Featuring: Avengers Release: October 11, 1966 Cover: December 1966 12 cents Edited (ecstatically) by Stan Lee Scripted (surprisingly) by Roy Thomas Drawn (dynamically) by Don Heck Lettered (legibly) by Sam Rosen 20 pages
To be an Avenger is to surrender a part of one’s life… to be ever at the beck and call of humanity! Still, in these quiet moments, each of the others has another human being to whom he can reach out… only I have no one… no life, except behind the mask of the Red-White-and-Blue Avenger!
This begins a 70-issue run on Avengers by Roy Thomas. Thomas will have his highs and lows over those 70 issues, and it will take him a minute to warm up and get into the groove, but on the whole I think his Avengers will be much better than Stan Lee’s.
We’ll try to note along the way milestones marking an increase in quality. I’ll offer a hint that a new artist is going to help a lot.
The slow move of Stan off scripting duties, and the expanding bullpen of artists… this is a transition into the next era of Marvel Comics. Where it’s not Stan and Jack and Steve making most of the comics.
Featuring: Avengers Release: September 8, 1966 Cover: November 1966 12 cents Spellbinding story: Smilin’ Stan Lee Awe-inspiring artwork: Dashin’ Donnie Heck Lots of little lettering: Adorable Artie Simek 20 pages
This is Stan Lee’s final credited issue of The Avengers. He may have had a hand in next issue. But starting next issue, the official scripting duties will be passed to Roy Thomas.
He leaves without much fanfare. Especially for a man so known for talking to his audience. No goodbye, no notes about it. He wrote 34 issues of one of the most beloved superhero teams of all time, and then just handed off the duties.
And he doesn’t try to go out with a bang, not really. It’s the first part of a two-part story. I wonder if he does that intentionally, thinking it’s easier for a new writer to finish off a story than come up with a new one. His final Spider-Man (comic book) story will have a similar flavor, introducing a new villain and then leaving the second part to the incoming writer.
Last issue’s blurb about this issue, went “Next: Goliath changes!”
I took that to mean he was going to finally change his clothes and wash this outfit. The blurb in the letters page hinted at more, that this would relate to Goliath’s efforts to return to normal size. It also hinted we’d see the return of Bill Foster, and of Wanda and Pietro.
We do get the return of Bill Foster, not seen since, well, last issue. But nothing else along those lines happens in this issue, and we get an editor’s note apologizing and assuring us that a big change is coming for Goliath. I think the pun is intended.
…To Become an Avenger! Featuring: Spider-Man Release: August 2, 1966 Cover: November 1966 25 cents Smilin’ Stan Lee Layouts by Jazzy Johnny Romita Pencilin’ by Dashin’ Donnie Heck Inking’ by Mirthful Mickey Demeo Letterin’ by Adorable Artie Simek 21 pages
I can’t fight it any longer! I’ve got to follow my own destiny– and let the chips fall where they may! I must have been given my spider-power for a reason! Thor was right! I do have an obligation– to mankind!
This is a “King-Size Special”. Which Marvel will sometimes be calling their Annual issues.
It boasts “72 Big Pages”. Let’s do math. The story is actually a pretty normal-sized 21 pages, but they reprint two old Spider-Man stories (issues 11 and 12), which brings the total to 64 pages. What are the other 8 pages? A table of contents, and some ads. When they advertise 72 pages, they are advertising 7 pages of ads.
The first stories I ever read with Spider-Man were Transformers #3 and Avengers #317. In the Avengers saga, Spider-Man was offered membership in the Avengers, but when Spider-Man struggled to keep up on their space adventure, Captain America and Spider-Man both agreed membership wasn’t for him. Avengers was one of the first series I regularly followed, so I read Avengers #329 a year later, in which Spider-Man does officially join the Avengers. No explanation was given for why Cap and Spider-Man changed their mind. Avengers #329 is the first time he officially became an Avenger, but the arc in #314-317 was not the first time he came close. That is here.
The Avengers are an interesting grouping. They began as Thor, Hulk, Iron Man, Ant-Man, and the Wasp. All characters who had had solo (or duo) series. Left out of the Avengers were the Fantastic Four, already an established team, as well as Dr. Strange and Spider-Man. Behind the scenes, there seems a clear pattern that Kirby formed the Avengers from characters he had created, but left off the characters Ditko had created. They were soon joined by a revived old character of Kirby’s, Captain America.
