Featuring: Prince Namor, the Sub-Mariner Release: August 3, 1965 Cover: November 1965 12 cents Script: Smilin’ Stan Lee Art: Amiable Adam Austin Inks: Valiant Vince Colletta Lettering: Angelic Artie Simek 12 pages
Featuring: Hulk Release: June 1, 1965 Cover: September 1965 12 cents Stunning story: Stan Lee Lavish layouts: Jack Kirby Awesome art: Mickey Demeo Luscious lettering: Artie Simek 10 pages
Don’t ever call me “Doc”! Dr. Banner is dead! From now on, I’m just the Hulk!
Notice Kirby is only credited with layouts. Mike Esposito (alias Mickey Demeo) is the credited artist.
We get a scene with a poetic callback, perhaps intentional. Rick rushes into the path of a blast to save Hulk just as Banner had once raced into the path of an explosion to save Rick.
Are they using nuclear weapons on American soil? That seems like a big deal. Oh, I guess this is a “clean bomb”, which leaves no radioactive fallout. I feel better, I guess.
The new status quo is pretty confusing. Hulk apparently has Banner’s mind, but also insists Banner is dead. And his speech reminds us more of Hulk’s.
Featuring: Prince Namor, the Sub-Mariner Release: June 1, 1965 Cover: September 1965 12 cents Superlative story by: Stan Lee! Sensational art by: Adam Austin! Spectacular inking by: Vince Colletta! Sufficient lettering by: Artie Simek! 12 pages
For, no matter how long the quest shall be–no matter how deadly the dangers I face–naught but victory can be mine! I was born to rule!! I was born Namor, the Sub-Mariner!
His second issue and Namor gets the entire cover. Take that, Hulk.
Expected structure continues. Last issue, Namor found the first clue, met a threat, and it was to be continued. This issue, he resolved that threat, found the second clue, met a new threat, and now it’s to be continued.
Featuring: Hulk Release: May 4, 1965 Cover: August 1965 12 cents Take a Stan Lee story, add Jack Kirby artwork, mix with Mickey Demeo inking, and Artie Simek lettering… Presto! Instant confusion! 10 pages
A little surprising this series is continuing since last issue ended with Bruce Banner dead. But then, the title of this issue is “To Live Again!” So maybe we shouldn’t give up on him.
We’d probably have gotten around to this story sooner if I hadn’t just assumed he was dead and it was over. Now I’m beginning to think this Hulk guy is Immortal.
Plus, the threat of the Leader still looms.
Are we going back to the days of the constantly changing status quos for Hulk? We’d been able to hold on to this one for an entire dozen issues. Now we’re back to: always Hulk, Banner’s mind. Perhaps all creators except for Ditko struggle with how to deal with a non-heroic protagonist.
Featuring: Prince Namor the Sub-Mariner Release: May 4, 1965 Cover: August 1965 12 cents Story by Stan Lee, unchallenged king of the spoken word! Art by Adam Austin, Marvel’s newest prince of pageantry! Inking by Vince Colletta, lordly emperor of embellishment! Lettering by Artie Simek (someone’s gotta carry the spear!) 12 pages
Namor has been flittering through the Marvel Universe as a villain or anti-hero, fighting enough different heroes to help serve as the glue binding the universe together. It has been a decade since his last ongoing series was cancelled. He now makes his triumphant return and will again star in his own title for the next decade before again facing the ignominy of cancellation.
Giant-Man and Wasp just had their regular adventures cancelled. Giant-Man in various guises had been the star of this title since issue 35, sharing it with the Hulk for the last 10 issues. Now the title will be shared by Hulk and Namor. A fitting combo. Neither a hero per se, both acting primarily as villains across different titles for the last couple years, even teaming up once against the Avengers.
A bit of a pattern is taking hold. Tales of Suspense features two of Marvel’s more traditional superheroes, Iron Man and Captain America, the former having long shed any initial horror roots. Journey Into Mystery is entirely Thor’s title now, with the backup features telling stories of Asgard’s past. This series will feature Marvel’s anti-hero characters, Namor and Hulk. Leaving Strange Tales for the not-quite-superhero characters, Marvel’s resident spy and sorcerer, respectively. The combined titles remain a necessity of longstanding distribution difficulties on Marvel’s part, but now there at least seems to be some thematic consistency amongst the titles.
Adam Austin is Gene Colan. He’s learning. Colletta’s inking perhaps doesn’t show Colan at his best. You have to squint or know what you’re looking for to see hints of someone who will soon become one of Marvel’s greatest artists.
The style of layouts will already be different, and reflects a move these comics are slowly making, away from very even grids of pages with 6-9 panels to larger panels of varying shapes and layouts.
Interesting to have a new artist without Kirby to assist. Who is plotting the story? Lee? Colan?
Here’s the plan. They’ve set up a pretty standard adventure here. Namor has lost his crown and needs to go on this quest. There will be various clues. The issue takes him to the first clue.
I guess that seems like a plot Lee could maybe have come up with without Kirby.
We’ll keep reading Namor’s story while this quest is going on. Meanwhile, Hulk is embroiled in the “Leader Saga”. So we’ll read both stories from the next several issues of this title. As will happen often, Hulk’s story will reach a natural breaking point sooner than Namor’s, so we’ll break the comics up and read a little ahead in Namor’s story, and then try to get them back in sync later.
The story opens with the phrase “Imperius Rex!”. What does that mean? Sounds almost Latin. Something like “Imperial King”. I don’t know. I don’t speak Latin. I suspect Stan doesn’t either. Whatever it means, it is now Namor’s official catchphrase and will be for decades to come.
