Featuring: Tales of Asgard Release: February 3, 1966 Cover: April 1966 12 cents Script: Stan Lee Pencilling: Jack Kirby Delineation: Vince Colletta Lettering: Artie Simek 5 pages
In the name of the omnipotent Odin– in the name of eternal Asgard– by the power of my hammer– for the glory of our cause– onwarrrrd– to victory!
The Odinsword Saga might be over now. Unclear. The story never seemed to be going anywhere and in the end it didn’t go anywhere. The whole thing was a ruse by Odin, who felt his warriors needed a bit of adventure.
So why was the Odinsword cracked if there was no enemy? Was it really cracked? Had it just always been cracked? We’ll never know. We’re moving on.
Featuring: Thor Release: February 3, 1966 Cover: April 1966 12 cents Writer: Stan Lee Artist: Jack Kirby Delineator: Vince Colletta Letterer: Sam Rosen 16 pages
For one brief, fleeting instant of eternity, a god hath dared to love a mortal! Till the universe crumbles, my heart is ever thine! Let that be our epitaph… and our glory!
Now that’s a cover.
We discussed Pieta-inspired covers with Journey Into Mystery #110. This is a much better example of such a cover. I would call this awesome.
As with Avengers, I want to note where Thor is during an upcoming Fantastic Four story, published concurrently with the last few issues. What keeps him away from helping the FF? I don’t believe his short fight with the Demon nor his tiff with Hercules would do it.
Also, the last year of Thor stories still must have taken very little time, as there has been little room for pausing. So it’s likely these Thor stories take place before a lot of the other stories we’ve been reading, and the adventure that seemed more important than helping the FF is still ahead. We’ll be on the lookout for it!
In that sense of there being not a lot of time passing, this picks up precisely where last issue left off, with Jane trying to comfort a moping Thor, who has just lost his first fight, because his daddy halved his powers. Notably, Odin finally seems to support the relationship.
Of course, now there’s a new reason Thor and Jane can’t be together. It’s not about his bum leg or his daddy issues. How could she love a man who can’t even beat Hercules in a fight?
We come to Thor’s final adventure in Journey Into Mystery, the series concluding after 125 issues. We’ll see next month what they have instead. Such a finale would be a good time for an overview of the series as a whole, but I gave a summary to celebrate the 100th issue, so I’ll just point to that. It may even spoil what’s coming next month.
“By the bristling beard of Odin,” Thor exclaims. We’ll start hearing that oath a lot. Have we heard it before? I failed to note it if we did.
Thor’s battle with the Demon concludes pretty readily and Thor takes the final Norn Stone to return to Odin.
Featuring: Thor Release: September 1, 1964 Cover: November 1964 12 cents Spectacularly written by: Stan Lee Magnificently drawn by: Jack Kirby Powerfully inked by: Chic Stone Eventually lettered by: Art Simek 16 pages
This image of Thor holding the wounded Jane resembles an extremely common trope in superhero comics. It’s a standard way to depict a character as dead while another mourns them. This is the first time we’ve seen it in our Marvel reading. The Distinguished Competition had a cover with a similar pose a year earlier to depict the death of Robin.
Generally, these are described as “pieta covers”, referring to the resemblance to La Pieta by Michelangelo, in which Mary holds the body of her dead son, Jesus.
This blog post on metropolisplus gives an overview of the trope. Depending on how much of a purist you are, this Thor cover might not quite fit the pieta trope. As Jane is wounded, not dead; and Thor is protecting her, not mourning her. But it’s pretty close.
Featuring: Thor Release: July 2, 1964 Cover: September 1964 12 cents Written by: Stan Lee, the idol of millions! Illustrated by: Jack Kirby, the toast of the town! Inked by: Chic Stone, the man of the hour! Lettered by Art Simek, the people’s choice! 18 pages
Stan Lee grants himself the tagline that will eventually get applied (usually self-applied) frequently to Ben Grimm: “the idol of millions”.
We get an offbeat opening sequence. Maybe it’s cool. I find it stretches credibility, though I confess a difficulty expressing what doesn’t in Thor stories. Thor appears to go mad, striking the ground with his hammer to create an earthquake. This shaking threw a truck off the ground a few blocks away, just high enough to not hit a boy. I find it hard to believe Thor could be that precise, and that nobody else was injured. Thor claims there was only some damaged property, which could be paid for out of the Avengers emergency fund.
The notable event in this issue is the first meeting of Thor and Dr. Strange. Dr. Strange had just barely defeated Baron Mordo and was left weakened by the battle. Strange fights Mordo pretty often. The last battle we saw was a few months ago and didn’t seem to leave Strange this weakened. There is likely some untold battle between Strange and Mordo that precedes this story.
Featuring: Tales of Asgard Release: April 2, 1964 Cover: June 1964 12 cents Written by: Stan Lee Illustrated by: Jack Kirby Inking: Geo Bell Lettering: Art Simek 5 pages
Recall that last issue, we learned the origin of Heimdall. This issue we get another Heimdall tale, before the spotlight shifts to Balder starting next issue.
