Tales of Suspense #67

Where Walk the Villains!

Featuring: Iron Man
Release: April 8, 1965
Cover: July 1965
12 cents
Written by our roguish writer: Stan Lee
Pencilled by our prankish penciller: Don Heck
Inked by our impish inker: Mickey Demeo
Lettered by our other letter: S. Rosen
12 pages

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Tales of Suspense #66, Story BReading orderTales of Suspense #67, Story B
Tales of Suspense #66, Story BTales of SuspenseTales of Suspense #67, Story B

The drama from last issue continues. Happy has quit; Pepper is sad; she blames Iron Man.

Count Nefaria of the Maggia returns, but with a new gimmick and identity. He now calls himself the Master of Dreams. Perhaps also Dream-Maker or Dream-Master; Stan can’t decide from one page to the next. He controls Iron Man’s dreams and sends old foes against him; if Iron Man dies in the dream, he will die.

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Tales of Suspense #66, Story B

The Fantastic Origin of the Red Skull

Featuring: Captain America
Release: March 11, 1965
Cover: June 1965
12 cents
By: Stan Lee and Jack Kirby
Inked by: Chic Stone
Lettered by: Artie Simek
10 pages

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We’ve been very slowly saying goodbye to Chic Stone, as this represents his last month with Marvel. So we’ve seen his last work on many titles already. This is his final Captain America Story. He is Kirby’s best inker on these books so far, for my money. And he will be missed.

These Captain America stories have been set in his early days. The last three issues retold stories from Captain America Comics #1, with last issue retelling the introduction of the Red Skull (and making it really lame). This issue offers a new Red Skull story. At last we learn his origin.

In the original story, Red Skull was revealed to be American industrialist George Maxon. Last issue played out similarly, (though now he was John instead of George), but it added that Red Skull was not the real Maxon. He had killed Maxon and was impersonating him. That leaves room for his new origin here. As we’ve noted before, for my purposes we are treating the post-1961 stories as canonical for this Marvel Universe. The 1940s Marvel canon is separate. So the origin of the Red Skull is what gets told here. He is not Maxon.

We learn in this issue that he had also not been impersonating Maxon. That was someone pretending to be the Red Skull pretending to be Maxon. Yeesh. And apparently Captain America is desperate to hunt down the real Red Skull based on the crimes of a fake Red Skull. Maybe?

Will the real Red Skull please stand up?

The story opens with Captain America a prisoner of the Skull. That is not where the last issue left off at all. Perhaps they will fill us in how we got here.

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Tales of Suspense #66

If I Fail, a World is Lost!

Featuring: Iron Man
Release: March 11, 1965
Cover: June 1965
12 cents
Written in the Marvel tradition of greatness by Stan Lee
Illustrated in the Marvel tradition of grandeur by Don Heck
Inked in the Marvel tradition of drama by Mickey Demeo
Lettered in the coziest corner of the room by Sam Rosen
12 pages

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Stark is never around when you want him!

Due to circumstance, I lost the write-up for this particular story I had completed. I’m not a big fan of the Iron Man stories, and I was just unenthusiastic about writing this entry again. Please excuse me if I do a poorer job than usual. I just kind of want to get through this one.

In particular, I feel like I’d previously worked out where Attuma ranks in a particular metric, and I’m not sure I care to recompute it; I’ll just go off the top of my head and let somebody correct me if I’m wrong. Iron Man is the third distinct hero Attuma has fought, after facing the Fantastic Four and Giant-Man and the Wasp. I think that might be a record?

We have to define ‘distinct’ a bit carefully. I think fighting a hero and the team that hero is on should only count as one: Sandman fought both the solo Human Torch and the Fantastic Four; Loki fought both Thor and the Avengers.

With that caveat, Attuma is only the second villain to fight three distinct heroes. The first being Chameleon, who has faced Spider-Man, Iron Man (along with the Avengers), and Hulk.

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I think… maybe… we’re back…

Maybe?

Thank you for your patience for these past two months while I dealt with personal difficulties I won’t bore you further with the details of.

I had to recreate some lost files. But the exercise was good, as I now have written some tools to programmatically extract data from my blog which may come in handy in the future.

This was also a good chance to clean up a couple things about the site.

I think I should be able to get back to a pace of at least one comic per week, then hopefully soon get back into my 2-3 per week rhythm. I expect to get two posts concerning Tales of Suspense #66 out this week. Then we’ll cover the stories from issues 67-68 in subsequent weeks.

