POSTLUDE: Marvel: Heroes & Legends #1

For Better and For Worse!

Featuring: Everybody
Release: August 21, 1996
Cover: October 1996
$2.95
Scintillating script by Stan Lee
Prurient plot by Fabian Nicieza
Pulse-pounding pencils by Sal Buscema, John Buscema, John Romita, Sr., Steve Ditko, Gene Colan, Marie Severin & Ron Frenz
Incredible inks by Tom Palmer, Joe Sinnott, Terry Austin, Bill Reinhold, Marie Severin & Al Milgrom
Kaleidoscopic colors by John Kalisz (with perfect page one and colossal cover coloring by Paul Becton)
Lascivious letters by Richard Starkings and Comicraft/ad
Effervescent edits by Matt Idelson
Aching assistant edits by Paul Tutrone
Evil editing-in-chiefing by Bob Harras
Very special thanks to: Mariano Nicieza, Darren Auck, Scott Koblish, Gil Kane, The Raiders, and the many terrific talents of the Mighty Marvel Bullpen
Based on Fantastic Four Annual #3 by Stan Lee and Jack Kirby
48 pages

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Just between us, Alicia– I’ve been ready ever since I met the man!

I’m not trying to include too many POSTLUDE entries, but don’t have a clear standard for when I do. Having a copy of the comic in my living room as opposed to in storage somewhere is a good motivator. Plus, I actively used this comic as a reference when making my Fantastic Four Annual post, in deciding who might have been present at the wedding but off-panel.

Heroes & Legends is a loving retelling of the wedding of Sue and Reed from 1996, by continuity nerd Fabian Nicieza with a rotating cast of classic artists and a script by Stan Lee.

We know Steve Ditko very well by this point. We’ve seen some early work of John Romita, but he’s just about to join our regular cast of artists. Gene Colan just started drawing Namor’s adventures. Marie Severin has been working behind the scenes, and we’ll see her artwork soon enough. We’ve already seen some artwork of her brother John. John and Sal Buscema will be shaking things up eventually, and Ron Frenz in the more distant future. We’ll see Tom Palmer soon enough. We’ve briefly met Joe Sinnott a couple times, but he’s just about to become a regular. I’d bemoaned he wasn’t the original inker on the annual. It came out just one month too early. The other inkers will be coming along later.

This tells the same story as the Fantastic Four Annual, but with over twice as many pages.

In a short while, we’ll also read Marvels #2, which includes yet another take on this wedding to contrast with these two takes.

We’ll compare the new comic to the original and note the artist on the new comic. The original art is all by Jack Kirby and Vince Colletta. As noted above, for everything but the first page, John Kalisz did the colors in the new one.

The opening page deliberately mirrors the original.

The big addition is a kid named Mark, a superhero fan who gets separated from his father in the commotion, and targeted by villains and saved by heroes. He serves as the centerpiece for this retelling.

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Fantastic Four Annual 3

Bedlam at the Baxter Building!

Featuring: Fantastic Four
Release: July 1, 1965
Cover: 1965
25 cents
Written by: Stan Lee
Drawn by: Jack Kirby
Inked by: Vince Colletta
Lettered by: Artie Simek
23 pages

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I now pronounce you man and wife! You may kiss your bride!

It’s the wedding of the century. Today’s the day. Half the Marvels have been invited! And the rest of them are turning up anyway!

This issue represents by far the largest gathering of heroes and villains yet, forever binding these disparate characters into a universe.

This issue represents the idea that there is no status quo, that these characters are at their best when they change and grow. Forward momentum is an essential ingredient to storytelling. Genuine, non-illusionary, change.

This is the most significant moment in the early Marvel Universe.

I think I’d have come up with a better title than “Bedlam at the Baxter Building”.

I wish Chic Stone or Joe Sinnott had been the inker. A few months too late to have Stone and one month too early to have Sinnott. Also, Colletta is uniquely suited to a long special issue with many characters because he’s famously expedient.

