Featuring: Dr. Strange Release: April 8, 1965 Cover: July 1965 12 cents Written by Marvel’s own living legend, Stan Lee Illustrated by Marvel’s own unsung genius, Steve Ditko Lettered by Marvel’s own beaming pixie, Artie Simek 10 pages
This is the final issue of Strange Tales to feature Ben and Johnny. We read their finale over a year ago, but are long delayed in finishing the comic.
With the end of the Human Torch/Thing and Giant-Man/Wasp series, Marvel basically stopped putting out bad superhero books. They aren’t all great. Hulk is flailing a bit without Ditko. Colan’s Namor is off to a rocky start. Iron Man hasn’t quite found his footing, but is much improved. And Ayers isn’t delivering on Sgt. Fury the way Kirby did, and I anyway think the best of Ayers’ work is mostly behind us on the series. But they’re all at least decent now. And the best of them–Spider-Man, Dr. Strange, and Fantastic Four–are getting even better.
We get some progress in our big arc, and we’ll have some pedantic questions.
Let’s start with the progress. Dr. Strange at last learns that Ancient One has been occasionally awakening to say “Eternity”, and agrees to uncover the secret. That quest should occupy him for a few issues.
Mordo and his wraiths find Dr. Strange again, and again Dr. Strange is basically helpless against Dormammu’s power.
Featuring: Dr. Strange Release: March 11, 1965 Cover: June 1965 12 cents Strange is this script by: Stan Lee! Awesome is this art by: Steve Ditko! Lilting is this lettering by: S. Rosen! 10 pages
For I have truly gained the greatest power of all… that which is the fountainhead of all other power… I have gained the gift of knowledge!
Dormammu and Mordo have teamed up. The Ancient One is comatose. He keeps ominously referring to Eternity. Last issue ended with Dormammu possessing Mordo to destroy Dr. Strange, and Dr. Strange died.
I expect this to be a short issue.
Wait. Maybe I should read the first panel better. Dormammu claims Dr. Strange still lives. Strange summoned all his remaining power to transport himself to another dimension.
I’ve claimed repeatedly this is a great story arc. I think there’s some excellent melodrama throughout and some cool ideas coming, but it’s also a perfect showcase for what Ditko’s Dr. Strange is best known for: these bizarre almost formless dimensions that defy description or visualization, yet somehow rendered on our page.
More than that, what Ditko seems to be depicting in these first three panels is the transition from one strange dimension to another.
Featuring: Dr. Strange Release: February 11, 1965 Cover: May 1965 12 cents Though there be many writers, none but Stan Lee could have penned this tale! Though there be many artists, none but Steve Ditko could have drawn this tale! Though there be many letterers, none but Artie Simek was available when we needed him! 10 pages
Eternity! If only Strange could know of– Eternity!
Again, the splash page serves as the cover.
Again, I love the noirish atmosphere of rain-soaked desperation that Ditko creates. This is a man on the run, who feels the whole world closing in.
Oh, Stan. Stan, Stan, Stan. Four issues ago Dr. Strange encountered a minor sorcerer he knew as the Demon. Ditko has plainly brought back the same character. Certainly, Dr. Strange would remember this person. Yet he gives no hint or reference to the fact that he and this guy just fought. Who was supposed to have renounced the mystic arts at Strange’s command. But who apparently got a better offer from Mordo. Strange mentions none of this, perhaps because Stan doesn’t recognize the guy. And we’re pretty near the point where Steve stopped speaking to Stan, which doesn’t help.
Featuring: Dr. Strange Release: January 12, 1965 Cover: April 1965 12 cents Written in a stygian swampland by: Stan Lee Drawn in a dismal dungeon by: Steve Ditko Lettered in a conjuror’s castle by: Artie Simek 10 pages
…it is almost like the calm before a terrible storm!
We read the first half of this issue in June 2021 and wrote the following.
I must emphasize that the Dr. Strange story is one of the single greatest Marvel stories of all time, yet the Bouncing Ball of Doom is what gets spotlighted on the cover.
The first page almost serves as a cover, as is common for Ditko stories. The story really begins on the next page, which picks up exactly where the previous issue went off. I’ve seen arguments online that how well this reads if you just chop off the splash page chapter breaks means this should just be read as a 153 page graphic novel, perhaps the first graphic novel ever.
