art simek – Page 25 – Coke ⊕ Comics

Fantastic Four #28

We have to fight the X-Men!

Featuring: Fantastic Four
Release: April 9, 1964
Cover: July 1964
12 cents
Written by: Stan Lee (The leader!)
Drawn by: Jack Kirby (The king!)
Inked by: Chic Stone (The master!)
Lettered by: Art Simek (The letterer!)
22 pages

Stan’s been doing “clever credits” for a while now, giving all sorts of nicknames to the creators. This one happens to be Kirby’s most famous nickname. He is generally known today as Jack “King” Kirby. This is the first time we’ve seen the “king” nickname in our reading. Can’t confirm whether it’s been used anywhere else before. This project began 20 years into Jack’s rather prolific career.

We turn now to the story, where the Fantastic Four and X-Men meet for the first time. (Well, Human Torch and Iceman had already met…)

We begin with a statue of Thing that has been sculpted by the brilliant Alicia, working by touch alone.

Strange Tales #122, Story B

The World Beyond

Featuring: Dr. Strange
Release: April 9, 1964
Cover: July 1964
12 cents
Written, with a touch of sorcery by: Stan Lee
Drawn, with a dash of necromancy by: Steve Ditko
Lettered, with a number 6 pen point by: Art Simek
9 pages

We finish up Strange Tales #122. A couple things to recall from last time. I actually own this comic. And Dr. Strange is now a corner box star.

Dr. Strange, exhausted from recent battles against supernatural evil, falls asleep without proper protective chants, which leaves him vulnerable to Nightmare. This is Dr. Strange’s third battle with Nightmare.

Tales of Suspense #55, Story C

The Sun-Stealer!

Featuring: Watcher
Release: April 9, 1964
Cover: July 1964
12 cents
Story plot: Stan Lee
Script + Art: Larry Lieber
Lettering: Art Simek
5 pages

The Watcher’s emotional state in the previous issue led me to conclude it was an ancient story of the Watcher’s youth. This story is clearly taking place closer to modern times, though still in the past. The Watcher has already set up shop on our moon, which he describes as his temporary domain; he will finally leave this home in Fantastic Four #13. The continents of Earth seem to be in their current position. He must already be an ancient being.

An alien plans to steal Earth’s sun to save his own world. The Watcher distracts him long enough to thwart his plans.

Tales of Suspense #55

No one escapes the Mandarin!

Featuring: Iron Man
Release: April 9, 1964
Cover: July 1964
12 cents
Written by: Friendly Stan Lee
Illustrated by: Faithful Don Heck
Lettered by: Fearless Art Simek
13 pages

For the second issue in a row, a comic I own in original form, because it was too hard to find the Watcher story in the back any other way.

The title is, “No one escapes the Mandarin!” Iron Man is currently a prisoner. Willing to bet money someone will escape the Mandarin by issue’s end. (In fact, someone will escape the Mandarin by page 3.)

I need everybody to agree on a couple points. Iron Man is a captive. He is tied up just like he was at the end of last issue. That’s the first point. The second is that he is wearing a different helmet than he was a moment ago. There is a clear lack of bolts down the face. Somebody explain.

Tales of Suspense #54, Story C

Hands Off!

Featuring: Watcher
Release: March 10, 1964
Cover: June 1964
12 cents
Story plot by: Stan Lee
Script + Art by: Larry Lieber
Inking: Chic Stone
Lettering: Art Simek
5 pages

As I mentioned in the last post, this is the first comic in our reading I actually own an original copy of. This story is the reason I have it. I had the Iron Man story already in the Essential Iron Man and Iron Man Omnibus. But at the time, nearly 20 years ago, I couldn’t find the Watcher story anywhere else. So I tracked down the original comic, shelling out several dollars for it, maybe as much as 7 or 8. Definitely more than the 12 cents it should have cost.

The Watcher is unusually passionate at the moment. I think of him as more reserved. Here, he plans to stick to his oath, but it torments him.

That makes me think this tale is set in very ancient times. The modern Watcher is a little more accepting of his role, and this tale takes place in his youth, when he struggled a bit more with his oath.

As I’ve expressed before, the Watcher’s conclusions about morality are wrong. It’s better to act. That said, they fascinate me. Especially stories like this that attempt to explore the morality of his oath.

Tales of Suspense #54

The Mandarin’s Revenge!

Featuring: Iron Man
Release: March 10, 1964
Cover: June 1964
12 cents
Written (in his magic Marvel manner) by: Stan lee
Drawn (in his famous flashing fashion) by: Don Heck
Lettered (in his smooth subtle style) by: Art Simek
13 pages

We reach a personal milestone for me in this reading. Up to this point, every story I’ve read, I’ve used some form of reprint, often a collection from one of their reprint lines like Marvel Masterworks, sometimes a later comic that happens to reprint the old story.