I appreciate that the headline takes for granted the public knows who Reed and Sue are without the need for surnames or superhero identities. The cover does the same for its audience.

Pretty cool this worked out to be the 400th story in our reading order. Currently on track to also have the 500th story be a particularly special issue of Fantastic Four as well. When we read Avengers #1, it was the 100th story, but then I went and retroactively mucked with the ordering.

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Fantastic Four #43

Lo! There Shall Be an Ending!

Featuring: Fantastic Four
Release: July 8, 1965
Cover: October 1965
12 cents
Daringly written by Stan lee
Dazzlingly drawn by Jack Kirby
Dramatically inked by Vince Colletta
Docily lettered by Artie Simek
20 pages

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You thought you were the equal of the Fantastic Four– and nobody is!

Another great cover, and showing off Kirby’s versatility. Last issue had a cover beautiful in its simplicity, focused on two men locked in combat. Now we see a lot of complexity, that intricate machinery Kirby is so famous for drawing, but where the complexity frames the emotion of a defeated Fantastic Four.

When we left off, the Frightful Four had brainwashed Ben and Johnny into joining them. Now it’s up to Reed and Sue to fight off 6 enemies and restore their teammates’ minds. The startling conclusion of a 3-part battle.

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Fantastic Four #42

To Save You, Why Must I Kill You?

Featuring: Fantastic Four
Release: June 8, 1965
Cover: September 1965
12 cents
Produced by: Stan Lee and Jack Kirby
Inking: V. Colletta
Lettering: S. Rosen
20 pages

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Fantastic Four #41Fantastic FourFantastic Four #43

I am to blame for what happened to him! I can never escape that responsibility!!

Pretty awesome cover.

Last issue ended with Thing about to kill a helpless Mr. Fantastic. Let’s see what happens.

While his back is glued to the board, Reed’s plan of attack is to expand his belly. I didn’t need super powers to be able to do that.

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Fantastic Four #41

The Brutal Betrayal of Ben Grimm!

Featuring: Fantastic Four
Release: May 11, 1965
Cover: August 1965
12 cents
Story by: Stan Lee, who has never lost his touch!
Art by: Jack Kirby, who has never lost his magic!
Inking by: Vince Colletta, who has never lost his flair!
Lettering by: Sam Rosen, who has never lost Artie Simek!
20 pages

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Fantastic Four #40Fantastic FourFantastic Four #42

You did this to me, Richards!! You turned me into somethin’ so ugly that they can only call me… a Thing!

I appreciate that they use Ben’s real name in the title, rather than his superhero name. It adds a certain something, though I suspect Stan did it for alliterative purposes: brutal, betrayal, Ben.

Notice this picks up right where the last issue left off, so no time has passed. Yet we’ve read 7 other comics in the meantime. The idea is all this stuff is happening close to concurrently.

Ben had been turned human again, but Reed felt they needed him to be super strong again to defeat Dr. Doom, so without permission, Reed fired a ray to turn him back into the Thing.

Ben is justifiably angry and quitting the Fantastic Four.

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Fantastic Four #40

The Battle of the Baxter Building

Featuring: Fantastic Four
Release: April 8, 1965
Cover: July 1965
12 cents
Spellbinding script by: Stan (The Man) Lee
Astonishing artwork by: Jack (King) Kirby
Inked by: V. Colletta
Lettered by: Artie Simek
20 pages

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Stan’s repeaing himself here. He used those same credits in Journey Into Mystery #107 the previous year. Stan (The Man) Lee. Jack (King) Kirby. Basically every comic has had a different nickname for the creators. These may be the first repeats. They are certainly the most famous and today recognized as the semi-official nicknames of the two creators.

Dr. Doom purloins Reed’s remote-control TV eye. Basically what we today would call a drone. Now readily available. Invented 60 years ago by Reed Richards. Reed refers to the drone as a “flying spotter”. Another invention Reed refers to is the “electronic stimulator”. I wonder if that resembles any modern devices?