When the original team disbanded, they needed replacements. Rather than turn to established loner superheroes like Daredevil, Dr. Strange, or Spider-Man, they sought out old enemies like Namor and Hulk, and accepted applications from reformed villains, Hawkeye, Quicksilver, and Scarlet Witch.
The Avengers know Spider-Man, or at least of him. He teamed up with Giant-Man and Wasp in Tales to Astonish #57; Wasp hated him because wasps and spiders are natural enemies. Spider-Man briefly ran into the individual Avengers in Amazing Spider-Man Annual 1. They fought a Spider-Man robot created by Kang in Avengers #11. And they were all guests at the wedding of Reed and Sue.
For his part, Spider-Man has mostly been a loner, but at the start of his career, he tried to join the Fantastic Four, only to learn they don’t pay a salary. You sometimes find yourself asking if things might have been different. What if Spider-Man had joined the Fantastic Four?
But the Avengers are funded by Tony Stark. Maybe they can afford to pay Spider-Man?
I think this is a really good comic, if we forgive some nonsense in the premise. Which we’ll get to.
It even has great art. Heck is the credited artist, and Romita is just credited with layouts, but a lot of Romita shines through, perhaps due in part to Esposito’s finishes. Layouts have been Heck’s biggest weakness as an artist.
Where does this fit in in Spider-Man’s story. The most important thing to note to me is that Peter Parker has the motorcycle he acquired in Amazing Spider-Man #41, so it’s after that. I think Amazing Spider-Man #41-43 read well as a story, united by arcs for the Rhino, Mary Jane, and John Jameson. So I didn’t care to break that up. Hence we are reading it after #43. This is where a lot of collections place it, including the Essential, Omnibus and Epic Collection. The Masterworks weirdly places it after issue 50. But I think the thinking there was just to put it at the end of one of their volumes and not worry about where it “goes”. The MCP wants it before issue 42, and the CMRO agrees, but that seems unnecessary when there are so many unresolved plot threads from issue 41 to deal with first.
“We’ve studied that photo of Spider-Man long enough” says Cap. How much was there to study in one photo? Detail-oriented heroes, I guess.
In the funniest line of any of these comics we’ve read, Hawkeye describes Spider-Man as “a real swinger”.
Captain America, famous for his tact, notes Hawkeye identifies with Spider-Man because they’ve both been outlaws.
The question before them is: Should Spider-Man be offered membership in the Avengers.
Featuring: Captain America Release: September 8, 1966 Cover: December 1966 12 cents A Stan Lee * Jack Kirby powerhouse production Delineated by: Fearless Frankie Giacoia Lettered by: Swingin’ Sammy Rosen 10 pages
After all these years… all the countless battles… and the scars which will never fade… here I stand… still a loner– a human anachronism. All I’ve ever loved… all I’ve held dear… vanished with the past… while the memories remain to haunt me forever! But, I must be true to my trust! Every man has a purpose… a destiny to fulfill… and, whatever mine may be… I’ll never shirk it!
Captain America calls in the Avengers to deal with the Adaptoid. The Tumbler he just left to the police.
Hawkeye recalls the original Avengers foe the Space Phantom, and suspects a connection. But Cap notes the Adaptoid is a robot, while Space Phantom was an alien. Goliath and Wasp, the only ones present who actually fought the Space Phantom, do not weigh in.
Featuring: Avengers Release: August 9, 1966 Cover: October 1966 12 cents Stan (The Man) Lee, writer Dazzlin’ Don Heck, artist Adorable Art Simek, letterer Invincible Irving Forbush, snake charmer 20 pages
…beware of the man who sets you against your neighbor!
The cover features Scarlet Witch fighting against the Sons of the Serpent. But I think she’s in Europe and missing all the action.
The reprint of the story in Marvel Triple Action #25 corrects the cover, drawing instead Black Widow, who was in the story.
The Sons of the Serpent originally seemed to have the goal of getting all immigrants out of America. But when they attacked a Black American-born man, we saw their goals were a bit broader. Now, they mention creeds. They also are targeting people of different religions.