This comic I own. Cover barely hanging on, brown at the edges, but this is mine. That cover? That’s a scan of my copy. Most of the other covers have been taken from the GCD.

So that’s pretty exciting.

Now for the bad news. The Mandarin returns. Iron Man’s lamest villain yet (despite some stiff competition) is back for round 2.

Iron Man gets a new helmet. The face mask no longer protrudes out, making his head a smoother shape, and there are visible bolts along the mask. I get the bolts along where the facemask meets the helmet, but not sure what the ones down the middle are doing. They won’t be around long. In fact, they’ll disappear mid-story suddenly without any plausible explanation.

It’s a pretty weird look, frankly. It will be better when that middle line of bolts goes away.

Strange Tales #121, Story B

Witchcraft in the Wax Museum!

Featuring: Dr. Strange
Release: March 10, 1964
Cover: June 1964
12 cents
Written by: Stan Lee, King of Suspense
Drawn by: Steve Ditko, Master of the Macabre
Lettered by: Art Simek, Prince of the Lettering Pen
9 pages

I’ll include the cover with this post, as this is the first time the Dr. Strange story is given a significant piece of cover real estate.

I confess to a little bit of Mordo-fatigue. A full half of the Dr. Strange stories have pitted him against Mordo. As I start the story, I do a bit of a “Mordo again” sigh/eye-roll. But it’s actually a pretty good comic, as they tend to be.

Strange Tales #121

Prisoner of the Plantman!

Featuring: Human Torch
Release: March 10, 1964
Cover: June 1964
12 cents
Written in the sensational style of: Stan Lee
Drawn in the marvelous manner of: Dick Ayers
Lettered by: Art Simek
14 pages

Twenty issues in and this remains the most worthless series Marvel is publishing. The contrast in quality between this and Fantastic Four is mind-boggling, especially given that both are purported to be written by the same person. Basically, I’m reading these Human Torch stories so you don’t have to.

The most notable occurrence in this issue is that Dr. Strange actually gets a chunk of the cover real estate devoted to his story. He’s coming up in the world.

Anyways, Plantman returns. New costume. We finally learn his last name.

Amazing Spider-Man #13

The Menace of… Mysterio!

Featuring: Spider-Man
Release: March 10, 1964
Cover: June 1964
12 cents
Author: Stan Lee
Artist: Steve Ditko
Lettered by: Art Simek
22 pages

I love the web dissolving on the cover.

Spider-Man has turned to crime. He commits a robbery and then gets away by crawling a wall and using webbing. He must be guilty. Jameson was right all along.

Of course, there was the time the Skrulls convinced everybody the Fantastic Four had turned to crime. Or the time Thor was framed by Mr. Hyde. Or the two times Wizard impersonated Human Torch to frame him for crimes. Spider-Man himself has been framed for crimes now by Chameleon and the Fox. And Jameson accused Spidey of being Electro and of being in cahoots with almost every other villain. So maybe the public shouldn’t jump to any conclusions.

Sgt. Fury #7

The Court-Martial of Sergeant Fury

Featuring: Sgt. Fury and his Howling Commandos
Release: March 3, 1964
Cover: May 1964
12 cents
Powerfully written by: Ex-Sergeant Stan Lee
Brilliantly drawn by: Ex-Infantryman Jack Kirby
Inked by: Geo. Bell
Lettered by: Art Simek
22 pages

We’re losing track of time a little because we’ve already read four comics from March and even one from April, but we are now actually finished with February and officially starting our March reading with this issue. So let’s take a moment to see what else is going on in the comics world in March 1964.

Our reading began in 1961 with Fantastic Four #1. We haven’t been covering every Marvel title; we’ve skipped all the western and humor comics that predate FF#1. We’ve been reading parts of all the horror titles as they have slowly transitioned to being superhero titles. We’ve read every new series Marvel has put out since, all superhero comics except for this title, Sgt. Fury. A new Marvel title premieres this month, the first new title that will be outside our scope: Monsters to Laugh With. It’s a comic I’ve never read and don’t have easy access to. The comic uses actual stills from monster movies and adds humorous word balloons to them, for some definition of “humorous”. Taint the Meat has a good description of the series.

This month also sees a significant comic show up at the Distinguished Competition. Detective Comics #327 debuts the “new look” Batman with the now-famous yellow oval around the logo and a new style of storytelling to go with it. Upping their game a bit, perhaps to compete with Marvel.

But this is also a significant issue in the history of Sgt. Fury. As Jack Kirby bids the series goodbye. Now that he’s the regular artist on Thor, it makes sense that something had to give. But it’s too bad it’s this. I think this series has so far been Lee and Kirby’s best work, and Kirby seemed to have a real passion and enthusiasm for these characters and stories. I am sad to see him go.