wasp – Page 7 – Coke ⊕ Comics

Fantastic Four #25

The Hulk vs. The Thing

Featuring: Fantastic Four
Release: January 10, 1964
Cover: April 1964
12 cents
Sensational story by: Stan Lee
Astonishing art by: Jack Kirby
Incredible inking by: G. Bell
Lighthearted lettering by: S. Rosen
22 pages

I have no idea why it took us so long to get to something like this. It seems like such an obvious superhero story to me: a good old-fashioned slugfest. Take two very strong characters and just have them duke it out. Thing and Hulk are perfect for a brawl. They met before, but it wasn’t a brawl. There was a mystery and a Commie plot and all this stuff. This time, the rest of the team is quickly taken out of contention. And it’s up to Ben Grimm to hold his own against the Hulk.

Worth the wait.

We get some preamble. Hulk has returned to New Mexico with the Avengers in pursuit. Unbeknownst to them, he turned around suddenly and went to New York to find them. He read in the paper that Captain America had replaced him and thought Rick had betrayed him. He is off to finally destroy the Avengers. Of course, Rick never betrayed him. And the Avengers only replaced him because he quit.

Avengers #4

Captain America Joins… The Avengers!

Featuring: Avengers
Release: January 3, 1964
Cover: March 1964
12 cents
Gloriously written by: Stan Lee
Grandly illustrated by: Jack Kirby
Gallantly lettered by: Art Simek
23 pages

No inker is given in the credits for some reason. The GCD suggests the inker is George Roussos, who has been doing a lot of inking lately under the pseudonym George Bell. I don’t think we’ve yet seen a single comic where Kirby has done his own finishes. Probably because he’s drawing a half dozen comics each month.

There’s something that troubles me about these credits, and it’s the type of thing that makes Stan Lee a controversial character to this day. Look to the acknowledgement on this first page. Stan notes that Jack drew the original Captain America comics. That’s true and good to point out. But that massively understates Kirby’s contribution. Kirby and Simon created Captain America. The box should say. “Jack Kirby is one of the creators of Captain America.” Now, this may have been mere thoughtlessness on Stan’s part. Kirby used to draw Captain America and now is drawing him again; Stan used to write Captain America and now is writing him again. That may be the only point he wanted to make, and perhaps no other thoughts occurred to him. But the phrasing seems careful, and reflects the longtime legal stance of the many companies that have owned Marvel, that people don’t create characters, companies do. You can read an article from Brian Cronin on a piece Stan Lee had written in 1947 crediting publisher Martin Goodman with the idea for Captain America. The piece is basically fictional. Joe Simon came up with the character independently, and Kirby helped him flesh out the details. Stan’s failure to credit them for that goes back a long ways.

Tales to Astonish #55, Story B

The Gypsy’s Secret!

Featuring: Wasp
Release: February 4, 1964
Cover: May 1964
12 cents
Story plot: Stan Lee
Script and art: Larry Lieber
Inking: George Bell
Lettering: Sherigail
5 pages

This is the first lettering we’ve seen attributed to “Sherigail”, a pseudonym for Morrie Kuramoto. The name is a combination of both his wife and daughter’s names.

I originally attributed the lettering to Ray Holloway. Thanks to Nel Yomtov for the correction.

I recognize that “gypsy” is an outdated and offensive word, but it’s in the title of the comic, and it’s how the comic describes the strange alien visitor.

Though the era of weird tales is ending, through the Wasp’s stories we get two more in this title.

Tales to Astonish #55

On the Trail of the Human Top!

Featuring: Giant-Man and Wasp
Release: February 4, 1964
Cover: May 1964
12 cents
Story by: Happy Stan Lee
Art by: Heroic Dick Ayers
Lettering by: Honest Art Simek
18 pages

For the third comic in a row, I feel the need to point out that we are reading a February comic when not yet done with the January comics. I have reasons.

Please recall that Hulk and Namor remain at large.

How does Wasp feel about not getting her name on the jackets?

Actually, you often look foolish and clumsy. Do you have any footage of your recent battle against El Toro?

Human Top is Dr. Pym’s third repeat villain, after Egghead and Porcupine. Returning villains have become much more common across all the titles these last couple months, now that a staple has been built up.

Tales to Astonish #54, Story C

Conquest!

Featuring: Wasp
Release: January 3, 1964
Cover: April 1964
12 cents
Dreamed up by: Stan Lee
Scribbled + sketched by: Larry Lieber
Finished in India ink by: Sol Brodsky
Lettered + bordered by: At Simek
5 pages

Last issue, Porcupine seemed very interested in trying to learn Giant-Man’s secret identity. But Wasp’s mask has never covered her face and she doesn’t seem that concerned about her secret identity.

