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Journey Into Mystery #112

The Mighty Thor Battles the Incredible Hulk!

Featuring: Thor
Release: November 3, 1963
Cover: January 1964
12 cents
A Stan Lee-Jack Kirby Marvel Masterwork!
Inking by: Chic Stone
Lettering by: S. Rosen
16 pages

Previous	#292	Next
Avengers #11	Reading order	Journey Into Mystery #112, Story B
Journey Into Mystery #111, Story B	Journey Into Mystery	Journey Into Mystery #112, Story B

Lee and Kirby seem to share top billing in the credits (Lee’s name first, of course) without breaking down who did what.

It’s interesting that they wanted Thor to battle the Hulk, but rather than have Thor battle the Hulk, they had Thor tell a story set in the past. Perhaps Hulk is too busy with the ongoing Leader Saga to be able to appear in Thor’s book. Stan is perhaps becoming aware his fans expect continuity and resorting to tricks not to break it.

Thor tells children a story when he sees them arguing over who is stronger: Thor or Hulk. Superhero fans have asked such questions for decades, and Stan had likely received more than a few letters asking the question. As he’s done before, he puts the fans’ queries–and the fans themselves– directly into the story.

I love the Hulk/Thor signs the kids made, and just how passionate and angry they all seem about this important question.

Thor’s tale is set in the middle of Avengers #3, expanding the story told then. Recall the Avengers battled Hulk and Sub-Mariner in Gibraltar.

Avengers #11

Spider-Man!

Featuring: Avengers
Release: October 8, 1964
Cover: December 1964
12 cents
Spectacular story by: Stan Lee
Incomparable illustrations by: Don Heck
Dazzling delineation by: Chic Stone
Lachrymose lettering by: Sam Rosen
20 pages

Previous	#291	Next
Tales of Suspense #62, Story B	Reading order	Journey Into Mystery #112
Avengers #10	Avengers	Avengers #12

Don Heck is still the artist, but this time with inks by Chic Stone. I think it’s the first time we’ve seen the combo. Stone is easily my favorite Kirby inker so far; their pairing has that very classic pop art feel. Paired with Heck, they do a passable job, certainly better than the last two issues with Heck/Ayers.

But nobody, not even Kirby, can get Spider-Man right. The cover would seem to prove me a liar, as it’s Kirby’s best take on Spider-Man yet. But that’s likely because it’s mostly Ditko. Nick Caputo examines the question of who drew what on the cover on his blog Marvel Mysteries and Comics Minutiae.

I think Heck has been doing fine work on Iron Man. Avengers is a bit harder because it’s got so many characters. And we’ve reached the point where Stan is “writing” everything, which means he’s mostly relying on the artists to come up with the stories themselves. I think Heck is a good artist but just struggled with the weight of it all. It doesn’t help that he’s being constantly compared to Kirby and Ditko in this era.

Journey Into Mystery #111, Story B

The Secret of Sigurd!

Featuring: Tales of Asgard
Release: October 1, 1964
Cover: December 1964
12 cents
Superbly written by: Stan Lee
Supremely drawn by: Jack Kirby
Savagely inked by: Vince Colletta
Sagatiously lettered by: Artie Simek
5 page

Previous	#279	Next
Journey Into Mystery #111	Reading order	Daredevil #5
Journey Into Mystery #111	Journey Into Mystery	Journey Into Mystery #112

The theme of many of these early Thor stories is that Loki is still considered a friend and ally by Thor, yet Loki is always secretly trying to get Thor killed, usually in pretty non-subtle ways. This has been going on since they were children.

Loki has recommended a short cut through a forbidden forest, then goads Sigurd and Thor into battle. Balder is suspicious.

Journey Into Mystery #111

The Power of the Thunder God!

Featuring: Thor
Release: October 1, 1964
Cover: December 1964
12 cents
Written with the mastery of: Stan Lee
Illustrated with the genius of: Jack Kirby
Delineated with the delicacy of: Chic Stone
Lettered with the India ink of: Artie Simek
16 pages

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Journey Into Mystery #110, Story B	Reading order	Journey Into Mystery #111, Story B
Journey Into Mystery #110, Story B	Journey Into Mystery	Journey Into Mystery #111, Story B

It is a pretty cover. I would argue the box about not having captions counts as a caption.