We’ve seen Daredevil’s billy club has some neat tricks, like becoming a grappling hook. But now we see it’s a gun. That’s new.

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Fantastic Four #39

A Blind Man Shall Lead Them!

Featuring: Fantastic Four
Release: March 11, 1965
Cover: June 1965
12 cents
Splendiforious story by: Stan Lee
Delectable drawings by: Jack Kirby
Deliciious Delineation by: Frank Ray
Laconic lettering by: Artie Simek
20 pages

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I don’t normally post things on Sundays, so I had planned this for Monday. But today is April 10, 2022. And it just seemed too fitting not to post this today, in honor of the introduction of Dr. Doom, April 10, 1962. Here’s the post we did on his introduction almost 3 years ago.

So, happy birthday to the greatest comic book villain of all time. Let’s celebrate by reading his first truly great battle against the Fantastic Four, still one of the greatest Dr. Doom stories ever.

Just don’t mention his age to him. He’ll probably kill you. He can be a bit vain.


After a battle with the Frightful Four, the Fantastic Four were caught in a Q-bomb explosion and left for dead in the middle of the ocean. When we last saw them, it appeared as though Ben was turning human again.

To me, that’s a good excuse to jump straight to the next issue where they are getting dragged out of the water.

But we didn’t do that. We read another 35 comics in between the two. Why? Well, a lot was happening all at once. While they were still at sea, the Frightful Four showed up in Thor’s comic during the Trial of the Gods. That’s a whole thing. That tied into this Daredevil/Sub-Mariner battle as well as to this milestone Avengers issue where a new team of Avengers formed. That spun out of an X-Men story which happened before Human Torch showed up in the pages of X-Men. It’s tightly connected.

Obviously, the FF couldn’t be at sea that many days without the submarine finding them. They need water at some point. But it could have taken a bit of time to get back to their headquarters. And all the other superhero adventures must have elapsed in that time.

Frank Giacoia is the credited inker (under the pen name Frank Ray), but Wally Wood was brought in to ink Daredevil specifically, to ensure consistency with Daredevil’s look across the books.

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Fantastic Four #38

Defeated by the Frightful Four!

Featuring: Fantastic Four
Release: February 11, 1965
Cover: May 1965
12 cents
Writer: Stan Lee
Illustrator: Jack Kirby
Inker: Chic Stone
Letterer: S. Rosen
20 pages

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My sincerest apologies, faithful readers. Been a few weeks now since we covered the epic battle between the X-Men and the unstoppable Juggernaut. That’s life nonsense getting in the way of my priorities. Let’s pick up our reading with the Fantastic Four.

I’ve teased for years now that at some point this title goes from “good” to “transcendentally great”. The precise transition point is unclear and I’ve repeatedly noted some key issues that seemed to step up the quality. I feel like that transcendentally great era is now here. I could maybe hear an argument it begins with issue 44, but I feel like it’s here now.

We’ll talk about 44 when we get there, as there is a notable change that issue. This issue also represents a change. This is Chic Stone’s final issue of Fantastic Four.

Stone has inked the last 10 issues of Fantastic Four, and it’s now hard to remember the title without him. Prior, it had been Roussos or Ayers, and the difference is just night and day. The only standout prior to Stone was the couple issues inked by Joe Sinnott. (Hint, hint.)

The art popped under Stone. He highlighted the melodrama Kirby was infusing the stories with. He didn’t soften the exaggerations of Kirby’s faces or poses. He outlined them; he leaned in to just how over the top–and larger than life– Kirby wanted this all to be. And you see this across titles, just as evidently in the Thor stories, for example. The action and tension and emotion and drama are all just illustrated to the max under the Kirby/Stone collaboration. It will be sad to see him go.

