The only wrecks in this subway will be Nazis– not trains!
We read about Marvel’s original Marvel Boy from 1940, and now we jump ahead almost 3 years. Online sources differ as to whether this is the character’s second appearance, or the first appearance of a new character with the same superhero name.
There is textual evidence to support and refute both positions.
I have my own opinion, but let’s read the issue and consider the evidence.
To remind us of the previous Marvel Boy for comparison: Hercules was a master of the Egyptian art of reincarnation and a staunch defender of America and its ideals. When he died, his soul went to Valhalla, which is presided over by Jupiter. When Hercules realized the threat Hitler posed to America, he had himself reincarnated as young Martin Burns. Martin Burns was a very strong baby, and on his 14th birthday, he learned his true identity and purpose, and was given a name and costume to enable him to battle Germany spies and saboteurs: Marvel Boy.
Hypothesis A: These are the same character. Hypothesis B: These are different characters.
Do not be sad, for I do not really leave you– I shall be back– when America needs me the most–
Well, that’s an unfortunately racist cover from Jack Kirby and Joe Simon.
When we met Marvel Girl in X-Men #1, we took the excuse to meet Marvel Boy from 1950. That was actually not Marvel’s first character named Marvel Boy, and perhaps we should have met the other(s) then. We didn’t.
We’ll read about him/them now due to his/their connections to Hercules. (Join me in the next post to see why I seem so confused about singular vs. plural pronouns.)
This Marvel Boy is a creation of Joe Simon and Jack Kirby, before the same team created Captain America, and before Jack Kirby and various collaborators would go on to create… a lot of famous superheroes.
I think there is a case to be made this might be Kirby’s first superhero co-creation, which makes Marvel Boy quite notable in itself. Moreso because you can see elements that made their way into Captain America, including the basic mask shape, the boots and gloves, using Hitler as an enemy.
Two notes against that point. Kirby had previously co-created with Martin Burstein the feature “Mercury in the 20th Century”. This was about the classic god Mercury. Not precisely a superhero, but if Thor counts, perhaps he should too. (We’ll probably read that Mercury story in the near future when we are ready to meet Pluto.)
That same issue introduced Jack Kirby’s science fiction hero Comet Pierce. In the Flash Gordon or Buck Rogers mold. Again, not exactly a superhero.
Marvel Boy is Kirby’s first standard superhero co-creation.
Except the second note is I have no idea who created Marvel Boy. Harry Mendryk explains the creation of this issue as follows on the Kirby Museum blog. He credits Joe Simon with the initial 3 pages which introduce the character and lay out his origin, and then Kirby with the rest. It’s thus quite possible that Joe Simon created the character on his own, and then gave the partially completed issue to Kirby to finish.
Often, history doesn’t tell us with much certainty what the division of labor going into an issue was. So I usually find it easiest to credit the writers and artists of a character’s inaugural issue as co-creators. By my normal intentionally naive standards, I would say Marvel Boy was a co-creation of Joe Simon and Jack Kirby.
But there is probably room for disagreement and assertion this was a Joe Simon creation.
The character only lasts one issue, though there is a sort-of revival 3 years later we will consider in the next post.
I’ve expressed before my opinion that initials are generally the worst logo for a superhero uniform. Imagine that chest with a better logo, like say a star. And imagine he wore pants. Now lose the cape and add some little wings to the cap. You’re getting closer to a good superhero design.
Marvel’s second character named Hercules debuted just days after the original, this one known as “Little Hercules”.
The comic is signed SAG, referring to Bud Sagendorf.
It’s a gag comic, not the “serious” adventures we’ve been reading. Little Hercules is only 12, but he’s the smartest and strongest boy on Earth. The comic opens with him being awarded a doctorate in all the sciences.
In preparation for meeting Marvel’s Hercules, let’s meet Marvel’s first character with that name. Not the Olympian god but a forgettable superhero who bears his name. Recall that 1940s Marvel had more superheroes than anybody can name.
No credits are given. The Marvel Masterworks reprint credits story and art to Arnold Hicks.
Featuring: Two-Gun Kid Release: June 1, 1965 Cover: September 1965 12 cents Edited by: Stan Lee Written by: Al Hartley Pencilling by: Dick Ayers Inking by: Carl Hubbell Lettering by: Artie Simek 17 pages
We are reading Marvel’s superhero line, which they started back up in 1961. We’ve occasionally read stories older than 1961 that seem vaguely relevant, and refer to those as PRELUDE posts. We occasionally read stories long after 1961 and call those POSTLUDE posts. We will also be doing INTERLUDE posts, which we will read at the time they came out, but are disconnected from the normal superhero universe.
If you’ve been following along, this will be the first INTERLUDE post you’ve come across. But I’ve retroactively made a few other posts be INTERLUDE posts. Those stories featuring Medusa, Merlin, Odin, or Zeus that weren’t really properly connected to the superhero reading.
Superheroes are on the rise and starting to crowd out other genres, but Marvel is still publishing its romance and western comics. Marvel had a single western hero, the Masked Raider, way back in the beginning in Marvel Comics #1. But they’ve been regularly publishing westerns since 1948, starting with Annie Oakley and the Two-Gun Kid.
That’s the original Two-Gun Kid, mind you. Not to be confused with the character we are about to read about. The original Two-Gun Kid was Clay Harder.
In 1962, Lee and Kirby introduced a new hero with the same name, lawyer Matt Hawk.