Featuring: Nick Fury, Agent of SHIELD Release: June 8, 1965 Cover: September 1965 12 cents Script by the unpredictable Stan Lee Layouts by the unmatchable Jack Kirby Art by the unbeatable Johnny Severin Lettering by the unsinkable Art Simek 12 pages
Hail Hydra! Immortal Hydra! We shall never be destroyed! Cut off a limb and two more shall take its place! We serve none but the Master– as the world shall soon serve us! Hail Hydra!
We get a new artist, described as another returnee from the Golden Age. John (Johnny) Severin. I’m a big fan and excited he’s joining us.
Kirby is on the layouts, but John will provide most of the details. This of course means Kirby is responsible for the storytelling.
He’s been with the industry almost 20 years by this point, working off and on for Marvel, but doing his most famous work for EC. Here’s a sampling.
Prize Comics Western #72 (Prize, 1948)
Actual Romances #1 (Marvel, 1949)
Two-Fisted Tales #19 (EC, 1951)
Frontline Combat #1 (EC, 1951)
Mad #1 (EC, 1952)
Sergeant Barney Barker #1 (Marvel, 1956)
Notice that the colorist for the EC books, including Mad, was John’s sister Marie Severin. We’ll be hearing more from her soon.
Of those titles, Mad is the most famous, and would endure in some form for 65 years until finally shutting down in 2018. Perhaps the world had grown too farcical by then to satire.
Featuring: Sgt. Fury and his Howling Commandos Release: June 8, 1965 Cover: August 1965 12 cents Story by: Smilin’ Stan Lee Pencilling by: Darlin’ Dick Ayers Inking by: Cheerful Carl Hubbell Lettering by: Adorable Artie Simek 20 pages
Featuring: Two-Gun Kid Release: June 1, 1965 Cover: September 1965 12 cents Edited by: Stan Lee Written by: Al Hartley Pencilling by: Dick Ayers Inking by: Carl Hubbell Lettering by: Artie Simek 17 pages
We are reading Marvel’s superhero line, which they started back up in 1961. We’ve occasionally read stories older than 1961 that seem vaguely relevant, and refer to those as PRELUDE posts. We occasionally read stories long after 1961 and call those POSTLUDE posts. We will also be doing INTERLUDE posts, which we will read at the time they came out, but are disconnected from the normal superhero universe.
If you’ve been following along, this will be the first INTERLUDE post you’ve come across. But I’ve retroactively made a few other posts be INTERLUDE posts. Those stories featuring Medusa, Merlin, Odin, or Zeus that weren’t really properly connected to the superhero reading.
Superheroes are on the rise and starting to crowd out other genres, but Marvel is still publishing its romance and western comics. Marvel had a single western hero, the Masked Raider, way back in the beginning in Marvel Comics #1. But they’ve been regularly publishing westerns since 1948, starting with Annie Oakley and the Two-Gun Kid.
That’s the original Two-Gun Kid, mind you. Not to be confused with the character we are about to read about. The original Two-Gun Kid was Clay Harder.
In 1962, Lee and Kirby introduced a new hero with the same name, lawyer Matt Hawk.
Marvel’s other continuing western titles are Rawhide Kid, and Kid Colt: Outlaw.
Former western heroes include Wyatt Earp, Apache Kid, Outlaw Kid, Blaze Carson, Tex Morgan, and Tex Taylor.
One of Two-Gun Kid’s steadfast allies is Boom-Boom Brown, a former boxer turned blacksmith.
His most trusted ally of course is his horse Thunder.
Featuring: Fantastic Four Release: July 8, 1965 Cover: October 1965 12 cents Daringly written by Stan lee Dazzlingly drawn by Jack Kirby Dramatically inked by Vince Colletta Docily lettered by Artie Simek 20 pages
You thought you were the equal of the Fantastic Four– and nobody is!
Another great cover, and showing off Kirby’s versatility. Last issue had a cover beautiful in its simplicity, focused on two men locked in combat. Now we see a lot of complexity, that intricate machinery Kirby is so famous for drawing, but where the complexity frames the emotion of a defeated Fantastic Four.
When we left off, the Frightful Four had brainwashed Ben and Johnny into joining them. Now it’s up to Reed and Sue to fight off 6 enemies and restore their teammates’ minds. The startling conclusion of a 3-part battle.
Featuring: Avengers Release: May 11, 1965 Cover: July 1965 12 cents Slyly written by: Stan Lee Smoothly drawn by: Don Heck Suavely inked by: Dick Ayers Superbly lettered by: Artie Simek Stoically read by: You (if you’ll ever turn the page…!) 20 pages
I thought our purpose was to battle crime! Why need we concern ourselves with international affairs?
Of all the stories in the early Marvel Universe, these Cold War stories are the worst across the board. The very worst are the Cold War stories set in Asia, as they tend to mix in racism with the blatant US government pro-war propaganda.
It’s awful because they are aimed at children, with the seeming intent to indoctrinate them into supporting the war in Vietnam or whatever else.
If you remove all the ways they are plainly awful jingoistic racist propaganda, they still tend to be prettyawfulnarratively. The closest thing to an exception is the recent Thor story, which did have an actual narrative about a conflict between brothers and a family divided because one brother joined the Viet Cong.
But maybe this story where the Avengers invade an Asian nation at random to battle their Communist leader and overthrow the government will be the exception.
Spoiler. It won’t be.
This story is interesting because it’s both forgettable and forgotten… at least mostly forgotten for about 55 years… until 2019 when someone decided it should be one of the foundational cornerstones of the entire history of the Marvel Universe.
