Chris Coke

Sgt. Fury #37

In the Desert… To Die!

Featuring: Sgt. Fury and his Howling Commandos
Release: October 11, 1966
Cover: December 1966
12 cents
Editor: Smilin’ Stan Lee
Scripter: Rascally Roy Thomas
Artist: Darlin’ Dick Ayers
Inker: Jivey John Tartaglione
Letterer: Sandy Sammy Rosen
Technical advisor in charge of parachuting: Jovial Johnny Hayes, ex-para-trooper, Marvel’s swingin’ circulation manager.
20 pages

Previous	#637	Next
X-Men #27	Reading order	Amazing Spider-Man #44
Sgt. Fury #36	Sgt. Fury	Sgt. Fury #38

Now, like the blamed fly-boys always say… Geronimo!

A credit to Johnny Hayes, a name we don’t see often. We did recently see his name because a Bullpen Bulletin made it a point to name some of the behind the scenes staff. Here he gets credit for offering some consulting based on his days parachuting in the military.

I’m going to say that Thomas is really finding his footing on this title. Under Kirby this had been one of Marvel’s best comics, but it fell quickly to mediocrity when he left, with thin cookie cutter plots.

Stan Lee had remained the writer, but in practice as he was “writing” 20 titles every month, most of the storytelling was left to Ayers, who wasn’t up to it. We’re 9 issues into Thomas’ run, who likely is providing more plotting and scripting guidance to Ayers. Thomas had a slow start, but more and more, the comic feels like somebody is writing it.

X-Men #27

Re-enter: The Mimic!

Featuring: X-Men
Release: October 11, 1966
Cover: December 1966
12 cents
Edited by Stan Lee
Scripted by Roy Thomas
Drawn by Werner Roth
Inked by Dick Ayers
Lettered by Sam Rosen (Wouldja believe Artie Simek?)
20 pages

Previous	#636	Next
Fantastic Four #60	Reading order	Sgt. Fury #37
X-Men #26	X-Men	X-Men #28

…as long as there are evil mutants abroad in the world, the X-Men must remain vigilant!

Recall last issue ended with Cyclops accidentally (or so he claims) injuring Angel. Meanwhile, Jean Grey ran into Cal Rankin at Metro College. Cal Rankin had fought the X-Men as Mimic, but he doesn’t recall the encounter because Professor X futzed with his brain.

We pick up with the X-Men battling Mimic again, now seeming to recall their last encounter. After the in media res opening, we see how we got here.

Fantastic Four #60

The Peril and The Power!

Featuring: Fantastic Four
Release: December 8, 1966
Cover: March 1967
12 cents
Dazzlingly depicted by: Stan Lee and Jack Kirby
Inking by: Joe Sinnott
Lettering by: Sam Rosen
20 pages

Previous	#635	Next
Fantastic Four #59	Reading order	X-Men #27
Fantastic Four #59	Fantastic Four	Fantastic Four #61

I… never felt… pain.. like this… before..! ..Never knew anything… could hurt… so much… But… can’t let go… can’t knuckle down…! All I got is… my strength..! If I let that fail me… there’s nothin’ left…! Nothin’..! Fight it, Ben… fight it!! Fight… ya ugly , good-fer-nothin’ orange-skinned meathead… fight..! What’s a little bit… of pain… to a big beautiful slob… like you..!

Black Bolt has spoken, and his voice had the power to destroy the Negative Zone surrounding the Great Refuge. And now he along with the Royal Family and Court of the Inhumans venture forth into the wider world. Meanwhile, Dr. Doom continues to wield the cosmic power of the Silver Surfer.

As noted, I’m here for Doom on a surfboard. That’s what this story is about to me. And this is the best image of that yet.

The Human Torch tries to take on Dr. Doom by himself. It won’t go well.

Fantastic Four #59

Doomsday

Featuring: Fantastic Four
Release: November 10, 1966
Cover: February 1967
12 cents
A Stan Lee * Jack Kirby modern day masterwork!
Delineation by: Joe Sinnott
Lettering by: Artie Simek
20 pages

Previous	#634	Next
Fantastic Four #58	Reading order	Fantastic Four #60
Fantastic Four #58	Fantastic Four	Fantastic Four #60

But now– with an entire planet looming before us– what do we do? Where do we go? Is the human race yet ready for us–??

