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Strange Tales #153

The Hiding Place!

Featuring: Nick Fury, Agent of SHIELD
Release: November 10, 1966
Cover: February 1967
12 cents
Seldom-equalled editing by Stan Lee
Seldom-surpassed scripting by Roy Thomas
Seldom-lacking layouts by Jack Kirby
Seldom-rivaled rendering by Jim Steranko
Seldom-legible lettering by Artie Simek
12 pages

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Strange Tales #152, Story B	Reading order	Strange Tales #153, Story B
Strange Tales #152, Story B	Strange Tales	Strange Tales #153, Story B

The hour of Hydra has come at last– And nothing that the human race can do will cease our relentless march toward world domination!

Steranko takes on the cover solo, and does an impressive job. He probably won’t need Kirby’s handholding much longer.

Inside, it’s still the Kirby/Steranko art team, with the art seeming more and more Steranko each issue. What’s changed is the writer. Thomas has been the regular on X-Men and Sgt. Fury and occasionally filled in elsewhere. This is in that fill-in category. He won’t be a regular writer on this series.

We open in the barbershop. Not clear the status of it after the attack by AIM. Is it still a SHIELD base? Is it still secret?

We recognize the two agents working in the barbershop, but still haven’t learned their names.

Strange Tales #152, Story B

Into the Dimension of Death!

Featuring: Dr. Strange
Release: October 11, 1966
Cover: January 1967
12 cents
Truly hath Stan Lee authored yon awesome epic–
Verily hath Bill Everett such scenes depicted–
And, finally didst Artie Simek the lettering incribe!
10 pages

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Strange Tales #152	Reading order	Strange Tales #153
Strange Tales #152	Strange Tales	Strange Tales #153

I sense– a female!

I’d say this issue picks up where the last issue left off, but nothing happened last issue. Except that Clea was captured by Umar after a recap of the last 40 issues.

Everett’s depiction of Dark Dimension is fine, maybe even good. Maybe I’m just in a bad mood since Ditko left and am being unfair to Everett. I do appreciate Everett for his work on Sub-Mariner, Venus, and Daredevil… just not here.

Strange Tales #152

The Power of SHIELD!

The Power of SHIELD!
Featuring: Nick Fury, Agent of SHIELD!
Release: October 11, 1966
Cover: January 1967
12 cents
Script: Smilin’ Stan Lee
Layouts: Jolly Jack Kirby
Artwork: Jaunty Jim Steranko
Lettering: Adorable Artie Simek
12 pages

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Strange Tales #151, Story B	Reading order	Strange Tales #152, Story B
Strange Tales #151, Story B	Strange Tales	Strange Tales #152, Story B

So long as men such as you exist– men who are dedicated not merely to the cause of nationalism– but to international freedom– to global justice– so long will the lamp of liberty continue to burn bright– until men of good will, everywhere, put down their arms and come forth to reason together!

Once again, Kirby is on layouts with Steranko on art, but the character work looks more like Steranko this issue than last, perhaps suggesting looser layouts from Kirby.

Worth noting this will be Stan Lee’s final work on Nick Fury, Agent of SHIELD. He remains the editor, of course.

Last issue, Nick had escaped Hydra, but was unwittingly piloting their Overkill Horn. We pick up there this issue. Sitwell is in charge of SHIELD, and manages to destroy the Horn, fearing he has killed Fury in doing so. But Nick gets free.

Strange Tales #151, Story B

Umar Strikes!

Featuring: Dr. Strange
Release: September 8, 1966
Cover: December 1966
12 cents
Script by Stan Lee, defender of the faith!
Art by Bill Everett, keeper of the flame!
Lettering by Artie Simek, printer of the word!
10 pages

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Strange Tales #151	Reading order	Strange Tales #152
Strange Tales #151	Strange Tales	Strange Tales #152

By the Demons of Darkness! By the oath I now speak! Umar commands– reveal what I seek!

At the end of last issue, we briefly met Dormammu’s sister Umar.

Given how weird and cool Dormammu looked, it’s disappointing to see his sister look just like a human woman. You can try to explain it off as these beings having amorphous forms or such. But it mostly seems like a failure of creativity and design.

Strange Tales #151

Overkil!

Featuring: Nick Fury, Agent of SHIELD
Release: September 8, 1966
Cover: December 1966
12 cents
Script: Smilin’ Stan Lee
Layouts: Jolly Jack Kirby
Illustrations: Jaunty Jim Steranko
Lettering: Adorable Artie Simek
Hood laundering: Irate Irving Forbush
12 pages

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Tales of Suspense #85, Story B	Reading order	Strange Tales #151, Story B
Strange Tales #150, Story B	Strange Tales	Strange Tales #151, Story B

So you’re the guys who’re gonna take over the world, huh?

A new name in the credits. Who is this Jim Steranko on the art over Kirby’s layouts?

He had apparently dabbled in comics briefly in 1957, but I have no examples of that. His first work came out for Harvey just three months earlier. He co-created several adventure heroes for them like Spyman. And perhaps contributed to varying degrees to the stories.

Per The Comics Journal, some of this work such as in Double Dare Adventures is illustrated by Steranko.

Either way, he’s new to comics. This is a pretty big assignment for a rookie. Let’s see if he makes anything of himself.

Fantastic Four #56

Klaw the Murderous Master of Sound!

Featuring: Fantastic Four
Release: July 7, 1966
Cover: November 1966
12 cents
Produced by: Stan Lee and Jack Kirby
Delineated by: Joe Sinnot
Lettered by: Artie Simek
20 pages

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	PRELUDE	Marvel Mystery Comics #2
Fantastic Four #55	Reading order	Fantastic Four Annual 4
Fantastic Four #55	Fantastic Four	Fantastic Four #57

Our biggest problem seems to be keeping the somewhat disoriented Marvel Universe in some semblance of order! But, when you constantly mess around with space/time warps, and continuums, negatives zones, intra-cosmic deviationary fields, and universes beyond the reached of infinity, you’re apt to get a little bit confused! So bear with us, erudite one, for verily thou hast the seeming of a true believer!