Marvel’s other continuing western titles are Rawhide Kid, and Kid Colt: Outlaw.
Former western heroes include Wyatt Earp, Apache Kid, Outlaw Kid, Blaze Carson, Tex Morgan, and Tex Taylor.
One of Two-Gun Kid’s steadfast allies is Boom-Boom Brown, a former boxer turned blacksmith.
His most trusted ally of course is his horse Thunder.
Featuring: Daredevil Release: June 1, 1965 Cover: August 1965 12 cents Fundamental plot and script by Smilin’ Stan Lee Basic layouts and delineation by Wondrous Wally Wood Comprehensive pencilled graphics by Bouncy Bobby Powell Balloons, orders and blurbs by Sammy Rosen 20 pages
I can’t let them shoot me at sunrise! I hate getting up so early!
Wally Wood took over as artist on Daredevil with issue 5. In the coming issues, he introduced Daredevil’s iconic costume, some of his trademark weapons and moves, and told one of the greatest Marvel stories ever as Daredevil fought Sub-Mariner.
Now his short but impactful run is wrapping up. Because he did not get along with Stan Lee.
He was an industry veteran. He knew what the breakdown of responsibilities between artist and writer was. He knew he was doing a writer’s work on this comic, but only being paid as an artist.
The credits claim Stan Lee plotted this issue. Wally Wood would disagree. He admitted he and Stan did get together for plotting sessions to work out the stories together, but he described these sessions as them staring at each other in silence until Wood would suggest a plot. Which Stan then took credit for.
He’s not quitting just yet. We’ll see next issue he’ll get the credit and the pay for writing the issue, but that won’t become a regular practice. Wood will leave instead.
In some sense, Wood’s proper run on Daredevil is over, as this issue is really drawn by Bob Powell. Powell is a veteran artist as well, but one of the non-superstar artists we’ve been seeing on the weaker titles. Wood is credited with layouts and delineations, sketching out the story and character positions, but leaving it to Powell to draw the details.
Wood will be associated with the title for 2 more issues, but last issue was the final time we’ll really see Wood’s full artwork on Daredevil.
A short, but memorable run. His greatest contribution to early Marvel is probably to walk out the door. Marvel’s other superstar artists will do the same soon enough.
Featuring: Fantastic Four Release: July 8, 1965 Cover: October 1965 12 cents Daringly written by Stan lee Dazzlingly drawn by Jack Kirby Dramatically inked by Vince Colletta Docily lettered by Artie Simek 20 pages
You thought you were the equal of the Fantastic Four– and nobody is!
Another great cover, and showing off Kirby’s versatility. Last issue had a cover beautiful in its simplicity, focused on two men locked in combat. Now we see a lot of complexity, that intricate machinery Kirby is so famous for drawing, but where the complexity frames the emotion of a defeated Fantastic Four.
When we left off, the Frightful Four had brainwashed Ben and Johnny into joining them. Now it’s up to Reed and Sue to fight off 6 enemies and restore their teammates’ minds. The startling conclusion of a 3-part battle.
Featuring: Fantastic Four Release: June 8, 1965 Cover: September 1965 12 cents Produced by: Stan Lee and Jack Kirby Inking: V. Colletta Lettering: S. Rosen 20 pages
Featuring: Fantastic Four Release: May 11, 1965 Cover: August 1965 12 cents Story by: Stan Lee, who has never lost his touch! Art by: Jack Kirby, who has never lost his magic! Inking by: Vince Colletta, who has never lost his flair! Lettering by: Sam Rosen, who has never lost Artie Simek! 20 pages
You did this to me, Richards!! You turned me into somethin’ so ugly that they can only call me… a Thing!
I appreciate that they use Ben’s real name in the title, rather than his superhero name. It adds a certain something, though I suspect Stan did it for alliterative purposes: brutal, betrayal, Ben.
Notice this picks up right where the last issue left off, so no time has passed. Yet we’ve read 7 other comics in the meantime. The idea is all this stuff is happening close to concurrently.
Ben had been turned human again, but Reed felt they needed him to be super strong again to defeat Dr. Doom, so without permission, Reed fired a ray to turn him back into the Thing.
Ben is justifiably angry and quitting the Fantastic Four.
Featuring: Avengers Release: May 11, 1965 Cover: July 1965 12 cents Slyly written by: Stan Lee Smoothly drawn by: Don Heck Suavely inked by: Dick Ayers Superbly lettered by: Artie Simek Stoically read by: You (if you’ll ever turn the page…!) 20 pages
I thought our purpose was to battle crime! Why need we concern ourselves with international affairs?
Of all the stories in the early Marvel Universe, these Cold War stories are the worst across the board. The very worst are the Cold War stories set in Asia, as they tend to mix in racism with the blatant US government pro-war propaganda.
It’s awful because they are aimed at children, with the seeming intent to indoctrinate them into supporting the war in Vietnam or whatever else.
If you remove all the ways they are plainly awful jingoistic racist propaganda, they still tend to be prettyawfulnarratively. The closest thing to an exception is the recent Thor story, which did have an actual narrative about a conflict between brothers and a family divided because one brother joined the Viet Cong.
But maybe this story where the Avengers invade an Asian nation at random to battle their Communist leader and overthrow the government will be the exception.
Spoiler. It won’t be.
This story is interesting because it’s both forgettable and forgotten… at least mostly forgotten for about 55 years… until 2019 when someone decided it should be one of the foundational cornerstones of the entire history of the Marvel Universe.