The two panels devoted to the love of Odin’s youth is far more interesting than the many pages devoted Thor fighting Cobra and Mr. Hyde.

It’s tantalizingly sparse in details. Balder sings a song of Odin’s youth and own forbidden love, until Loki interrupts, fearing Balder is trying to sway Odin to be fairer to Jane. Odin and the unnamed girl he was forbidden to marry took “one last ride over the eternal chasm together”. What does that even mean?

Journey Into Mystery #110, Story B

The Defeat of Odin!

Featuring: Tales of Asgard
Release: September 1, 1964
Cover: November 1964
12 cents
Writer: Stan Lee
Illustrator: Jack Kirby
Delineator: Vince Colletta
Letterer: Art Simek
5 pages

Previous	#277	Next
Journey Into Mystery #110	Reading order	Journey Into Mystery #111
Journey Into Mystery #110	Journey Into Mystery	Journey Into Mystery #111

King Rampok is dead. The meek Prince Rivvak must now lead their forces against Asgard. Armies gather, and not for tea.

During the battle, Odin repeatedly employs questionable tactics and does not seem to bring his full power to bear. Ultimately, the Asgardians retreat in defeat.

Journey Into Mystery #110

Every Hand Against Him!

Featuring: Thor
Release: September 1, 1964
Cover: November 1964
12 cents
Spectacularly written by: Stan Lee
Magnificently drawn by: Jack Kirby
Powerfully inked by: Chic Stone
Eventually lettered by: Art Simek
16 pages

Previous	#276	Next
Avengers #10	Reading order	Journey Into Mystery #110, Story B
Journey Into Mystery #109, Story B	Journey Into Mystery	Journey Into Mystery #110, Story B

This image of Thor holding the wounded Jane resembles an extremely common trope in superhero comics. It’s a standard way to depict a character as dead while another mourns them. This is the first time we’ve seen it in our Marvel reading. The Distinguished Competition had a cover with a similar pose a year earlier to depict the death of Robin.

Generally, these are described as “pieta covers”, referring to the resemblance to La Pieta by Michelangelo, in which Mary holds the body of her dead son, Jesus.

This blog post on metropolisplus gives an overview of the trope. Depending on how much of a purist you are, this Thor cover might not quite fit the pieta trope. As Jane is wounded, not dead; and Thor is protecting her, not mourning her. But it’s pretty close.

Tales of Suspense #60

Suspected of murder!

Featuring: Iron Man
Release: September 8, 1864
Cover: December 1964
12 cents
Written by the king of comi-drama: Stan Lee
Illustrated by the master of panoramic spectacle: Don Heck
Inked by the prince of line design: Dick Ayers
Lettered by the sultan of shaky borders: Sam Rosen
13 pages

Previous	#273	Next
Fantastic Four #33	Reading order	Tales of Suspense #60, Story B
Tales of Suspense #59, Story B	Tales of Suspense	Tales of Suspense #60, Story B

Iron Man is suspected of murdering Anthony Stark! But how can that be when Iron Man and Stark are the same person!

The art team is Heck and Ayers. We recently saw their work on Avengers #9 and will soon see it on Avengers #10. I was not impressed with their Avengers work. They acquit themselves much better here, even when rendering the Avengers. The faces are clear and distinct. The lines are clean.

Here’s where we were. Iron Man’s heart problems have accelerated. He needs the constant flow of power from his suit to his heart. He cannot remove his suit even for a minute, lest he risk his heart giving out. This means he cannot appear as Tony Stark. He made some excuses as Iron Man for Tony’s disappearance, but Pepper and Happy are suspicious.

This story seems to take place pretty soon after the ending of last issue. Pepper and Happy are searching for Mr. Stark. We saw that Avengers #9 explicitly took place in the middle of all this, with Iron Man reflecting on Stark’s disappearance and Pepper and Happy’s suspicions.

Avengers #10

The Avengers Break Up!