The title of this comic is Doomsday. That’s also the name of an upcoming superhero movie.

Dr. Doom has the powers of the Silver Surfer and may be unbeatable. However, Ben disagrees, at least out loud.

Like ol’ Stretcho would say– as long as a guy still has a brain– and some backbone– he aint never beaten ‘less he wants’a be!

Mr. Fantastic coordinates with all nations on Earth, suggesting differences must be put aside against the threat of Doom.

Fantastic Four #58

The Dismal Dregs of Defeat!

Featuring: Fantastic Four
Release: October 11, 1966
Cover: January 1967
12 cents
A Stan Lee * Jack Kirby powerhouse production
Inked by: Joe Sinnott
Lettered by: Artie Simek
20 pages

Previous	#633	Next
Fantastic Four #57	Reading order	Fantastic Four #59
Fantastic Four #57	Fantastic Four	Fantastic Four #59

“Hah! The once-mighty Silver Surfer! Now, barely able to move a muscle since your new master has stripped you of your power!”
“Master? Galactus had been– my master! You– are but– a flea!”

Dr. Doom’s head appears in the air. I appreciate that Reed just thinks it’s a random pattern from the electrical storm. Smartest man in the world.

But then the pattern randomly looks like Dr. Doom again, and Reed begins to do the math on the odds of that.

Fantastic Four #57

Enter… Dr. Doom!

Featuring: Fantastic Four
Release: September 8, 1966
Cover: December 1966
12 cents
Panoramically produced by: Stan Lee, Jack Kirby
Inking: Joe Sinnott
Lettering: Artie Simek
20 pages

Previous	#632	Next
Sgt. Fury #36	Reading order	Fantastic Four #58
Fantastic Four #56	Fantastic Four	Fantastic Four #58

It is you I wish to learn about! For power has ever been my god– And, in all the universe, there can be no greater truth than– knowledge is power!

One thing we’ve seen going back to issue 36 is a tighter continuity amongst a larger cast. These aren’t isolated adventures anymore, but part of a larger whole. I mention issue 36 because it introduced the Frightful Four. The character of Medusa led us to the Inhumans, who have essentially become supporting characters on this title, as we check in with them often. The FF have had three battles against the Frightful Four, but now Sandman and Wizard are attempting a prison break.

After the Inhumans saga, we met the Silver Surfer, who has also become a supporting cast member in essence.

Sandman is an interesting character, as he was created to be a Spider-Man villain but at this point seems to have been adopted by the Fantastic Four. Which leads me to a question. Is Sandman a Jack Kirby creation?

Sandman was introduced in Amazing Spider-Man by Steve Ditko. But I believe Ditko has been quoted that he got occasional help on Spider-Man’s villains from Jack. And I wonder if that refers to the Sandman.

Ditko’s first Spider-Man super-villains were: Chameleon, Vulture, Dr. Octopus, Lizard… and Sandman. Who stands out in the group. Spider-Man has an excellent rogues gallery, and Stan and the other artists have brought many of them around to threaten other heroes… but Kirby has shown no interest in using any of them in his comics… except for Sandman, who is essentially a regular Fantastic Four character at this point.

I don’t know any of this. I’m just speculating out loud. But at this point, Sandman has been adopted by the FF as a villain… and I wonder if Jack Kirby created him?

Sgt. Fury #36

My Brother, My Enemy!

Featuring: Sgt. Fury and his Howling Commandos
Release: September 8, 1966
Cover: November 1966
12 cents
Block-buster editing by Stan Lee
Bullet-scarred script by Roy Thomas
Battle-ready art by Dick Ayers
Bomb-happy inking by John Tartaglione
Ballpoint-pen lettering by Sam Rosen
20 pages

Previous	#631	Next
Captain Atom #83, Story B	INTERLUDE
Daredevil #23	Reading order	Fantastic Four #57
Sgt. Fury #35	Sgt. Fury	Sgt. Fury #37

A traitor? Nein, I think not! If there be any traitor to the Fatherland, it is rather those who would lead it to the brink of disaster for the sake of their own personal glory!

The stories from this title had fallen into a pattern. The premise was always location-based. The Howlers had some mission in a new location. They completed it and went home.

Since taking over, Thomas has been trying to tell actual stories and have character arcs.

