Featuring: Dr. Strange Release: January 12, 1965 Cover: April 1965 12 cents Written in a stygian swampland by: Stan Lee Drawn in a dismal dungeon by: Steve Ditko Lettered in a conjuror’s castle by: Artie Simek 10 pages
…it is almost like the calm before a terrible storm!
We read the first half of this issue in June 2021 and wrote the following.
I must emphasize that the Dr. Strange story is one of the single greatest Marvel stories of all time, yet the Bouncing Ball of Doom is what gets spotlighted on the cover.
The first page almost serves as a cover, as is common for Ditko stories. The story really begins on the next page, which picks up exactly where the previous issue went off. I’ve seen arguments online that how well this reads if you just chop off the splash page chapter breaks means this should just be read as a 153 page graphic novel, perhaps the first graphic novel ever.
We saw this same servant of Mordo’s last issue. Ditko is good about using distinctive faces and taking care to repeat characters. Lee is often unconcerned about naming these repeat characters. This random dude will eventually get a name, and then weirdly get chosen as the lead villain in the first Dr. Strange film.
I appreciate how Ditko illustrates the espionage thriller, where Dr. Strange is furtively trying to escape detection.
Featuring: Dr. Strange Release: December 10, 1964 Cover: March 1965 12 cents Written by the nabob of the netherworld: Stan Lee Illustrated by the sultan of the supernatural: Steve Ditko Lettered by the overlord of the occult: Artie Simek 10 pages
Man. Remember when Ben and Johnny met the Beatles? Seems like a lifetime ago.
I have a grammatically annoying habit in these posts to confuse time with my tenses. Sometimes I speak as though the present is 2022, and sometimes I speak as though the present is 1964. I’m going to double down on that confusing habit.
Strange Tales #130 was released December 1964, and we read the first story, in which Ben and Johnny meet the Beatles, back in May 2021. It’s now November 2022, a good 18 months later we are finally finishing the comic. Wow.
In our last post, we read Avengers #20, from July 1965, a good 7 months after the release of Strange Tales #130. We’re going back in time 7 months and 18 months.
18 months ago, I wrote the following:
Dr. Strange finally gets the cover almost to himself… but we won’t be reading his story. As we’ve discussed, the plan is to take a break from Dr. Strange, but keep reading the Human Torch/Thing stories. The Dr. Strange stories have mostly been happy to be single short episodes that fit in 10 pages. The only exception has been the 2-part battle against Dormammu. But even that epic was only 20 pages, the length of a normal Fantastic Four or Spider-Man story. Not one to make incremental change, Ditko decided he needs 170 pages and 17 months to tell the next story.
We’ve been waiting a long time for this story. Over the months, I’ve occasionally reminded you of it, asked for patience, and hinted at just how much I love it. Let’s see if it was worth the wait.
We’ve already read the first stories from Strange Tales #130-136, finishing up the Human Torch/Thing stories and beginning the Nick Fury Agent of SHIELD stories, including the first two parts of the “Hydra Saga”.
We’ll now catch up on the Dr. Strange stories of 130-136, and then read the entirety of Strange Tales #137-141, which will finish off the Hydra Saga and bring us to a climactic moment and decent enough pausing point for the Eternity Saga. (By “decent enough pausing point”, I mean the issue will end with a bomb about to explode in Dr. Strange’s Sanctum Sanctorum. But decent enough.) We’ll then need to spend a bit of time catching up with the rest of the Marvel Universe before coming back to finish off the Eternity Saga, which runs through issue 146.
I think of this 17-part saga as the “Eternity Saga” or the “Dormammu/Mordo War”, or some mixing and matching of those words. There’s no real official name. A quick browsing of the internet suggests “Eternity Saga” is the most common name, and that’s anyway my preferred name, so we’ll call it that.
This spins out of Dr. Strange’s 2-part battle with Dormammu in issues 126-127. If you look to the Best We’ve Read, you’ll see both parts of that saga are presently in our top ten, though that list is about to get shaken up. Much of this 17-part saga will find its way to that page presently, so check out the bottom couple rows of entries while you can. They’ll be getting pushed off.
Prior to that Dormammu arc, we’d heard a lot of invocations with strange words in them. Vishanti. Agamotto. Hoggoth. Dormammu. It wasn’t that clear what these words referred to. They almost seemed like magic words like Abracadabra. With issue 126, we understood that Dormammu is a demonic sorcerer who rules the Dark Dimension. And that when Dr. Strange or Baron Mordo would invoke his name, they were literally calling upon him to lend them power. That Dr. Strange’s power might come from an evil demon seems a bit of hypocrisy.
