Journey Into Mystery #121, Story B

Maelstrom!

Featuring: Tales of Asgard
Release: August 3, 1965
Cover: October 1965
12 cents
Writer: Stan Lee
Illustrator: Jack Kirby
Delineated by: Vince Colletta
Lettered by: Artie Simek
5 pages

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According to the legends, the Pillars are merely the feet of the Utgard Dragon! Beneath the waves his jaws lie open, waiting for every ship that passes!

It’s not obvious to me how this ship knows where it’s going. All we’ve been told is they are searching for some hidden evil. Not much of a clue. Undeterred by his own ignorance, Thor decides the “Sea of Fear” is as good a place to start as any.

I expect better of the Asgardians, but maybe the Sea of Fear has some effect on people.

After 5 issues of waiting for the ship to set sail, now it has. The issue opens with the ship caught in a storm headed toward these deadly Pillars, and ends… with the ship caught in a storm headed toward these deadly Pillars.

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Journey Into Mystery #121

The Power! The Passion! The Pride!

Featuring: Thor
Release: August 3, 1965
Cover: October 1965
12 cents
Another towering triumph for Stan Lee, writer!
Another fabulous feat for Jack Kirby, illustrator!
Another amazing achievement for Vince Colletta, delineator!
Another day, another dollar for Artie Simek, letterer!
16 pages

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But, no matter how awesome the odds may be, I am son of Odin, Prince of Asgard! I would ever choose the eternal sleep, rather than a moment’s cowardice!

Kirby’s taken some artistic license with that cover. He metaphorically depicts Thor as gigantic compared to the city and bystanders caught in their battle. Absorbing Man is literally gigantic. But Thor is not, and I don’t think forced perspective is enough to justify Thor’s apparent size compared to those buildings.

As the length of stories is expanding, so is the length of action scenes. We pointed out that Fantastic Four #42 was entirely action start to finish, with the set-up and wrap-up in surrounding issues. This isn’t entirely that, as there are some interludes. We need to check on Jane. And Loki. And that lost Norn Stone. But most of the page count is just Thor battling Absorbing Man.

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Journey Into Mystery #120, Story B

Set Sail!

Featuring: Tales of Asgard
Release: July 1, 1965
Cover: September 1965
12 cents
Told by: Stan Lee
Drawn by: Jack Kirby
Inked by: Vince Colletta
Lettered by: Artie Simek
5 pages

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“What madness is this, Volstagg!!? I thought thou feared neither man nor beast!!”
“In truth, I do not–!! But that is neither man nor beast– It is– my wife!!”

This is the fourth chapter of the Odinsword Saga. Let’s recap. The Odinsword was cracked by a mysterious enemy, so Thor is embarking on a quest to discover who is responsible. They are almost ready to leave.

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Journey Into Mystery #120

With My Hammer in Hand!

Featuring: Thor
Release: July 1, 1965
Cover: September 1965
12 cents
Written in the fire of inspiration by: Stan Lee
Drawn in the flame of dedication by: Jack Kirby
Inked in the heat of devotion by: Vince Colletta
Lettered in the other room by: Artie Simek
16 pages

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There! It is done! My hammer can strike once more!

Continuity. How do these many titles all fit together? At present, Thor is the character making it the most difficult. It’s been over 6 issues since his title has given him a chance to breathe, yet we squeezed his last Avengers adventure in there somehow. We’re going to have to squeeze in a wedding somewhere. By the time of the wedding, his hammer should be intact, and he should have formally resigned from the Avengers.

At present, his hammer is broken and he is not yet aware of the new Avengers.

There will be difficulties and contradictions to come, so just remember where we are. Loki cheated in the Trial of the Gods. Thor must get the Norn Stones to Odin as proof. En route, he encountered the Destroyer, who destroyed his hammer. Loki has been punished and sentenced to serve Ularic for his role in awakening the Destroyer. Prior to the Trial of the Gods, Thor had defeated the Absorbing Man by turning him into helium and sending him drifting into space. Somewhere in all that, he also fought the Viet Cong and joined the Avengers against the Masters of Evil. He has not been in contact with the Avengers since that battle, and much has changed. He has not returned to Asgard since the Trial of the Gods.

We open with Thor at a Pittsburgh factory, repairing his hammer. I would have guessed more mystical means would be needed. With Dwarves or such. Maybe Pittsburgh is more mystical than I think. (I have at least one regular reader from Pittsburgh; perhaps he can tell me.)

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Sgt. Fury Annual 1

Commission in Korea!

Featuring: Sgt. Fury and his Howling Commandos
Release: July 1, 1965
Cover: 1965
25 cents
Story: Smilin’ Stan Lee
Art: Darlin’ Dick Ayers
Inking: Frisky Frankie Ray
Lettering: Artful Artie Simek
15 pages

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They have been shown, in the only way they understand, that free men can always strike back!

We check in with Sgt. Fury during the Korean War. The Commandos are sent on a secret mission across the 38th Parallel. Based on a cursory knowledge of the war, the massive American presence combined with a reticence to cross the 38th Parallel would place this story in July-August 1950.

