art simek – Page 2 – Coke & Comics

Amazing Spider-Man #39

How Green Was My Goblin!

Featuring: Spider-Man
Release: May 10, 1966
Cover: August 1966
12 cents
Script: Smilin’ Stan Lee
Art: Jazzy Johnny Romita
Inks: Mighty Mickey Demeo
Lettering: Adorable Artie Simek
20 pages

Previous	#533	Next
Fantastic Four #53	Reading order	Amazing Spider-Man #40
Amazing Spider-Man #38	Amazing Spider-Man	Amazing Spider-Man #40

And so, at long last– The Green Goblin will introduce himself– Take a look, Parker– a good, long look– It’s the last face Spider-Man will ever see– It’s the real face of the Green Goblin– the face of [SPOILER REDACTED]

Steve Ditko has officially left Marvel, which won’t leave me with too many other excuses to bring up Steve Ditko. However, this is the first issue of Spider-Man to not be drawn by Steve Ditko. Which is a fine excuse for bringing up Steve Ditko.

Which is good, as Rolling Stone just put out this piece on the man’s life, based on interviews with relatives, and I’m happy to have an excuse to share it: https://www.rollingstone.com/culture/culture-features/steve-ditko-spider-man-life-legacy-1235047781/

Among those interviewed was Steve’s younger brother, Patrick Ditko, who passed away just last month.

I’ve made no secret how much I love Steve Ditko’s work on Amazing Spider-Man, and have spent this blog clumsily trying to explain why over 38 issues worth of posts. Perhaps this characterization of Spider-Man from the Rolling Stone article gets to the core of how I see myself reflected in the character.

He lacked social skills.

A more charitable interpretation of my own character is perhaps found in their characterization of Steve Ditko as a man…

…who never fit into social norms, yet cultivated thriving relationships.

They go on.

Similar to how Peter Parker never lets loved ones get too close for fear it would put them in danger, Ditko compartmentalized his life, keeping work and family distinct to retain some power in a world that overwhelmed him. And the same way Spider-Man’s neuroticism makes him amazing, the traits that people marginalized Ditko for are what transformed comics forever.

…he had much more in common with his most popular co-creation, Spider-Man, especially his alter ego, Peter Parker. They had the same lanky build. Same comb-over. Same thick glasses. Same bumbling social skills. Ditko’s senior-yearbook photo could have been Parker’s. With their collared shirts and slacks, it looked as if they shopped at the same clothing store —

The late comics retailer Bob Beerbohm assembled this high school photo of Ditko next to high school Peter Parker. Perhaps there is a lot of Ditko in Peter.

So what then is Spider-Man without Steve Ditko? Is the series over?

In some sense, it is plainly not. We have here issue 39. Stan Lee continues to write the comic and has found a new artist to draw it (and probably soon to do most of the writing as well).

If issue 38 was the ending, it wasn’t a clean one. Lots unresolved. Betty is missing. Gwen and Peter are growing closer. Norman Osborn is up to some shady stuff. We never learned the secret of the Green Goblin.

Some say the reason Ditko left Spider-Man is because he and Stan disagreed over the secret of the Green Goblin. We’ll reflect on that at the end of the post.

For now, let’s see what life after Ditko looks like for the Amazing Spider-Man.

John Romita is on art. Unlike Ditko, he tends to draw good-looking people. His career in advertising taught him well to draw good-looking people.

Fantastic Four #53

The Way It Began..!

Featuring: Fantastic Four
Release: May 10, 1966
Cover: August 1966
12 cents
Script: Stan Lee
Art: Jack Kirby
Inks: Joe Sinnott
Lettering: Artie Simek
Native Dances: The Ballet Forbush Terpsichorean Troupe
20 pages

Previous	#532	Next
Fantastic Four #52	Reading order	Amazing Spider-Man #39
Fantastic Four #52	Fantastic Four	Fantastic Four #54

From this moment forth– I live with but one thought– one aim– one goal!! This deed must be avenged! Klaw shall pay– in full measure! I shall be as strong– and as fearless– as the sacred Black Panther!! This do I swear to T’Chaka– my father who is no more!

