Featuring: Wasp Release: November 6, 1963 Cover: February 1964 12 cents Story plot: Stan Lee Script and art: Larry Lieber Inking: G. Bell 5 pages
Wasp visits an orphanage to tell another sci/fi tale. The main plot about prisoners pursued by the Space Patrol doesn’t have too much going for it. But along the way, one convict lists some weird planets he was aware of. And those planets all represent some cool sci/fi ideas.
Featuring: Giant-Man and Wasp Release: November 6, 1963 Cover: February 1964 12 cents Written by: Stan Lee Illustrated by: Dick Ayers 18 pages
This story is 18 pages. They’d been seeming to have trouble filling 13, but 18 will be the new norm. The 5-page difference is made up for by the lack of a science fiction backup, save the tale the Wasp tells. An era is soon coming to an end.
While I mostly think of him and appreciate him as an inker, I’d like to note that Dick Ayers is a pretty solid draftsman in this issue. I complained recently about his Strange Tales work with George Roussos. But, inking himself, he gives a very clean take on these characters.
We meet the new Black Knight, Professor Garrett. He’d been a spy busted by Giant-Man. He fled the country to his castle in the Balkans. (Yes, another super-villain with a castle; at least this one’s in a part of the world with lots of castles.) He used his science knowledge to genetically engineer a winged horse and build a lance that has all kinds of weapons attached.
In particular, his lance can melt metal. Since that’s the only power of the Melter, the Melter would feel pretty useless if the two ever teamed up.
Featuring: Iron Man Release: October 8, 1963 Cover: January 1964 12 cents Written by: Stan Lee Illustrated by: Steve Ditko Inked by: P. Reinman 18 pages
Paul Reinman on inks. It’s not often Ditko gets an inker. He usually does his own finishes. His first Iron Man story had Don Heck doing “refinement”. I think that’s the only other time we’ve seen anybody else finishing Ditko. Paul Reinman has been inking the X-Men comics, so he may be here to help keep their faces on-model.
Once again, that weird note at the beginning; we’ve seen something similar in every crossover. Stan thanks the editors of X-Men for letting the characters appear. You are the editor, Stan. But there may be legal reasons for this. Martin Goodman played all types of crazy games with shell companies and such to save a buck here and there.
The idea is it’s all one continuity, one universe. That’s why we read these comics together. But we don’t know that any character is part of that continuity until they cross over. At first, crossovers were sparse. It was a while before there was any hint Iron Man and Thor might be in this world. Crossovers have become increasingly common. After only two issues of X-Men, we learn they are a part of this world. The main story is a battle between Iron Man and Angel, but all the X-Men and Avengers will also show up.
Featuring: Wasp Release: October 1, 1963 Cover: January 1964 12 cents Story plot: Stan Lee Script and art: Larry Lieber Inking: G. Bell 5 pages
Wasp finally gets her own solo adventures… the first female character to do so. And she’ll spend the series… reading science fiction stories to sick children.
Huh. Not exactly where I thought her character arc was going.
So far, she has shown an interest in men, makeup, and fashion. At least her interest in science fiction is less stereotypical.
Really, this is the same type of story that has been appearing in this series after the Ant-Man tales all along. Weird little science fiction shorts. We’ve been skipping most of them. But now they’re part of our superhero reading because the Wasp is narrating them.
Featuring: Giant-Man and Wasp Release: October 1, 1963 Cover: January 1964 12 cents Written by: Stan Lee Drawn by: Jack Kirby Inked by: Dick Ayers 13 pages
This continues the story of the previous issue. This is arguably the first real 2-part story we’ve seen. The Fantastic Four took two issues to defeat Dr. Doom in Fantastic Four #16–17. But as one encounter was in the Micro-World alongside Ant-Man, and the other was not, it could be argued those were two different stories, the main plot of issue 16 being resolved. Here, issue 50 clearly ended with a note the story was to be continued. Nothing was resolved. So that makes this something of a milestone within our reading.
Featuring: Giant-Man and Wasp Release: September 3, 1963 Cover: December 1963 12 cents Written by: Stan Lee Illustrated by: Jack Kirby Rendered by: Steve Ditko 23 pages
Kirby and Ditko is a rare and special combination. I think this is now the 4th time we’ve seen the combo.
Giant-Man gets a costume change, though less dramatic than the Iron Man one we just saw. Since he’s no longer Ant-Man, the ant logo is vestigial. He thus drops it in favor of some vertical stripes that resembles suspenders.
