Tag: daredevil

Amazing Spider-Man #18

The End of Spider-Man!

Featuring: Spider-Man (for the moment)
Release: August 11, 1964
Cover: November 1964
12 cents
Written by: Stan Lee, author of “The Fantastic Four”
Illustrated by: Steve Ditko, illustrator of “Dr. Strange”
Lettered by: Sam Rosen, letterer of… “Patsy Walker”???
22 pages

Previous#259Next
Amazing Spider-Man #17Reading orderStrange Tales #126
Amazing Spider-Man #17Amazing Spider-ManAmazing Spider-Man #19

Check out that cover. Quite the contrast with pretty much every other superhero cover. The superhero is usually portrayed as tough, dramatically standing against the odds. In the worst case, the cover might show the villain winning, but the superhero remains defiant. This one has Spider-Man cowering and hiding from the villain.

In this story, Peter decides to quit being Spider-Man. He’s thought about it before, but he’s about to actually quit for the first time. It won’t be the last time, or even necessarily the most famous time. A similar story will get told and retold across decades of Spider-Man stories and even make its way into Spider-Man 2. (More directly, the film borrowed from Amazing Spider-Man #50, which borrowed from this issue.)

Note we’re reading this and the last issue together because they make a strong arc when read together. In terms of continuity, it has been weeks since the conclusion of the last issue, so it’s likely several other heroes’ adventures we’ve read occurred in the interim.

The story begins with everybody reacting to Spider-Man’s retreat: heroes, villains, people on the street… guy can’t run away from a single fight without everybody having an opinion. Ditko is great at people reacting to things.

Wasp notes that wasps and spiders are natural enemies. Always found that a weird thing to say. But she’s said it before and she’ll say it again; it’s an obsession of hers whenever the topic of Spider-man comes up.

This is an excellent comic for helping shape the nature of the relationship between Human Torch and Spider-Man. They’ve had some banter and conflict before, but also teamed up. A friendly rivalry. We saw how friendly last issue when Johnny attended the Spider-Man Fan Club meeting and then was quick to help Spider-Man against the Goblin. Now, he seems uncertain. He witnessed Spider-Man’s cowardice firsthand, but still wants to think better of his friend.

Continue reading “Amazing Spider-Man #18”

Daredevil #4

Killgrave, the Unbelievable Purple Man!

Featuring: Daredevil
Release: August 4, 1964
Cover: October 1964
12 cents
Sensational story by: Stan Lee
Awe-inspiring art by: Joe Orlando
Infallible inking by: Vince Colletta
Lots of lettering by: S. Rosen
22 pages

Previous#253Next
Journey Into Mystery #109, Story BReading OrderTales of Suspense #59
Daredevil #3DaredevilDaredevil #5

Daredevil still has that stupid hood sack thing to keep his civilian clothes. They had somehow taken a bad costume and made it even worse.

Fortunately, he’ll realize early in the issue that it’s impractical to the point of imbecilic and we’ll be rid of it.

This issue introduces Purple Man, who has the power to sap people’s wills and make them responsive to his commands. Only Daredevil seems resistant to his influence.

Continue reading “Daredevil #4”

Amazing Spider-Man #16

Duel with Daredevil

Featuring: Spider-Man
Release: June 9, 1964
Cover: September 1964
12 cents
Written by: Stan Lee, master of the spoken word
Illustrated by: Steve Ditko, dean of dramatic drawings
Lettered by: S. Rosen, sultan of sparkling spelling
22 pages

Let me start by wishing a happy birthday to Steve Ditko, who would have been 93 today had he not passed away in 2018.

Ditko has created a number of new villains for this series, while maintaining a generally pretty high quality (Green Goblin excepted). The team has only once borrowed a villain so far, when Spider-Man fought Dr. Doom in issue 5. This is the second time borrowing a villain, but they dig deeper, bringing back Ringmaster from Incredible Hulk #3 two years earlier. We’ve read over 200 comics since we last met Ringmaster and his Circus of Crime.

Aunt May still insists Peter accept a blind date with Mary Jane Watson. Peter makes the reasonable protestation that he has a girlfriend. May notes they are not engaged. Does May just not like Betty for some reason? On the other hand, it doesn’t necessarily have to be a date. Peter could just offer to hang out with Mrs. Watson’s niece as a favor to Aunt May. I feel like they could compromise here.

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Daredevil #3

The Owl, Ominous Overlord of Crime!

Featuring: Daredevil
Release: June 2, 1964
Cover: August 1964
12 cents
Written with raw realism by: Stan Lee
Illustrated with daring drama by: Joe Orlando
Inked with actual artistry by: Vince Colletta
Lettered with Perfect Precision by: S. Rosen
22 pages

Some like him and some hate him, but so far he’s the easiest inker to spot. None of the other inkers we are following do the crosshatching like Colletta.

Last issue, Orlando and Colletta gave us an unusual amount of background detail for the period. This issue gives less, as is the style of the time, likely induced by deadline pressure.

All that said, we get some good visuals from the art team, notably a trippy opening panel with a lot of eyes.

Last issue, Daredevil borrowed a villain from Spider-Man. He now gets his first super-villain of his own, the Owl. The Owl is the worst kind of super-villain: a Wall Street investor, described as a ruthless financial wizard. Also, he can fly and likes to trap his enemies in giant bird cages. Typical Wall Street guy.