Two notes about the credits. The first is that there are two Ts in Sinnott.

The second is that the credits will stop specifying Stan Lee as the writer, when Kirby is doing most of the writing. The compromise is the nebulous “produced by” credit. Ditko had fought for a similar credit in his comics before leaving.

Sue is upset that Reed is always working, and not spending enough time with his wife. Not the first time we’ve seen this complaint.

Reed has all kinds of fancy technology, including a visi-phone which connects to his lab. Wow. A visi-phone. Imagine being able to talk to someone remotely and see them at the same time!

Eh. I’d rather just send a text.

Tales to Astonish #87, Story B

The Humanoid and the Hero!

Featuring: Hulk
Release: October 11, 1966
Cover: January 1967
12 cents
Story: Smilin’ Stan Lee
Art: Big John Buscema
Inks: Mighty Mickey D.
Lettering: Adorable Artie S.
10 pages

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Tales to Astonish #87	Reading order	Tales to Astonish #88, Story B
Tales to Astonish #87	Tales to Astonish	Tales to Astonish #88

“Have you gone mad?”
“I hope so! It’s what I’m counting on!”

Every issue has a nickname for these creators. I claim the most enduring for Lee is Stan (The Man) Lee. Though I might guess that in our reading so far, Smilin’ Stan Lee is the most common nickname.

This is only John Buscema’s second month in his return to Marvel, and Stan has already found the nickname that will stick. Big John Buscema is the one I most associate with him.

Adorable Artie is also one of the more common ones. Stan loves his alliteration.

We left Hulk in Manhattan battling the Leader’s Hulk-Killer Humanoid. The Secret Empire is defeated. Boomerang is still up to stuff.

Tales to Astonish #87

Moment of Truth!

Featuring: Prince Namor the Sub-Mariner
Release: October 11, 1966
Cover: January 1967
12 cents
Story: Stan (The Man) Lee
Illustration: Wild Bill Everett
Lettering: Adorable Artie Simek
12 pages

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Tales to Astonish #86, Story B	Reading order	Tales to Astonish #87, Story B
Tales to Astonish #86, Story B	Tales to Astonish	Tales to Astonish #87, Story B

Rise, my lady! Let your head be lifted– avert not your eyes! From this moment forth–by imperial decree– the Lady Dorma may never again kneel in the presence of her liege! She stall stand at my side–with all due honor– as one who shall someday be princess of the realm! –As one who is truly a peer! And, know you, my lady– whatever befalls– the gratitude– the trust– and the heart of your prince shall be yours– while Atlantis endures!

Big day for Bill Everett, creator of the Sub-Mariner. He had half-returned to his creation, supplying finishes to other artists’ pencils. But starting this issue, he becomes the regular artist on the character who in any world with sensible laws would have belonged to him all along.

We’ve been following not quite a story, but let’s call it a sequence of events that has propelled us from issue 77 to here. Across 11 issues, Namor has had a lot of misadventures unified by the scheming of Krang, and his kidnapping of Dorma, which Namor mistook for Dorma’s betrayal. It finally comes to and end, and we can put Namor’s arc down for a while.

Krang and Dorma have been captured by the military. Krang’s serum has worn off, revealing their blue skin, and leaving them unable to breathe on land. Namor comes to them, but the military has a trap for him. Because they blame Namor for Krang’s flooding of Manhattan.

Tales to Astonish #86, Story B

The Birth of… The Hulk-Killer!

Featuring: Hulk
Release: September 1, 1966
Cover: December 1966
12 cents
Superlative script: Smilin’ Stan Lee
Ameliorative art: Jovial John Buscema
Imaginative inks: Mirthful Mickey Demeo
Lucrative lettering: Adorable Artie Simek
10 pages

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Tales to Astonish #86	Reading order	Tales to Astonish #87
Tales to Astonish #86	Tales to Astonish	Tales to Astonish #87

Though I’ve lived as the monstrous Hulk– I’ll die as Bruce Banner– I’ll die as– a man!

John Buscema still on art.

The Secret Empire stands defeated, but their agent Boomerang remains at large. The Orion Missile is heading for New York. Hulk leaped at the missile, and somehow this calmed him down. So now Bruce Banner is riding a missile.

The transformation here is really badly storyboarded; just Bruce one panel and Hulk the next. Stan compensates with narration to make up for the artistic failings. Come on, Big John!

Tales to Astonish #86

The Wrath of Warlord Krang!

Featuring: Prince Namor, the Sub-Mariner
Release: September 1, 1966
Cover: December 1966
12 cents
Story by Smilin’ Stan Lee
Pencilling by Merry Jerry Grandenetti
Inking by Wild Bill Everett
Lettering by Adorable Artie Simek
12 pages

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Tales to Astonish #85, Story B	Reading order	Tales to Astonish #86, Story B
Tales to Astonish #85, Story B	Tales to Astonish	Tales to Astonish #86, Story B

But, not even a prince of the blood can possess patience without limit!

Grandenetti is a new name to us, and really to me as well. This is one of very few Marvel works; we’ll see him again on Sgt. Fury in the near future. He got his start assisting and ghosting for Will Eisner on The Spirit and has been working comics at DC since the early 1950s, focused on war comics, and has lately started to do some side work for Warren, Charlton, Tower, and apparently Marvel at least once, sometimes ghosting for Joe Orlando. Here’s a sampling of his art.