We get a major new villain, Human Top. For many characters, it’s obvious who their arch-nemesis is. Thor has Loki, the X-Men, Magneto. For Dr. Pym, it’s less clear. I had suggested it was Egghead, but a friend argued it was the Human Top. Both are contenders.
We learn Dave Cannon was born with super speed and the ability to whirl really fast like a top. This makes him a mutant as Professor X explained the term. Though this comic does not use that word.
Featuring: Avengers Release: September 3, 1963 Cover: November 1963 Written by: Stan Lee Drawn by: Jack Kirby Inking: Paul Reinman 22 pages
Cover box of the second issue matches the first. Wasp is still left out. Ant-Man has not yet been updated to Giant-Man.
Now that Ant-Man is Giant-Man, his strength is at least vaguely in the same class as the rest of his male teammates. The giant-formula has not been shared with his partner, the Wasp. And will not be any time soon.
Thor comments on Hulk’s outfit. We saw a similar exchange in Avengers #1½.
Featuring: Avengers Release: September 29, 1999 Cover: October 1999 250 cents Written by: Roger Stern (filling in for Stan Lee) Art by: Bruce Timm (filling in for Jack Kirby) 24 pages
The cover promised us a mystery villain, but I feel like the opening page spoils the surprise a bit by putting his name in the title. Even if I missed that clue, the villain would be revealed by page 3. Spoiler: It’s Doctor Doom.
Sorry, Tom. Nobody can really replace Irving Forbush.
Roger Stern is a nerd who grew up reading and obsessing over these same comics we have been reading, so the comic of course slides perfectly neatly into our continuity. It references stories we’ve recently read, and has all the characters right where they should be in their various arcs.
We reach the 100th story in our Marvel reading. Quite the milestone. And what a story it is. Coincidentally, the 100th Marvel Universe story, by my count, is Avengers #1. Did I plan it that way? No. Well, at least not exactly. Six different comics came out this very same day, and it was mostly up to me what order to read them in. The 100th story could just as easily have been X-Men #1 if I’d wanted. But I made that #99. Because.
[Big asterisk on the last paragraph. I have since edited my own reading order to make this story an unexciting story #94. But it was #100 when I first posted it. Now that honor goes to Journey Into Mystery #97]
And what a day for comics. The first Fantastic Four annual had Namor find his people and declare war on the surface world. That’s cool. Sgt. Fury met Reed Richards for the first time. That’s cool. The X-Men were introduced! We read the worst story yet as Thor battled Merlin. That’s… less cool. But overall an exciting day.
Including this. Really, what it’s all been building up to. Why I’ve been intermixing Thor and Iron Man stories, acting like they’re somehow connected even though they clearly haven’t been. This is the heart of it all. Five heroes we’ve been reading about team up. Also, the Fantastic Four show up for good measure.
And, as we’ve discussed, my first comic ever was an Avengers comic. So I’m excited to have reached this milestone.
Featuring: Fantastic Four Release: April 9, 1963 Cover: July 1963 12 cents Script: Stan Lee Art: Jack Kirby Inking: Dick Ayers 22 pages
I read this story in Fantastic Four Omnibus vol. 1.
Astute readers are noting that this comic is from April of 1963 and recall that we’ve been reading comics from May of 1963. So what gives? Why is this one here in the reading order? Am I even paying attention to what I’m doing?
Well, issue 17 will pick up right where 16 leaves off, and the battle with Dr. Doom basically continues from one issue to the next. So I thought it would be good to read the two stories together.
One other chronology note. This issue also came out a month before Ant-Man’s appearance in Tales to Astonish #46. Which would leave me inclined to put that story after this two-part adventure. However, Ant-Man rides a flying ant in this. He first meets a flying ant in his own comic in issue 46. Prior to that, he always catapulted places. That suggests to me this story fits best after Tales to Astonish #46, despite the publication dates.
He catapults to the flying ants, which he uses like skis.
Now you’re wondering how Dr. Doom can be in this story when you recall him shrinking to nothingness. I, too, was convinced we would never see him again. But it turns out he didn’t shrink to nothingness but ended up in a micro-world populated by micro-people.
Well, I guess I was wrong when I thought he was gone for good.
It turns out sentient life is all around us. We know now the stars are populated by many aliens, some as close as Saturn. We’ve encountered–let’s see, carry the one and… 10 alien races in these superhero tales.
Plus other races live in neighboring dimensions, under the sea, beyond the Rainbow Bridge… and there are at least four underground kingdoms.