Featuring: Avengers Release: July 7, 1966 Cover: September 1966 12 cents Stan Lee, writer and raconteur Don Heck, artist and bon vivant Artie Simek, letterer and patron des artes Irv Forbush, scapegoat, junior grade 20 pages
Soon, my limbs shall be swifter than ever before– while your hex power once again shall dazzle and defeat your enemies! All we need is patience, my sister– and an unaltering faith!
The Avengers are off to South America to save Goliath. And presumably will be here when Galactus attacks.
Hawkeye now likes Captain America, but still dislikes orders. As do I, Hawkeye. As do I.
Wasp recalls how they all used to share the command. It’s the first time they’ve really addressed this change. The original team had rotating chairs. The new team had Captain America as permanent leader. Given this, Hawkeye’s annoyance was understandable.
Featuring: Avengers Release: May 10, 1966 Cover: July 1966 12 cents Stan Lee: Writer Don Heck: Artist Frank Giacoia: Inker Sam Rosen: Letterer Irving Forbush: Arbitrator 20 pages
But, the past is over now! The past is dead! You are the master no longer! I’m free of you… at last!
We just saw Galactus appear in the middle of New York. There to devour the Earth. The Avengers have a mansion in the middle of New York. Why didn’t they help out?
Well, maybe they were away. Where? Surely not just elsewhere in New York fighting Black Widow. Maybe off wherever the Collector’s castle is? Or in the middle of the Atlantic fighting Attuma? Or perhaps they were in the “Far-Off Land”, as the title suggests. It seems likely they were quite far away.
Now, the Avengers won’t make it to the titular Far-Off Land this issue, but next issue.
And Marvels will claim this is where the Avengers were when Galactus attacked. Which is good enough for me.
Featuring: Avengers Release: April 12, 1966 Cover: June 1966 12 cents Savage script by: Stan Lee! Powerful pencilling by: Don Heck! Explosive embellishment by: Frank Giacoia! Lethargic lettering by: Sam Rosen! 20 pages
No matter what else… he’ll always be an Avenger! Just as he’ll always be… the man I love!
Frank Giacoia going by his real name for perhaps the first time. He’s usually been under the pen name Frankie Ray or similar.
Dr. Henry Pym. Ant-Man. Giant-Man. Goliath. He who can’t choose a name.
Or a status quo. His latest shtick is that he can only turn exactly 25 feet tall and only for a period of exactly 15 minutes. What happens if he exceeds 15 minutes? We’re about to find out. He did so last issue, then collapsed while shrinking, having gotten down to about 10 feet.
I think it’s cute how quickly all the Avengers have taken to calling him Goliath. There’s probably a lesson for people today to take from this.
Goliath! I like the sound of that! That’s what I’ll call myself from now on– Goliath!!
Today… Hank Pym will be infamous for having taken on too many superhero identities… but this isn’t new. This was a pretty early feature of the character. In under 5 years, he’s on 3, and sort of 4, identities.
When we met him, he wasn’t a superhero at all, just a scientist named Dr. Henry Pym. A year or so later he jumped on the superhero bandwagon as Ant-Man. Another year down and Lee decided the public wanted more powerful superheroes, so Ant-Man became Giant-Man. Those changes all somewhat made sense. But now… he’s no longer Giant-Man… he’s Goliath. That change seems gratutitous.
With the new name comes a new status quo. But he’s had a lot of status quos already. We attempted to recount in the final issue of his ongoing series, Tales to Astonish #69. The rules just keep changing. He drinks a liquid or takes a pill or uses his mind. And he can only chage size every so often or hold the new size for so often or…
Anyways, now he can grow to 25 feet and only 25 feet and remain that way for exactly 15 minutes, no more, no less.
We’ve met one other Goliath, the biblical one, in Avengers #10.
How does he get the new name anyway? It’s a bit weird. We basically learn it’s happening from the cover and title.
We are getting ahead of ourselves. The story begins with Hank Pym contacting the Avengers to help him find the Wasp. We’d last seen her attempting to escape from Attuma. Of course, they don’t know who Dr. Pym is. Because of secret identites.
Now, as secret identities go… Wasp’s costume often didn’t cover her face… she often called Giant-Man Henry or Hank in the presence of others… Giant-Man’s lab was a well known location where his fan club hung out… the kids Jan read sci/stories to knew she was the Wasp… Hank sometimes did experiments in his own house and one day he accidentally turned giant and came bursting out of his house…