As before, the focus of this blog is a read-through of the Marvel Universe starting with Fantastic Four #1. We got through about 3.5 years of stories over 400+ posts. The final post before a 2-month hiatus was the tragic Sgt. Fury #18.

I do occasional side posts, and now have an irregular side series I call “Reading great comics”. The idea is to pick up one of my favorite single issues ever and read through it in a format similar to what I do with the old Marvel stories.

I’m looking for stories that comprise a single issue, stand well enough alone, are great comics, are among my favorite comics, and aren’t comics I expect to get to in my ordinary Marvel reading. So either no Marvel superhero books or only Marvel superhero books decades ahead of my current reading.

I took two side posts I’d made before and retroactively considered them as part of this series, concerning Sandman and Astro City. During my hiatus, I did get out the official third entry in this series: Swamp Thing. There was also an unofficial third entry posted one April Fools Day you can try to dig up. Last week, we covered Usagi Yojimbo.

We got a Zot! entry out this morning.

The truth is, after that entry I’m straining to find comics that meet all my above criteria, despite the tens of thousands I’ve read. Not without repeating the series or creators already spotlighted. I’ve got my #6 entry planned, but it’s going to be part 1 or a 3 part story, so it’s already breaking my rules. But I think it can be appreciated well enough in isolation. You can tell me if I’m wrong.

And for my 7th entry, I’m thinking of just picking one issue out of a 6-part miniseries, which would throw that “standalone” rule right out the window. We’ll see what I decide.

While here, I’ll also note that my two most popular posts last year concerned Wandavision and Falcon & Winter Soldier. They made my blog numbers soar. People seem way more interested in current television shows than a 1963 Human Torch story for some reason. But they were also so much work. I reread like a hundred comics for each one. I just spent days on them. I think I had to take a day off work for each to finish up.

So I wasn’t able to do follow-ups for Loki or Hawkeye. I considered doing something similar with Eternals, but then didn’t. I’d like to make movie/series tie-in posts in the future, but I have to figure out a format that balances my time with the amount of thoroughness I would want to put in. I’m reflecting.

Sgt. Fury #18

Killed in Action!

Featuring: Sgt. Fury and his Howling Commandos
Release: March 11, 1965
Cover: May 1965
12 cents
Writer: Stan Lee
Penciller: Dick Ayers
Inker: Chic Stone
Letterer: Artie Simek
20 pages

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The title of this story is “Killed in Action!”

“Once again, sudden death claims another victim!” reads the cover.

The “once again” refers to Junior Juniper, the first Commando to fall in battle, all the way back in issue 4. Letting us know that this was a series with consquence. It wasn’t a sure thing our heroes would make it back after each mission.

Since then, they all have turned out okay. But let’s read on.

The art is credited to Ayers and Stone, but Jack Kirby was brought in to redraw most of the famous final sequence.

The issue begins in the middle of intense action. Sgt. Fury is in his fancy duds, clearly having been on a date that’s been interrupted by an air raid.

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Avengers #17

Four Against the Minotaur!

Featuring: Avengers
Release: April 8, 1965
Cover: June 1965
12 cents
Story by: Stan Lee (Who else?)
Art by: Don Heck (Why not?)
Inked by: Dick Ayers
Lettered by: S. Rosen
20 pages

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Here it is, the first outing of the New Avengers. How will they measure up to the old team? Lots of differences. In terms of power level, we’ve traded in a god and a man in a powerful suit of iron armor for a guy with a bow and arrows and a guy who runs fast. In terms of character strength, we’ve traded in four people who sustained their own features for 3 years now for three who have only been side characters. In terms of ethics, we’ve traded in four superheroes for three characters who were super-villains a month ago. Two members of the Brotherhood of Evil Mutants and one lovesick Soviet stooge.

The opening tag refers to the team as the New Avengers, which is what I have always called them. Similarly if you hear me refer to the New X-Men, I probably mean the 1975 team.

It also lets us know the Avengers have begun the search for the Hulk. I’m not convinced they look very hard at all.

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Tales to Astonish #69, Story B

Trapped in the Lair of the Leader!

Featuring: Hulk
Release: April 1, 1965
Cover: July 1965
12 cents
Hulking story by: Stan Lee
Hulksome art by: Jack Kirby
Hulkish inking by: Mickey Demeo
Hulkable lettering by: Art Simek
10 pages

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This is the 10th chapter of the Leader Saga. For 9 issues, Leader has been lurking in the background, secretly behind various threats Hulk has faced. Now they finally meet.

This weird scene weird Hulk is being transported by magnetic waves is notable as it directly ties into Avengers #17, which we will read next.