Featuring: Avengers
Release: September 8, 1964
Cover: November 1964
12 cents
Story superbly written by: Stan Lee
Art adorably drawn by: Don Heck
Inked by darlin’ Dick Ayers
Lettered by stalwart Sam Rosen
20 pages

Previous	#275	Next
Tales of Suspense #60, Story B	Reading order	Journey Into Mystery #110
Avengers #9	Avengers	Avengers #11

The issue’s title is “The Avengers Break Up”. Yet, at no point in the issue do the Avengers appear to break up. Instead, characters go to great lengths repeatedly to explain the title via the dialogue. “Now that Thor’s over there and Iron Man’s across the room, it’s basically like they’ve broken up.”

The Heck/Ayers art looks much as it did last issue, which I see as a negative. I’ll give them credit for a couple nice panels. A trippy one of Immortus and an easy-on-the-eyes Enchantress.

We get a weirdly sexist moment in an era filled with weirdly sexist moments. I don’t know if I’m ready to claim it’s the worst, but it’s up there. Iron Man recommends giving Rick Jones a uniform and making him an official Avenger. “…why don’t we make his membership in the Avengers official, as the Wasp’s is…”

Amazing Spider-Man #18

The End of Spider-Man!

Featuring: Spider-Man (for the moment)
Release: August 11, 1964
Cover: November 1964
12 cents
Written by: Stan Lee, author of “The Fantastic Four”
Illustrated by: Steve Ditko, illustrator of “Dr. Strange”
Lettered by: Sam Rosen, letterer of… “Patsy Walker”???
22 pages

Previous	#259	Next
Amazing Spider-Man #17	Reading order	Strange Tales #126
Amazing Spider-Man #17	Amazing Spider-Man	Amazing Spider-Man #19

Check out that cover. Quite the contrast with pretty much every other superhero cover. The superhero is usually portrayed as tough, dramatically standing against the odds. In the worst case, the cover might show the villain winning, but the superhero remains defiant. This one has Spider-Man cowering and hiding from the villain.

In this story, Peter decides to quit being Spider-Man. He’s thought about it before, but he’s about to actually quit for the first time. It won’t be the last time, or even necessarily the most famous time. A similar story will get told and retold across decades of Spider-Man stories and even make its way into Spider-Man 2. (More directly, the film borrowed from Amazing Spider-Man #50, which borrowed from this issue.)

Note we’re reading this and the last issue together because they make a strong arc when read together. In terms of continuity, it has been weeks since the conclusion of the last issue, so it’s likely several other heroes’ adventures we’ve read occurred in the interim.

The story begins with everybody reacting to Spider-Man’s retreat: heroes, villains, people on the street… guy can’t run away from a single fight without everybody having an opinion. Ditko is great at people reacting to things.

Wasp notes that wasps and spiders are natural enemies. Always found that a weird thing to say. But she’s said it before and she’ll say it again; it’s an obsession of hers whenever the topic of Spider-man comes up.

This is an excellent comic for helping shape the nature of the relationship between Human Torch and Spider-Man. They’ve had some banter and conflict before, but also teamed up. A friendly rivalry. We saw how friendly last issue when Johnny attended the Spider-Man Fan Club meeting and then was quick to help Spider-Man against the Goblin. Now, he seems uncertain. He witnessed Spider-Man’s cowardice firsthand, but still wants to think better of his friend.

Avengers #9

The coming of the… Wonder Man!

Featuring: Avengers
Release: August 11, 1964
Cover: October 1964
12 cents
Sensationally written by: Stan Lee
Superbly illustrated by: Don Heck
Selectively inked by: Dick Ayers
Sufficienty lettered by: Art Simek
21 pages

Previous	#256	Next
Tales of Suspense #59, Story B	Reading order	Sgt. Fury #11
Avengers #8	Avengers	Avengers #10

To ring in the new year, we get the debut of a promising new character with a solid design aesthetic: Wonder Man.

I have questioned characters whose logos are just letters, but at least the “W” here is nicely stylized.

That title is probably the last time he is ever referred to as “the Wonder Man”.