The remaining Commandos all survived WWII and re-enlisted when the Korean War broke out. All of them have attained at least the rank of Sergeant, but they still seem to be in the same formation with the same personnel from 1943.

The narrator reminds us that the US are the good guys, who play by the agreed-upon rules of war. Unlike those Reds.

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Tales to Astonish #73, Story B

Another World, Another Foe!

Featuring: Hulk
Release: August 3, 1965
Cover: November 1965
12 cents
You’ll never forget Stan Lee’s script!
You’ll never forget Jack Kirby’s layouts!
You’ll never forget Bob Powell’s art!
You’ll never forget Artie Simek’s –eh– let’s see now, what did Artie do?
10 pages

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I’m no good to anyone– including myself! The world hates me– fears me–

Mike Esposito has drawn the last few issues over Kirby’s layouts. This time the art goes to Bob Powell, a semi-regular name by this point. Powell brings a distinctive level of details to Hulk’s facial expressions. The failure to find a consistent creative team over this extended story arc is one of the things keeping Hulk from greatness. It would have been better if Ditko could have stayed on, but he clearly never had his heart in this title. Still, the work Ditko phoned in was enough to lay a foundation for the character that writers have spent decades building on.

Notice these need longer and longer exposition boxes at the beginning to explain the plot so far. Hulk is about to turn back into Banner, at which point the bullet in his brain will kill him. But he is also helpless against the Leader’s Humanoids.

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Tales to Astonish #73

By Force of Arms!

Featuring: Prince Namor, the Sub-Mariner
Release: August 3, 1965
Cover: November 1965
12 cents
Script: Smilin’ Stan Lee
Art: Amiable Adam Austin
Inks: Valiant Vince Colletta
Lettering: Angelic Artie Simek
12 pages

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I am the Sub-Mariner! I am Namor, the Avenging Son! In truth, I am strength!

Hey, finally Hulk gets his due with the main cover spot, relegating Namor’s story to the bottom bit.

Namor has another clue to get and another threat to face on the way. Luckily this threat will turn out to have a weakness.

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Tales to Astonish #71, Story B

Like a Beast at Bay!

Featuring: Hulk
Release: June 1, 1965
Cover: September 1965
12 cents
Stunning story: Stan Lee
Lavish layouts: Jack Kirby
Awesome art: Mickey Demeo
Luscious lettering: Artie Simek
10 pages

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Don’t ever call me “Doc”! Dr. Banner is dead! From now on, I’m just the Hulk!

Notice Kirby is only credited with layouts. Mike Esposito (alias Mickey Demeo) is the credited artist.

We get a scene with a poetic callback, perhaps intentional. Rick rushes into the path of a blast to save Hulk just as Banner had once raced into the path of an explosion to save Rick.

Are they using nuclear weapons on American soil? That seems like a big deal. Oh, I guess this is a “clean bomb”, which leaves no radioactive fallout. I feel better, I guess.

The new status quo is pretty confusing. Hulk apparently has Banner’s mind, but also insists Banner is dead. And his speech reminds us more of Hulk’s.

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Tales to Astonish #71

Escape… To Nowhere!

Featuring: Prince Namor, the Sub-Mariner
Release: June 1, 1965
Cover: September 1965
12 cents
Superlative story by: Stan Lee!
Sensational art by: Adam Austin!
Spectacular inking by: Vince Colletta!
Sufficient lettering by: Artie Simek!
12 pages

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For, no matter how long the quest shall be–no matter how deadly the dangers I face–naught but victory can be mine! I was born to rule!! I was born Namor, the Sub-Mariner!

His second issue and Namor gets the entire cover. Take that, Hulk.

Expected structure continues. Last issue, Namor found the first clue, met a threat, and it was to be continued. This issue, he resolved that threat, found the second clue, met a new threat, and now it’s to be continued.

Let’s see where next issue goes.

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Tales to Astonish #70, Story B

To Live Again!

Featuring: Hulk
Release: May 4, 1965
Cover: August 1965
12 cents
Take a Stan Lee story,
add Jack Kirby artwork,
mix with Mickey Demeo inking,
and Artie Simek lettering…
Presto! Instant confusion!
10 pages

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Tales to Astonish #70Tales to AstonishTales to Astonish #71

And the madder I get, the stronger I get–!

A little surprising this series is continuing since last issue ended with Bruce Banner dead. But then, the title of this issue is “To Live Again!” So maybe we shouldn’t give up on him.

We’d probably have gotten around to this story sooner if I hadn’t just assumed he was dead and it was over. Now I’m beginning to think this Hulk guy is Immortal.

Plus, the threat of the Leader still looms.

Are we going back to the days of the constantly changing status quos for Hulk? We’d been able to hold on to this one for an entire dozen issues. Now we’re back to: always Hulk, Banner’s mind. Perhaps all creators except for Ditko struggle with how to deal with a non-heroic protagonist.

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