This isn’t goodbye forever to Stone. He did a couple other titles this month we’re yet to read, and he has the odd cover or fill-in issue still to come. But here we bid goodbye to his work on Fantastic Four.

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Strange Tales #132

The Sinister Space Trap!

Featuring: Human Torch and Thing
Release: February 11, 1965
Cover: May 1965
12 cents
Edited with reckless abandon by: Stan Lee
Written with daring bravado by: Larry Ivie
Drawn with brash impetuosity by: Bob Powell
Inked with reckless vigor by: M. Demeo
Lettered with a soggy penpoint by: S. Rosen
12 pages

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Amazing Spider-Man #24Reading orderStrange Tales #133
Strange Tales #131, Story BStrange TalesStrange Tales #132, Story B

Dr. Strange gets a small box on the cover to acknowledge his story.

Yesterday was the 60th anniversary of the publication of Fantastic Four #1. Wish I could have timed my posts to have something better than this Human/Torch Thing story to celebrate with. So it goes. Happy birthday, Foursome!

Art by Alex Ross, inspired by Jack Kirby.

Lots to unpack from the credits page.

We’ve already met Mr. Demeo (Mike Esposito), as he also picked up inking on Iron Man this month.

Larry Ivie is a new name to us. He is an occasional comics writer and artist, and perhaps best known as a comics fan.

The blog, Professor H’s Wayback Machine, recently did a tribute series to Ivie’s work on his self-published fanzine, Heroes & Monsters.

This is the last we’ll see of Ivie for some time, but he’ll do occasional Marvel work here and there over the next couple decades.

Also unusual in the credits is a comic Stan Lee takes no writing credit on. This isn’t the first time, but it’s been a rare occurrence, and will become less rare. Stan still gets his name first in the credits somehow.

What we would today call editing is certainly a contribution that Stan makes to every one of these books, and not one to be taken lightly. The issues arise on the comics where he worked as an editor but credited himself as a writer.

Things are heating up in the Fantastic Four book, and there won’t be much space for solo adventures. So far, with only a few exceptions, Fantastic Four adventures have fit into a single issue, where one could easily imagine these Human Torch stories fitting in between the issues. But, as is the general trend these titles are taking, Fantastic Four stories are going to get more involved, with cliffhanger endings which lead us right into the next issue.

To that end, we’re going to knock out the next few Human Torch/Thing stories presently, getting us a little ahead with them. We’ll eventually revisit all these comics and read the Dr. Strange stories.

Thus subjecting myself and you to three of these in a row.

But there’s a light at the end of the tunnel…

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Fantastic Four #37

Behold! A Distant Star!

Featuring: Fantastic Four
Release: January 12, 1965
Cover: April 1965
12 cents
Written by Marvel’s inimitable Stan Lee!
Drawn by Marvel’s unmatchable Jack Kirby!
Inked by Marvel’s impeccable Chic Stone!
Lettered by Marvel’s unbearable Artie Simek!
20 pages

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We haven’t seen a cover quite like this one yet. The FF are far in the background, their drawings somewhat ill-defined. They appear to be on an alien planet, stepping out of a landing module. Closer to the foreground are two ominous, perhaps alien, figures. We only see the lower part of their bodies from the back. So they’re the focus but not the focus. The actual foreground is some type of rock wall, and we’re just viewing the action through a hole in that rock. The rock becomes a background to the issue’s title logo; the artwork up to this point has almost entirely avoided interfering with that logo. And we have a cool title, with a very classical sci/fi feel. “Behold! A Distant Star!”

Wedding preparations are continually running through the background of these stories now. Two issues back, Sue and Reed got engaged. Last issue was the engagement party. Now it’s time for the rehearsal dinner. In typical FF style, they’ll just make a quick jaunt to the far side of the galaxy.

Ben and Johnny are trying on their tuxedos. Reed’s new invention accidentally destroys Johnny’s tuxedo. Presumably it’s cheaper to buy two tuxedos than to try to make one from unstable molecules.

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