I’m sure my highly literate readers don’t need me to tell that that terpsichorean means “referring to dancing”. It’s obviously not a new word to me either, as I’ve read this comic plenty of times before. But this was the first time I bothered to look it up.

Thing is perplexed by the contrast between the advanced scientific gizmos and the primitive customs. Perhaps he should reflect on what it means to be primitive. Maybe he is the primitive one?

X-Men #23

To Save a City

Featuring: X-Men
Release: June 2, 1966
Cover: August 1966
12 cents
Edited in ecstacy by Stan Lee
Written in rapture by Roy Thomas
Drawn in delight by Werner Roth
Delineated in depth by Dick Ayers
Lettered in a lawn-chair by Artie Simek
20 pages

Previous	#529	Next
	POSTLUDE	Marvels #3
X-Men #22	Reading order	Daredevil #18
X-Men #22	X-Men	X-Men #24

It is only in this form, in which I have no solid substance, that I can know anything like the thrill of walking again!

Werner Roth had been referring to himself as “Jay Gavin” these last several issues. But now he’s ready to use his real name in the credits.

We pick up where last issue left off, with the X-Men prisoners of Count Nefaria and the new Maggia, with lieutenants picked from an assortment of titles.

Now Nefaria executes his plan, holding Washington DC hostage, blackmailing America, and framing the X-Men.

X-Men #22

Divided– We Fall!

Featuring: X-Men
Release: May 3, 1966
Cover: July 1966
12 cents
Editor emeritus: Stan Lee
Script by: Roy Thomas
Art by: Jay Gavin
Inking by: Dick Ayers
Lettering by: Artie Simek
Colosso by: Irving Forbush Robotics, Inc.
20 pages

Previous	#528	Next
Sgt. Fury #31	Reading order	X-Men #23
X-Men #21	X-Men	X-Men #23

And, we did it as a team! No one of us could have done it alone!

The cover shows quite the assemblage of super-villains, with the X-Men reduced to floating heads.

As noted before (such as in the last X-Men arc), I find it interesting when super-villains treated as major threats upon their debut get relegated to henchman status. This starts to get them categorized as miscellaneous villains, but at least keeps them from being forgotten.

The story begins in the Danger Room, the most common place for an X-Men story to begin, then as now. Professor X has created a robot named Colosso for the X-Men to fight. And the robot was created to teach a very particular lesson. He can counter all the powers of the individual X-Men, but they can beat him as a team.

X-Men #21

From Whence Comes… Dominus?

Featuring: X-Men
Release: April 5, 1966
Cover: June 1966
12 cents
Exemplary editing by: Stan Lee
Extraordinary writing by: Roy Thomas
Exceptional art by: Jay Gavin
Exhilarating inking by: Dick Ayers
Exasperating lettering by: Artie Simek
20 pages

Previous	#526	Next
X-Men #20	Reading order	Sgt. Fury #31
X-Men #20	X-Men	X-Men #22

We are now preparing to engage the enemy in his own lair– and it is always there that he is most dangerous!

Porter Mack runs the local dude ranch and thinks there may be a reward if his men capture the X-Men.

They are outmatched.

This is an example of the anti-mutant sentiment, which would make a better focus for these stories than alien invasions.

X-Men #20

I, Lucifer

Featuring: X-Men
Release: March 3, 1966
Cover: May 1966
12 cents
Expertly edited by: Stan Lee
Skillfully scripted by: Roy Thomas
Perfectly penciled by: Jay Gavin
Ideally inked by: Dick Ayers
Laxly lettered by: Artie Simek
20 pages

Previous	#525	Next
Sgt. Fury #30	Reading order	X-Men #21
X-Men #19	X-Men	X-Men #21

As usual, a mob seldom makes the right decision!

With this issue, Roy Thomas takes over as regular writer on The X-Men, a position he will hold for the next two years. Some sources suggest Stan gave a writing assist on this and the next issue, but Stan is only credited as Editor. (Of course, even as editor, Stan’s credit goes first.)