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Tales to Astonish #69

Oh, Wasp, Where is Thy Sting?

Featuring: Giant-Man and Wasp
Release: April 1, 1965
Cover: July 1965
12 cents
Edited with perfect control by: Stan Lee
Written with all bases covered by: Al Hartley
Drawn with the impact of a line drive by: Bob Powell
Inked with the beauty of a three-bagger by: John Giunta
Lettered with only a few errors by: S. Rosen
12 pages

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All good things must come to an end, and so must this series.

Giant-Man is reduced to a small corner of the cover, with Hulk hogging the space. No mention that this is the epic finale to the adventures of Giant-Man and the Wasp.

Hulk’s solo series ended after only 6 issues, but then he returned as the backup feature in this title and has been a monthly fixture for going on 60 years. He returned by ending the Wasp’s solo series. Captain America’s return to a solo series caused the Watcher to lose his.

Marvel has had distribution problems for as long as we’ve been reading them, keeping a tight limit on the number of titles they can publish. So for every new title, something has to go. They’ve been trimming the western and humor lines, but ultimately it’s time to let go of some superhero titles.

We read the final Human Torch story a while back, but it was actually released just a week after this. Both Human Torch and Giant-Man lose their series at the same time. Both to make way for better things.

They found the weakest two series in terms of story to ax, and presumably the sales reflected that. Thor stories are good now, so it’s good they’ll stick around. Iron Man stories aren’t any good yet, but maybe they will be one day. Either way, he gets to stick around, now with the dubious honor of being Marvel’s worst remaining title.

We’ll have to wait until next month to see who these cancelled titles are making room for. Neither character will be new to us. One just hasn’t had a title for a while, and the other will get a second title with a very different focus.

Before we get to the final issue of their series, I think it’s worth pausing to reflect on the entire 36 issue run of Henry Pym/Ant-Man/Giant-Man/Wasp stories.

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Tales to Astonish #68, Story B

Back from the Dead!

Featuring: Hulk
Release: March 4, 1965
Cover: June 1965
12 cents
Story and art by Marvel’s modern masters: Stan Lee and Jack Kirby
Inking: Mickey Demeo
Lettering: Artie Simek
10 pages

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Tales to Astonish #68Tales to AstonishTales to Astonish #69

With Ditko off the title, Kirby is back to take another shot at his co-creation. Stan shares the top billing with Jack for this triumphant return. The original Lee/Kirby run on Hulk lasted 5 issues. This one will make it around 15 or so. I’m expecting it to be largely immemorable.

We open with a trick out of the Ditko run. The last issue ended with Banner facing impending death and transforms to the Hulk just in time to be saved. Banner and Talbot are falling to their death when Banner transforms.

Hulk crosses the Pacific with leaps. Isle to isle, plane to plane.

That’s… a very long distance, even if you can jump very far. Maybe there are enough islands between Japan and Hawaii to hopscotch it, but it’s 2500 miles from Hawaii to California with nothing in between.

We check in with the Leader, still scheming.

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Tales to Astonish #68

Peril from the Long-Dead Past!

Featuring: Giant-Man and Wasp
Release: March 4, 1965
Cover: June 1965
12 cents
Stupefying script by: Stan Lee
Stereophonic art by: Bob Powell
Stultifying inking by: Vince Colletta
Schizophrenic lettering by: S. Rosen
12 pages

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Tales to Astonish #67, Story BTales to AstonishTales to Astonish #68, Story B

Who is Giant-Man’s #1 archnemesis? I had previously suggested it was Egghead, and my friend Dan countered with the Human Top. His original run only featured three repeat super-villains, Porcupine being the other. He fought Egghead 4 times and now Human Top 3 times. But two Human Top stories are 3-parters so Human Top appears in 5 different issues. They’re both strong contenders. Maybe we’ll see which are in more significant stories in the decades to come. So far, neither has been in any story I would call particularly significant. The possible exceptions are issues 57 and 59. 57 is significant for guest-starring Spider-Man and happens to feature Egghead. 59 is significant for guest-starring Hulk and happens to feature Human Top.

Neither is a particularly good villain.

Honestly, I would argue Porcupine is the best of the 3 villains, which is why he will go one to find better nemeses than Giant-Man and Wasp.

The issue opens with Human Top crashing a plane into Giant-Man to knock him unconscious. He’s stumped as to what to do next. Even unconscious, Human Top can’t figure out how to harm a giant.

The last time Human Top had Giant-Man at his mercy, he didn’t want to harm him. He thought locking him in a closet would be enough satisfaction.

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