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Daredevil #2

The Evil Menace of Electro!

Featuring: Daredevil
Release: April 2, 1964
Cover: June 1964
12 cents
Story: Stan Lee
Art: Joe Orlando
Inking: Vince Colletta
Lettering: S. Rosen
22 pages

The credits have two names that are new to us. Last issue was drawn by Bill Everett, who did an excellent job, but apparently also missed his deadline by a wide margin. Whatever happened, he was not invited back.

The artist is now Joe Orlando, who has been working in comics since the early ’50s, including occasional freelance work for Marvel. This is his first superhero work, previously drawing horror, western, and war comics, most notably for EC Comics. He worked in the comics field for many decades as artist, writer, and editor, most of that time with DC comics. As far as I can tell, this short stint on Daredevil is the last work he’ll ever do at Marvel.

Here’s a peek at some of the work he’d been doing in the previous 13 years.

Vault of Horror #9 (1951), Battle #47 (1956), Classics Illustrated #147 (1958), Mad #44 (1959)

Vince Colletta had been working as an artist for Marvel for about a decade, primarily on romance comics. He had recently moved toward inking. He will soon become a regular inker over Jack Kirby, and begin a very long run inking Thor. I believe this is also his first ever superhero work.

His work is not always loved by critics or his colleagues. He has a reputation for choosing professionalism over artistry. I see no evidence of this or any other flaw in this particular comic. I will caveat that I haven’t always the best eye for art, nor any particular talent for separating the contributions of the penciler from the inker when I look upon a page.

Here’s a sampling of his prior work.

Love Romances #44 (1954), Jungle Action #4 (1955), Love Diary #6 (1959), Kid Colt Outlaw #100 (over Kirby’s pencils, 1961)
Continue reading “Daredevil #2”

Ninth Day of Classic Comics Christmas

Daredevil and Captain America

See my initial post for the context. Suffice to say that I will be sharing my entries to the Classic Comics Forum tradition, “ Twelve Days of Classic Comics Christmas“. This is a cross-post of my ninth entry, representing #4 on my list of favorite comic book Crossovers.

4. Daredevil and Captain America
“Armageddon”
from Daredevil #233 (Marvel, 1986)

by Frank Miller and David Mazzucchelli

It also features the Avengers, but I decided to downplay that fact above, per the rules of this contest. Besides, most of the Avengers only show up for like a page. But oh what a page. “A soldier with a voice that could command a god… and does.”

Once the pill-popping psychopath with delusions of patriotism is subdued, then it’s up to Captain America and Daredevil to expose government connections to the Kingpin of crime, and trace the origins of Nuke all the way back to the experiment that once created Captain America.

Frank Miller had done a legendary run on Daredevil, which came to an end. He returned to the book a few years later for one more sprint, this time teamed with the legendary David Mazzucchelli. (The same team would later reunite for Batman Year One) Over the course of 7 issues, they tear Matt Murdock’s life apart, but leave him standing strong despite it all. This is their final issue. Kingpin has grown tired of his more subtle attacks on Daredevil and unleashed hell on New York.

For those keeping count, this is the 3rd Daredevil entry and second entry without Spider-Man.

Seventh Day of Classic Comics Christmas

Spider-Man and Punisher and Daredevil


See my initial post for the context. Suffice to say that I will be sharing my entries to the Classic Comics Forum tradition, “ Twelve Days of Classic Comics Christmas“. This is a cross-post of my seventh entry, representing #6 on my list of favorite comic book Crossovers.

6. Spider-Man and Punisher and Daredevil
from Ultimate Spider-Man #6-8

by Brian Michael Bendis and Bill Sienkiewicz

I could have made 12 choices just out of this series. Bendis brings great artists to draw Spider-Man teaming up with various heroes. Wagner for Wolverine. Allred for Iron Man. Mahfood for Fantastic Four. Totleben for Man-Thing (seems like a no-brainer).

I decided I would pick just one. This seemed to work. After all, it’s the great Bill Sienkiewicz. Sienkiewicz of course famously worked on Daredevil before, teaming with Frank Miller for the Love & War graphic novel. It’s good to see his return to the character.

Now, it stretches the rules of its own series. The Spider-Man part. The first issue bills itself as a Spider-Man/Punisher crossover, but it’s really a Punisher story. Spider-Man shows up on the last page, just kind of swinging around. The next part bills itself as Spider-Man/Punisher/Daredevil. But it’s really only got Daredevil in it. Spider-Man’s not even there, and Punisher finally meets Daredevil right at the end. They do all come together at the end, but Spider-Man provides only a twist by swinging blindly into a situation he doesn’t understand and messing things up. Spider-Man’s just a kid. He’s trying to do the right thing, but doesn’t know how. Daredevil has to be the adult in the room.

Mostly this is a Punisher story, introducing us to the Ultimate version of Punisher, which looks a lot like regular Punisher. This is his origin. He was a cop, the only incorruptible one on the force. So some corrupt cops murdered his family trying to kill him. Now he’s out for revenge.

Daredevil shows up to try to convince him that the best path for justice is through the legal system. And Spider-Man shows up to make a mess out of things.

Seventh entry. Seventh Spider-Man story. But they don’t HAVE to be Spider-Man crossovers…