It begins with fake X-Men, villains seeking to ruin their reputation.

As Mark had previously noted in comments, you can spot the villains by the smoking of cigarettes.

Heroes smoke pipes.

Avengers #31

Never Bug a Giant!

Featuring: Avengers
Release: June 9, 1966
Cover: August 1966
12 cents
Story: Smilin’ Stan Lee
Art: Dazzlin’ Don Heck
Lettering: Adorable Artie Simek
Bugle calls: Honest Irving Forbush
20 pages

Previous	#523	Next
Avengers #30	Reading order	Sgt. Fury #30
Avengers #30	Avengers	Avengers #32

Soon, my limbs shall be swifter than ever before– while your hex power once again shall dazzle and defeat your enemies! All we need is patience, my sister– and an unaltering faith!

The Avengers are off to South America to save Goliath. And presumably will be here when Galactus attacks.

Hawkeye now likes Captain America, but still dislikes orders. As do I, Hawkeye. As do I.

Wasp recalls how they all used to share the command. It’s the first time they’ve really addressed this change. The original team had rotating chairs. The new team had Captain America as permanent leader. Given this, Hawkeye’s annoyance was understandable.

Amazing Spider-Man #38

Just a Guy Named Joe!

Featuring: Spider-Man
Release: April 12, 1966
Cover: July 1966
12 cents
Written and edited by Stan Lee
Plotted and drawn by Steve Ditko
Lettered, unfettered by Artie Simek
20 pages

Previous	#521	Next
Strange Tales #146, Story B	Reading order	Avengers #30
Amazing Spider-Man #37	Amazing Spider-Man	Amazing Spider-Man #39

Goodbye, Steve!

We come at last to the final Steve Ditko Spider-Man story. We just saw the final Steve Ditko Dr. Strange story. One thing they have in common is awful covers. My best guess is Ditko had resigned before turning in a cover for either. So like the Dr. Strange cover, this cover is cut and paste from Ditko’s artwork within the issue.

Here are the interior panels the cover cribs from:

I’ve been pretty clear that the saga of the Amazing Spider-Man as told by Stan Lee and Steve Ditko is basically my favorite story ever. I won’t belabor why any further than I have in the posts on the last 37 issues.

I’d also been pretty clear that I thought that story ended extremely well with issue 33. And that these last 5 issues represent a step down in quality, and a story that no longer seems to be going anywhere in particular.

I find it unfortunate that that was not Ditko’s final issue of Spider-Man. As the man says, it’s better to burn out than to fade away. I wish he’d gone out at the top of his game.

That excellent climax of the Spider-Man saga came out the same month as the excellent climax of the Dr. Strange saga in Strange Tales #141. Both series then went at the same time into a phase I’ve described as “spinning their wheels”. Where any of the next 4 months of issues could have been removed with minimal consequence. Ditko had one more great Dr. Strange story in him, a final confrontation between Dormammu and Eternity.

Does he have one more great Spider-Man story in him?

It’s worth nothing that the last several issues have not been bad and they have their charms. Despite the small number, this phase can actually be broken into two subphases. Issues 34-35 pit Spider-Man against returning foes, Kraven and Molten Man respectively. Some minimal advancement to the romantic supblots surrounded by action that is well told, but not adding much to Spider-Man’s previous encounters with these villains.

Issues 36-38 take a different tactic. They all introduce new villains, none of whom will become the iconic villains that the rest of the series had introduced. But all are interesting in their own right, and all have stories that center around them. Spider-Man becomes almost a secondary character, as we get to know the Looter and the Robot Master.

And they’re actually good comics, taken on their own terms, and not compared to the expectation of Spider-Man comics we’d developed over the previous 4 years of stories. Just offbeat tales about some offbeat characters who run into Spider-Man, tales that function more as satire than drama.

This falls into that mold. The story, Ditko’s final Spider-Man story, isn’t really about Spider-Man. It’s about this guy named Joe.

Strange Tales #146, Story B

The End– At Last!