We saw this same servant of Mordo’s last issue. Ditko is good about using distinctive faces and taking care to repeat characters. Lee is often unconcerned about naming these repeat characters. This random dude will eventually get a name, and then weirdly get chosen as the lead villain in the first Dr. Strange film.
I appreciate how Ditko illustrates the espionage thriller, where Dr. Strange is furtively trying to escape detection.
Featuring: Dr. Strange Release: December 10, 1964 Cover: March 1965 12 cents Written by the nabob of the netherworld: Stan Lee Illustrated by the sultan of the supernatural: Steve Ditko Lettered by the overlord of the occult: Artie Simek 10 pages
Man. Remember when Ben and Johnny met the Beatles? Seems like a lifetime ago.
I have a grammatically annoying habit in these posts to confuse time with my tenses. Sometimes I speak as though the present is 2022, and sometimes I speak as though the present is 1964. I’m going to double down on that confusing habit.
Strange Tales #130 was released December 1964, and we read the first story, in which Ben and Johnny meet the Beatles, back in May 2021. It’s now November 2022, a good 18 months later we are finally finishing the comic. Wow.
In our last post, we read Avengers #20, from July 1965, a good 7 months after the release of Strange Tales #130. We’re going back in time 7 months and 18 months.
18 months ago, I wrote the following:
Dr. Strange finally gets the cover almost to himself… but we won’t be reading his story. As we’ve discussed, the plan is to take a break from Dr. Strange, but keep reading the Human Torch/Thing stories. The Dr. Strange stories have mostly been happy to be single short episodes that fit in 10 pages. The only exception has been the 2-part battle against Dormammu. But even that epic was only 20 pages, the length of a normal Fantastic Four or Spider-Man story. Not one to make incremental change, Ditko decided he needs 170 pages and 17 months to tell the next story.
We’ve been waiting a long time for this story. Over the months, I’ve occasionally reminded you of it, asked for patience, and hinted at just how much I love it. Let’s see if it was worth the wait.
We’ve already read the first stories from Strange Tales #130-136, finishing up the Human Torch/Thing stories and beginning the Nick Fury Agent of SHIELD stories, including the first two parts of the “Hydra Saga”.
We’ll now catch up on the Dr. Strange stories of 130-136, and then read the entirety of Strange Tales #137-141, which will finish off the Hydra Saga and bring us to a climactic moment and decent enough pausing point for the Eternity Saga. (By “decent enough pausing point”, I mean the issue will end with a bomb about to explode in Dr. Strange’s Sanctum Sanctorum. But decent enough.) We’ll then need to spend a bit of time catching up with the rest of the Marvel Universe before coming back to finish off the Eternity Saga, which runs through issue 146.
I think of this 17-part saga as the “Eternity Saga” or the “Dormammu/Mordo War”, or some mixing and matching of those words. There’s no real official name. A quick browsing of the internet suggests “Eternity Saga” is the most common name, and that’s anyway my preferred name, so we’ll call it that.
This spins out of Dr. Strange’s 2-part battle with Dormammu in issues 126-127. If you look to the Best We’ve Read, you’ll see both parts of that saga are presently in our top ten, though that list is about to get shaken up. Much of this 17-part saga will find its way to that page presently, so check out the bottom couple rows of entries while you can. They’ll be getting pushed off.
Prior to that Dormammu arc, we’d heard a lot of invocations with strange words in them. Vishanti. Agamotto. Hoggoth. Dormammu. It wasn’t that clear what these words referred to. They almost seemed like magic words like Abracadabra. With issue 126, we understood that Dormammu is a demonic sorcerer who rules the Dark Dimension. And that when Dr. Strange or Baron Mordo would invoke his name, they were literally calling upon him to lend them power. That Dr. Strange’s power might come from an evil demon seems a bit of hypocrisy.
In an adventure in the Dark Dimension, Dr. Strange met a pretty girl and faced off with Dormammu, whose power dwarfed his own. He won the day only because of Dormammu’s strange sense of honor. While evil, Dormammu does defend his own realm from the Mindless Ones, and Dr. Strange aided Dormammu against the Mindless Ones. Dormammu then felt obligated to not kill Dr. Strange. Honor and all that. Because his sense of honor is really strange, he has now sworn revenge on Dr. Strange for being in debt. Dr. Strange did Dormammu a favor, and now Dormammu must destroy him. Honor and all that. And while Dormammu swore not to attack Dr. Strange, he didn’t promise not to lend his power to Dr. Strange’s greatest enemy Baron Mordo so that Mordo could kill the good Doctor.