In fact, here we see her babysitting a friend’s child in costume. He refers to her as “Aunt Jan”. Maybe Porcupine wasn’t the genius he thought he was. It’s like thinking people somehow knew Sue was Invisible Girl but not that Johnny was Human Torch.

Tales to Astonish #54

No Place to Hide!

Featuring: Giant-Man and Wasp
Release: January 3, 1964
Cover: April 1964
12 cents
Daringly written by: Stan Lee
Dramatically drawn by: Don Heck
Deftly lettered by: Art Simek
13 pages

The placement of this story is tricky. Where we have it, Hulk and Namor are still on the loose, so this is no time for Wasp to be talking about a vacation. Doesn’t mean she wouldn’t be. Hank does note they don’t have time for a vacation. I choose to treat this as a veiled reference to the whole Hulk/Namor situation, whether intended or not.

On the subject of chronological concerns, notice Giant-Man is in his older outfit, last seen in issue 51. This indicates to me that he alternates between the outfits. In reality, the outfit seems to correspond to the artist. Ayers drew the issues with the thick suspenders. Kirby and Heck seem to be drawing Giant-Man with the lighter stripes. They will all eventually converge on thicker suspenders.

We see some pretty rough play between Giant-Man and Wasp. It seems to be all in good fun, but may be early warnings of an abusive relationship forming.

Journey Into Mystery #101

The Return of Zarrko, the Tomorrow Man!

Featuring: Thor
Release: December 2, 1963
Cover: February 1964
12 cents
Written by: Stan Lee
Drawn by: Jack Kirby
Inked by: G. Bell
Lettered by: S. Rosen
13 pages

We are one week late reading this comic because it begins a two-part battle against Tomorrow Man. How this comic fits in with Thor’s appearances in Avengers is pretty complicated, and we’ll be addressing that in a later post.

I’ll remind readers that the Avengers really do have some urgent business to get back to. Both Hulk and Namor remain at large. It should also be noted that Giant-Man recently fractured his ankle, but seems better now.

Jack Kirby is back and here to stay. Perhaps he’ll be able to turn around what up to this point has been one of the worst comics. Perhaps not, as he was there for the earliest issues of Thor and they were still of low quality. But Stan Lee was also farming out the writing to a variety of people. Now, for the first time, Stan and Jack will be the team on this book, just like on Fantastic Four and Sgt. Fury. They’ve also reached the point in their working relationship where their “coplotting” of the stories likely involves Stan less and less. Kirby will be taking greater control of the storytelling going forward. We’ll see how it goes.

Now that Lee is scripting, there is a detectable difference in Thor’s speech patterns. Under other writers, he had slowly evolved from talking like he was Don to talking like he was Thor. Now, there’s a certain haughty regality to the language. Words like “naught”.

Tales to Astonish #53, Story B

When Wakes the Colossus!

Featuring: Wasp
Release: December 2, 1963
Cover: March 1964
12 cents
Story plot: Stan Lee
Script + Art: L.D. Lieber
Inking: D. Heck
Lettering: R. Holloway
5 pages

Once again, we get a Wasp story where she narrates another story. This time, she tells her story to Hank before heading to the Veterans hospital.

It concerns a warlord named Mingo (perhaps inspired by Ming from Flash Gordon). An atheistic conqueror, he takes advantage of his targets’ religious beliefs, easily defeating a people who don’t believe in fighting at night and another who can’t fight soldiers wearing sacred animal garb.

Tales to Astonish #53

Trapped by the Porcupine!

Featuring: Giant-Man and Wasp
Release: December 2, 1963
Cover: March 1964
12 cents
Story by: Daring Stan Lee
Art by: Dazzling Dick Ayers
Lettering by: Dynamic S. Rosen
18 pages

Porcupine is only Dr. Pym’s second recurring villain. Egghead was the first.

Giant-Man’s costume seems to be undergoing frequent slight alterations. I’m not sure what’s going on with the black suspenders. They may be adjustable. Whatever is going on, this issue they seem to form an “x” on his back.

The Avengers #3

Sub-Mariner!

Featuring: Avengers
Release: November 5, 1963
Cover: February 1964
12 cents
Written by: Stan Lee
Illustrated by: Jack Kirby
Inked by: P. Reinman
25 pages

We see a new cover box. Acknowledges that Hank is now Giant-Man and that Wasp exists.

Welcome to a special Mothers Day post. What makes this a Mothers Day post? Well, today is Mothers Day. Also, my mother likes the Sub-Mariner, and this is the issue where the Avengers meet Sub-Mariner.

Sub-Mariner doesn’t show up until page 15, but still gets the issue titled after him. Good for him.

In the first issue, Loki tricked the Avengers into attacking the Hulk.

In the second issue, Space Phantom tricked the Avengers into attacking the Hulk.

This issue, the Avengers just decide to attack the Hulk.