In an adventure in the Dark Dimension, Dr. Strange met a pretty girl and faced off with Dormammu, whose power dwarfed his own. He won the day only because of Dormammu’s strange sense of honor. While evil, Dormammu does defend his own realm from the Mindless Ones, and Dr. Strange aided Dormammu against the Mindless Ones. Dormammu then felt obligated to not kill Dr. Strange. Honor and all that. Because his sense of honor is really strange, he has now sworn revenge on Dr. Strange for being in debt. Dr. Strange did Dormammu a favor, and now Dormammu must destroy him. Honor and all that. And while Dormammu swore not to attack Dr. Strange, he didn’t promise not to lend his power to Dr. Strange’s greatest enemy Baron Mordo so that Mordo could kill the good Doctor.
OK, maybe some mild spoilers above. I see the opening of the story does obscure just who it is Mordo is talking to. But it will be revealed by page 5 and this is a 170 page saga.
Given how long this saga is, you’d expect a bit of prelude. But we get basically one panel of Strange and the Ancient One doing their thing, the calm before the storm. By panel 3, the attack begins.
By page 3, the Ancient One has fallen, Mordo controls his temple, and Dr. Strange is on the run.
Featuring: Avengers Release: July 8, 1965 Cover: September 1965 12 cents Wham-Type script by Stan Lee Pow-type pencilling by Don Heck Zowie-type inking by Wallace Wood Rather nice lettering by Artie Simek 20 pages
There’s something about being an Avenger… that seems to get into your blood and never let go!
The creative team is almost never mentioned on the cover of these (or any) comics. This is certainly the first time we’ve seen the inker advertised. Stan knows he’s lucky to have Wally Wood, and perhaps already knows he won’t have him much longer.
We saw Wood inking Heck in Tales of Suspense #71, which comes out one month after this one. So this is properly their first collaboration.
The cover is a rare Kirby/Wood collaboration, and pretty awesome. A team I think many would like to have seen more work by.
We see a rare feat of teamwork for these new Avengers. They seem to be defeating the Swordsman when he disappears.
He finds himself in the lair of the Mandarin. Who wishes to destroy the Avengers, though he’s never met them*. His foe is Iron Man, who used to be an Avenger. And it follows that he must destroy these Avengers, which don’t include Iron Man. Because Iron Man is his foe. And… the Mandarin’s plans may just be too crafty for my little brain.
Featuring: Avengers Release: June 8, 1965 Cover: August 1965 12 cents Writer: Stan Lee Artist: Don Heck Inker: Dick Ayers Letterer: Artie Simek 20 pages
“Marvel Pop Art Productions”? This phrase started appearing on covers these last couple months. The letters page explains that fans object to these magazines being called comics, perhaps as that implies they are humorous and juvenile. So Stan is going to start calling them “pop art books”. I started reading these things about 25 years later and heard they were called comics, so I’m not sure this rebranding will stick.
Swordsman tries to join the Avengers but is rebuffed after a fight.
Featuring: Iron Man Release: August 10, 1965 Cover: November 1965 12 cents A study in splendor by Stan Lee, writer! A muse of majesty by Don Heck, artist! A glimmer of glory by Wally Wood, inker! A nice lettering job by Art Simek, bon vivant! 12 pages
Featuring: Captain America Release: June 8, 1965 Cover: September 1965 12 cents Script by: Friendly Stan Lee Layouts by: Frolicksome Jack Kirby Rendering by: Frivolous Dick Ayers Lettering by: Fearless Artie Simek 10 pages
Cedric, even if you care nothing for yourself or me– think of your country! You’re betraying us all!
Kirby does the layouts. He’s been doing a lot of that this month as he is over-stretched. Ayers is credited with the rendering. The difference from the previous issues with proper Kirby art really shows.
The plot here is that a scientist has a radiation experiment the Nazis can use to kill Captain America and Bucky. But it will only work if they are first helpless captives. At which point a gun would probably suffice.
Featuring: X-Men Release: November 4, 1965 Cover: January 1966 12 cents Story: Stan Lee Layouts: Jack Kirby Pencilling: Jay Gavin Delineation: Dick Ayers Lettering: Art Simek 20 pages
In my ignorance, my fear, I created an evil far greater than the menace it was built to destroy!
They are still tweaking the tagline. “The most mysterious fighting team of all time!” Usually, they are “unusual” instead of “mysterious”.
This issue is about the redemption of Bolivar Trask. But we see in the pull quote above, that he still doesn’t quite get it. He figures out that the Sentinels are worse than mutants, but the lesson should be that he was wrong to hate and fear all mutants.
Featuring: X-Men Release: October 5, 1965 Cover: December 1965 12 cents Writer: Smilin’ Stan Lee Designer: Jolly Jack Kirby Penciller: Jovial Jay Gavin Inker: Darlin’ Dick Ayers Letterer: Adorable Artie Simek 20 pages
We can only guard the human race by becoming its master! Humans are too weak, too foolish to govern themselves! Henceforth, we shall rule!!
