wasp – Page 3 – Coke ⊕ Comics

Avengers #13

The Castle of Count Nefaria

Featuring: Avengers
Release: December 10, 1964
Cover: February 1965
12 cents
Rather exceptional story by: Stan Lee
Somewhat distinctive art by: Don Heck
Fairly compelling inking by: Dick Ayers
Moderately clear lettering by: Artie Simek
20 pages

Previous	#310	Next
Tales of Suspense #63, Story B	Reading order	Avengers #14
Avengers #12	Avengers	Avengers #14

The cover is pretty off for a Kirby composition. I’m pretty sure Count Nefaria is supposed to be manipulating the controls, but he looks passed out to me.

Solid opening splash page of the Avengers looking furtive near the wanted ad.

The story opens with Iron Man and Thor stopping a fur robbery. Honestly, that seems somewhat beneath them; I’d be more comfortable with such crimes being left to conventional authorities or more down-to-earth vigilantes.

Up to this point, there was no evidence the Avengers were proactively seeking out any types of crimes to stop. They responded to two global threats–the Lava Men and Kang. They occasionally seek out the Hulk to fight, but usually just wait for a villain to attack them. Villains in these stories tend to be much more proactive. But now we learn the Avengers have been actively fighting crime for a while now.

This story introduces the Maggia, an organized criminal organization, perhaps inspired by real-life Mafia.

Tales to Astonish #64

When Attuma Strikes!

Featuring: Giant-Man and Wasp
Release: November 3, 1964
Cover: February 1965
12 cents
Edited by smilin’ Stan Lee
Written by laughin’ Leon Lazarus
Pencilled by capricious Carl Burgos
Inked by peerless Paul Reinman
Lettered by sparkling Sam Rosen
12 pages

Previous	#296	Next
X-Men #9	Reading order	Sgt. Fury #14
Tales to Astonish #63, Story B	Tales to Astonish	Tales to Astonish #64, Story B

You’re correct, reader, that we have not finished Tales to Astonish #63 yet. We will get there. Hulk is involved in one big story, while Giant-Man and Wasp have shorter adventures which take place weaved around their Avengers adventures. It’s a tricky thing to negotiate. We’re not going to finish this comic right now either. We’ll come back to the Hulk story another day.

We get something new here. Leon Lazarus is not a name we’ve seen before. It honestly sounds a little made up. An alliterative name like that often turns out to be an alias in these stories. Especially with a biblical last name like Lazarus, a word common in superhero stories to describe effects that raise the dead (e.g. the Lazarus Pit used by Batman’s foe Ra’s Al Ghul).

And Stan Lee claims no writing credit. He’s been the sole credited writer on everything for the last year or so. And even when there were other credited scripters, Stan Lee claimed credit for the “story” or “plot” or such. This is the very first time in any Marvel Age story that Stan did not claim story credit.

Of course, Stan’s name still goes first in the credits, as the editor.

So who is Leon Lazarus? What is his real name? Why did he decide to start writing for Marvel now?

X-Men #9

Enter, The Avengers!

Featuring: X-Men
Release: November 3, 1964
Cover: January 1965
12 cents
Savagely written by: Stan Lee
Supremely drawn by: Jack Kirby
Superbly inked by: Chic Stone
Stoically lettered by: S. Rosen
20 pages

Previous	#295	Next
Avengers #12	Reading order	Tales to Astonish #64
X-Men #8	X-Men	X-Men #10

The cover promises the return of Professor X. He left the team in issue 7, leaving Cyclops in charge. We haven’t seen him since, except for a brief appearance in issue 8 where he and Cyclops have a telepathic chat. Anyway, now it’s issue 9 and we get the long-awaited return of Professor X.

Also, the X-Men meet the Avengers!

Of course, they fight.

Avengers #12

This Hostage Earth!

Featuring: Avengers
Release: November 10, 1964
Cover: January 1965
12 cents
Written in the Marvel manner by smilin’ Stan Lee
Illustrated in the Marvel tradition by dazzlin’ Don Heck
Delineated in the Marvel style by darlin’ Dick Ayers
Lettered in the nick of time by swingin’ Sam Rosen
20 pages

Previous	#294	Next
Journey Into Mystery #112, Story B	Reading order	X-Men #9
Avengers #11	Avengers	Avengers #13

Avengers. Mole Man. Let’s check it out.

