nikita khrushchev – Coke & Comics

Tales of Suspense #64

Hawkeye and the New Black Widow Strike Again!

Featuring: Iron Man
Release: January 12, 1965
Cover: April 1965
12 cents
Powerful script by: Stan Lee
Poignant art by: Don Heck
Punchy inking by: Chic Stone
Polite lettering by: Sam Rosen
Plenty of kibitzing by: The Bullpen Gang!
12 pages

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X-Men #10	Reading order	Tales of Suspense #64, Story B
Tales of Suspense #63, Story B	Tales of Suspense	Tales of Suspense #64, Story B

What is this “Bullpen” they refer to?

We just met the “new” Giant-Man. It was really just Giant-Man with a new outfit and gizmo. Similarly, the “new” Black Widow is just the Black Widow with some new gimmicks.

These gimmicks make her more formidable, but still no match for Iron Man.

She can now climb walls and fire a line of suction-tipped nylon, a web of sorts. She is a spider-themed heroine, so it makes sense her gimmicks will have hints of Spider-Man.

We also see the first hints of a possible road to redemption for Black Widow. She has decided she wishes to stop being evil and tells Khrushchev this to his face. He shows her that her parents are his prisoners, and they will be killed unless she cooperates. That Khrushchev is a villain, indeed.

Tales of Suspense #53

The Black Widow Strikes Again!

Featuring: Iron Man
Release: February 11, 1964
Cover: May 1964
12 cents
Story plot by: Stan Lee
Script by: N. Korok
Art by: Don Heck
13 pages

Iron Man takes a big step forward. Since his debut, he’s been the lead feature of Tales to Suspense, featured on the cover with his name somewhere prominently, and his visage in the little box up top. This issue, he gets a logo. Large font in a standard position atop the page reads, “The Power of Iron Man”. The comic is still “Tales of Suspense”, as noted at the top; yet, the comic’s title is the subordinate font. In big bold letters, we see clearly this is Iron Man’s comic. Marvel will do the same with Thor next month. For whatever reason, they seem less inclined to advertise Human Torch or Giant-Man so boldly.

While less impressive, it should be noted that The Watcher gets acknowledged on the cover in a text box. No other covers have or will mention his backup features. That coincides with a change in the Watcher tales. He will no longer be narrating other tales but starring in his own adventures.

Black Widow returns, now with black hair (though this time it looks red on the cover). Last issue, her only role was distraction by seduction. Here, she steals a powerful new Stark weapon, but we still don’t see her demonstrating many talents of her own.

Her plan largely hinges on Stark’s stupidity (which worked well for her last time). He shows her his new top secret super weapon, perhaps because he is smitten with her. She then steals the weapon. We learn Stark was not smitten, but pretending to trust her to learn her plans. There was no need for that. The events of last issue provide plenty of evidence she was a Soviet spy and an accomplice in the murder of Professor Vanko. There was no reason to learn her new plan. Just have her arrested.

Tales of Suspense #52

The Crimson Dynamo Strikes Again!

Featuring: Iron Man
Release: January 10, 1964
Cover: April 1964
12 cents
Plot by: Stan Lee
Story by: N. Korok
Art by: Don Heck
Lettering by: S. Rosen
13 pages

N. Korok is an alias for Don Rico. Stan credits Rico with the story and himself with the plot. I would love to know what Stan thinks the difference between “plot” and “story” is. Rico had been working with comics, and Marvel Comics in particular, since 1939, as artist or writer or editor. By this time, he had mostly left comics behind and become a successful novelist– likely why he’s not using his real name on this comic work. Any comics work by Rico from this point forward will be quite uncommon.

Khrushchev decides it’s time to deal with the traitorous Crimson Dynamo. He sends for Russia’s best agents, Boris and Natasha.

No, not those two.

Tales of Suspense #46

Iron Man Faces the Crimson Dynamo!

Featuring: Iron Man
Release: July 9, 1963
Cover: October 1963
12 cents
Story plot: Stan Lee
Script: R. Berns
Art: Don Heck
13 pages

The cover bears a resemblance to the Ant-Man cover we just examined. The hero and villain are not actually in the same picture, with one confined to a separate panel.

Professor Vanko is Russia’s top scientist. He has built a suit that makes him master of electricity, the Crimson Dynamo. By the end, Tony Stark tricks him into defecting to the West.

Fantastic Four Annual 1

Sub-Mariner Versus The Human Race!

Featuring: Fantastic Four
Release: July 2, 1963
Cover: 1963
25 cents <– whoa!
Written by: Stan Lee
Drawn by: Jack Kirby
Inking: Dick Ayers
37 pages

We just read no less than 5 Sub-Mariner stories from the ’40s and ’50s to have some context for this giant-sized Fantastic Four/Sub-Mariner epic we are about to read. At 37 pages, this is the longest story we have yet read. And at 25 cents, this and the Strange Tales annual are the most expensive comics we’ve come across by a factor of 2.

When Sub-Mariner returned in Fantastic Four #4, he learned that his kingdom had been destroyed and his people were missing. He’s been searching for them ever since. Until now.

Is it the longest ever? Or might Stan be exaggerating?

Quite the opening couple pages. The bold imagination on display is Kirby at his best. But we haven’t seen that much of his true potential yet in these stories. He’s just been getting warmed up.

The Fantastic Four decide to take a vacation along with Alicia. Reed’s suggestion is to take a cruise to where some sea monsters have been sighted.

Tales of Suspense #42

Trapped by the Red Barbarian

Featuring: Iron Man
Release: March 12, 1963
Cover: June 1963
12 cents
Plot: Stan Lee
Script: R. Berns
Art: Don Heck
13 pages

I read this story in the Invincible Iron Man Omnibus vol. 1.

I also have it reprinted in Marvel Collector’s Item Classics #5 from 1966, and include scans from that reprint below.

Robert Bernstein has been scripting more and more Marvel books. We just saw him in our last Human Torch entry and his name is showing up on Ant-Man and Wasp stories.

As we’ve discussed before, the comic treats Stark’s military work as entirely noble, as opposed to the more nuanced take the movie would have decades later. It’s about changing attitudes. But this comic really seems to push it. Stark invents a disintegrator ray, and notes among its applications that it could destroy a metropolis. Surely we recognize that as a purely evil application? That’s not much better than building a nuclear bomb.

Hulk’s origin had a subtle swipe at weapon-building, given that Dr. Banner was a victim of his own bomb. But it’s not clear to me how intentional that was on the part of Lee or Kirby. Or whether it’s interpretation that comes from reading the comic through a modern lens.