We pick up with Trask a prisoner of the Sentinels he created to hunt mutants, with the X-Men laying futile siege to the Sentinels’ underground layer.
For a long while, the tagline had been “The most unusual teen-agers of all time!”. They’ve changed it, deemphasizing the youthful nature of the team, now referring to them as “the most unusual fighting team of all time!” This recalls the original tagline, “the strangest super-heroes of all time!” The regular tagline about teen-agers first appeared in issue 3.
The Beast is confused about Xavier’s capabilities, unsure where his confidence comes from.
Featuring: X-Men Release: September 2, 1965 Cover: November 1965 12 cents Stan Lee, D.S. (Doctor of Story) Jack Kirby, D.L. (Dean of Layout) Jay Gavin, M.A. (Master of Art) V. Colletta, B.I. (Bachelor of Inking) Artie Simek, T.O.L. (Tired of Lettering) 20 pages
The world must be shocked! The danger was never greater! We’ve been so busy worrying about cold wars, hot wars, atom bombs and the like, that we’ve overlooked the greatest menace of all! Mutants walk among us! Hidden! Unknown! Waiting–! –Waiting for their moment to strike! They are mankind’s most deadly enemy! For only they have the actual power to conquer the human race! Even as we speak, they are out there– scheming, plotting, planning– thinking we don’t suspect! But– there is still time to smash them! If we strike now!
We just read the wedding of Reed and Sue, followed by a retelling of the story form 1996. The retelling focused on a child named Mark caught up in the chaos. A child wearing a Fantastic Four t-shirt who idolized the superheroes, but was afraid of the X-Men, because they were mutants.
We’ll soon read Marvels #2, which will focus on this central dichotomy. The inspiration for Marvels #2 came from Kurt Busiek looking at the same continuity we are now. The X-Men attended a wedding, all seeming in good shape. But we know that the X-Men battled the Stranger and Juggernaut in a single day, and then were badly injured for a period of time. We further know, because Human Torch helped the X-Men battle Juggernaut, that the wedding had not yet occurred. As we read the coming issues, we will see the X-Men’s adventures leave them little space for a wedding after this issue.
The X-Men must attend the wedding within the pages of this issue. This issue affords them only a space of a couple days between getting their bandages removed and getting captured by the Sentinels. Thus we know very tightly when the wedding occurred.
The wedding was a big media circus. Celebrities like Tony Stark and Millie the Model were in attendance. The Fantastic Four fan club was outside cheering. It was front page news.
The Fantastic Four are celebrities and people love them.
On the days surrounding the wedding, Trask would go on the radio to talk about the mutant menace. And the public listened and took him seriously, and was sympathetic with his plan to create mutant-hunting robots to destroy the mutant scourge.
It’s a very strange dichotomy. The Fantastic Four gained their powers through cosmic accident. The X-Men were born with theirs, perhaps because their parents had been exposed to nuclear radiation. The “Children of the Atom”. That difference seems so insignificant, and yet, this is exactly how bigotry works.
We’ll explore this dichotomy further when we get to Marvels #2.
These continuity considerations and thematic contrast are why we’re reading this X-Men arc now, two months early. The FF wedding issue was released the same day as X-Men #13, which noted the wedding was “soon”. X-Men has been published bi-monthly, which doesn’t help. But we see on the cover that X-Men is now monthly, so we’ll have less alignment trouble in the future.
The issue opens with the X-Men recovering from the injuries left by the Juggernaut.
We see Professor X remind Beast not to think of “normal” humans as inferior. Probably they should find better language than to refer to one group of people as “normal”.
Featuring: Fantastic Four Release: July 1, 1965 Cover: 1965 25 cents Written by: Stan Lee Drawn by: Jack Kirby Inked by: Vince Colletta Lettered by: Artie Simek 23 pages
I now pronounce you man and wife! You may kiss your bride!
It’s the wedding of the century. Today’s the day. Half the Marvels have been invited! And the rest of them are turning up anyway!
This issue represents by far the largest gathering of heroes and villains yet, forever binding these disparate characters into a universe.
This issue represents the idea that there is no status quo, that these characters are at their best when they change and grow. Forward momentum is an essential ingredient to storytelling. Genuine, non-illusionary, change.
This is the most significant moment in the early Marvel Universe.
I think I’d have come up with a better title than “Bedlam at the Baxter Building”.
I wish Chic Stone or Joe Sinnott had been the inker. A few months too late to have Stone and one month too early to have Sinnott. Also, Colletta is uniquely suited to a long special issue with many characters because he’s famously expedient.
I appreciate that the headline takes for granted the public knows who Reed and Sue are without the need for surnames or superhero identities. The cover does the same for its audience.
Pretty cool this worked out to be the 400th story in our reading order. Currently on track to also have the 500th story be a particularly special issue of Fantastic Four as well. When we read Avengers #1, it was the 100th story, but then I went and retroactively mucked with the ordering.