Mole Man is plotting to conquer the world. Ants are the first to notice his schemes, and they warn Giant-Man who warns the Avengers who… don’t take the ants seriously.

Iron Man is rocking those roller skates!

The moral of the story is to take warnings from ants seriously.

Journey Into Mystery #112

The Mighty Thor Battles the Incredible Hulk!

Featuring: Thor
Release: November 3, 1963
Cover: January 1964
12 cents
A Stan Lee-Jack Kirby Marvel Masterwork!
Inking by: Chic Stone
Lettering by: S. Rosen
16 pages

Previous	#292	Next
Avengers #11	Reading order	Journey Into Mystery #112, Story B
Journey Into Mystery #111, Story B	Journey Into Mystery	Journey Into Mystery #112, Story B

Lee and Kirby seem to share top billing in the credits (Lee’s name first, of course) without breaking down who did what.

It’s interesting that they wanted Thor to battle the Hulk, but rather than have Thor battle the Hulk, they had Thor tell a story set in the past. Perhaps Hulk is too busy with the ongoing Leader Saga to be able to appear in Thor’s book. Stan is perhaps becoming aware his fans expect continuity and resorting to tricks not to break it.

Thor tells children a story when he sees them arguing over who is stronger: Thor or Hulk. Superhero fans have asked such questions for decades, and Stan had likely received more than a few letters asking the question. As he’s done before, he puts the fans’ queries–and the fans themselves– directly into the story.

I love the Hulk/Thor signs the kids made, and just how passionate and angry they all seem about this important question.

Thor’s tale is set in the middle of Avengers #3, expanding the story told then. Recall the Avengers battled Hulk and Sub-Mariner in Gibraltar.

Avengers #11

Spider-Man!

Featuring: Avengers
Release: October 8, 1964
Cover: December 1964
12 cents
Spectacular story by: Stan Lee
Incomparable illustrations by: Don Heck
Dazzling delineation by: Chic Stone
Lachrymose lettering by: Sam Rosen
20 pages

Previous	#291	Next
Tales of Suspense #62, Story B	Reading order	Journey Into Mystery #112
Avengers #10	Avengers	Avengers #12

Don Heck is still the artist, but this time with inks by Chic Stone. I think it’s the first time we’ve seen the combo. Stone is easily my favorite Kirby inker so far; their pairing has that very classic pop art feel. Paired with Heck, they do a passable job, certainly better than the last two issues with Heck/Ayers.

But nobody, not even Kirby, can get Spider-Man right. The cover would seem to prove me a liar, as it’s Kirby’s best take on Spider-Man yet. But that’s likely because it’s mostly Ditko. Nick Caputo examines the question of who drew what on the cover on his blog Marvel Mysteries and Comics Minutiae.

I think Heck has been doing fine work on Iron Man. Avengers is a bit harder because it’s got so many characters. And we’ve reached the point where Stan is “writing” everything, which means he’s mostly relying on the artists to come up with the stories themselves. I think Heck is a good artist but just struggled with the weight of it all. It doesn’t help that he’s being constantly compared to Kirby and Ditko in this era.

Tales to Astonish #63

The Gangsters and the Giant!

Featuring: Giant-Man and Wasp
Release: October 1, 1964
Cover: January 1965
12 cents
Sensationally superb story by: Stan Lee
Absolutely adorable art by: Carl Burgos
Incredibly imaginative inking by: Chic Stone
Logically lovable lettering by: S. Rosen
12 pages

Previous	#281	Next
Daredevil #5	Reading order	Amazing Spider-Man #20
Tales to Astonish #62, Story B	Tales to Astonish	Tales to Astonish #63, Story B

Giant-Man was the clumsiest superhero, but he’s been working really hard to improve that image, learning to shrink and grow really fast while practicing gymnastics.

Tales of Suspense #60

Suspected of murder!

