 11, 1966
Cover: January 1967
12 cents
Truly hath Stan Lee authored yon awesome epic–
Verily hath Bill Everett such scenes depicted–
And, finally didst Artie Simek the lettering incribe!
10 pages

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I sense– a female!

I’d say this issue picks up where the last issue left off, but nothing happened last issue. Except that Clea was captured by Umar after a recap of the last 40 issues.

Everett’s depiction of Dark Dimension is fine, maybe even good. Maybe I’m just in a bad mood since Ditko left and am being unfair to Everett. I do appreciate Everett for his work on Sub-Mariner, Venus, and Daredevil… just not here.

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