Featuring: Dr. Strange
Release: April 12, 1966
Cover: July 1966
12 cents
Edited by the enchanter– Stan Lee
Penciled + inked by the prestidigitator– Steve Ditko
Scripted by the sorcerer– Dennis O’Neil
Lettered by the letterer– Artie Simek
10 pages

Previous	#520	Next
Strange Tales #146	Reading order	Amazing Spider-Man #38
Strange Tales #146	Strange Tales	Strange Tales #147

Human eyes have never witnessed such a struggle!

We recently described Fantastic Four #50 as the most disappointing cover yet. This may top it. Again, just compare the cover of the issue to the first page of the issue and see the contrast.

This is sad because it’s Ditko’s last Dr. Strange story, and because Dr. Strange has been snubbed from the covers of Strange Tales for the entire run. Even more insulting because the spotlight was instead given to the inferior Human Torch stories. The one time Dr. Strange was finally given the cover spotlight, Kirby, not Ditko, was assigned to draw it.

So here we are, Ditko’s final issue of one of the greatest superhero runs in history and finally we seemingly get our very first Ditko Dr. Strange cover. Except it’s a lie.

That is a Ditko Dr. Strange but it’s been badly cut and pasted from interior art. Resized, flipped around, generally mangled. The Eternity image is also cut and paste from the interior.

I don’t believe Ditko actually made this cover, though it’s generally credited to him. I think someone else made the cover, assembling bits of interior art by Ditko.

I hate it.

The issue is good. This first page is closer to what the cover should look like.

I’d given a lot of hype to this extended saga, which I’m calling “The Eternity Saga”. And I think the first 12 issues are unimpeachable. From #130-141, the action flows crisply to a climax, ending with the final defeat of Mordo and Dr. Strange and Dormammu in something of a stalemate after Strange’s humbling of Dormammu. The story then completely lost momentum as Dr. Strange dealt with Mordo’s underlings and searched for the woman who had helped him, facing some unrelated threats along the way. The last 4 issues have been solid comics, but don’t help make the case that we have a great 17-part saga. We have a great 12-part saga, then 4 more issues, then this conclusion.

Let’s see how Ditko brings this home. And this will be bringing it home. With this story, Ditko bids goodbye to Marvel for the foreseeable future and to the character of Dr. Strange forever.

Stan seems utterly indifferent to the importance of the moment. In addition to the sloppy cover, Stan has junior writer Dennis O’Neil onboard for his second Dr. Strange story and one of his earliest comics, period. It doesn’t matter too much who the writer is, as Ditko does most of the writing anyway. O’Neil will stay on the title a few more issues, but soon enough move to DC, where he will go on to great things.

Fantastic Four #51

This Man… This Monster!

Featuring: Fantastic Four
Release: March 10, 1966
Cover: June 1966
12 cents
Writer: Stan Lee
Penciller: Jack Kirby
Inker: Joe Sinnott
Letterer: Artie Simek
20 pages

Previous	#518	Next
Fantastic Four #50	Reading order	Strange Tales #146
Fantastic Four #50	Fantastic Four	Fantastic Four #52

He paid the full price– and, he paid it– like a man!

After introducing the Inhumans, and then introducing the Silver Surfer and Galactus in perhaps the best and most iconic FF story ever immediately after, you’d think Stan and Jack would want a break from the iconic stories that will be remembered for decades to come.

But this is perhaps the most iconic issue of Fantastic Four ever. It’s perhaps the best Fantastic Four comic ever. It might be the best comic Stan and Jack ever made.

It might be the best comic anybody ever made.

The World’s Greatest Comic Magazine indeed.

I won’t ruin this image with my clumsy words. You can just appreciate the opening page for yourself. I just suggest that you take a minute with it.

This picks up from last issue in a couple ways. Alicia and the Silver Surfer grew close during the events, enough to make Thing jealous and wander off morosely. There were even newspaper headlines about Thing being seen wandering the streets feeling sad. We saw a mysterious man reading those headlines. We didn’t learn his name, but we learned he intends to destroy the Fantastic Four.