Featuring: Iron Man
Release: September 8, 1864
Cover: December 1964
12 cents
Written by the king of comi-drama: Stan Lee
Illustrated by the master of panoramic spectacle: Don Heck
Inked by the prince of line design: Dick Ayers
Lettered by the sultan of shaky borders: Sam Rosen
13 pages

Previous	#273	Next
Fantastic Four #33	Reading order	Tales of Suspense #60, Story B
Tales of Suspense #59, Story B	Tales of Suspense	Tales of Suspense #60, Story B

Iron Man is suspected of murdering Anthony Stark! But how can that be when Iron Man and Stark are the same person!

The art team is Heck and Ayers. We recently saw their work on Avengers #9 and will soon see it on Avengers #10. I was not impressed with their Avengers work. They acquit themselves much better here, even when rendering the Avengers. The faces are clear and distinct. The lines are clean.

Here’s where we were. Iron Man’s heart problems have accelerated. He needs the constant flow of power from his suit to his heart. He cannot remove his suit even for a minute, lest he risk his heart giving out. This means he cannot appear as Tony Stark. He made some excuses as Iron Man for Tony’s disappearance, but Pepper and Happy are suspicious.

This story seems to take place pretty soon after the ending of last issue. Pepper and Happy are searching for Mr. Stark. We saw that Avengers #9 explicitly took place in the middle of all this, with Iron Man reflecting on Stark’s disappearance and Pepper and Happy’s suspicions.

Avengers #10

The Avengers Break Up!

Featuring: Avengers
Release: September 8, 1964
Cover: November 1964
12 cents
Story superbly written by: Stan Lee
Art adorably drawn by: Don Heck
Inked by darlin’ Dick Ayers
Lettered by stalwart Sam Rosen
20 pages

Previous	#275	Next
Tales of Suspense #60, Story B	Reading order	Journey Into Mystery #110
Avengers #9	Avengers	Avengers #11

The issue’s title is “The Avengers Break Up”. Yet, at no point in the issue do the Avengers appear to break up. Instead, characters go to great lengths repeatedly to explain the title via the dialogue. “Now that Thor’s over there and Iron Man’s across the room, it’s basically like they’ve broken up.”

The Heck/Ayers art looks much as it did last issue, which I see as a negative. I’ll give them credit for a couple nice panels. A trippy one of Immortus and an easy-on-the-eyes Enchantress.

We get a weirdly sexist moment in an era filled with weirdly sexist moments. I don’t know if I’m ready to claim it’s the worst, but it’s up there. Iron Man recommends giving Rick Jones a uniform and making him an official Avenger. “…why don’t we make his membership in the Avengers official, as the Wasp’s is…”

Tales to Astonish #62

Giant-Man Versus the Wonderful Wasp!

Featuring: Giant-Man and Wasp
Release: September 1, 1964
Cover: December 1964
12 cents
Written–as if you couldn’t guess by now–by smilin’ Stan Lee!
Drawn–and here’s a little twist for you–by capricious Carlos Burgos!
Inked–as if he knew what he was doing–by devestatin’ Dickie Ayers
Lettered–as though each syllable is a gem–by amenable Artie Simek
12 pages

Previous	#267	Next
Tales to Astonish #61, Story B	Reading order	Tales to Astonish #62, Story B
Tales to Astonish #61, Story B	Tales to Astonish	Tales to Astonish #62, Story B

The cover is vertically split between the two stories. This will be a common format for these shared titles. Hulk’s story comes first on the cover, but the issue opens with the Giant-Man and the Wasp tale.

Don’t think we’ve ever seen Dick Ayers referred to as Dickie before. Carlos Burgos is normally Carl Burgos, who we recall is the creator of the original Human Torch. He’s already shown up once in the Marvel Age to draw a story with the new Human Torch. Art sometimes does go by Artie.

Giant-Man has found a way to make plants grow, as well as humans. It’s a little confusing, as he was able to shrink a chair before he shrank himself. His original goal for the technology was to revolutionize shipping. Originally, it was a liquid he pored on something (an object or his skin) to make it shrink. Then he got it into pill form. Lately, he’s been able to use his cybernetic helmet to make both himself and the Wasp change size with his thoughts. His plant growth serum comes in the form of a spray. He thinks he can use it to help with agriculture and solve world hunger.