This issue is location-based. The Howlers go to the neutral territory of Switzerland, breaking any number of laws and treaties.

But there’s a premise and a larger character arc as well.

We met Eric in Sgt. Fury #27, when he defected from the Germans and came to Britain. But last issue it was decided Eric (whose last name we learned was Koenig) should join the Howlers, since Manelli was injured and recovering back in the States. This is his first mission with the Howlers.

So Thomas writes about a couple things pertaining to that, ideas that are more than “the Howlers have a mission and succeed”. The first is that he’s eager to prove himself, sometimes too eager and to everyone’s detriment.

I must prove myself… show the Commandos I am as good as any of them! I must! For, only thus will I ever be certain that they look on me as a man… not as an ex-Nazi!

INTERLUDE: Captain Atom #83, Story B

The Blue Beetle

Featuring: Blue Beetle
Release: August 9, 1966
Cover: November 1966
12 cents
Concept and art: Steve Ditko
Script: Gary Friedrich
7 pages

Previous		Next
Daredevil #23	Reading order	Sgt. Fury #36

Guess that wraps up the first episode in the life of the new Blue Beetle! Wonder what Dan Garret would say if he could see me today?

I’d like to see what Steve Ditko is up to since leaving Marvel. And in 1966, he introduces a new version of the Blue Beetle.

Let’s review the history of the Blue Beetle before we dive in.

Blue Beetle was created in 1939 by Charles Wotjkoski and introduced in Mystery Men Comics #1, published by Fox Comics. Wotjkoski was credited as Charles Nicholas. The GCD suggests Will Eisner may have been involved with the scripting. I can’t intelligently weigh in on that.

Dan Garrett is a police officer who occasionally dons a mask and calls himself Blue Beetle to handle cases in his own way. Blue Beetle is considered a fugitive from justice.

Daredevil #23

DD Goes Wild!

Featuring: Daredevil
Release: October 11, 1966
Cover: December 1966
12 cents
Story: Stan (The Man) Lee
Art: Gentleman Gene Colan
Inks: Fearless Frank Giacoia
Lettering: Swingin’ Sam Rosen
20 pages

Previous	#630	Next
	INTERLUDE	Captain Atom #83, Story B
Daredevil #22	Reading order	Sgt. Fury #36
Daredevil #22	Daredevil	Daredevil #24

Surrender, Daredevil… or suffer the fatal consequences!

We seem to have two very similar opening splash pages.

Stan explains that Gene had drawn both, and they liked both, so they used both. I think Gene just likes his splash pages because it’s less pictures to draw.

As part of a brilliant plan to protect his secret identity, Matt told Karen he was going to pretend to be Daredevil. And he put on a Daredevil costume in front of her. They then went to the arena, where the real Daredevil showed up. And then she couldn’t find Matt in his Daredevil costume.

Daredevil #22

The Tri-Man Lives!

Featuring: Daredevil
Release: September 1, 1966
Cover: November 1966
12 cents
Written with rapture by: Stan Lee
Drawn with drama by: Gene Colan
Delineated with delight by: Giacoia & Ayers
Lettered with the ball game on by: Sam Rosen
20 pages

Previous	#629	Next
Avengers #35	Reading order	Daredevil #23
Daredevil #21	Daredevil	Daredevil #23

I know it’s utterly insane, but I can’t help thinking of Daredevil every time I look at Matt! I know a blind attorney can’t possibly be a costumed super-hero… and yet…!

We checked in with Daredevil at the start of the Secret Empire mess because his story was entangled with Spider-Man’s battle against the Rhino. We paused, but now need to look back and remind ourselves where we were some.

Matt Murdock was wanted for Rhino’s defense council, but he couldn’t be found, because he was a prisoner of the Owl. When the Rhino broke out of prison, we saw that Matt had returned safely from the Owl’s island, and considered going after the Rhino, but decided to let Spider-Man handle it.

We now go back in time a bit as this issue opens with Daredevil just escaping from Owl’s island.

But by page 3, we are back in the present, in a scene set after his appearance in Amazing Spider-Man #43. So, the first two pages took place a few days back. But it’s been quite the few days in the lives of the Marvel heroes. And starting on page 3, a longer saga begins.

I hope this is the last time I refer to the continuity of the Secret Empire saga.