Nedra hatches a plot with Brimer, King of the Storm Giants, to invade Asgard, even under Heimdall’s watch. Nothing can escape his sight or hearing, but the air creatures known as the Vanna can be neither seen nor heard.
Nonetheless, Heimdall senses the approaching Vanna and lashes out. He misses and is uncertain whether to trust his own instincts.
Featuring: Tales of Asgard Release: March 3, 1964 Cover: May 1964 12 cents A tale told in splendor by: Stan Lee A drama drawn in glory by: Jack Kirby Inked by: Don Heck Lettering: Art Simek 5 pages
I appreciate that the Tales of Asgard stories are willing to try different things. The initial offerings concerned Odin and the early days of creation. Then we got a series of stories about Thor as a youth. Now we will get a series focused on Heimdall. Stories about Balder will follow. The series feels it has the freedom to explore a variety of characters and eras of Asgard.
Heimdall was briefly introduced to us in Journey Into Mystery #85, where we learned he was the Warder of the Bifrost. We are given the general sense that he is very good at his job and that almost nothing slips past him. However, we haven’t seen much evidence of that. Indeed, we’ve seen Loki fool him twice. In issue 88, Loki disguised himself as a snake to escape Asgard. In an ancient tale told in issue 101, young Loki created a hole in Asgard’s defenses without Heimdall realizing it.
We now learn the story of how Heimdall was awarded his post. The right to stand eternal watch at a station is not something I would have competed for, but Heimdall did. Agnar the Fierce and Gotron the Agile both presented their cases to Odin. But they could not compete with Heimdall’s heightened senses. He could hear a plant growing far away in hills thought to be barren, and his eyes that can scan time and space could see an approaching army of Storm Giants still two days away.
Featuring: Thor Release: March 3, 1964 Cover: May 1964 12 cents …only the inspired talent of Stan Lee could have written it… Only the gifted hand of Jack Kirby could have illustrated it!! Inked by: Chic Stone Lettered by: S. Rosen 13 pages
As with last month’s Tales of Suspense, this issue sees Thor take a more significant place on the cover. He gets his own logo, prominent on the cover, with the series’ title taking a subordinate position. “Journey Into Mystery with The Mighty Thor”. This is Thor’s comic now.
Thor has spent most of this series battling threats that really should be beneath his notice. Cobra with his slithering power? Finally, Thor’s mettle gets tested. In fact, it’s a test too great for him. He’ll need the help of Balder and his father Odin to overcome this threat.
The story begins soon after the end of the previous issue. Loki is chastising Enchantress and Executioner for their recent failure. If Enchantress could only have waited a few seconds to turn Executioner into a tree…
Those eyes.
We really need to talk about Loki. I mean, we already did, but it’s getting more confounding. Odin had sentenced him to eternal imprisonment. I really must stress the word “eternal”. But then suddenly Loki was seemingly Odin’s most trusted advisor. No explanation was offered. Loki manipulated the supposedly wise Odin into causing Thor’s most recent grief, both his battles against Zarrko and the Enchantress. Now, Loki not only convinces Odin to travel to Earth, but Odin lets Loki rule in his stead, and grants him extra power to do so.
Featuring: Tales of Asgard Release: December 2, 1963 Cover: February 1964 12 cents Written by: Stan Lee Drawn by: Jack Kirby Inked by: G. Bell Lettered by: Art Simek 5 pages
Forces of Evil are set to attack Asgard, but Heimdall stands vigilant. However, Loki has created a hole in Asgard’s defenses and somehow kept it secret from even Heimdall. He tricks Thor into thinking he discovered this gap, and suggests that Thor guard it. This leads to the young Thor having to battle the Forces of Evil alone.
Featuring: Thor Release: December 2, 1963 Cover: February 1964 12 cents Written by: Stan Lee Drawn by: Jack Kirby Inked by: G. Bell Lettered by: S. Rosen 13 pages
We are one week late reading this comic because it begins a two-part battle against Tomorrow Man. How this comic fits in with Thor’s appearances in Avengers is pretty complicated, and we’ll be addressing that in a later post.
I’ll remind readers that the Avengers really do have some urgent business to get back to. Both Hulk and Namor remain at large. It should also be noted that Giant-Man recently fractured his ankle, but seems better now.
Jack Kirby is back and here to stay. Perhaps he’ll be able to turn around what up to this point has been one of the worst comics. Perhaps not, as he was there for the earliest issues of Thor and they were still of low quality. But Stan Lee was also farming out the writing to a variety of people. Now, for the first time, Stan and Jack will be the team on this book, just like on Fantastic Four and Sgt. Fury. They’ve also reached the point in their working relationship where their “coplotting” of the stories likely involves Stan less and less. Kirby will be taking greater control of the storytelling going forward. We’ll see how it goes.
Now that Lee is scripting, there is a detectable difference in Thor’s speech patterns. Under other writers, he had slowly evolved from talking like he was Don to talking like he was Thor. Now, there’s a certain haughty regality to the language. Words like “naught”.