OK, maybe some mild spoilers above. I see the opening of the story does obscure just who it is Mordo is talking to. But it will be revealed by page 5 and this is a 170 page saga.
Given how long this saga is, you’d expect a bit of prelude. But we get basically one panel of Strange and the Ancient One doing their thing, the calm before the storm. By panel 3, the attack begins.
By page 3, the Ancient One has fallen, Mordo controls his temple, and Dr. Strange is on the run.
Featuring: Avengers Release: July 8, 1965 Cover: September 1965 12 cents Wham-Type script by Stan Lee Pow-type pencilling by Don Heck Zowie-type inking by Wallace Wood Rather nice lettering by Artie Simek 20 pages
There’s something about being an Avenger… that seems to get into your blood and never let go!
The creative team is almost never mentioned on the cover of these (or any) comics. This is certainly the first time we’ve seen the inker advertised. Stan knows he’s lucky to have Wally Wood, and perhaps already knows he won’t have him much longer.
We saw Wood inking Heck in Tales of Suspense #71, which comes out one month after this one. So this is properly their first collaboration.
The cover is a rare Kirby/Wood collaboration, and pretty awesome. A team I think many would like to have seen more work by.
We see a rare feat of teamwork for these new Avengers. They seem to be defeating the Swordsman when he disappears.
He finds himself in the lair of the Mandarin. Who wishes to destroy the Avengers, though he’s never met them*. His foe is Iron Man, who used to be an Avenger. And it follows that he must destroy these Avengers, which don’t include Iron Man. Because Iron Man is his foe. And… the Mandarin’s plans may just be too crafty for my little brain.
Featuring: Avengers Release: June 8, 1965 Cover: August 1965 12 cents Writer: Stan Lee Artist: Don Heck Inker: Dick Ayers Letterer: Artie Simek 20 pages
“Marvel Pop Art Productions”? This phrase started appearing on covers these last couple months. The letters page explains that fans object to these magazines being called comics, perhaps as that implies they are humorous and juvenile. So Stan is going to start calling them “pop art books”. I started reading these things about 25 years later and heard they were called comics, so I’m not sure this rebranding will stick.
Swordsman tries to join the Avengers but is rebuffed after a fight.
Featuring: Captain America Release: August 10, 1965 Cover: November 1965 12 cents Written with the passion of Stan Lee Laid-out with the power of Jack Kirby Pencilled with the punch of George Tuska Inked with the prowess of Joe Sinnott Lettered with the penpoint of Sam Rosen 10 pages
In a war, Bucky, many people suffer! It isn’t necessary to be in the armed forces.. to be a casualty!
Because this Greymoor Castle story is a 3-part saga, we’ve gotten a little ahead in Cap reading. This comic premieres the same day as Fantastic Four #44. They share an inker, Joe Sinnott. This is an important development, and I have a lot to say about Joe Sinnott. But I’m going to save it for when we get to FF#44. Stay tuned.
The FF comic will feature Sinnott properly inking Kirby. While Kirby did the layouts for this issue, the art is really Tuska/Sinnott.
It’s time now for the conclusion of this tale. Dr. Rawlings has betrayed his country to the Nazis. His sister Celia is opposed to this.
When the Nazis try to kill Celia, Rawlings at last turns against them.
Featuring: Iron Man Release: August 10, 1965 Cover: November 1965 12 cents A study in splendor by Stan Lee, writer! A muse of majesty by Don Heck, artist! A glimmer of glory by Wally Wood, inker! A nice lettering job by Art Simek, bon vivant! 12 pages
Featuring: Captain America Release: July 8, 1965 Cover: October 1965 12 cents Story by Stan Lee Layouts by Jack Kirby Lettering by S. Rosen Art by George Tuska 10 pages
My own nation has refused to recognize my talents! But the Nazis are willing to pay me handsomely for my help!
We get a new artist, George Tuska. “One of the giants from the golden age of comics”, says Lee. As with most new artists, Lee still needs Kirby to lay out the story for them.
Tuska has worked in the industry since 1939, and became well known in the 1950s for his stellar work on crime comics. His first work with Marvel was in 1949. Lately, he’s been focused on newspaper strips, having taken over Buck Rogers in 1959. Here’s a sampling of his earlier work.
Zanzibar the Magician, Mystery Men Comics #1, Fox, 1939
Tom Barry of the Royal Mounted, Wonderworld Comics #4, Fox, 1939
